148
Macedon, Akanthos AR Tetradrachm. Circa 470-430 BC. Lion right, attacking bull crouching left; in
In Auction XIII
Description
Macedon, Akanthos AR Tetradrachm. Circa 470-430 BC. Lion right, attacking bull crouching left; in exergue, fish left / AKANΘION in shallow incuse around quadripartite square, the quarters raised and granulated. Cf. Desneux 96 (unlisted obv. die); SNG ANS -. 17.43g, 30mm, 9h. Good Extremely Fine. Sharply struck and perfectly centred within a full border. The ubiquitous and persistent theme of the lion-bull combat can be traced back to the figurate art of the third millennium, where the geometrical motifs are replaced by narrative symbolic representations, and the scene is characteristic of Near Eastern art in its infancy. The earliest known depiction occurs on a ewer found at Uruk dated to the latter part of the Protoliterate period, circa 3300 BC. That ewer has a relief depiction of a lion attacking a bull from behind (see Henri Frankfort, Art and Architecture of the Ancient Orient, 1963). The scene became widely distributed by 500 BC, featuring prominently in the Achaemenid Empire, and in particular at the palace of Darios in Persepolis, where it occurs no fewer than twenty seven times, including on the main staircase leading to the imperial complex. Its frequent appearance in key locations strongly suggests an important symbolic significance, which unfortunately has not survived antiquity in any explicitly clear form. Explanations for the symbolism and its power over the ancient peoples who reproduced it with prodigious enthusiasm have ranged from it being an expression of royal power, to it being an astronomical allusion, as well it being an embodiment of the constant struggle between civilisation (represented by the domesticated bull), and nature (represented by the untameable lion). This latter argument may well hold true for the Mesopotamians of Uruk, who it is known took a rather grim view of the world, seeing it as a battleground of opposing powers. One interpretation that has gained traction in recent years is that the motif is apotropaic in nature, serving to ward off evil in a similar function to the gorgoneion, which like the lion attack motif is very prevalent in ancient Greek coinage, though there is little evidence to support such a notion. G. E. Markoe ('The Lion Attack in Archaic Greek Art', Classical Antiquity Vol. 8, 1, 1989) convincingly suggests that a more likely explanation may be found in the examination of archaic Greek epic poetry, particularly in Homeric literature, wherein a lion attacking cattle or sheep is repeatedly employed as a simile for the aggression and valour of combatant heroes. In notable passages, Agamemnon's victorious advance against the Trojans in the Iliad (11.113ff and 129) and Hektor's successful pursuit of the Achaeans (15.630ff) are both likened to a lion triumphing over its hapless prey. In both of these cases the allusion is completed by the defeated being compared to fleeing prey animals. In all, there are twenty five examples present in the Iliad of heroic warriors being compared to leonine aggressors, with the victims variously compared to boars, sheep, goats, bulls or deer. The repetition of this literary device is clearly demonstrative of how deeply rooted the imagery was in the Greek (and perhaps more generally human) consciousness. Of further and great significance is the involvement of the gods as the primary instigators of heroic leonine aggression in almost every case, and as it is made clear that the lion itself is an animal that is divinely directed to its prey (11.480, by a daimon), so then is the lion attack a metaphor for divinely inspired heroic triumph.
