Fine Art Sale

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Fine Art Sale

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ATTRIBUTED TO WILLIAM HUGGINS (1820-1884) STUDY OF DONKEYS oil on panel, 12.5 x 16.5cm ++In fine condition beneath glass in contemporary ornate V...

†DONALD HAMILTON FRASER, RA (1929-2009) LANDSCAPE oil on board, 25.5 x 23.5cm ++In fine condition beneath glass, undisturbed in the original hes...

DAVID PAYNE (EXH 1882-91) MILKING TIME signed, oil on canvas, 49 x 79cm ++In ready to hang condition cleaned and relined in 1996, in 18th c style ...

F MAYFIELD (EXH 1888) THE OLD BRIDGE LADY BAY signed and dated 62, oil on canvas, 24.5 x 35cm ++Medium a little thin in places, the support with a...

†WILLIAM FRANCIS BURCHELL THE SOLWAY signed, oil on canvas, 41.5 x 52cm ++Unlined, in fine condition, the varnish requiring only a light clean

†TREVOR OWEN MAKINSON (B 1906) SAM'S BOOTS signed and dated Dec 1943, oil on panel, 28 x 38cm According to the label on the backboard, the title i...

†WINIFRED ADA BOYNTON (1890-1973) PORTRAIT OF A LADY signed, signed again and inscribed on the artist's label verso, oil on canvas laid on board, ...

EDWIN ELLIS, RBA (1841-1895) AN APPROACHING STORM WHITBY signed, oil on canvas, 54.5 x 110.5cm ++Apparently unlined and resecured to the original ...

ARTHUR LOWE (1865-1940) THE VALE OF BELVOIR; PULLING THE BOAT a pair, both signed, oil on board, 39.5 x 49.5cm (2) ++Pulling the Boat - with local...

HERBERT WILSON FOSTER (1848-1929) THE PIT HEAD signed and dated 1889, oil on canvas, 89 x 69.5cm Exhibited: (probably) Royal Academy, 1891, A Chat...

†ARTHUR SPOONER, RBA (1873-1962) PORTRAIT OF A GENTLEMAN head and shoulders, signed and dated 1920, oil on canvas, 59.5 x 49cm ++Small bruise cent...

HERBERT WILSON FOSTER (1848-1929) THE PROCESSION OF THE MAY QUEEN signed and dated 1893, oil on canvas, 145 x 183cm Exhibited: Royal Academy 1893,...

†NOEL DENHOLM DAVIS (1876-1950) PORTRAIT OF THE HON. HENRY SAVILLE signed, oil on canvas, 56 x 48cm ++Heavily bruised and scratched resulting in s...

FERDINAND SIGMUND LACHENWITZ (1820-1868) TWO SWANS STARTLED BY A HOUND signed and dated 1846, oil on canvas, 120 x 162cm ++Relined several years a...

HERBERT WILSON FOSTER (1848-1929) PLAYTIME IN BRADMORE signed and dated 1899, with the artist's fragmentary label, on the original backboard trans...

†REBECCA ANNE FOSTER (1867-1951) ROSES signed, watercolour, 37 x 54.5cm ++In good unfaded condition close mounted in what could well be the origin...

GEORGE HODGSON (1847-1921) KYNANCE COVE CORNWALL signed and inscribed, watercolour, 34.5 x 52cm Provenance: James A Simons. ++In fine, fresh, unf...

†MARJORIE CHRISTINE BATES (1887-1962) GIRL WITH RED HAIR signed, pastel, 72.5 x 52.5cm ++In superb preservation, in the original but restored earl...

ADAM KNIGHT (1855-1931) THE QUAYSIDE; A PADDLE STEAMER a pair, both signed, watercolour, 11.5 x 16.5cm (2) ++Both in good condition, reframed in 2...

ADAM KNIGHT (1855-1931) THE QUAYSIDE AT CASSIS signed and inscribed, watercolour, 49 x 61.5cm ++In good condition, in modern mount and restored fr...

GEORGE HODGSON (1847-1921) JESSAMINE COTTAGES NOTTINGHAM signed, dated 1921 and inscribed, watercolour, 17 x 24.5cm ++Faded somewhat but the pigme...

†HILDA ELIZABETH SMART (1901-1992) LATE SNOW IN SHARPHILL WOOD signed, gouache, 36.5 x 47cm Exhibited: Society of Women Artists. ++In good conditi...

†JOSEPH WEBB, ARE (1908-1962) KENT HOP OASTS; ANNE HATHAWAY'S COTTAGE SHOTTERY two, etchings, trial proof and first state respectively, both sign...

BY AND AFTER GEORGE EDWARDS (1694-1773) TWELVE PLATES FROM EDWARDS' HISTORY OF BIRDS etchings with margins, hand coloured, 28 x 21.5cm, mid 18th ...

P DAWS AFTER ROBERT POLLARD (1755-1838) THE VICTORY OF THE BRITISH TROOPS OVER THE FRENCH ARMY OF EGYPT ON THE 21ST MARCH 1801 mezzotint, printe...

FRANCESCO BARTOLOZZI, RA (1727-1815) OR A CONTEMPORARY MOTHER AND CHILDREN; TWO GIRLS three, stipple engravings trimmed to image, hand coloured, o...

JOHANNES KIP (1653-1722) AFTER LEONARD KNYFF (1650-1722) THE PROSPECT OF NOTTINGHAM FROM YE EAST double page engraving mounted to platemark, han...

