93
MARIANO BARBASÁN LAGUERUELA (Zaragoza, 1864 - 1924)."A Rainy Day in Anticoli".Oil on canvas.Signed
1/5
Description
MARIANO BARBASÁN LAGUERUELA (Zaragoza, 1864 - 1924).
"A Rainy Day in Anticoli".
Oil on canvas.
Signed in the lower left corner.
Size: 17,5 x 35,5 cm; 45 x 63 cm (frame).
The present canvas was painted by Mariano Barbasán during his stay in Rome, where he opened his own painting studio and took up residence until he was 57 years old, making trips to Anticoli Corrado and Subiaco to work from life. In it, Barbasán offers us an imposing natural image, skilfully constituted with a synthetic and rigorous drawing, on which he deploys a very broad and nuanced palette, which reflects with naturalism and instantaneity a fleeting moment but at the same time impregnated with a timeless character, bathed in a nuanced light that announces the sunset after a long day of rain. The protagonist, a young peasant girl heading towards the front with her cattle, leaves behind a hacienda where a group of characters unfolds and masterfully closes the composition.
Mariano Barbasán began his training at the San Carlos Academy of Fine Arts in Valencia, where he entered in 1880. During his time as a student, he maintained a close relationship with his fellow students Joaquín Sorolla and Salvador Abril. In 1887 he moved to Madrid to see the collections of the Prado Museum, and that same year he took part in the National Exhibition of Fine Arts. During this period he travelled regularly to Toledo, studying its landscapes and architecture. In 1889 he obtained a pension from the Diputación de Zaragoza to complete his studies in Rome. He finally decided to stay in Italy permanently. He opened a studio in Rome, but for long periods he worked in Subiaco, in the Roman countryside. At the age of fifty-seven he returned to Spain to take up a post at the Academy of Fine Arts of San Luis in Saragossa. Thanks to his contacts with English and German dealers, his work spread rapidly throughout Europe. He exhibited repeatedly in Berlin, Munich, Vienna and Montevideo. An anthological exhibition was held in his native city in 1923 at the Centro Mercantil, and another posthumous one was held at the Museo de Arte Moderno in Madrid in 1925. Although he initially painted a few works of a historical nature, Barbasán chiefly cultivated landscape painting and scenes of rural life, as in the present work. In this canvas we can appreciate his personal abbreviated brushstroke and his masterly sensitivity in capturing the light and atmosphere of his surroundings.
His style, colourful and luminous, is above all realistic, with a certain influence of Impressionism (mainly Italian Pre-Impressionism) and the work of Fortuny. Works by Mariano Barbasán can be found in the Prado Museum, the Museum of Contemporary Art in Madrid, the Provincial Museum of Zaragoza, the Museum of Modern Art in Rome, and the Fine Arts Museums of St. Petersburg, Munich, Warsaw, Montevideo and Rio de Janeiro, among others.
"A Rainy Day in Anticoli".
Oil on canvas.
Signed in the lower left corner.
Size: 17,5 x 35,5 cm; 45 x 63 cm (frame).
The present canvas was painted by Mariano Barbasán during his stay in Rome, where he opened his own painting studio and took up residence until he was 57 years old, making trips to Anticoli Corrado and Subiaco to work from life. In it, Barbasán offers us an imposing natural image, skilfully constituted with a synthetic and rigorous drawing, on which he deploys a very broad and nuanced palette, which reflects with naturalism and instantaneity a fleeting moment but at the same time impregnated with a timeless character, bathed in a nuanced light that announces the sunset after a long day of rain. The protagonist, a young peasant girl heading towards the front with her cattle, leaves behind a hacienda where a group of characters unfolds and masterfully closes the composition.
Mariano Barbasán began his training at the San Carlos Academy of Fine Arts in Valencia, where he entered in 1880. During his time as a student, he maintained a close relationship with his fellow students Joaquín Sorolla and Salvador Abril. In 1887 he moved to Madrid to see the collections of the Prado Museum, and that same year he took part in the National Exhibition of Fine Arts. During this period he travelled regularly to Toledo, studying its landscapes and architecture. In 1889 he obtained a pension from the Diputación de Zaragoza to complete his studies in Rome. He finally decided to stay in Italy permanently. He opened a studio in Rome, but for long periods he worked in Subiaco, in the Roman countryside. At the age of fifty-seven he returned to Spain to take up a post at the Academy of Fine Arts of San Luis in Saragossa. Thanks to his contacts with English and German dealers, his work spread rapidly throughout Europe. He exhibited repeatedly in Berlin, Munich, Vienna and Montevideo. An anthological exhibition was held in his native city in 1923 at the Centro Mercantil, and another posthumous one was held at the Museo de Arte Moderno in Madrid in 1925. Although he initially painted a few works of a historical nature, Barbasán chiefly cultivated landscape painting and scenes of rural life, as in the present work. In this canvas we can appreciate his personal abbreviated brushstroke and his masterly sensitivity in capturing the light and atmosphere of his surroundings.
His style, colourful and luminous, is above all realistic, with a certain influence of Impressionism (mainly Italian Pre-Impressionism) and the work of Fortuny. Works by Mariano Barbasán can be found in the Prado Museum, the Museum of Contemporary Art in Madrid, the Provincial Museum of Zaragoza, the Museum of Modern Art in Rome, and the Fine Arts Museums of St. Petersburg, Munich, Warsaw, Montevideo and Rio de Janeiro, among others.
