Lot

350

65 Asian art books, mainly on Chinese and Korean art, incl. a number of rare works

In Asian, Islamic & European arts: Important Chin...

This auction is live! You need to be registered and approved to bid at this auction.
You have been outbid. For the best chance of winning, increase your maximum bid.
Your bid or registration is pending approval with the auctioneer. Please check your email account for more details.
Unfortunately, your registration has been declined by the auctioneer. You can contact the auctioneer on 003250343603 for more information.
You are the current highest bidder! To be sure to win, log in for the live auction broadcast on or increase your max bid.
Leave a bid now! Your registration has been successful.
Sorry, bidding has ended on this item. We have thousands of new lots everyday, start a new search.
Bidding on this auction has not started. Please register now so you are approved to bid when auction starts.
1/3
65 Asian art books, mainly on Chinese and Korean art, incl. a number of rare works - Image 1 of 3
65 Asian art books, mainly on Chinese and Korean art, incl. a number of rare works - Image 2 of 3
65 Asian art books, mainly on Chinese and Korean art, incl. a number of rare works - Image 3 of 3
65 Asian art books, mainly on Chinese and Korean art, incl. a number of rare works - Image 1 of 3
65 Asian art books, mainly on Chinese and Korean art, incl. a number of rare works - Image 2 of 3
65 Asian art books, mainly on Chinese and Korean art, incl. a number of rare works - Image 3 of 3
Interested in the price of this lot?
Subscribe to the price guide
Bruges
65 Asian art books, mainly on Chinese and Korean art, incl. a number of rare works  Full list:Ê Ancient Chinese Trade Ceramics from The British Museum, London, National Museum of History Republic of ChinaChinese Bronzes, P. Hamlyn, CameoLes bronzes chinois, T. DexelBronzes archaïques chinois Archaic Chinese Bronzes, Musée Cernuschi, V. ElisseeffChinese Art from the Collection of H.M. King Gustaf VI Adolf of SwedenSeltene Kunstobjekte aus ältesten une alten Kulturen China und Thailand, Galerie Zacke WienCorpo e Anima – Body and Soul, Renzo Freschi oriental ArtThe Mount Trust Collection of Chinese ArtChinese Ceramics at Lotherton Hall, Leeds, H. SutcliffeCollecting Chinese Art: Interpretation and Display, Colloquies on Art & Archaeology in Asia No. 20, Percival David Foundation of Chinese Art, S. PiersonPathways to the Afterlife: Early Chinese Art from the Sze Hong Collection, Denver Art Museum University of Hawaii Press The Chinese Collection selected works from the Norton Museum of ArtHandbook of the Oriental Collection, Birmingham Museum of ArtChinese Connoisseurship: the Ko Ku Yao Lun: The Essential Criteria of Antiquities, Sir Percival David The Seligman Collection of Oriental Art, Vol. 2, Chinese and Korean Pottery and Porcelain, J. AyersThe Seligman Collection of Oriental Art, Hansford, Vol. 1: Chinese, Central Asian and Luristan Bronzes and Chinese Jades and Sculptures, The Arts Council of Great BritainOriginal Intentions, Essays on Production, Reproduction, and Interpretation in the Arts of China, Pearce & SteuberChinese Pottery of the Han Dynasty, B. Laufer, TuttleChinese Paintings, Textiles, Snuff Bottles, Ceramics and Works of Art, 14-15 may 1979Ten Thousand things: Module and Mass Production in Chinese Art, A.W. Mellon Lectures in the Fine Arts, 1998, Bollingen Series XXXV, 46 PrincetonExploring China’s Past: New discoveries and Studies in Archaeology and Art, Whitfield & Wang, SaffronGilded Splendor: Treasures of China’s Liao Empire (907-1125)The Han Dynasty, M. Pirazzoli-t’Serstevens, RizzoliChina: a History in Art, B. Smith & Wan-go Weng, Gemini SmithChina at the Court of the Emperors: Unknown Masterpieces, Han tradition to Tang Elegance (25-907)The Chinese Collector through the Centuries, TuttleThe Murals of Li Hsien’s Tomb of T’Ang Dynasty, Shensi Provincial Museum, Wenwu Press, Peking 1974 (ENG + FR)La Collection Guérinet, Art chinois Indo-chinois, JaponaisChinese paintings, Textiles, Snuff Bottles, Ceramics and Works of Art, Sotheby Parke Bernet Inc, Salenumber 4223, New York