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ATTRIBUTED TO GARY WRAGG (BRITISH 1946), 'Triangular Push', an abstract composition, mixed media
ATTRIBUTED TO GARY WRAGG (BRITISH 1946), 'Triangular Push', an abstract composition, mixed media on paper, no visible signature, Nicola Jacobs Gal...
WILLIAM JOHNSTONE (BRITISH 1897-1982), an abstract composition in the style of ink splashes,
WILLIAM JOHNSTONE (BRITISH 1897-1982), an abstract composition in the style of ink splashes, signed bottom right, watercolour on paper, framed, ap...
WILLIAM JOHNSTONE (BRITISH 1897-1982), an abstract composition in black and scarlet, signed bottom
WILLIAM JOHNSTONE (BRITISH 1897-1982), an abstract composition in black and scarlet, signed bottom left, watercolour on paper, framed, approximate...
JOHN G. WALKER (BRITISH 1939), 'Headingly Series', five versions of the same basic shape, un-
JOHN G. WALKER (BRITISH 1939), 'Headingly Series', five versions of the same basic shape, un-numbered artists proof lithographs, signed and dated ...
ROY OXLADE (BRITISH 1929-2014), 'Artist and Curtain', an abstract composition, signed and dated (19)
ROY OXLADE (BRITISH 1929-2014), 'Artist and Curtain', an abstract composition, signed and dated (19) 87 with title label verso, oil on canvas, fra...
PETER RIPPON (BRITISH 1950), 'Ribec', abstract blocks of colour, signed, titled and dated (19)79,
PETER RIPPON (BRITISH 1950), 'Ribec', abstract blocks of colour, signed, titled and dated (19)79, acrylic collage on canvas, set into a wooden fra...
MALI MORRIS RA (BRITISH 1945), 'Blue Island' abstract swathes of colour, signed, titled and dated (
MALI MORRIS RA (BRITISH 1945), 'Blue Island' abstract swathes of colour, signed, titled and dated (19)78 with Nicola Jacobs Gallery label verso, a...
SIMON EDMONDSON (BRITISH 1955), 'Great Austerity', a full length study of a man set against a dark
SIMON EDMONDSON (BRITISH 1955), 'Great Austerity', a full length study of a man set against a dark brooding backdrop, signed, titled and dated 198...
AN AMERICAN FOLK ART COLLAGE DEPICTING AN AFRICAN AMERICAN MAN AND WOMAN, both are depicted wearing working clothes and are hand in hand, they are...
LAWRENCE COULSON (BRITISH 1962), 'Father and Son', a limited edition print on board 24/195, depicting a man and child flying a kite in a field, si...
RICHARD ROWAN (BRITISH CONTEMPORARY), 'Scarlet Sunrise I', a limited edition silkscreen on glass
RICHARD ROWAN (BRITISH CONTEMPORARY), 'Scarlet Sunrise I', a limited edition silkscreen on glass print 91/195, depicting a dramatic sunrise over w...
JOHN SILVER (BRITISH CONTEMPORARY), 'Weimaraners', two dogs beside a stream, signed and dated 2003
JOHN SILVER (BRITISH CONTEMPORARY), 'Weimaraners', two dogs beside a stream, signed and dated 2003 bottom right, acrylic on canvas, framed, approx...
DOUG HYDE (BRITISH CONTEMPORARY) 'Is It A Bird? Is It A Plane?', a stylised boy dressed as Superman,
DOUG HYDE (BRITISH CONTEMPORARY) 'Is It A Bird? Is It A Plane?', a stylised boy dressed as Superman, limited edition print 82/95, signed, titled a...
TODD WHITE (AMERICAN 1969), 'Her First Screen Test', a limited edition print on canvas 110/195,
TODD WHITE (AMERICAN 1969), 'Her First Screen Test', a limited edition print on canvas 110/195, signed bottom right, framed, approximately 42cm x ...
ANNA RAZUMOVSKAYA (RUSSIAN CONTEMPORARY), 'Elegant Muse II', a limited edition hand embellished
ANNA RAZUMOVSKAYA (RUSSIAN CONTEMPORARY), 'Elegant Muse II', a limited edition hand embellished print 39/195 of a female figure wearing a dress, s...