Auction Details
Shipping
T&Cs & Important Info
Ask seller a question
Macedon, Akanthos AR Tetradrachm. Circa 470-430 BC. Lion right, attacking bull crouching left; in exergue, fish left / AKANΘION in shallow incuse around quadripartite square, the quarters raised and granulated. Cf. Desneux 96 (unlisted obv. die); SNG ANS -. 17.43g, 30mm, 9h. Good Extremely Fine. Sharply struck and perfectly centred within a full border. The ubiquitous and persistent theme of the lion-bull combat can be traced back to the figurate art of the third millennium, where the geometrical motifs are replaced by narrative symbolic representations, and the scene is characteristic of Near Eastern art in its infancy. The earliest known depiction occurs on a ewer found at Uruk dated to the latter part of the Protoliterate period, circa 3300 BC. That ewer has a relief depiction of a lion attacking a bull from behind (see Henri Frankfort, Art and Architecture of the Ancient Orient, 1963). The scene became widely distributed by 500 BC, featuring prominently in the Achaemenid Empire, and in particular at the palace of Darios in Persepolis, where it occurs no fewer than twenty seven times, including on the main staircase leading to the imperial complex. Its frequent appearance in key locations strongly suggests an important symbolic significance, which unfortunately has not survived antiquity in any explicitly clear form. Explanations for the symbolism and its power over the ancient peoples who reproduced it with prodigious enthusiasm have ranged from it being an expression of royal power, to it being an astronomical allusion, as well it being an embodiment of the constant struggle between civilisation (represented by the domesticated bull), and nature (represented by the untameable lion). This latter argument may well hold true for the Mesopotamians of Uruk, who it is known took a rather grim view of the world, seeing it as a battleground of opposing powers. One interpretation that has gained traction in recent years is that the motif is apotropaic in nature, serving to ward off evil in a similar function to the gorgoneion, which like the lion attack motif is very prevalent in ancient Greek coinage, though there is little evidence to support such a notion. G. E. Markoe ('The Lion Attack in Archaic Greek Art', Classical Antiquity Vol. 8, 1, 1989) convincingly suggests that a more likely explanation may be found in the examination of archaic Greek epic poetry, particularly in Homeric literature, wherein a lion attacking cattle or sheep is repeatedly employed as a simile for the aggression and valour of combatant heroes. In notable passages, Agamemnon's victorious advance against the Trojans in the Iliad (11.113ff and 129) and Hektor's successful pursuit of the Achaeans (15.630ff) are both likened to a lion triumphing over its hapless prey. In both of these cases the allusion is completed by the defeated being compared to fleeing prey animals. In all, there are twenty five examples present in the Iliad of heroic warriors being compared to leonine aggressors, with the victims variously compared to boars, sheep, goats, bulls or deer. The repetition of this literary device is clearly demonstrative of how deeply rooted the imagery was in the Greek (and perhaps more generally human) consciousness. Of further and great significance is the involvement of the gods as the primary instigators of heroic leonine aggression in almost every case, and as it is made clear that the lion itself is an animal that is divinely directed to its prey (11.480, by a daimon), so then is the lion attack a metaphor for divinely inspired heroic triumph.
Auction XIII
Sale Date(s)
Venue Address
The Alto Room
The Cavendish Hotel London
81 Jermyn Street
London
SW1Y 6JF
United Kingdom
General delivery information available from the auctioneer
Insurance is included in all shipping prices.
Within the UK:
- £8.50 for Royal Mail Special Delivery for purchases valued from £1 - £3,000
- From £25.00 for DHL delivery for purchases valued over £3,001
For international customers:
- £12.50 for orders valued from £1 - £500
- £25.00 for orders valued from £501 - £3,000
- From £50.00 for FedEx delivery for orders valued over £3,001
Important Information
ROMA NUMISMATICS LTD.
AUCTION XIII
23 March 2017
10:00 Celtic and Greek Coins
13:30 Roman, Migration Period, Byzantine and World Coins
18:00 Coins of Carausius, Allectus and the Mint of London
Location:
The Alto Room
The Cavendish Hotel
81 Jermyn Street
London, SW1Y 6JF
United Kingdom
Viewing:
At the office of Roma Numismatics
20 Fitzroy Square
London, W1T 6EJ
United Kingdom
From February 23rd - March 22nd:
Monday – Friday, 09:30 – 17:30
Lots will not be available for viewing during the sale.
Roma Numismatics Limited
20 Fitzroy Square
London
W1T 6EJ
United Kingdom
Tel: +44 (0) 20 7121 6518
www.romanumismatics.com
email: info@romanumismatics.com
Terms & Conditions
CONDITIONS OF SALE
The following terms and conditions will apply to this auction:
I. All estimates are in POUNDS STERLING. The opening bids will be 80% of the estimate unless there are existing higher bids. There will be a 19% Buyer’s Fee added to the hammer price.
