Antiques & Fine Art Sale

Archibald Thorburn (1860-1935) hand coloured lithograph - Black Grouse among the stooks, in glazed gilt frame, 20cm x 30cm

Archibald Thorburn (1860-1935) hand coloured lithograph - Grouse over the heather, in glazed gilt frame, 21cm x 30cm

C. Ansell and Walker set of five oval 18th century engravings by F. Jukes - Life and Death of a Racehorse, 1784, in glazed oval gilt frames, 24cm ...

Henry Alken pair of 19th century hand coloured lithographs - One of the Right Sort and One of the Wrong Sort, in glazed frames, 29.5cm x 33cm

Mid-20th century English School pencil, watercolour and gouache sketches depicting the famous race horse ‘Solario’ with groom and gentleman in top...

Manner of Sir Alfred Munnings (1878-1959) pencil sketches of horses at Newmarket, inscribed, in glazed frame, 19.5cm x 25.5cm

Joanne C. Taylor, 20th century pen, ink and watercolour - The Polo Match, signed, in glazed frame, 36cm x 58cm

Joanne C. Taylor, 20th century pen, ink and watercolour - Three Day Event, signed, in glazed frame, 36cm x 61cm

Four Georgian Henry Alken hand coloured engravings - Road To A Fight plate I & II, A Private Turn Up and Fives Court, each in glazed frame, 11cm x...

19th century English school oil on canvas - a hunting scene with a horse lacking its rider, in gilt frame, 61cm x 74cm

Set of six hand coloured engravings - hunting scenes, published by S & J Fuller, in glazed maple veneered frames, 17.5cm x 23cm ...[more]

Marjorie Cox (1915-2003) pastel portrait of a Staffordshire Bull Terrier, “Hattie”, signed and dated 1977, in glazed frame, 36cm x 44cm

Robert W. Milliken (1920-2014) pencil drawing - English Partridges, signed, in glazed gilt frame, 22.5cm x 30cm

After Dean Wolstenholme, oil on canvas - Pheasant Shooting, in gilt frame, 59.5cm x 89.5cm

W. F. Price, set of four oils on board - horses and figures in rural surroundings, signed, in gilt frames, 18cm x 26cm

Edward Seago (1910-1974) coloured racing print - Grey Cloud, in glazed frame, 49cm x 57.5cm

Archibald J. Stuart Wortley (1849-1905) signed print - partridge shooting, Victorian signed print - Wildfowling, two signed Lionel Edwards hunting...

Jan Mortel (b.1906) pair of oils on panel - a mare and foal beside a hay stack, its pair a mare and foal in extensive landscape, signed, in gilt f...

G. Metsu, 20th century oil on panel - A German Shepherd, signed, in gilt frame, 38cm x 58cm

Willmann, pair of Continental School oils on canvas - spaniels with a hare and pointers putting up a cock pheasant, signed, in gilt frames, 36cm x...

J. A. Grant Edwardian watercolour and gouache - a hen harrier attacking grouse in Highland landscape, signed and dated 1905, in glazed gilt frame,...

Set of eight Archibald Thorburn (1860-1935) signed black and white prints depicting game birds, wildfowl and a fox, signed in pencil, in glazed fr...

Edward Henry Windred (1875-1953) oil on canvas - a racing pigeon, entitled ‘Messrs Luxford & Sons “Surprise”...’ signed, in glazed frame, 34cm x 4...

Pair of late 19th Century English School watercolours - coaching scenes in summer and winter, in glazed gilt frames, 17cm x 34cm

Mark Chester, contemporary, acrylic on paper - Autumn Covey of English Partridge, signed, in glazed frame, 39cm x 50cm

Mark Chester, contemporary, acrylic on paper - A Woodcock in snow, painted with woodcock pin feathers, signed, in glazed frame, 20cm x 28cm

Mark Chester, contemporary, acrylic on paper - A Hare, signed, in glazed frame, 28cm x 19cm

Mark Chester, contemporary, acrylic on paper - A Barn Owl perched on a post, signed, in glazed frame, 28cm x 20cm

Mark Chester, contemporary acrylic on paper - Pheasants in flight over a snow covered track, signed, in glazed frame, 26cm x 33cm

Godfrey Douglas Giles (1857-1941) set of four early 20th century signed prints - The Fernie, signed in pencil and published by Fores 1912, in orig...

