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ARR DRUIE BOWETT (1924-1998) Coastal landscape with beached fishing boats, watercolour sketch,
ARR DRUIE BOWETT (1924-1998)Coastal landscape with beached fishing boats, watercolour sketch, unframed, 52.5cm x 77cm.Provenance: The artist's fam...
ARR DRUIE BOWETT (1924-1998)Coastal village with tree lined promenade seen from the sea, watercolour, signed and dated (19)72, 55cm x 75cm, unfram...
ARR DRUIE BOWETT (1924-1998) Study of three greyhounds on the track, black ink, signed to lower
ARR DRUIE BOWETT (1924-1998)Study of three greyhounds on the track, black ink, signed to lower right 7cm x 53cm, together with a study of greyhoun...
ARR DRUIE BOWETT (1924-1998) Swiss lakeside resort with tree-lined promenade and hotels, the
ARR DRUIE BOWETT (1924-1998)Swiss lakeside resort with tree-lined promenade and hotels, the mountains beyond, watercolour over pencil, signed and ...
ARR DRUIE BOWETT (1924-1998) 'From La Napole' San Peyre and Mandelieu la Napoule, Bay of Cannes at
ARR DRUIE BOWETT (1924-1998)'From La Napole' San Peyre and Mandelieu la Napoule, Bay of Cannes at night, watercolour, signed to lower left 38cm x ...
ARR DRUIE BOWETT (1924-1998) Study of five figures, monochrome, watercolour, unsigned, 25.5cm x 35.
ARR DRUIE BOWETT (1924-1998)Study of five figures, monochrome, watercolour, unsigned, 25.5cm x 35.5cm, unframedProvenance: The artist's family
ARR DRUIE BOWETT (1924-1998) Study of six doves, blue crayon, signed to lower right, 39cm x 59cm,
ARR DRUIE BOWETT (1924-1998)Study of six doves, blue crayon, signed to lower right, 39cm x 59cm, unframedProvenance: The artist's family
ARR DRUIE BOWETT (1924-1998) Beached fishing boats, watercolour over pencil, unsigned 35cm x 50.5cm:
ARR DRUIE BOWETT (1924-1998)Beached fishing boats, watercolour over pencil, unsigned 35cm x 50.5cm: John Bowett, half length, sitting, wearing a c...
ARR DRUIE BOWETT (1924-1998)Harbourside houses and fishing boat at anchor, watercolour and pastel, signed and dated (19)62 to lower left 20cm x 33...
ARR DRUIE BOWETT (1924-1998) Continental riverside town with sail boats anchored mid stream, blue
ARR DRUIE BOWETT (1924-1998)Continental riverside town with sail boats anchored mid stream, blue watercolour on grey paper, initialled and dated (...
HAROLD SUTTON PALMER (1854-1933), Landscape with distant hills, watercolour, signed to lower left,
HAROLD SUTTON PALMER (1854-1933), Landscape with distant hills, watercolour, signed to lower left, 16.5cm x 24.5cm
ARR NOEL HARRY LEAVER (1889-1951) Arab street scene with gateway and figures, watercolour, signed to
ARR NOEL HARRY LEAVER (1889-1951) Arab street scene with gateway and figures, watercolour, signed to lower left, 27cm x 18cm
ARR PHILIP RICKMAN (1891-1982), Male Bufflehead Duck, swimming, watercolour, signed and dated 1972
ARR PHILIP RICKMAN (1891-1982), Male Bufflehead Duck, swimming, watercolour, signed and dated 1972 to lower right, 27cm x 39cm
J W WILLIAMS (fl.1900-1920) The Abbey, Whitby, with cattle watering, the town and abbey beyond,
J W WILLIAMS (fl.1900-1920) The Abbey, Whitby, with cattle watering, the town and abbey beyond, watercolour, signed to lower left, 33cm x 51.5cm
ARR ANGUS RANDS (1922-1985) A horse and rider on a lane in a winter landscape watercolour, signed
ARR ANGUS RANDS (1922-1985)A horse and rider on a lane in a winter landscape watercolour, signed lower left, 35.5cm x 52cm
GEORGE EDWARDS HERING (1805-1879) Near Harlech, Snowdon, signed, inscribed and dated 1849, 17cm x
GEORGE EDWARDS HERING (1805-1879)Near Harlech, Snowdon, signed, inscribed and dated 1849, 17cm x 24.5cm
THOMAS ROWDEN (1842-1926) Ponies watering in a wooden landscape, watercolour signed lower left, 20cm
THOMAS ROWDEN (1842-1926)Ponies watering in a wooden landscape, watercolour signed lower left, 20cm x 37.5cm
ARR JOHN MURRAY THOMSON RSA (1885-1974) Study of a dog with a bone, ex studio sale pencil drawing,
ARR JOHN MURRAY THOMSON RSA (1885-1974)Study of a dog with a bone, ex studio sale pencil drawing, 16.5cm x 21.5cm
ENGLISH SCHOOL c.1900 Portrait of a young boy with a lace collar, oval, watercolour, 42cm x 34cm
ENGLISH SCHOOL c.1900Portrait of a young boy with a lace collar, oval, watercolour, 42cm x 34cm
ETHELINE E.DELL (1885-1923) A young woman knitting by a cottage door with a child seated on a step
ETHELINE E.DELL (1885-1923)A young woman knitting by a cottage door with a child seated on a step and poultry with a thatched cottage beyond, wate...