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MARIANO BARBASÁN LAGUERUELA (Zaragoza, 1864 - 1924).
"A Rainy Day in Anticoli".
Oil on canvas.
Signed in the lower left corner.
Size: 17,5 x 35,5 cm; 45 x 63 cm (frame).
The present canvas was painted by Mariano Barbasán during his stay in Rome, where he opened his own painting studio and took up residence until he was 57 years old, making trips to Anticoli Corrado and Subiaco to work from life. In it, Barbasán offers us an imposing natural image, skilfully constituted with a synthetic and rigorous drawing, on which he deploys a very broad and nuanced palette, which reflects with naturalism and instantaneity a fleeting moment but at the same time impregnated with a timeless character, bathed in a nuanced light that announces the sunset after a long day of rain. The protagonist, a young peasant girl heading towards the front with her cattle, leaves behind a hacienda where a group of characters unfolds and masterfully closes the composition.
Mariano Barbasán began his training at the San Carlos Academy of Fine Arts in Valencia, where he entered in 1880. During his time as a student, he maintained a close relationship with his fellow students Joaquín Sorolla and Salvador Abril. In 1887 he moved to Madrid to see the collections of the Prado Museum, and that same year he took part in the National Exhibition of Fine Arts. During this period he travelled regularly to Toledo, studying its landscapes and architecture. In 1889 he obtained a pension from the Diputación de Zaragoza to complete his studies in Rome. He finally decided to stay in Italy permanently. He opened a studio in Rome, but for long periods he worked in Subiaco, in the Roman countryside. At the age of fifty-seven he returned to Spain to take up a post at the Academy of Fine Arts of San Luis in Saragossa. Thanks to his contacts with English and German dealers, his work spread rapidly throughout Europe. He exhibited repeatedly in Berlin, Munich, Vienna and Montevideo. An anthological exhibition was held in his native city in 1923 at the Centro Mercantil, and another posthumous one was held at the Museo de Arte Moderno in Madrid in 1925. Although he initially painted a few works of a historical nature, Barbasán chiefly cultivated landscape painting and scenes of rural life, as in the present work. In this canvas we can appreciate his personal abbreviated brushstroke and his masterly sensitivity in capturing the light and atmosphere of his surroundings.
His style, colourful and luminous, is above all realistic, with a certain influence of Impressionism (mainly Italian Pre-Impressionism) and the work of Fortuny. Works by Mariano Barbasán can be found in the Prado Museum, the Museum of Contemporary Art in Madrid, the Provincial Museum of Zaragoza, the Museum of Modern Art in Rome, and the Fine Arts Museums of St. Petersburg, Munich, Warsaw, Montevideo and Rio de Janeiro, among others.
"A Rainy Day in Anticoli".
Oil on canvas.
Signed in the lower left corner.
Size: 17,5 x 35,5 cm; 45 x 63 cm (frame).
The present canvas was painted by Mariano Barbasán during his stay in Rome, where he opened his own painting studio and took up residence until he was 57 years old, making trips to Anticoli Corrado and Subiaco to work from life. In it, Barbasán offers us an imposing natural image, skilfully constituted with a synthetic and rigorous drawing, on which he deploys a very broad and nuanced palette, which reflects with naturalism and instantaneity a fleeting moment but at the same time impregnated with a timeless character, bathed in a nuanced light that announces the sunset after a long day of rain. The protagonist, a young peasant girl heading towards the front with her cattle, leaves behind a hacienda where a group of characters unfolds and masterfully closes the composition.
Mariano Barbasán began his training at the San Carlos Academy of Fine Arts in Valencia, where he entered in 1880. During his time as a student, he maintained a close relationship with his fellow students Joaquín Sorolla and Salvador Abril. In 1887 he moved to Madrid to see the collections of the Prado Museum, and that same year he took part in the National Exhibition of Fine Arts. During this period he travelled regularly to Toledo, studying its landscapes and architecture. In 1889 he obtained a pension from the Diputación de Zaragoza to complete his studies in Rome. He finally decided to stay in Italy permanently. He opened a studio in Rome, but for long periods he worked in Subiaco, in the Roman countryside. At the age of fifty-seven he returned to Spain to take up a post at the Academy of Fine Arts of San Luis in Saragossa. Thanks to his contacts with English and German dealers, his work spread rapidly throughout Europe. He exhibited repeatedly in Berlin, Munich, Vienna and Montevideo. An anthological exhibition was held in his native city in 1923 at the Centro Mercantil, and another posthumous one was held at the Museo de Arte Moderno in Madrid in 1925. Although he initially painted a few works of a historical nature, Barbasán chiefly cultivated landscape painting and scenes of rural life, as in the present work. In this canvas we can appreciate his personal abbreviated brushstroke and his masterly sensitivity in capturing the light and atmosphere of his surroundings.
His style, colourful and luminous, is above all realistic, with a certain influence of Impressionism (mainly Italian Pre-Impressionism) and the work of Fortuny. Works by Mariano Barbasán can be found in the Prado Museum, the Museum of Contemporary Art in Madrid, the Provincial Museum of Zaragoza, the Museum of Modern Art in Rome, and the Fine Arts Museums of St. Petersburg, Munich, Warsaw, Montevideo and Rio de Janeiro, among others.
30th June - 19th & 20th Century Art
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