A Chinese calligraphy albumMasterpieces of Chinese Painting in the National Palace Museum, National Palace Museum, TaipeiChinese painting, William CohnOpgegraven schatten uit de volksrepubliek China, RijksmuseumThe Minor Arts of China IV, Spink and Son Ltd, April 1989Chinese ceramics, Bronzes and Jades in the collection of Sir Alan and Lady Barlow, Michael SullivanEight Dynasties of Chinese Painting, The Collection of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of ArtMuseum Für Ostasiatische Kunst Berlin, Ausgewählte Werke Ostasiatischer Kunst, Berlin- DahlemThe Mustard Seed Garden Manual Of Painting, Chieh Tzu Yüan Hua Chuan, translated from the Chinese and edited by Mai-mai Sze The Sculpture of Thailand, Theodore Bowie, M.C. Subhadradis Diskul, A.B. GriswoldChinese and Japanese Sculpture, 7 November 2002 – 15 November 2002, Gerard Hawthorn Ltd, Oriental ArtHandbook to the Collections of Early Chinese Antiquities, William WatsonThe Art of Sourtheast Asia, Temples and Sculpture, Louis Frédéric, Translated from the French by Arnold RosinPrestige du Passé Chine, Texte de Joachim Hildebrand, Diffussion J. Lazarus (FR)Treasures From the Shang and a Selection of Ritual Objects, Gisèle Croës, New York March 2001The Arts of China to AD 900, William WatsonMeisterwerke Chinesischer Malerei, Werner SpeiserArt du Tibet, La Collection des Musées Royeux d’Art et d’Histoire Bruxelles, Miriam LambrechtTibetan-Lamaist Art, Henri Kamer Galerie Inc, text by Carin BurrowsArt Lamaïque, Art Des Dieux, Jacques van GoidsenhovenJades Chinois, pierres d’immortalité, Musée Cernuschi, du 26 septembre 1997 au 4 janvier 1998Radiant Stones, Archaic Chinese Jades, Myrna Myers (water damage)Chinese and Annamese Ceramics, A. JosephDragons & Lotus Blossoms, Stevenson, Wood, Birmingham Museum of ArtCeramic Traditions of South-East Asia, Guy, OxfordThe Ceramics of South-East Asia – Their Dating and Identification, Roxanna M. BrownVietnamese Ceramics: A Separate Tradition, Stevenson & Guy, Art Media ResourcesKorean masterpieces of the Chosôn dynasty, Powerhouse Publishing, Queensland Art GalleryThe Ceramic Art of Korea, Faber & FaberKorean Art from the Gompertz and Other Collections in the Fitzwilliam Museum, CambridgeThe Arts of Korea, Thames & Hudson, C. Kim W.-Y. KimKorean Pottery & Porcelain of the Yi Period, Faber&Faber, G. St. G. M. GompertzCorean Pottery, W. B. Honey, Faber&FaberHandbook of Korean Art Earthenware and Celadon, Youngsook Pak & Roderick WhitfieldHandbook of Korean Art White Porcelain and Punch’ông ware, Jae-yeol KimTwo Thousands years of Oriental Ceramics, Thames & Hudson ------ Please request condition reports by e-mail on info@rm-auctions.com. The reports, additional images and high-resolution images will be published on our website: www.rm-auctions.com. The absence of a condition report does not imply that the lot is in perfect condition.
65 Asian art books, mainly on Chinese and Korean art, incl. a number of rare works  Full list:Ê Ancient Chinese Trade Ceramics from The British Museum, London, National Museum of History Republic of ChinaChinese Bronzes, P. Hamlyn, CameoLes bronzes chinois, T. DexelBronzes archaïques chinois Archaic Chinese Bronzes, Musée Cernuschi, V. ElisseeffChinese Art from the Collection of H.M. King Gustaf VI Adolf of SwedenSeltene Kunstobjekte aus ältesten une alten Kulturen China und Thailand, Galerie Zacke WienCorpo e Anima – Body and Soul, Renzo Freschi oriental ArtThe Mount Trust Collection of Chinese ArtChinese Ceramics at Lotherton Hall, Leeds, H. SutcliffeCollecting Chinese Art: Interpretation and Display, Colloquies on Art & Archaeology in Asia No. 20, Percival David Foundation of Chinese Art, S. PiersonPathways to the Afterlife: Early Chinese Art from the Sze Hong Collection, Denver Art Museum University of Hawaii Press The Chinese Collection selected works from the Norton Museum of ArtHandbook of the Oriental Collection, Birmingham Museum of ArtChinese Connoisseurship: the Ko Ku Yao Lun: The Essential Criteria of Antiquities, Sir Percival David The Seligman Collection of Oriental Art, Vol. 2, Chinese and Korean Pottery and Porcelain, J. AyersThe