Lot

567

BELGIAN CONGO, 25e anniversaire de la mine d'or de Kilo-Moto [25th Anniversary of the...

In The Silich Collection of Historical and Art Me...

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BELGIAN CONGO, 25e anniversaire de la mine d'or de Kilo-Moto [25th Anniversary of the...
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London
Dupagne, Arthur (Belgian, 1895-1961), b. Liège, worked in Africa 1927-1935, returned to Belgium 1935, and Établissements Jules Fonson (Brussels, fl. 1848-1973) BELGIAN CONGO, 25e anniversaire de la mine d'or de Kilo-Moto [25th Anniversary of the Kilo-Moto Gold Mine], 1951, a bronze plaque by A. Dupagne for Fonson, African male standing by his counterpart who wears a mining helmet and holds a kanga drill, rev. two African families, edge impressed fonson, 92 x 71mm, 219.23g (Vancraenenbroeck 53; Lippens/van Keymeulen 8; cf. Heritage/MPO 76, 6097; cf. DNW 35, 653). Extremely fine £40-£50 --- This plaque also commemorates the production of 200,000 kilos of gold since the mine’s foundation in 1926. The images reflect on the status of the humble African, his family and way of life, and how industrialised mining could change that within the space of one generation. The artist himself worked as a mining engineer for Société Internationale Forestière et Minière du Congo at Tshikapa from 1927 to 1935
Dupagne, Arthur (Belgian, 1895-1961), b. Liège, worked in Africa 1927-1935, returned to Belgium 1935, and Établissements Jules Fonson (Brussels, fl. 1848-1973) BELGIAN CONGO, 25e anniversaire de la mine d'or de Kilo-Moto [25th Anniversary of the Kilo-Moto Gold Mine], 1951, a bronze plaque by A. Dupagne for Fonson, African male standing by his counterpart who wears a mining helmet and holds a kanga drill, rev. two African families, edge impressed fonson, 92 x 71mm, 219.23g (Vancraenenbroeck 53; Lippens/van Keymeulen 8; cf. Heritage/MPO 76, 6097; cf. DNW 35, 653). Extremely fine £40-£50 --- This plaque also commemorates the production of 200,000 kilos of gold since the mine’s foundation in 1926. The images reflect on the status of the humble African, his family and way of life, and how industrialised mining could change that within the space of one generation. The artist himself worked as a mining engineer for Société Internationale Forestière et Minière du Congo at Tshikapa from 1927 to 1935

The Silich Collection of Historical and Art Medals

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