Two Day Antiques and Fine Art

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Two Day Antiques and Fine Art

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Georgian sand work picture of a promenade with buildings, trees, figures and sailing boats, in a glazed gilt frame, 19.5cm high x 25cm wide

Late nineteenth / early twentieth century Chinese silk picture of birds of paradise with trees and character marks, in a good quality carved hardw...

Good quality Chinese Peking glass snuff bottle with painted bird and floral decoration, with a brass scoop and turquoise finial, 7.2cm high x 5.5c...

Snaffles (Charles Johnson Payne 1884 - 1967), signed coloured print - Merry England and Worth a Guinea a Minute, signed in pencil, in glazed frame...

Amusing Edwardian English School oil on canvas in gilt frame, hunting scene - Morning, The Start, Afternoon, The Parting and Evening, The Return, ...

Snaffles (Charles Johnson Payne 1884-1967) signed coloured print - Oh! To Be In Ireland Now That April's There, signed in pencil, in glazed frame,...

Snaffles (Charles Johnson Payne 1884 - 1967), black and white print - groom and horse, inscribed - 'To Jennie from Snaff', 16cm x 19.5cm, unframed...

John King (b. 1929), signed limited edition coloured print - The Ragley College Beagles at Shellingford, numbered 36 / 250, in glazed gilt frame

Lionel Edwards (1878 - 1966), signed coloured print - The Beaufort Point to Point, Welsh Guards Race, signed in pencil, in glazed frame, 27cm x 41...

Lionel Edwards, set of twelve prints - hunting and horses, set of eight Edith Somerville coloured prints, another set of six and one other pair, t...

Joy Hawker, signed limited edition print - The Ledbury Crossing Pigeon House, signed by four members of the field, numbered 162 / 200, in glazed g...

Mid-nineteenth century hand-coloured engraving by W. Davey after Henry Calvert - The Wynnstay Hunt, in glazed frame, 54cm x 84cm

John Beer (Fl. 1895 - 1915), watercolour and gouache study - The Finish for the Colwick Selling Plate, Nottingham 1914, signed and inscribed, 24cm...

Late Victorian / Edwardian coloured lithograph - portrait of Fred Archer wearing Lord Falmouth's colours, in glazed frame, 46.5cm x 37.5cm

F. Giles, pair English School watercolour studies of gun dogs with dead woodcock and English partridge, signed, in oval mounts and oak frames, 21c...

Pair Victorian hand-coloured engravings of fighting cocks - Black Breasted Dark Red and Streaky Breasted Red Dunn, published by Ackermann & Co. 18...

George Wright, set of four hunting prints - At The Cross Roads, The Fairest View in the Shires, The Survival of the Fittest and After The Run, in ...

Cecil Charles Windsor Aldin (1870 - 1935), signed limited edition coloured print - The Cheshire: Away from Peckforton Wood, numbered 278 / 300, be...

Cecil Charles Windsor Aldin (1870 - 1935), two pairs of coloured prints - The V. W. H. (Cricklade), The Cheshire Hounds Away for Tattenhall, The W...

Lionel Edwards (1878 - 1966), signed coloured print - The Devon and Somerset Hounds (Dunkery from The Exford Road), signed in pencil, in glazed fr...

Set of four Victorian English School pen, ink and watercolour studies - steeple chasing scenes, indistinctly signed and dated 1872, in glazed fram...

John Leech (1817 - 1864), four lithographs comprising: "Come Hup! I Say you ugly brute!", "Hold hard, Master George...all right Ruggles! We can...

*Gerald Scarfe (b. 1936), ink and watercolour caricature of John Major on a slippery slope - "Er... No you see..Er...What I really meant was...Er....

*Mark Rowbotham (b. 1959), pastel portrait of a ballerina, signed with initials, in glazed gilt frame, 29cm x 24cm CONDITION REPORT Excellent cond...

Meredith Ramsbotham, twentieth century oil on canvas in frame, entitled - Candlelight, signed and dated 1988, 44cm x 34cm. Sold with original Min...

Attributed to Ernest Meissonier (1815 - 1891), oil on panel - portrait of a male cello player, bearing wax seal and stencil marks to reverse, in d...

Vic Ellis (b. 1921), oil on board in frame - Leigh on Sea skyline, signed, bearing artist's label and Wapping Group of Artists label to reverse, 2...

John Rock Jones, Victorian oil on canvas laid onto board - extensive rural view with cattle and figures beside rural buildings and a river beyond,...

Benois, early twentieth century Continental School oil on canvas in gilt frame - fishing boats and figures on the shore, inscribed on reverse - Th...

William Oliphant Hutchinson (1889 - 1970), oil on canvas - portrait of a seated gentleman in three piece pin-stripe suit - Walter Gardner Esq., Ch...

Early twentieth century Italian School oil on panel in gilt frame - view of Venice, 31cm x 38cm CONDITION REPORT Paint a little thin in places. A...

Early twentieth century English School oil on artists' board - study of two retriever dogs in a landscape, indistinctly signed, in gilt frame, 19c...

Edwardian English School oil on canvas in ornate gilt frame - children picking wild flowers in a wood, indistinctly monogrammed, 24cm x 34cm

Pair late nineteenth century English School oils on board - study of a dog and partridges and another of a dog with a stick, in gilt frames, 15cm ...

Attributed to J. Jones, pair Victorian oils on canvas - Highland scenes with cattle and sheep, signed with initials and dated '84, 36cm x 81cm

Frederick William N. Whitehead (1853 - 1938), oil on canvas - Old Milverton Church, nr Leamington, signed and inscribed by the artist on the stret...

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