BY AND AFTER SAMUEL AND NATHANIEL BUCK (1696-1779 AND C) THE SOUTH PROSPECT OF NOTTINGHAM double page engraving with margins from Buck's Prospec...

JANSEN NOTTINGHAMSHIRE double page engraved map with margins, hand coloured, 38 x 48.5cm and twelve other 18th and 19th c maps and prints of Notti...

CECIL CHARLES WINDSOR ALDIN (1870-1935) THE BEGGAR; A BUNCH OF MISCHIEF a pair, drypoints, both signed by the artist in pencil and numbered from ...

WILLIAM LIONEL WYLLIE, RA, RE (1851-1931) SHERRINGHAM CRABBERS etching with margins, signed by the artist in pencil, 19 x 23.5cm ++In fine condit...

WILLIAM LIONEL WYLLIE, RA, RE (1851-1931) THE RIVER OF GOLD etching in sepia with margins, signed by the artist in pencil, 22 x 38cm ++In good c...

†CHARLES FREDERICK TUNNICLIFFE, RA, RE (1901-1979) THE CHARTLEY BULL wood engraving with margins, signed by the artist in pencil, signed again a...

THOMAS CROSS (FL MID/LATE 17TH C) PORTRAIT OF VINCENT WING engraving, trimmed to platemark, 21.5 x 14.2cm, laid down on an old mount The print w...

†STEVEN DEWS (1949-) BRITANNIA RACING IN THE SOLENT 1933 offset lithograph with margins, signed by the artist in pencil, numbered and blindstampe...

JOAN BLAEU NOTTINGHAMSHIRE;NORTHAMPTONSHIRE two, double page engraved maps with margins, Latin and German text respectively, hand coloured, c1645-...

THE CHURCH OF ENGLAND. THE ALBUM OF AUTOGRAPH LETTERS SIGNED ADDRESSED TO THE REV. NATHANIEL MIDWINTER (1816-1888) VICAR OF BLEASBY WITH MORTON AN...

ROYAL. LUCAS-LUCAS (H F) THE FOX HUNTING ALPHABET oblong folio, whole page lithographed illustrations in colour, signed by Edward Prince of Wal...

SCOTT (WALTER, SIR) IST BT (1771-1832) IMPORTANT AUTOGRAPH LETTER SIGNED ON THE ORIGIN OF 'JEANIE DEANS' IN SCOTT'S THE HEART OF MIDLOTHIAN Abbot...

THE ORDER AND MEDALS OF COLONEL G R CRAWFORD, CB, INDIAN ARMY comprising The Most Honourable Order of the Bath, Companion's breast badge, India Ge...

THE WORLD WAR TWO MM GROUP OF FOUR OF CORPORAL LESLIE PAUL TYE, AWARDED THE MILITARY MEDAL FOR THE BREAKOUT FROM THE RHINE BRIDGEHEAD Military M...

WORLD WAR ONE GROUPS OF FIVE AND SIX TO BROTHERS The Most Excellent Order of the British Empire, member's badge (hallmarked 1919) military divisi...

NAVAL UNIFORM. TWO ROYAL NAVY OFFICERS FROCK COATS, A PAIR OF TROUSERS AND THREE COCKED HATS, C1900 in japanned metal box with engraved brass nam...

AN ISLAMIC BRASS BASIN, EGYPT OR SYRIA, 19TH C of compressed form, finely chased with scenes beneath an inscription, 19cm h, 37cm diam ++Minor de...

ABORIGINAL AUSTRALIA. A BOOMERANG, LATE 19TH/EARLY 20TH C one side profusely carved with the head and shoulders of a man and foliage, 78cm ++M...

TWO QAJAR PAINTED AND VARNISHED WOOD ARCHER'S BOWS, 19TH C c94cm ++Both in poor condition with loss and wear to the decoration but unrestored

TRIBAL ART. A SHONA BATTLE AXE, LATE 19TH C with steel spade shaped blade and richly patinated wood handle bound with braided brass wire bands, ...

TWO GERMAN, THIRD REICH, ARMY OFFICER'S SWORDS stamped squirrel trademark and EICKHORN SOLINGEN or EICKHORN SOLINGEN ORIGINAL, length of blade 87...

A DEACTIVATED WEBLEY MK IV .22 REVOLVER, NO B16367 with Birmingham Proof House De-activation Certificate dated 11 November 2009

A FRENCH ORMOLU MOUNTED BOULLE BRACKET CLOCK IN LOUIS XV STYLE, 19TH C the gong striking movement with square plates, 73cm h ++Small loss/faults ...

A FRENCH ORMOLU MOUNTED BOULLE BRACKET CLOCK IN LOUIS XV STYLE, 19TH C the bell striking movement with medallic square backplate, 105cm h ++Sligh...

A FRENCH ORMOLU GARNITURE DE CHEMINEE, C1880 with panels of finely chiselled scenes, caryatids and grotesque birds heightened in coloured gilding,...

A GERMAN ANTLER, WOOD AND COMPOSITION WALL CLOCK, LATE 19TH C the brass timepiece in rectangular tinplate housing, having turned wood dial with ...

A CHARLES X ORMOLU MANTEL CLOCK, C1830 the movement with silk suspension and silvered dial, the case mounted with the figure of Hebe and a thyrsus...

A FRENCH BRASS MOUNTED BOULLE BRACKET CLOCK IN LOUIS XV STYLE, 20TH C 56cm h ++Some lifting of the veneer in places but complete

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