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Maximilien Luce (French, 1858-1941), "Saint Tropez au bord de la Mer Mediterranee", ca. 1893, oil on
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Description
Maximilien Luce (French, 1858-1941), "Saint Tropez au bord de la Mer Mediterranee", ca. 1893, oil on canvas board, signed "Luce" lower left, 8" x 10". Presented in a giltwood frame. Provenance: Christie's, New York, February 15, 2000, Impressionist, 20th Century and Contemporary Art sale, lot 11; The Flatt Collection. Illustrated: Bazetoux, Denise. Maximilien Luce: Catalogue Raisonne, vol. 3. Paris: Avril Graphique Ed., 2005, no. 577, p. 149. Born into a family of modest means, Luce began his artistic career as an engraver. He turned to painting full time in 1883, when employment opportunities for engravers became scarce, due to advancements in printmaking. He was introduced to the Neo-Impressionist group by fellow artist Camille Pissarro in 1887, and quickly adopted the Divisionist technique of color application in separate patches or dots, believing it achieved unprecedented luminosity. Luce's dramatic use of light (both artificial and natural) and vibrant color preceded Fauvism, whose followers' use of unnatural color and energetic brushstrokes characterized the movement. He painted ordinary objects and scenes of life in Paris with lyricism and passion; he was fascinated by Haussmann's progress which shaped Paris into the city we are familiar with today. In 1892, he visited St. Tropez and this visit--to a much less industrial region--resulted in tranquil, sun-filled works, such as the one presented here. As most Neo-Impressionists, Luce was an anarchist and his political convictions prompted him in 1940, after a long association with "Societe des Artistes Independants", to resign as a vice president, in protest of the regime laws of the Vichy government (Germany's puppet government in France), which banned Jewish artists from participation in the group. The year Luce died, Bibliotheque National de France held a memorial exhibition; another memorial exhibition was mounted at Les Independants from March to April 1942. According to the Musee d'Orsay, Maximilen Luce, whose long career left behind an extensive body of work, is "one of the best representatives of the neo-impressionist movement".
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Maximilien Luce (French, 1858-1941), "Saint Tropez au bord de la Mer Mediterranee", ca. 1893, oil on canvas board, signed "Luce" lower left, 8" x 10". Presented in a giltwood frame. Provenance: Christie's, New York, February 15, 2000, Impressionist, 20th Century and Contemporary Art sale, lot 11; The Flatt Collection. Illustrated: Bazetoux, Denise. Maximilien Luce: Catalogue Raisonne, vol. 3. Paris: Avril Graphique Ed., 2005, no. 577, p. 149. Born into a family of modest means, Luce began his artistic career as an engraver. He turned to painting full time in 1883, when employment opportunities for engravers became scarce, due to advancements in printmaking. He was introduced to the Neo-Impressionist group by fellow artist Camille Pissarro in 1887, and quickly adopted the Divisionist technique of color application in separate patches or dots, believing it achieved unprecedented luminosity. Luce's dramatic use of light (both artificial and natural) and vibrant color preceded Fauvism, whose followers' use of unnatural color and energetic brushstrokes characterized the movement. He painted ordinary objects and scenes of life in Paris with lyricism and passion; he was fascinated by Haussmann's progress which shaped Paris into the city we are familiar with today. In 1892, he visited St. Tropez and this visit--to a much less industrial region--resulted in tranquil, sun-filled works, such as the one presented here. As most Neo-Impressionists, Luce was an anarchist and his political convictions prompted him in 1940, after a long association with "Societe des Artistes Independants", to resign as a vice president, in protest of the regime laws of the Vichy government (Germany's puppet government in France), which banned Jewish artists from participation in the group. The year Luce died, Bibliotheque National de France held a memorial exhibition; another memorial exhibition was mounted at Les Independants from March to April 1942. According to the Musee d'Orsay, Maximilen Luce, whose long career left behind an extensive body of work, is "one of the best representatives of the neo-impressionist movement".
Winter Estates Auction
Sale Date(s)
Lots: 1-265
Lots: 266-798
Lots: 799-1226
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333 St. Joseph Street
New Orleans
Louisiana
70130
United States
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Day 1 lots 1-265 @ 1pm
Day 2 lots 266-798 @ 10am
Day 3 lots 799-1226 @ 10am
The Gallery, located at 333 St. Joseph Street, will be open for exhibition 9:00 a.m. - 5:00 p.m. CDT daily except Sunday, beginning Monday, October 5, through Thursday, October 15, 2015, with an evening preview reception on Thursday, October 15, 2015, 5:00 - 8:00 p.m. CDT.
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