KERRY DARLINGTON (BRITISH 1974), 'The Little Mermaid', a limited edition print from The Unique
KERRY DARLINGTON (BRITISH 1974), 'The Little Mermaid', a limited edition print from The Unique Edition 57/195, three dimensional resin print, sign...
JACK VETTRIANO (SCOTTISH 1951), 'The Master Tattooist', a limited edition print 64/100, signed and
JACK VETTRIANO (SCOTTISH 1951), 'The Master Tattooist', a limited edition print 64/100, signed and titled in Italian, with certificate, mounted, f...
MACKENZIE THORPE (BRITISH CONTEMPORARY), 'It's Only A Bee', a limited edition print of a boy and his
MACKENZIE THORPE (BRITISH CONTEMPORARY), 'It's Only A Bee', a limited edition print of a boy and his dog 54/295, signed, titled and numbered in pe...
DOUG HYDE (BRITISH CONTEMPORARY), 'Dancing on Ice', a limited edition print of dogs ice skating,
DOUG HYDE (BRITISH CONTEMPORARY), 'Dancing on Ice', a limited edition print of dogs ice skating, 17/395, signed, titled and numbered in pencil, wi...
TODD WHITE (AMERICAN 1969), 'Her Satisfied Place', a limited edition hand embellished print 85/
TODD WHITE (AMERICAN 1969), 'Her Satisfied Place', a limited edition hand embellished print 85/195, signed lower right, framed, approximately 50cm...
JACK VETTRIANO (SCOTTISH 1951), 'Man of Mystery', a limited edition print of a man handing a drink
JACK VETTRIANO (SCOTTISH 1951), 'Man of Mystery', a limited edition print of a man handing a drink to a woman, 94/250, signed bottom right, mounte...
MACKENZIE THORPE (BRITISH CONTEMPORARY), 'Sunday Best', a limited edition hand finished print 46/
MACKENZIE THORPE (BRITISH CONTEMPORARY), 'Sunday Best', a limited edition hand finished print 46/295, signed, titled and numbered in pencil, with ...
KERRY DARLINGTON (BRITISH 1974), 'Romeo and Juliet', a limited edition three dimensional print 42/
KERRY DARLINGTON (BRITISH 1974), 'Romeo and Juliet', a limited edition three dimensional print 42/150, signed, with certificate, framed, approxima...
MACKENZIE THORPE (BRITISH CONTEMPORARY), 'The Fastest Car In The World', a limited edition print
MACKENZIE THORPE (BRITISH CONTEMPORARY), 'The Fastest Car In The World', a limited edition print on board 31/75, signed bottom right, with certifi...
STANLEY GRIMM (BRITISH 1891-1966), a still life study of a vase of flowers and fruit upon a table,
STANLEY GRIMM (BRITISH 1891-1966), a still life study of a vase of flowers and fruit upon a table, signed and dated 1945 lower left, oil on board,...
SIR WILLIAM RUSSELL FLINT (1880-1969), a catalogue raisonne of Flint's signed prints, numbered 588/
SIR WILLIAM RUSSELL FLINT (1880-1969), a catalogue raisonne of Flint's signed prints, numbered 588/1500, the first 500 are de-luxe editions, quart...
SIR WILLIAM RUSSELL FLINT (1880-1969), a de-luxe edition catalogue raisonne of Flint's signed prints
SIR WILLIAM RUSSELL FLINT (1880-1969), a de-luxe edition catalogue raisonne of Flint's signed prints from a published edition of 500, quarter boun...
A VICTORIAN MAHOGANY CHEST OF FIVE SHORT OVER THREE GRADUATED LONG DRAWERS, moulded rectangular top,
A VICTORIAN MAHOGANY CHEST OF FIVE SHORT OVER THREE GRADUATED LONG DRAWERS, moulded rectangular top, turned wooden handles, wooden escutcheons, pl...
A GEORGE III MAHOGANY AND INLAID CHEST OF TWO SHORT AND THREE GRADUATED LONG DRAWERS, rectangular
A GEORGE III MAHOGANY AND INLAID CHEST OF TWO SHORT AND THREE GRADUATED LONG DRAWERS, rectangular top over a frieze inlaid with butterfly and foli...
AN 18TH CENTURY OAK SETTLE, the four panelled rectangular back with bowed arms on block end uprights, box seat with hinged seat section opening to...