John Beer (c.1860-1930) watercolour and gouache - The 1912 Grand National Winner, ‘Jerry M’ ridden by Ernie Piggott, signed and titled, in glazed ...

George Paice (1854-1925) oil on canvas - a grey hunter, Pierrot, signed, titled and dated ‘99, in original oak frame, 36cm x 46cm

Alfred Charles Havel (1855-1928) lithograph - Persimmon, together with another by Wheeler - Ormond, in matching oak frames

Thomas Ivester Lloyd (1873-1942) pair of oils on panel - The Death, one signed, the other apparently unsigned, in original gilt frames, 21cm x 29cm

Lionel Edwards, three signed hunting prints, Munnings gypsy print and eight other antique hand coloured engravings, hunting and racing, each frame...

N. Fielding set of six hand coloured engravings - Cock Fighting, published by Ackerman, in glazed frames

Frank Paton (1855-1909) collection of works to include - Every Dog Has His Day, Gone Away, Gun Fire, The World Went Very Well Then and Eight Above...

Pair of Victorian English school watercolours - a hunting scene and a racing scene, in glazed oak frames, 23cm x 31cm

Pair of Victorian English school watercolours and gouache - Polo Players on horseback, in glazed oak frames, 24cm x 33cm

Set of four early Victorian hand coloured engravings after Henry Alken - The First Steeple-Chase on Record, published by Brooks 1839, in glazed gi...

Set of four early Victorian hand coloured engravings after Henry Alken - The First Steeple-Chase on Record, published by Brooks 1839, in glazed oa...

Victorian English school oil on board - three hounds, tondo, in glazed gilt frame, 20cm diameter

Set of six early 19th century hand coloured prints after Henry Alken - amusing Hunting scenes, published 1818, in glazed frames, 20cm x 27cm

Collection of eight 19th century hand coloured prints - Coaching and Hunting, in glazed oak frames, 9cm x 60cm

Edwardian oak framed Hunting Meets easel frame with an amusing inset print after Chavell, 37cm x 39cm, together with a pair of amusing hunting pri...

Godfrey Douglas Giles (1857-1941) signed print - The Derby of 1909, signed in pencil and extensively inscribed, published 1909, in original glazed...

Michael Morley (b.1937) oil on board - River Trout Fishing, monogrammed, framed, 39cm x 49cm

Michael Morley (b.1937) oil on board - Targeting Trout Lake, monogrammed, framed, 40cm x 50cm

Jack Greenall (1905-1983) pen, ink and watercolour study of a Greyhound, “Lady”, signed and inscribed, in glazed frame, 17.5cm x 24.5cm

Attributed to Dean Wolstenholme (1757-1837) oil on canvas - Mallard Shooting, in gilt frame, 38cm x 53cm

Pair of early 19th century English school oils on canvas - partridge shooting over setters, in gilt frames, 31cm x 36cm

W. Cooper, early 19th century English school oil on panel - a dead hare, signed and dated 1827, in gilt frame, 18cm x 13.5cm Provenance: Pawsey &...

James Barenger (1780-c.1831) oil on canvas laid on panel - A Running Fox, signed, 11cm x 18cm, unframed Provenance: Pawsey & Payne, Bury Street, L...

Snaffles (Charles Johnson Payne 1884-1967) signed print - Prepare to Receive Cavalry, with Snaffle blindstamp, in glazed frame, 49cm x 75cm

Snaffles (Charles Johnson Payne 1884-1967) signed print - Swagger - but a workman, with Snaffle blindstamp, in glazed frame, 44cm x 34cm

Snaffles (Charles Johnson Payne 1884-1967) signed print - 1915-16 That far, far-away Echo, in glazed frame, 37cm x 47.5cm

Snaffles (Charles Johnson Payne 1884-1967) signed print “If There Is Paradise On Earth”, “It Is This! It Is This!! It Is This!!!”, with Snaffle bl...

Snaffles (Charles Johnson Payne 1884-1967) signed print - The Worst View In Europe, with Snaffle blindstamp, in glazed frame, 40.5cm 66cm

Snaffles (Charles Johnson Payne 1884-1967) signed print - The Finest View In Europe, with Snaffle blindstamp, in glazed frame, 40.5cm x 66cm

Snaffles (Charles Johnson Payne 1884-1967) signed print - Prepare To Receive Cavalry, with Snaffle blindstamp, in glazed frame, 49.5cm x 68.5cm