II. VAT at 20% (applicable to customers within the UK and EU) is due on the Buyer’s Fee only, not the hammer price.
III. The auctioneer guarantees the absolute authenticity of any and all coins sold. There is no expiration to this guarantee. Any coins subsequently found to be not authentic will be exchanged for a full refund of the purchase price.
IV. Absentee bids must be submitted and received by 20:00 on the day before the auction at the latest. It is the bidder’s responsibility to ensure that bids have been received by Roma Numismatics.
V. All grades and descriptions are the opinion of the cataloguer. Conditions of all lots are as per the photographs displayed on the Roma Numismatics website; condition reports are available upon request. It is not possible to note all marks or defects, and thus customers are encouraged to carefully examine in person all lots that they are interested in bidding on. Bids, once placed, are final and will not be rescinded. If, however, the description is found to be incorrect, the item is returnable within 21 days after the sale. No other returns will be accepted except on the grounds of non-authenticity. All prospective bidders who exercise the opportunity to examine lots in hand shall assume all responsibility for any damage they cause in so doing. The auctioneer shall have sole discretion in determining the value of the damage caused, which shall be promptly paid by the prospective bidder.
VI. The auctioneer will have absolute discretion to accept or decline any bid, withdraw lots from sale at any time until such point as the purchaser takes physical possession, re-open any lot, even after the hammer has fallen, in which a bidding error has occurred, and to determine in the event of a dispute, the final winner of a lot or to rescind the sale and put the lot up for sale again.
VII. For the protection of mail or absentee bidders, no ‘unlimited’ or ‘buy’ bids will be accepted. When identical bids are received for the same lot, preference will be given to the bid received first. A mail bid will take preference over a floor bid.
- Some lots may carry a reserve. The auctioneer reserves the right not to sell an item below the confidential price, or will repurchase the item on behalf of the consignor or for the account of Roma Numismatics Ltd. If a reserve exists the auctioneer reserves the right to bid on any lot on behalf of the consignor up to the amount of the reserve against any floor or mail bidders. The auctioneer also reserves the right to bid on any lot on behalf of Roma Numismatics Ltd.
IX. Title remains with the owner until such time as the customer has paid in full.
X. Invoices are due immediately upon receipt. Roma Numismatics Ltd. reserves the right to charge interest on unpaid invoices at the rate of 2% per calendar month, except where prior agreement has been made with regards to payment arrangements.
XI. A 3.5% surcharge will be applied to payments made via PayPal or credit/debit card. A £10 surcharge will be applied to payments made by bank transfer from outside of the UK. The customer is responsible for paying all bank charges and shipping and insurance costs.
XII. A 3% surcharge will be applied to lots won through www.the-saleroom.com. Roma Numismatics is not responsible for any missed lots or bids due to network speed or down-time.
- By making a bid the customer agrees to the above terms and conditions and accepts to be bound by them. These conditions shall take effect and be construed in accordance with the provisions of English Law.
US COIN IMPORT RESTRICTIONS
Any coins in this sale that fall under US import restrictions but may still be legally imported into the US are accompanied by documentation proving that they were outside of the source country prior to the effective date, or are accompanied by a valid export certificate issued by the country of origin.
Any coins subject to US import restrictions that may not lawfully be imported into the United States of America will be clearly indicated as such with the note: ‘not suitable for US market’.
Roma Numismatics will make every effort to ensure that US import restrictions affect our clients as little as possible, and will carry out all necessary importations and procedures as required on behalf of the client.
PAYMENT METHODS
Invoices to be settled in POUNDS STERLING immediately upon receipt unless previously agreed otherwise.
Bank Transfer:
Barclays Bank, 22 The Borough, Farnham, GU9 7NH, UK | Account Name: Roma Numismatics
IBAN: GB81 BARC 2031 0663 0101 39 | BIC: BARC GB22 | SORT CODE: 20-31-06 | ACC #: 63010139
Cheque (GBP only): Please make payable to Roma Numismatics Limited
PayPal (add 3.5%): sales@romanumismatics.com
Credit/Debit Card (add 3.5%): contact us directly on +44 (0)20 7121 6518