A LATE VICTORIAN CIRCULAR GYPSY TABLE, the original red velvet top with tapestry border and knotted fabric fringe, on three satinwood bobbin turne...
A VICTORIAN OAK STOOL OF GOTHIC DESIGN IN THE STYLE OF PUGIN, the rectangular seat with ecclesiastical design tapestry upholstery with tasselled f...
A VICTORIAN OAK STOOL OF GOTHIC DESIGN IN THE STYLE OF PUGIN, with red velvet upholstered padded
A VICTORIAN OAK STOOL OF GOTHIC DESIGN IN THE STYLE OF PUGIN, with red velvet upholstered padded armrests on chamfered 'D' ends with painted metal...
AN EARLY VICTORIAN MAHOGANY WORK TABLE, the rectangular swivel action fold over top above a single
AN EARLY VICTORIAN MAHOGANY WORK TABLE, the rectangular swivel action fold over top above a single drawer and pull out needlework compartment, on ...
A MID 18TH CENTURY OAK DRESSER, the short raised back fitted with three short drawers and two pigeon
A MID 18TH CENTURY OAK DRESSER, the short raised back fitted with three short drawers and two pigeon holes with fret cut surrounds, the rectangula...
AN EARLY VICTORIAN MAHOGANY SINGLE DOOR DISPLAY CABINET, the caddy top above glazed sides and door
AN EARLY VICTORIAN MAHOGANY SINGLE DOOR DISPLAY CABINET, the caddy top above glazed sides and door with plain columns flanking astragal glazing an...
A REGENCY MAHOGANY D FRONTED CHEST OF DRAWERS, the shaped top with ebony stringing, three graduated deep long drawers, turned wooden handles on me...
A VICTORIAN WALNUT AND MAHOGANY SIDEBOARD, moulded pediment above four panelled doors enclosing
A VICTORIAN WALNUT AND MAHOGANY SIDEBOARD, moulded pediment above four panelled doors enclosing shelves, the inverted breakfront base with a friez...
TWO VICTORIAN OAK CHAPEL BENCHES, plain rectangular tops above shaped ends with trefoil cut aways,
TWO VICTORIAN OAK CHAPEL BENCHES, plain rectangular tops above shaped ends with trefoil cut aways, lengths 213cm x 175cm x depth 27cm x height 42....
A GEORGE III OAK LONGCASE CLOCK, moulded pediment above the hood door flanked by half doric columns,
A GEORGE III OAK LONGCASE CLOCK, moulded pediment above the hood door flanked by half doric columns, brass dial with pierced brass spandrels, chap...
A GEORGE III OAK LONGCASE CLOCK, moulded cornice on brass capped doric columns flanking the hood
A GEORGE III OAK LONGCASE CLOCK, moulded cornice on brass capped doric columns flanking the hood door, brass dial with silvered pierced spandrels,...
A GEORGE III OAK LONGCASE CLOCK, the broken swan neck pediment with brass rosette mounted scrolls
A GEORGE III OAK LONGCASE CLOCK, the broken swan neck pediment with brass rosette mounted scrolls centred by a brass eagle on an orb, with brass c...
AN EARLY 19TH CENTURY FRENCH RECTANGULAR FRUITWOOD DINING TABLE, the top formed of six planks with
AN EARLY 19TH CENTURY FRENCH RECTANGULAR FRUITWOOD DINING TABLE, the top formed of six planks with rounded corners, on four square tapering legs, ...
A 19TH CENTURY DUTCH FLORAL MARQUETRY DWARF BOMBE COMMODE, two deep drawers, on slender cabriole
A 19TH CENTURY DUTCH FLORAL MARQUETRY DWARF BOMBE COMMODE, two deep drawers, on slender cabriole supports, with brass leaf sabots to the front leg...
A WILLIAM IV YEW WOOD AND INLAID CIRCULAR OCCASIONAL TABLE, the circular snap top with geometric
A WILLIAM IV YEW WOOD AND INLAID CIRCULAR OCCASIONAL TABLE, the circular snap top with geometric effect border, on a hexagonal rosewood veneered c...
AN EARLY VICTORIAN ROSEWOOD AND SIMULATED ROSEWOOD TABLE, of rectangular form, rounded corners, on
AN EARLY VICTORIAN ROSEWOOD AND SIMULATED ROSEWOOD TABLE, of rectangular form, rounded corners, on conical end supports to dual plinths with flatt...
