Lot

947

Jean-Antoine Houdon (1741-1828) Terracotta Bust

In Fall Fine Art and Antiques Extravaganza

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SARASOTA, Florida

Terracotta bust of a young girl with brown patina. Original brown marble base. Signed and dated 1783 on underside. Slight flake to the back of the sculpture. Prominent in France during the Enlightenment period of the late 18th and early 19th centuries, Jean-Antoine Houdon was a neo-classical sculptor, especially noted for his marble portrait busts and statues. His subjects included Americans Benjamin Franklin, George Washington, Thomas Jefferson, and Robert Fulton, and among his French subjects were Denis Diderot, Jean-Jacques Rousseau, Louis XVI and Napoléon Bonaparte. For King Louis, he did numerous statues for the gardens of Versailles. Houdon was a continuous exhibitor at the French Salon, and works included many of the above mentioned personages as well as Prince Henry of Prussia, Catharine of Russia, Voltaire, the playwright Moliere and Marshal de Tourville. Houdon was born in Versailles in 1714. His artistic talent was apparent from the time he was young, and at age 12, he enrolled in the Ecole Royale de Sculpture where he was a student of sculptor Michel Ange Slodtz (1705-1764). In 1761, at the age of 20, Houdon received a Prix de Rome, which was a scholarship sponsored and paid for by the King of France for art students to study at The Academy of France in Rome. He stayed in Italy for ten years, and there much delighted Pope Clement XIV and many other people with his statue of St. Bruno, which Houdon did for the church of St. Maria degli Angeli. Although receiving the Prix de Rome brought him public recognition and the duration provided some excellent exposure to Italian art, scholars indicate that he was not particularly influenced by either the Renaissance or Classical works. However, tangible evidence of some of that influence was the sculpture he titled Morpheus that he sent to the French Salon in 1771. That same year, because of the skill he had shown with Morpheus, and with entries two years earlier that were busts of Catharine II, Diderot and Prince Galitzin, Houdon was elected to the Académie des Beaux-Arts (painting and sculpture), one of the five academies of the Institute de France, a society of learned persons who set aesthetic standards. In 1778, he became a Professor at the Académie and has been described as being a very active teacher. During the French Revolution, he was censored as a 'bourgeois' because of his association with Louis XVI, but he was not imprisoned. Under the French Consulate, the government between 1799 and 1804, and the French Empire, 1804-1814, when Napoléon took over, Houdon regained his former stature. He executed architectural reliefs, did a statue of Cicero for the Senate, did portrait busts of Napoleon and his wife Josephine, and received the Legion of Honour. In 1785, at the invitation of Benjamin Franklin, America's Minister to France, Houdon traveled with Franklin to America to Virginia, where he visited Mount Vernon to model George Washington, who four years later would be elected President of the United States. From sittings, Houdon made wet-clay life models and a plaster life mask, which later were used, not only by Houdon in Paris for his portrait bust of Washington but for many sculpture works of Washington. Among these Washington subjects are the standing figure statue in the state capitol building in Richmond commissioned by the Virginia General Assembly; many variations of a portrait busts, and a statue in the Vermont State House depicting him in a toga as the Roman Consul Lucius Quinctius Cincinnatus. Jean-Antoine Houdon died in Paris July 16, 1828, and is buried in Montparnasse Cemetery. From November 4, 2003 to January 25, 2004, an exhibition of Houdon's sculpture was held at the J. Paul Getty Museum in Los Angeles. Size: 18 x 12 x 6 in.

