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Flemish school of the 17th century."Virgin of the Annunciation".Oil on copper.Measurements: 17 x
1/4
Description
Flemish school of the 17th century.
"Virgin of the Annunciation".
Oil on copper.
Measurements: 17 x 14,5 cm; 27,5 x 24,5 cm (frame).
Devotional image belonging to the Flemish school of the Baroque in which the author remains faithful to the Flemish formulas: in this painting we see a Virgin of the Annunciation, leaning in front of a table, with her head down in sign of humility and her hands crossed on her chest, indicating her submissive acceptance of the divine message. The figure is located in the foreground against a neutral, dark background.
While in the 17th century the demand for religious art for churches radically ceased in the northern provinces of what is now Holland, in Flanders a monumental art in the service of the Catholic Church flourished, partly due to the necessary restoration of the ravages that the wars had caused in churches and convents. In the field of secular art, Flemish painters worked for the court in Brussels and also for the other courts of Europe, producing paintings with classical, mythological and historical themes that were to decorate brilliantly the Royal Sites of Spain, France and England. As a result, there was a proliferation of small and medium-sized works on a wide range of genres, painted by specialised painters who often collaborated on the same work. The present canvas, on the other hand, shows formal innovations but not thematic or compositional ones, as it maintains the formula of the intimate and sober religious painting of the previous century.
"Virgin of the Annunciation".
Oil on copper.
Measurements: 17 x 14,5 cm; 27,5 x 24,5 cm (frame).
Devotional image belonging to the Flemish school of the Baroque in which the author remains faithful to the Flemish formulas: in this painting we see a Virgin of the Annunciation, leaning in front of a table, with her head down in sign of humility and her hands crossed on her chest, indicating her submissive acceptance of the divine message. The figure is located in the foreground against a neutral, dark background.
While in the 17th century the demand for religious art for churches radically ceased in the northern provinces of what is now Holland, in Flanders a monumental art in the service of the Catholic Church flourished, partly due to the necessary restoration of the ravages that the wars had caused in churches and convents. In the field of secular art, Flemish painters worked for the court in Brussels and also for the other courts of Europe, producing paintings with classical, mythological and historical themes that were to decorate brilliantly the Royal Sites of Spain, France and England. As a result, there was a proliferation of small and medium-sized works on a wide range of genres, painted by specialised painters who often collaborated on the same work. The present canvas, on the other hand, shows formal innovations but not thematic or compositional ones, as it maintains the formula of the intimate and sober religious painting of the previous century.
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Flemish school of the 17th century.
"Virgin of the Annunciation".
Oil on copper.
Measurements: 17 x 14,5 cm; 27,5 x 24,5 cm (frame).
Devotional image belonging to the Flemish school of the Baroque in which the author remains faithful to the Flemish formulas: in this painting we see a Virgin of the Annunciation, leaning in front of a table, with her head down in sign of humility and her hands crossed on her chest, indicating her submissive acceptance of the divine message. The figure is located in the foreground against a neutral, dark background.
While in the 17th century the demand for religious art for churches radically ceased in the northern provinces of what is now Holland, in Flanders a monumental art in the service of the Catholic Church flourished, partly due to the necessary restoration of the ravages that the wars had caused in churches and convents. In the field of secular art, Flemish painters worked for the court in Brussels and also for the other courts of Europe, producing paintings with classical, mythological and historical themes that were to decorate brilliantly the Royal Sites of Spain, France and England. As a result, there was a proliferation of small and medium-sized works on a wide range of genres, painted by specialised painters who often collaborated on the same work. The present canvas, on the other hand, shows formal innovations but not thematic or compositional ones, as it maintains the formula of the intimate and sober religious painting of the previous century.
"Virgin of the Annunciation".
Oil on copper.
Measurements: 17 x 14,5 cm; 27,5 x 24,5 cm (frame).
Devotional image belonging to the Flemish school of the Baroque in which the author remains faithful to the Flemish formulas: in this painting we see a Virgin of the Annunciation, leaning in front of a table, with her head down in sign of humility and her hands crossed on her chest, indicating her submissive acceptance of the divine message. The figure is located in the foreground against a neutral, dark background.
While in the 17th century the demand for religious art for churches radically ceased in the northern provinces of what is now Holland, in Flanders a monumental art in the service of the Catholic Church flourished, partly due to the necessary restoration of the ravages that the wars had caused in churches and convents. In the field of secular art, Flemish painters worked for the court in Brussels and also for the other courts of Europe, producing paintings with classical, mythological and historical themes that were to decorate brilliantly the Royal Sites of Spain, France and England. As a result, there was a proliferation of small and medium-sized works on a wide range of genres, painted by specialised painters who often collaborated on the same work. The present canvas, on the other hand, shows formal innovations but not thematic or compositional ones, as it maintains the formula of the intimate and sober religious painting of the previous century.
9th March - Old Masters
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