Seligman Collection of Oriental Art, Hansford, Vol. 1: Chinese, Central Asian and Luristan Bronzes and Chinese Jades and Sculptures, The Arts Council of Great BritainOriginal Intentions, Essays on Production, Reproduction, and Interpretation in the Arts of China, Pearce & SteuberChinese Pottery of the Han Dynasty, B. Laufer, TuttleChinese Paintings, Textiles, Snuff Bottles, Ceramics and Works of Art, 14-15 may 1979Ten Thousand things: Module and Mass Production in Chinese Art, A.W. Mellon Lectures in the Fine Arts, 1998, Bollingen Series XXXV, 46 PrincetonExploring China’s Past: New discoveries and Studies in Archaeology and Art, Whitfield & Wang, SaffronGilded Splendor: Treasures of China’s Liao Empire (907-1125)The Han Dynasty, M. Pirazzoli-t’Serstevens, RizzoliChina: a History in Art, B. Smith & Wan-go Weng, Gemini SmithChina at the Court of the Emperors: Unknown Masterpieces, Han tradition to Tang Elegance (25-907)The Chinese Collector through the Centuries, TuttleThe Murals of Li Hsien’s Tomb of T’Ang Dynasty, Shensi Provincial Museum, Wenwu Press, Peking 1974 (ENG + FR)La Collection Guérinet, Art chinois Indo-chinois, JaponaisChinese paintings, Textiles, Snuff Bottles, Ceramics and Works of Art, Sotheby Parke Bernet Inc, Salenumber 4223, New York A Chinese calligraphy albumMasterpieces of Chinese Painting in the National Palace Museum, National Palace Museum, TaipeiChinese painting, William CohnOpgegraven schatten uit de volksrepubliek China, RijksmuseumThe Minor Arts of China IV, Spink and Son Ltd, April 1989Chinese ceramics, Bronzes and Jades in the collection of Sir Alan and Lady Barlow, Michael SullivanEight Dynasties of Chinese Painting, The Collection of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of ArtMuseum Für Ostasiatische Kunst Berlin, Ausgewählte Werke Ostasiatischer Kunst, Berlin- DahlemThe Mustard Seed Garden Manual Of Painting, Chieh Tzu Yüan Hua Chuan, translated from the Chinese and edited by Mai-mai Sze The Sculpture of Thailand, Theodore Bowie, M.C. Subhadradis Diskul, A.B. GriswoldChinese and Japanese Sculpture, 7 November 2002 – 15 November 2002, Gerard Hawthorn Ltd, Oriental ArtHandbook to the Collections of Early Chinese Antiquities, William WatsonThe Art of Sourtheast Asia, Temples and Sculpture, Louis Frédéric, Translated from the French by Arnold RosinPrestige du Passé Chine, Texte de Joachim Hildebrand, Diffussion J. Lazarus (FR)Treasures From the Shang and a Selection of Ritual Objects, Gisèle Croës, New York March 2001The Arts of China to AD 900, William WatsonMeisterwerke Chinesischer Malerei, Werner SpeiserArt du Tibet, La Collection des Musées Royeux d’Art et d’Histoire Bruxelles, Miriam LambrechtTibetan-Lamaist Art, Henri Kamer Galerie Inc, text by Carin BurrowsArt Lamaïque, Art Des Dieux, Jacques van GoidsenhovenJades Chinois, pierres d’immortalité, Musée Cernuschi, du 26 septembre 1997 au 4 janvier 1998Radiant Stones, Archaic Chinese Jades, Myrna Myers (water damage)Chinese and Annamese Ceramics, A. JosephDragons & Lotus Blossoms, Stevenson, Wood, Birmingham Museum of ArtCeramic Traditions of South-East Asia, Guy, OxfordThe Ceramics of South-East Asia – Their Dating and Identification, Roxanna M. BrownVietnamese Ceramics: A Separate Tradition, Stevenson & Guy, Art Media ResourcesKorean masterpieces of the Chosôn dynasty, Powerhouse Publishing, Queensland Art GalleryThe Ceramic Art of Korea, Faber & FaberKorean Art from the Gompertz and Other Collections in the Fitzwilliam Museum, CambridgeThe Arts of Korea, Thames & Hudson, C. Kim W.-Y. KimKorean Pottery & Porcelain of the Yi Period, Faber&Faber, G. St. G. M. GompertzCorean Pottery, W. B. Honey, Faber&FaberHandbook of Korean Art Earthenware and Celadon, Youngsook Pak & Roderick WhitfieldHandbook of Korean Art White Porcelain and Punch’ông ware, Jae-yeol KimTwo Thousands years of Oriental Ceramics, Thames & Hudson ------ Please request condition reports by e-mail on info@rm-auctions.com. The reports, additional images and high-resolution images will be published on our website: www.rm-auctions.com. The absence of a condition report does not imply that the lot is in perfect condition.