Terracotta bust of a young girl with brown patina. Original brown marble base. Signed and dated 1783 on underside. Slight flake to the back of the sculpture. Prominent in France during the Enlightenment period of the late 18th and early 19th centuries, Jean-Antoine Houdon was a neo-classical sculptor, especially noted for his marble portrait busts and statues. His subjects included Americans Benjamin Franklin, George Washington, Thomas Jefferson, and Robert Fulton, and among his French subjects were Denis Diderot, Jean-Jacques Rousseau, Louis XVI and Napoléon Bonaparte. For King Louis, he did numerous statues for the gardens of Versailles. Houdon was a continuous exhibitor at the French Salon, and works included many of the above mentioned personages as well as Prince Henry of Prussia, Catharine of Russia, Voltaire, the playwright Moliere and Marshal de Tourville. Houdon was born in Versailles in 1714. His artistic talent was apparent from the time he was young, and at age 12, he enrolled in the Ecole Royale de Sculpture where he was a student of sculptor Michel Ange Slodtz (1705-1764). In 1761, at the age of 20, Houdon received a Prix de Rome, which was a scholarship sponsored and paid for by the King of France for art students to study at The Academy of France in Rome. He stayed in Italy for ten years, and there much delighted Pope Clement XIV and many other people with his statue of St. Bruno, which Houdon did for the church of St. Maria degli Angeli. Although receiving the Prix de Rome brought him public recognition and the duration provided some excellent exposure to Italian art, scholars indicate that he was not particularly influenced by either the Renaissance or Classical works. However, tangible evidence of some of that influence was the sculpture he titled Morpheus that he sent to the French Salon in 1771. That same year, because of the skill he had shown with Morpheus, and with entries two years earlier that were busts of Catharine II, Diderot and Prince Galitzin, Houdon was elected to the Académie des Beaux-Arts (painting and sculpture), one of the five academies of the Institute de France, a society of learned persons who set aesthetic standards. In 1778, he became a Professor at the Académie and has been described as being a very active teacher. During the French Revolution, he was censored as a 'bourgeois' because of his association with Louis XVI, but he was not imprisoned. Under the French Consulate, the government between 1799 and 1804, and the French Empire, 1804-1814, when Napoléon took over, Houdon regained his former stature. He executed architectural reliefs, did a statue of Cicero for the Senate, did portrait busts of Napoleon and his wife Josephine, and received the Legion of Honour. In 1785, at the invitation of Benjamin Franklin, America's Minister to France, Houdon traveled with Franklin to America to Virginia, where he visited Mount Vernon to model George Washington, who four years later would be elected President of the United States. From sittings, Houdon made wet-clay life models and a plaster life mask, which later were used, not only by Houdon in Paris for his portrait bust of Washington but for many sculpture works of Washington. Among these Washington subjects are the standing figure statue in the state capitol building in Richmond commissioned by the Virginia General Assembly; many variations of a portrait busts, and a statue in the Vermont State House depicting him in a toga as the Roman Consul Lucius Quinctius Cincinnatus. Jean-Antoine Houdon died in Paris July 16, 1828, and is buried in Montparnasse Cemetery. From November 4, 2003 to January 25, 2004, an exhibition of Houdon's sculpture was held at the J. Paul Getty Museum in Los Angeles. Size: 18 x 12 x 6 in.

Fall Fine Art and Antiques Extravaganza

Sale Date(s)
Lots: 1-800
Lots: 800-1600
Venue Address
522 S Pineapple Ave.
SARASOTA
Florida
34236
United States

UPS Store 4074

Nicolas Dussault

941-358-7022

Store4074@theupsstore.com

 

 

Premier Shipping & Crating

941-358-9999

info@premiershipment.com

Important Information

We invite you to our Fine Art, and Antiques Extravaganza on Saturday, November 14 and Sunday, November 15, 2020 at 11am. The finest pieces from many estates will be offered with over 1,000 lots. A lifetime collection of fresh to marked late 19th C. and earlier 20th C. Russian works, including a monumental oil on canvas from Ivan Konstantinovich Aivazovsky dated 1887, which is titled “Ship at Sea”. Featuring multiple lots of fine art from: Jane Peterson, John Stobart, Frank Von Der Lancken, David Burliuk, Andre Gisson, Gilbert White, Hayley Lever, Theresa Ferber Bernstein, Robert Hallowell, Marc Chagall, Dali and Joan Miro. Included is an important nude from Gil Elvgren and a monumental work from Dorothea Litzinger.  Also, fine art from Charles Jacque, Arthur Beaumont, Howard Logan Hildebrandt, James Buttersworth, Dorothea Greenbaum, James Peel, Mabel May Woodward, Robert D. Wilkie, James Rosenquist, Marguerite Stuber Pearson, William Baptiste Baird.  Another highlight will be a rare bone cane previously owned by Napoleon Bonaparte along with a collection of whale bone canes. Two 3.5 total carat stunning diamond rings and 1 beautiful diamond platinum cluster bracelet will also be offered for sale. A Philip and Kelvin LaVerne Chinoiserie style coffee table in patinated bronze and pewter (signed Philip & Kelvin LaVerne on top). Early Halloween and Christmas Papier-mache decorations, early Black Americana, and an antique Fireman’s Hat dated 1897 from an important ex-Cape Cod antique dealer will be offered. A collection of Fendi luggage and Gucci from the Franceso Gittardi estate will be offered as well. An Antique French Louis Phillipe Writing Desk & Chair, a collection of Bronzes including 19th C Bronze, ERTE and Chiparus bronzes. Also, including multiple Pre-Colombian pieces, antique spongeware, a collection of period Tea Caddies, 3 antique Samplers, antique Chinese porcelain table lamps, Japanese woodblocks, 18th C. Chinese export pieces, Mocha ware, Bennington ware pottery, Treenware, Imari porcelain, Overland cast iron, cold painted Royal Vienna Bronzes, important pewter, fine porcelain, Antique Chinese roof tiles, a Tiffany clock, antique French Gilt clock, sterling silver, gold, a collection of silk Persian rugs, Molteni glass and chrome dining table, art glass, 19th C. inlaid Regency center table, dollhouse furniture, antique spool cabinet, Early Nantucket basket, Antique duck decoys, Monumental Palau Open Pair Clam Shells, Qing Dynasty Porcelain, French canary yellow Criel Porcelain set, blue and white Willow, antique and vintage stained glass, plus much more…

