Fine Art and Antiques

ARR JEAN-GEORGES SIMON, HUNGARIAN (1894-1968), Druie Bowett, half portrait, nude, looking to sinister, red chalk, initialled and dated (19)59 to l...

ARR JEAN-GEORGES SIMON, HUNGARIAN (1894-1968), Female nude, three-quarter portrait, charcoal, initialled and dated (19)56 to lower right and inscr...

ARR JEAN-GEORGES SIMON HUNGARIAN (1894-1968), Druie Bowett, c.1955-59, head and shoulders portrait, looking to sinister, charcoal and gouache, ini...

ARR JEAN-GEORGES SIMON, HUNGARIAN (1894-1968), female nude, full portrait, on one knee, charcoal, pen and ink, initialled and dated 27.9.59, 78cm ...

ARR EDWARD WESSON RI RBA (1910-1983), 'Barges in a Calm', watercolour, signed to lower right, title and attribution to label verso, 13.5cm x 18.5cm

ARR TRISHA HARDWICK (b.1949), 'Fred's Flowers', still life of pansies held in a clear glass vase, gouache, on board, signed to lower left, title a...

ARR ROD MUNRO 20TH/21ST CENTURY, 'Hooker and Lock', St Albans Ladies RFC, and a companion work, 'Rory Underwood', a pair, sporting portraits, sang...

BY AND AFTER JOHN CLERKE OF ELDIN, SCOTTISH (1728-1812), Sterling from Kinneil 1776, 3rd state, signed in plate; Boghall from Biggar, 2nd state, e...

BY AND AFTER JOHN CLERKE OF ELDIN, SCOTTISH (1728-1812), Rothesay Castle - Bute, 3rd State; Dumfries from the Dock 1777, 3rd state, signed in plat...

BY AND AFTER JOHN CLERKE OF ELDIN, SCOTTISH (1728-1812), Clackmannan Tower from the South West, 1775, signed in plate, etching on laid, 20.5cm x 2...

BY AND AFTER ALEXANDER RUNCIMAN, SCOTTISH (1736-1785), The Marriage of Scottish King Malcolm III to St. Margaret, c.1770, signed in plate, etching...

BY AND AFTER ALEXANDER RUNCIMAN, SCOTTISH (1736-1785), Agrippina with the Ashes of Germanicus, c.1773, signed in plate, etching, 14cm x 10.5cm (pl...

BY AND AFTER ALEXANDER RUNCIMAN, SCOTTISH (1736-1785), Sigismunde Weeping Over the Heart of Tancred, c.1770, signed in plate, etching, 13.5cm x 8....

BY AND AFTER ALEXANDER RUNCIMAN, SCOTTISH (1736-1785), Catholda (Ossian) c.1770, signed in plate, etching, 14cm x 18.5cm, unframed

BY AND AFTER ALEXANDER RUNCIMAN, SCOTTISH (1736-1785), Cormar Attacking the Spirit of the Water, c.1770, signed in plate, etching, 7.5cm x 12.5cm,...

BY AND AFTER ALEXANDER RUNCIMAN, SCOTTISH (1736-1785), Male portrait, head and shoulders in profile, etching, sepia, signed in plate, 19cm x 14.5c...

WILLIAM WARD AFTER WILLIAM BIGG, 'The Truants' & 'The Romps', a pair of hand coloured mezzotints, c.1796, 44cm x 59cm, in verre églomisé glass wi...

WILLIAM WARD AFTER GEORGE MORLAND, 'Rabbits', coloured mezzotint, late 18th/early 19th century, 24cm x 31cm, gilt frame. See illustration

WILLIAM WARD AFTER GEORGE MORLAND, 'Children Bird' Nesting', aquatint, pub. J.R. Smith, King St, Covent Garden 1789, 46cm x 55cm

WILLIAM WARD AFTER GEORGE MORLAND, 'The Public House Door' coloured mezzotint, and a companion work 'Milk Maid and Cow Herd engraved by J.R.Smith...

PHILIP DAWE AFTER GEORGE MORLAND , 'Children Fishing' and 'Children Gathering Blackberries' a pair, coloured mezzotints, c.1788, 52cm x 37cm, gil...

SOIRON AFTER GEORGE MORLAND, 'St James's Park', hand coloured mezzotint, pub. Colnaghi & Co, Pall Mall, London 1790, 46.5cm x 53cm

CHARLES TOMKINS AFTER SIR JOSHUA REYNOLDS, 'Childhood' Portrait of Lady Gertrude Fitzpatrick, hand coloured mezzotint, early 19th century, 39cm x...

A PAIR OF EARLY 19TH CENTURY FRENCH HAND COLOURED STIPPLE ENGRAVINGS, 'L'Amitie' and 'La Fidelite' verre églomisé glass with gilt frames, 32cm x 2...

BY AND AFTER J FINDLAY, 'The Present Fashion of London, View from Windsor Terrace', hand coloured aquatint, and a companion work from the same ser...

AFTER JOHN DONOWELL, 'A View of Baliol College, Trinity College etc. in the University of Oxford' & ' A View of Exeter College, Back Gate, The Mus...

19TH CENTURY ENGLISH SCHOOL, Museum & Cliff Bridge, Scarborough and View From The Sands, Scarborough, a pair of hand coloured lithographs, oval, 2...

ARR BY AND AFTER AUGUSTUS EDWIN JOHN (1878-1961), 'William Butler Yeats', head and shoulders portrait, etching, signed in the plate and in pencil ...