Asian, Islamic & European arts: Important Chinese porcelain & works of art, Iznik wares, European ceramics and fine decorative arts

Sale Date(s)
Lots: 1-450
Lots: 451-900
Venue Address
Genthof 9
Bruges
8000
Belgium

For Rob Michiels Auctions delivery information please telephone 003250343603.

Important Information

The sale starts on December 8 at noon (GMT) (1pm local time in Belgium) with lots 1-450. Day two (December 9) will also start at noon (GMT) (1pm local time in Belgium) with lots 450-900. On Dec. 10, lots 901-1044 will end at 2pm (GMT) (3pm local time in Belgium), as online bidding comes to an end on our website: www.rm-auctions.com

For more information please contact Rob Michiels Auctions on +32 (0)50 343603.

The auctioneers buyers premium is 27.5%. An additional 3% will be added to this for successful online bids on The-Saleroom or Lot-Tissimo.

This three-day sale is dedicated to Asian, Islamic and European arts.
Day 1 features important Chinese porcelain from the late Qing Dynasty and Republic periods as well as a collection of monochromes. The sculpture section shows a number of mostly Ming Dynasty ivory carvings. Cloisonné, enamel on copper and bronze wares are also very well represented, while jade, coral, soapstone and other carvings can't be absent in an Asian sale. The presence of an entire library of reference works is not a common sight! Neither are the selected paintings, including an important Cultural Revolution era work. The last section of the first day is dedicated to Chinese textiles, Chinese silver and Japanese works of art.

Day 2 starts with early Chinese works of art, to continue into an important selection of Ming Dynasty porcelain. Next up is the early Qing Dynasty, with Kangxi and Yongzheng wares. A number of imperial works are presented here, as well as in the subsequent Qianlong section. A few Southeast Asian works close the gap towards the Indian and Islamic section of this sale. Fine Turkish Iznik wares and Qajar arts are the focal points of this section, before moving into the European section of the sale. Early paintings, silver, sculptures and a large collection of European ceramics complete the catalogue.