Terms & Conditions

1. All items are sold as is, where is, with all faults. There are no warranties or representations of merchantability, of fitness, nor of any other kind, express or implied. All items are available for your examination prior to bidding. Your bidding will signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of items being sold. Our goal is to provide prospective bidders with accurate and detailed information. We recommend prospective bidders examine all items in which they have an interest. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the item in question. We do not give refunds. All sales are final. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Sarasota Estate Auction or by any seller represented by Sarasota Estate Auction.

 

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6. We are pleased to offer absentee and phone bidding for prospective bidders who cannot be present at the auction. Please complete the Absentee Bid and/or Phone Reservation form. Absentee bids are executed competitively and confidentially. All reservations for phone bidding are held in the strictest confidence and must be received by 5 pm the day before the auction. No additional phone bids can be accepted on the day of the auction including additions when speaking with a staff person on the phone. Leaving an absentee or phone bid on a lot indicates your willingness to open the bidding at the starting bid and gives the auctioneer the authority to open the bidding at that level. If an item has an opening bid of $1000.00 or greater, Sarasota Estate Auction will have the right to charge your card a deposit up to the full starting bid for all absentee/phone bidders.This amount will be refunded in the event that the item is won by another bidder. Furthermore, Sarasota Estate Auction shall have the right to withdraw any item at any time for any reason and to default any sale in the event of an error or dispute.

 

7. In the case of identical absentee bids, the bid received first will prevail. Bids left on Live Auctioneers are not executed until the item is offered in the live auction and the order in which they are received is not a factor. We sell 20-30 lots per hour. Please refer to the bidding increments.

 

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10. Note to internet absentee bidders. We do not accept cut bids, (bids less than the last interval) from the floor or from phone bidders, and we do not accept them from internet bidders. Thus, it is possible that a lot could go to another bidder for less than your absentee bid. For example, if the bids are progressing in ten dollar increments, $50, $60, $70 and your absentee falls at $75, we will not take the bid since it is less than the $10 interval. We always encourage bidders to bid by phone or to leave absentee bids through our gallery to avoid such a situation.

 

11. All purchases are subject to applicable Florida sales tax of 7% unless the Florida Certificate of Resale tax form is fully and completely filled out and received prior to time of purchase. Resale tax numbers from other states are accepted. International buyers are responsible for tariffs, taxes, or assessments of shipped items to the buyer's country.

 

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13. A buyer's premium will be applied to the purchase price of all items in the amount of 26%.

 

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17. Due to the embargo on Persian carpets, international shipping is not available.

 

18. Sarasota Estate Auction makes no warranty or guarantee whatsoever regarding the jewelry, its colored stones, diamonds, other gem materials, or metals, or as to their status as natural, treated, earth mined, manmade or other. Appraisals, descriptions, photographs, are offered as a service and are not intended to be a complete analysis of the qualities and conditions of the jewelry. All identifications, information, weights, quality, cut, value and other estimates, are opinions, limited by examination and grading the mountings, the condition and cleanliness of the items. All gems, colored stones, diamonds, cultured or natural pearls, fresh water, south sea, Tahitian pearls, and other materials used in jewelry, may be enhanced by a variety of treatments. Sarasota Estate Auction makes no warranties or guaranties that any clock or watch is in working order.

 

19. Condition of Firearms: Sarasota Estate Auction or its' employees or consultants make no warranties or representations whatsoever concerning the operation of firing condition, safety to store or reliability of any firearm. Any firearm purchased is at the user's risk. Sarasota Estate Auction expressly disclaims any liability whatsoever for accident, injury or damage resulting to any person or property from the storage or use of any such lot.

 

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