A GEORGE III MAHOGANY CHEST OF FOUR GRADUATED LONG DRAWERS, brass swan neck handles with pierced
A GEORGE III MAHOGANY CHEST OF FOUR GRADUATED LONG DRAWERS, brass swan neck handles with pierced escutcheons, on bracket feet, width 81.5cm x dept...
A GEORGE III MAHOGANY OVAL PEMBROKE TABLE, rounded ends, fitted with a drawer and a dummy drawer, on
A GEORGE III MAHOGANY OVAL PEMBROKE TABLE, rounded ends, fitted with a drawer and a dummy drawer, on square tapering legs with spade feet, length ...
A GEORGE III MAHOGANY TRAY TOP TRIPOD TABLE, circular tilt top on a baluster column with cabriole
A GEORGE III MAHOGANY TRAY TOP TRIPOD TABLE, circular tilt top on a baluster column with cabriole legs, diameter 55cm x height 66.5cm (condition: ...
A LATE 19TH CENTURY CONTINENTAL WALNUT AND STAINED HALL TABLE, with veined red marble inset top, the
A LATE 19TH CENTURY CONTINENTAL WALNUT AND STAINED HALL TABLE, with veined red marble inset top, the egg and dart frieze with central drawer above...
A MID 19TH CENTURY GILTWOOD OVERMANTEL MIRROR, of rectangular form, the pediment with swag and urn
A MID 19TH CENTURY GILTWOOD OVERMANTEL MIRROR, of rectangular form, the pediment with swag and urn finials flanking an oval frame containing a por...
AN EARLY 19TH CENTURY MAHOGANY AND ROSEWOOD SOFA TABLE, fitted with two drawers and two dummy
AN EARLY 19TH CENTURY MAHOGANY AND ROSEWOOD SOFA TABLE, fitted with two drawers and two dummy drawers to the frieze, rounded drop ends, the whole ...
AN EARLY 20TH CENTURY FRENCH MARQUETY, ROSEWOOD AND KINGSWOOD FOLD OVER CARD TABLE, of rectangular
AN EARLY 20TH CENTURY FRENCH MARQUETY, ROSEWOOD AND KINGSWOOD FOLD OVER CARD TABLE, of rectangular form, the hinged top with rounded front corners...
A LATE VICTORIAN WALNUT FIRE SCREEN, of rectangular form, fitted with a central gilt metal handle
A LATE VICTORIAN WALNUT FIRE SCREEN, of rectangular form, fitted with a central gilt metal handle with pull up screen, moulded edge above plain up...
A WILLIAM IV ROSEWOOD OCCASIONAL TABLE, the circular top with a moulded pendant frieze, on an
A WILLIAM IV ROSEWOOD OCCASIONAL TABLE, the circular top with a moulded pendant frieze, on an inverted conical pedestal terminating in a foliate d...
A GEORGE III MAHOGANY TOILET MIRROR, with satinwood and ebony banding, oval mirror on scrolled
A GEORGE III MAHOGANY TOILET MIRROR, with satinwood and ebony banding, oval mirror on scrolled arms with a serpentine base fitted with three drawe...
AN EARLY VICTORIAN ROSEWOOD OCCASIONAL TABLE, of rectangular form, on a slender tapered cylindrical column with a moulded base, with an X shaped p...
A REGENCY ROSEWOOD FOLD OVER CARD TABLE, of rectangular form, rounded corners to the front, the tops
A REGENCY ROSEWOOD FOLD OVER CARD TABLE, of rectangular form, rounded corners to the front, the tops swivels to reveal a void, on a pedestal of sq...
A GEORGE III MAHOGANY TRIPOD TABLE, of circular form, on a baluster and spiral twist pedestal on
A GEORGE III MAHOGANY TRIPOD TABLE, of circular form, on a baluster and spiral twist pedestal on cabriole legs and pad feet, diameter 68cm x heigh...
TWO LATE 19TH CENTURY CHINESE STAINED HARDWOOD JARDINIERE STANDS WITH MARBLE INSET TOPS, the
TWO LATE 19TH CENTURY CHINESE STAINED HARDWOOD JARDINIERE STANDS WITH MARBLE INSET TOPS, the taller of circular form, the smaller of octagonal for...
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