Day 3 - ending on Monday December 10 at 3 pm - features a variety of lots available on our website only.

Please note that the auction house will be closed from Dec. 23 until Jan. 4.

Terms & Conditions

  • The sale is conducted by:

    Rob Michiels Auctions

    AARM bvba

    Address: Genthof 9, 8000 Brugge, Belgium
    VAT: BE 0568.546.989

    Tel.: +32(0)50 343603
    E-mail: info@rm-auctions.com
  • Sales are conducted by auction according to the Belgian law.
  • Payments for lots purchased are expected within 5 working days after the last day of auction.

    According to Belgian anti-money laundering laws, amounts from €3.000 can only be paid by bank transfer or card payment.Bidding increments are:

    0-100 Euro: + 10 Euro

    100-1000 Euro: + 50 Euro

    1000-2000 Euro: + 100 Euro

    2000-5000 Euro: + 200 Euro

    5000-20000 Euro: + 500 Euro

    20000-100000 Euro: + 2000 Euro

    + 100000 Euro: + 5000 Euro
    Alteration of the bidding increments are possible at the auctioneer’s discretion. Commission bids or absentee bids which don’t comply with these increments will be rounded up or down to the nearest bid amount following these increments. This means that, for example, a bid of 1240 Euro will be rounded down to 1200 Euro and a bid of 1250 Euro will be rounded up tot 1300 Euro.
  • Sales commission is 27,5%, all taxes included. This means that the final price to be paid will be the hammer price plus 27.5% of the hammer price.
    External partners allowing their clients to bid with us, may charge a fee for this, which will then be added to our sales commission. These fees vary per partner and are subject to change at the partner’s discretion. We have no influence on this and payments not including this fee will be seen as incomplete.
  • Goods are sold "as is" at the moment of adjudication.
  • All statements made by the auctioneer, be it in writing, digitally or orally, are not to be relied on as statements of fact. They are only an opinion, given to the best of our knowledge and are for guidance only. The buyer is due to verify the condition of the goods by personal inspection. On request every opportunity will be provided to conduct additional expertise as long as the goods are not damaged. As a result, after the adjudication no complaint will be accepted.

  • Anyone damaging goods during viewing days or at any other moment, is obliged to inform us. Failure to do so may result in legal action. Should the auctioneer deem compensation necessary, the amount will be set at the high estimate multiplied by 1.275.
  • After adjudication the buyer is responsible for his/her purchases. The auctioneer will guard and store the items(s) to the best of his ability but can not be held liable for any damage occurred after adjudication. During the auction goods can not be collected.
  • Every buyer needs to provide identification. A bidding number can be acquired during the viewing days and before the auction. During the auction this is also possible through the front desk. However, we strongly advise acquisition of said number before the auction to allow a smooth auction process. Identification measures include but are not necessarily limited to: requesting a copy of your passport or identity document, a transcription of your personal contact details. Your personal details will not be shared with third parties, can be consulted at your request and may be removed from our database on simple request.
  • Each person is assumed to bid on his own account. Bids are binding contracts. In default of payment, liability to another person will not be accepted.
  • Any dispute occurring during the auction can only be resolved by the acting bailiff/notary. His or her decision is definite and irrevocable. He may decide to recall any lot, cancel any adjudication, during or even after the sale, for whichever reason. His word is final.
  • The international rules on copyright law (droit de suite) oblige us to require an extra premium on the hammer price of original works of art made by still living artists, or within seventy years after his or her decease. The premium is required only on hammer prices from €2.000. The amounts required are:
    4% on the total sum up to € 50.000

    3% on the amount from € 50000,01 up to € 200000

    1% on the amount from € 200000,01 up to € 350000

    0.5% on the amount from € 350.000,01 up to € 500000

    0.25% on the amount from € 500000
    The maximum amount of the right should not exceed € 12500.