ARTHUR DUDLEY AKA GIOVANNI BARBARO (1864-1925) A pair of still life studies of grapes, melon and
ARTHUR DUDLEY AKA GIOVANNI BARBARO (1864-1925) A pair of still life studies of grapes, melon and oranges; sprays of dahlias, watercolour, signed t...
ARTHUR DUDLEY AKA GIOVANNI BARBARO (1864-1925) A pair of still life studies of raffia wrapped lidded
ARTHUR DUDLEY AKA GIOVANNI BARBARO (1864-1925) A pair of still life studies of raffia wrapped lidded pot, grapes and bananas; lobster and fish bes...
JAMES HOLLAND (1799-1870) Still life of roses, lilac, larkspur, sweetpea and other summer flowers
JAMES HOLLAND (1799-1870) Still life of roses, lilac, larkspur, sweetpea and other summer flowers held in a pedestal bowl upon a ledge, watercolou...
THOMAS WILLIAM HAMMOND (1854-1935), Yorkshire Moors, with approaching storm, pastel, signed lower
THOMAS WILLIAM HAMMOND (1854-1935), Yorkshire Moors, with approaching storm, pastel, signed lower left and bearing inscriptions verso, 30cm x 47cm...
ARR SHIRLEY STOPFORD-TAYLOR (1935-2017) Portrait of the artist Joyce Bell, three quarter length,
ARR SHIRLEY STOPFORD-TAYLOR (1935-2017)Portrait of the artist Joyce Bell, three quarter length, sitting in an armchair with her legs up, a cat asl...
VAN HOOF (20th century), The Tightrope Walker, black felt on cream paper inscribed and dated 1958
VAN HOOF (20th century), The Tightrope Walker, black felt on cream paper inscribed and dated 1958 verso and dated 1958, 31cm x 25cm, framed
MANNER OF T M RICHARDSON - Figures and boats on a lake shore with fortified town beyond, watercolour
MANNER OF T M RICHARDSON - Figures and boats on a lake shore with fortified town beyond, watercolour heightened with body colour, 29cm x 51cm, gil...
ARR BY AND AFTER SNAFFLES, CHARLES JOHNSON PAYNE (1884-1967) 'Handing it Out to 'Em', colour print
ARR BY AND AFTER SNAFFLES, CHARLES JOHNSON PAYNE (1884-1967)'Handing it Out to 'Em', colour print laid onto support paper, remarque and signed in ...
AFTER WILLIAM RICHARDSON (Fl. 1842-1877) Yorkshire Abbeys: Bolton, Fountains, Byland and Rievaulx,
AFTER WILLIAM RICHARDSON (Fl. 1842-1877) Yorkshire Abbeys: Bolton, Fountains, Byland and Rievaulx, hand tinted lithographs, 32cm x 46.5cm, 32cm x ...
