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After R. White, 'The Royal Exchange, London, hand-coloured engraving, pub 1671, 48x58cm, glazed
After R. White, 'The Royal Exchange, London, hand-coloured engraving, pub 1671, 48x58cm, glazed and framed, together with Comitatus Zelandiae Novi...
After J.M.W. Turner, two hand-coloured engravings entitled 'Spithead' and 'Portsmouth' both engraved
After J.M.W. Turner, two hand-coloured engravings entitled 'Spithead' and 'Portsmouth' both engraved by William Miller, both mounted, glazed and f...
Six assorted engravings depicting scenes around Portsmouth, comprising two coloured examples
Six assorted engravings depicting scenes around Portsmouth, comprising two coloured examples entitled 'View From The Parade' and 'Portsmouth Harbo...
Two unframed aquatints, 'The Mermaid Inn, Rye,' 21x30cm, and 'The Clocktower, Rouen,' 41x23cm,
Two unframed aquatints, 'The Mermaid Inn, Rye,' 21x30cm, and 'The Clocktower, Rouen,' 41x23cm, both indistinctly signed in pencil
A pair of hand-coloured French fashion prints, in gilt frames, together with three military prints
A pair of hand-coloured French fashion prints, in gilt frames, together with three military prints and another of St George's Gate Canterbury (6) ...
After William Hogarth, 'Paul Beofre Felix,' 'Design'd Etch'd in the ridiculous manner of Rembrandt,'
After William Hogarth, 'Paul Beofre Felix,' 'Design'd Etch'd in the ridiculous manner of Rembrandt,' engraving, 26.5x35.5cm, unframed
Rembrandt van Rijn (1606-1669), The Return of the Prodigal Son,' etching, 155x138mm, Belgravia
Rembrandt van Rijn (1606-1669), The Return of the Prodigal Son,' etching, 155x138mm, Belgravia Gallery label verso,
Michael Leopold Lukas Willmann (1630-1706), 'The Madonna in Glory,' with the Genealogy of Christ,
Michael Leopold Lukas Willmann (1630-1706), 'The Madonna in Glory,' with the Genealogy of Christ, Etching, 335x195mm, Mounted and framed Provenanc...
After Rembrandt van Rijn (1606-1669). The Triumph of Mordecai. Etching and drypoint, 18x21cm,
After Rembrandt van Rijn (1606-1669). The Triumph of Mordecai. Etching and drypoint, 18x21cm, unframed
Richard Earlom (British, 1743-1822), after Johann Zoffany, R.A. Colonel Mordaunt`s Cock Match at
Richard Earlom (British, 1743-1822), after Johann Zoffany, R.A. Colonel Mordaunt`s Cock Match at Lucknow, hand coloured mezzotint, 53 x 67cm, toge...
After Paul Sandby, Windsor Castle from Eaton, Hand tinted aquatint, 30x45cm
L.F Cassas / engraved Dalencour. The Great Colonnade at Palmyra, panoramic, engraving with hand
L.F Cassas / engraved Dalencour. The Great Colonnade at Palmyra, panoramic, engraving with hand colouring, 42x91cm
After Wyllie, colour print of an aerial view of Portsmouth & Southsea, together with 'Death of
After Wyllie, colour print of an aerial view of Portsmouth & Southsea, together with 'Death of Lord Nelson' engraving, a hand-coloured map of Port...
Mid 20th Century School. Three studies by the same hand of commercial ships, looking from bow to the
Mid 20th Century School. Three studies by the same hand of commercial ships, looking from bow to the stern and the the ships bridge, one titled '...
Rowland Langmaid (1897-1956), 'The Laws of the Navy', a set of four etchings, each signed in pencil,
Rowland Langmaid (1897-1956), 'The Laws of the Navy', a set of four etchings, each signed in pencil, original black frames, each 31x21cm (one glas...
PYNE (W.H.) 18x sepia aquatint plates showing boat building and agricultural pursuits, drawn and
PYNE (W.H.) 18x sepia aquatint plates showing boat building and agricultural pursuits, drawn and etched by Pyne, pub July 1, 1802 by Pyne & Nattes...
After Édouard-Henri-Théophile Pingret (1785- 1869), 'Embarquement A Douvres,' (Dover) and 'Debarquement A Gosport,' (Clarence Yard), being the jou...
A 19th century mezzotint of Admiral Lord Nelson After Hoppner, engraved by C. Turner, 60x40cm,
A 19th century mezzotint of Admiral Lord Nelson After Hoppner, engraved by C. Turner, 60x40cm, together with a portrait of HMS Lindon (reverse pai...
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