    Even in the unlikely event where this resale right was not charged to the buyer, he will still be obliged to pay this premium up to 5 years after the sale.
    All info on Resale rights in Belgium can be found on www.resaleright.be
  • Collection of purchases is only possible after the auctioneer has received full payment. Collection dates will be announced individually per auction and are also available on request. It is the buyer's duty to inquire about collection options. Goods not collected during the pre-arranged collection periods, will be subject to a storage fee of 1,5 Euro per day per lot number, even if the payment is completed in full, unless other arrangements have been made to our satisfaction.
  • We accept payments by means of:

    Cash (under €3.000)


    Bank transfer of the full amount, indicating the invoice number in the commentary section. Any and all fees should be handled by the sender, on this bank account:

    Beneficiary: AARM bvba
    Beneficiary address: Genthof 9, 8000 Bruges, Belgium
    Bank: BNP Paribas Fortis

    Bank address: Vlamingstraat 78, 8000 Bruges, Belgium
    IBAN: BE48001746875727

    BIC: GEBABEBB

    Credit and debit cards.

  • We can also arrange shipping for most purchases. We can give you a non-binding pre-sale estimate on simple request by e-mailing alice@rm-auctions.com. The exact cost for this service will be specified after reception of your full payment, or added to your invoice upon request. The order of packing/shipping is the same as the payment reception order. We work with several different companies for this: Belgian Post Office, Post.NL (TNT), DHL, UPS and Fedex. When choosing for Fedex, UPS or DHL, we will only charge for packing. Clients are responsible for arranging and paying for pick-up and shipping costs directly to the courrier service. Please note that shipping is a service offered, but all risks associated with shipping are carried by the client. We can not be held responsible for any issues arriving during the shipping process. Shipping insurance does not always cover all risks associated, neither does it always cover the entire amount paid.

  • Both foreign and national buyers who can’t be present during the auction, can bid by telephone or bid live online on our website or through one of our third party partners. As we can not guarantee the proper functioning of available communication channels, we strongly suggest to also send in a back-up absentee bid, or book a telephone line and arrange for online bidding simultaneously.

    Foreign buyers will need to identify themselves in full at least 24 hours before the auction. If necessary, a bank guarantee or deposit will be requested which will serve as a guarantee in case of non-payment. Failure to provide requested bank guarantees or deposits may result in the non-acceptance of any bids.

    The auctioneer can not be held responsible in case of disfunctioning of the available communication channels and any consequences related to this, nor from unavailability on the bidders’ side.

  • Professionals are required to identify themselves as such and disclose their business details when bidding or requesting a bid number.

  • In case of non-payment the lots may be put up for sale in a later sale. The non-paying bidder will be obliged to reimburse the difference in case of a lower hammer price, according to Belgian law. He will not have any claims over the possible difference above the original hammer price. He will also need to cover all costs related to the re-offering.

  • Every buyer is supposed to know and comply with the import regulations of his or her country of destination. The auction house can not be held responsable for any problems arising with the export of certain goods, be they legal or illegal in any country.

  • Every buyer and seller is supposed to know the current regulations regarding the sale or exposition of animals or wildlife species, such as, but not limited to, ivory, minerals, gems, rhino horn, bone, taxidermy, ... but also for works of art partially consisting of such material. The auction house denies any responsability in regard to possible seizure, destruction or penalties imposed by Belgian or foreign governments. The full 100% responsability for any issue arising lies with the consignor-seller and/or bidder-buyer.

  • By taking part in our sales any person agrees to these condition, be it directly through us or through one of our partners which allow bidders to bid with us.

  • The auction house reserves the right to refuse bidders or to request a deposit from certain bidders. Deposits will be deducted from payable invoices for winning bidders or completely refunded on the first working day following the auction, in case of a non-winning bidder.

  • Every participant to our sales is supposed to be aware of and comply with these conditions.

  • Any arising dispute shall only be governed by the Belgian law and only the justice court in Bruges, Belgium, can deal with these disputes.

See Full Terms And Conditions