AFTER MARCELLIN AUZOLLE (1842-1942), Champion Puppy 'Old Peter', 'Drink Puppy Drink', vintage
AFTER MARCELLIN AUZOLLE (1842-1942), Champion Puppy 'Old Peter', 'Drink Puppy Drink', vintage reproduction chromolithograph reproduced by kind per...
AFTER HERBERT RAILTON - THE GATEWAY, Fountains Hall, pen and ink on buff paper, mount, unframed,
AFTER HERBERT RAILTON - THE GATEWAY, Fountains Hall, pen and ink on buff paper, mount, unframed, 35cm x 26.5cm
FIVE EARLY 19TH CENTURY AQUATINTS after Rowlandson & Pugin including British Institution, Lambeth
FIVE EARLY 19TH CENTURY AQUATINTS after Rowlandson & Pugin including British Institution, Lambeth Palace, Vauxhall Gardens, Coal Exchange, The Hal...
AFTER JAMES GILLRAY (1757-1815) The Bengal Levee, hand tinted etching, pub by J S Gillray, Chealsea and by H Humphrey, London Nov 9th 1792, 44cm x...
BACON'S NEW SURVEY MAP OF THE COUNTIES OF DERBY, NOTTINGHAM AND LEICESTER, 'Showing Railways, Roads,
BACON'S NEW SURVEY MAP OF THE COUNTIES OF DERBY, NOTTINGHAM AND LEICESTER, 'Showing Railways, Roads, Elevations and Distances.....' Price 3 1/6, C...
W.DENDY SADLER (BY) JAMES DOBIE (AFTER) - two engravings: 'Should Auld ac-quaintance be for-got....'
W.DENDY SADLER (BY) JAMES DOBIE (AFTER) - two engravings: 'Should Auld ac-quaintance be for-got....' another untitled, both signed in pencil in th...
THE ENID BLYTON NATURE PLATES, drawn by Eileen A Soper, prints 1-60, contained in the original
THE ENID BLYTON NATURE PLATES, drawn by Eileen A Soper, prints 1-60, contained in the original card box, urgent loose, 55cm x 44cm approx (incompl...
BY AND AFTER PAUL PETER PIECH (American 1920-1996) Jesus Christ The Light of the World, linocut, two
BY AND AFTER PAUL PETER PIECH (American 1920-1996)Jesus Christ The Light of the World, linocut, two colour print on white paper, signed and dated ...
BY AND AFTER PAUL PETER PIECH (American 1920-1996) No Man is an Island, Entire of Itself; John
BY AND AFTER PAUL PETER PIECH (American 1920-1996)No Man is an Island, Entire of Itself; John Donne, linocut, two colour print on white paper, sig...
BY AND AFTER PAUL PETER PIECH (American 1920-1996) O Leaves ask the breeze.... linocut, multicolour print on white paper, signed and dated 1988, 6...
BY AND AFTER PAUL PETER PIECH (American 1920-1996), Chief Red Cloud, Oglala Teton Sioux They Made Us
BY AND AFTER PAUL PETER PIECH (American 1920-1996), Chief Red Cloud, Oglala Teton Sioux They Made Us Promises... linocut, multi-coloured print on ...
BY AND AFTER PAUL PETER PIECH (American 1920-1996) To Reach Peace Teach Peace, linocut, two colour
BY AND AFTER PAUL PETER PIECH (American 1920-1996)To Reach Peace Teach Peace, linocut, two colour print on white paper, signed and dated 1987, 64c...
BY AND AFTER PAUL PETER PIECH (American 1920-1996) ......And USA Colonization of Latin America 1992,
BY AND AFTER PAUL PETER PIECH (American 1920-1996)......And USA Colonization of Latin America 1992, linocut, two colour print on white paper, sign...
BY AND AFTER PAUL PETER PIECH (American 1920-1996) 'The Choice is no longer between Violence and
BY AND AFTER PAUL PETER PIECH (American 1920-1996)'The Choice is no longer between Violence and Non-Violence, it is between non-violence and non-e...
BY AND AFTER PAUL PETER PIECH (American 1920-1996) The Golden Harvest is the First Scene.....Richard
BY AND AFTER PAUL PETER PIECH (American 1920-1996)The Golden Harvest is the First Scene.....Richardlinocut, multicolour print on white paper, sign...