ARR AFTER JAMES McBEY, SCOTTISH (1883-1959), 'Ovation to the Matador', full size portrait, standing, of the Spanish bull fighter Juan Belmonte, dr...

BY AND AFTER SIR DAVID YOUNG CAMERON RA RSA RW (1865-1945), Stonehenge, etching, signed in plate and in pencil to the margin, 12.5cm x 20cm; toget...

ARR H.J.JACKSON ARE (b.1938), 'Fish Wharfe/5', fishing boat at anchor, lino cut in colour, signed and dated 1968, titled and numbered 9/25 in penc...

ARR BY AND AFTER DENNIS HAWKINS (b.1925) Flame-Moth Flower, red abstract screen print artists proof, titled, signed and dated August 1958 in penci...

ARR DEREK WILKINSON (1929-2001) Buttermere with part of Cromack, colour etching, artist's proof, titled, signed and dated (19)77 in pencil to the ...

ARR BY AND AFTER BERYL COOK, 'The Swimming Pool', colour reproduction signed in pencil to the margin, with Fine Art Trade Guild blind stamp, pub. ...

AFTER HENRY ALKEN (19TH CENTURY), A set of six aquatints of hunting scenes entitled Doing the Down Leap, Doing it no How, The Down Leap done, Doin...

A PERSIAN WOOL RUG, worked with a central middle ground, formal floral medallion on an indigo foliate scroll field, within three main guard stripe...

A TURKISH WOOL CARPET, 20th century, with three main geometric lozenges, on a blue ground, within multiple geometric guard stripes, worked in gree...

A BELGIAN WOOL TAPESTRY WALL HANGING, in 16th century style, decorated with three figures on horseback and a dog in wooded landscape, 118cm x 192cm

A 20TH CENTURY PERSIAN WOOL PICTORIAL RUG, worked with deer, stag, birds and predators on a pale blue ground within a blue main guard stripe worke...

A LATE GEORGE III ROSEWOOD PEMBROKE GAMES TABLE, of rectangular outline with two rounded fall flaps, the top with reversible slide, inlaid to the ...

A 19TH CENTURY MAHOGANY DINING TABLE, with two sections, one with rounded full flap, loose leaf and another section with rounded removable leaf, a...

A 19TH CENTURY BOULLE AND EBONISED BREAKFRONT SIDE CABINET with cut brass and tortoiseshell scroll work, applied with four classical caryatid gilt...

A LATE 19TH CENTURY INLAID KINGWOOD AND EBONISED GUERIDON with circular top inset with a bird and floral painted ceramic plaque, gilt brass border...

A LATE 19TH CENTURY AESTHETIC MOVEMENT EBONISED AND GILT SOFA, the raised back with spindle cresting centred by a tablet painted with a song bird ...

A LATE REGENCY ROSEWOOD INVERTED BREAKFRONT SIDEBOARD with low raised back flanked by raised rounded ends, applied with floral roundels, above thr...

AN EARLY 20TH CENTURY MAHOGANY LONG DRESSING STOOL, in Georgian style, with four cabriole supports carved with acanthus on ball and claw feet, 132...

A 19TH CENTURY MAHOGANY URN STAND, of square serpentine outline, the later top with moulded rim, the apron having a carved lion face mask to each ...

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A VICTORIAN LACQUERED BRASS BED with globular finials, tubular uprights and railed foot on castors, with iron rails and folding base, 150cm wide

A REGENCY MAHOGANY SOFA TABLE with double rounded drop flaps, two real and two dummy frieze drawers and plain standard supports and splay feet, al...

A GEORGE III STYLE MAHOGANY ELBOW CHAIR with wheat sheaf carved and scroll pierced splat, out curved arms, drop in woolwork seat, on chamfered squ...

AN EARLY 19TH CENTURY PAINTED MAHOGANY AND SATINWOOD WORK TABLE of canted rectangular form, fitted with two real and two dummy drawers above a bas...

AN EARLY 18TH CENTURY FIGURED WALNUT ESCRITOIRE, with moulded cornice above a blind cushion frieze drawer, the fall front opening to reveal a fitt...

FIVE GEORGE III MAHOGANY DINING CHAIRS in Chippendale style, each with lattice slat back carved with wheat sheaves and ribbons, drop in seats abov...

A LATE GEORGE III MAHOGANY BOWFRONT TOILET MIRROR, with reeded rectangular plate and moulded uprights, the base fitted with three drawers above a ...

A GEORGE III MAHOGANY AND BOXWOOD LINE INLAY TOILET MIRROR, with shield shaped plate, 'S' shaped standard supports, on a serpentine base fitted wi...

A 19TH CENTURY ROSEWOOD BREAKFAST TABLE with circular top, plain frieze, the tilt top above a spiral carved and turned column support on triple ou...

A LADY'S EDWARD VII CROSSBANDED MAHOGANY CYLINDER DESK, with a shaped half gallery above a cylinder front enclosing an arrangement of pigeon holes...

A REGENCY PERIOD MAHOGANY BOW FRONT CHEST OF THREE DRAWERS, with crossbanding and satinwood banding, the drawers with brass oval plates and swing ...

A GEORGE III MAHOGANY ELBOW CHAIR OF HEPPLEWHITE DESIGN, the slightly shaped top rail over a pierced waisted splat, outswept arms on hambone uprig...