BY AND AFTER PAUL PETER PIECH (American 1920-1996) Direction you can keep to the right course.....
BY AND AFTER PAUL PETER PIECH (American 1920-1996)Direction you can keep to the right course.....Shirley Toulson linocut, three colour print on wh...
BY AND AFTER PAUL PETER PIECH (American 1920-1996) The Sick Rose - Blake, linocut, two colour
BY AND AFTER PAUL PETER PIECH (American 1920-1996)The Sick Rose - Blake, linocut, two colour print on white paper, signed and dated 1988, 64.5cm x...
BY AND AFTER PAUL PETER PIECH (American 1920-1996) The Poet's Function and Privilege - R.S Thomas,
BY AND AFTER PAUL PETER PIECH (American 1920-1996)The Poet's Function and Privilege - R.S Thomas, linocut, two colour print on white paper, signed...
BY AND AFTER PAUL PETER PIECH (American 1920-1996) The Sun is the Foundation of Life..... linocut,
BY AND AFTER PAUL PETER PIECH (American 1920-1996)The Sun is the Foundation of Life..... linocut, two colour print on white paper, signed and date...
A CAUCASIAN RUG, the fox red field with three large dark blue geometric medallions interspersed with
A CAUCASIAN RUG, the fox red field with three large dark blue geometric medallions interspersed with eight stepped lozenge medallions within tripl...
A CAUCASIAN RUG, the fox red field with dark blue lozenge medallion and spandrels, filled with
A CAUCASIAN RUG, the fox red field with dark blue lozenge medallion and spandrels, filled with flowerheads, barbed squares, stylised birds with a ...
A WILLIAM IV GILTWOOD AND EBONISED LANDSCAPE OVERMANTEL MIRROR, with flared cornice outset to each
A WILLIAM IV GILTWOOD AND EBONISED LANDSCAPE OVERMANTEL MIRROR, with flared cornice outset to each side, the frieze and uprights with split pillar...
A FRENCH GILTWOOD AND GESSO WALL MIRROR, rectangular, with ribboned crest, above a panel with floral
A FRENCH GILTWOOD AND GESSO WALL MIRROR, rectangular, with ribboned crest, above a panel with floral garland, the bevelled glass within a beaded s...
A LATE 19TH CENTURY GILTWOOD WALL MIRROR of triple arched outline having three rectangular plates
A LATE 19TH CENTURY GILTWOOD WALL MIRROR of triple arched outline having three rectangular plates with a mirrored border and moulded frame, 144cm ...
A REGENCY STYLE GILTWOOD WALL MIRROR, the convex glass within a black reeded slip, cavetto moulded
A REGENCY STYLE GILTWOOD WALL MIRROR, the convex glass within a black reeded slip, cavetto moulded frame applied with spheres, with eagle cresting...
A PAIR OF 19TH CENTURY DUTCH BRASS WALL MIRRORS, embossed mounts, borders and clasps, mirror
A PAIR OF 19TH CENTURY DUTCH BRASS WALL MIRRORS, embossed mounts, borders and clasps, mirror backed cresting of fruit filled urn and scrolls above...
AN ITALIAN GILTWOOD WALL MIRROR in 18th century style, carved scrolls, shells and leafage around the
AN ITALIAN GILTWOOD WALL MIRROR in 18th century style, carved scrolls, shells and leafage around the shaped plate, 74cm high (mounted on a wooden ...
A PAIR OF LATE 19TH CENTURY GILTWOOD MIRRORS in rococo style with girandole brackets (fittings
A PAIR OF LATE 19TH CENTURY GILTWOOD MIRRORS in rococo style with girandole brackets (fittings absent) 36cm high x 22.5cm wide
A VICTORIAN EBONISED WALL MIRROR, the degraded plate within a frame of quatrefoil pierced triangular
A VICTORIAN EBONISED WALL MIRROR, the degraded plate within a frame of quatrefoil pierced triangular border panels with bold projecting faceted bo...
THOMPSON OF KILBURN 'MOUSEMAN' , an oak coffee table, the rectangular adzed surface on octagonal and
THOMPSON OF KILBURN 'MOUSEMAN' , an oak coffee table, the rectangular adzed surface on octagonal and square refectory standards joined by chamfere...