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* ALISON WATT OBE FRSE RSA (SCOTTISH b. 1966), STAR
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oil on board, signed, titled and dated 2015 verso
framed
image size 12.5cm x 12cm, overall size 22cm x 18cm
Label verso, with reference number AFG 54543 (this is a Flowers Gallery, London reference number)
Exhibited: "Small is Beautiful" exhibition Flowers Gallery, Cork Street, London 19th December 2015 - 9th January 2016.
Note: Widely regarded as one of the leading painters working in the UK today, Alison Watt first came to public attention in 1987 when she won the National Portrait Gallery’s coveted annual award while still a student at Glasgow School of Art. Subsequently, she became well known for her paintings of figures, often female nudes. In 1997 Watt’s exhibition ‘Fold’ at Edinburgh’s Fruitmarket Gallery marked a turning point in her work by introducing fabric alongside these figures. This was followed by ‘Shift’, a major solo exhibition at the Scottish National Gallery of Modern Art in 2000, which saw Watt move away from the figure and display a series of twelve large paintings depicting swathes of fabric. The absence of the human figure marked an important shift in her work. However, rather than completely abandoning the figure Watt’s new paintings evoked the human body in its absence. In 2006-8 Watt undertook a prestigious residency as Associate Artist at The National Gallery in London. This culminated in the landmark solo exhibition ‘Phantom’ at the National Gallery in 2008. Watt was awarded an OBE in the same year. In 2014, as part of the GENERATION programme of exhibitions, a retrospective exhibition of Watt’s paintings was held at Perth Museum and Art Gallery, and a solo display was presented at the Scottish National Gallery of Modern Art, Edinburgh. A major exhibition of new work, ‘A Shadow on the Blind’, opened at the Abbot Hall Art Gallery, Kendal, in 2018 and travelled to Paraffin in 2019. Watt’s exquisitely painted canvases continue to negotiate a position close to abstraction yet are firmly rooted in her studies of drapery, light, the human form and old master paintings and sculpture. Alison Watt’s work has been exhibited internationally and is held in many important public and private collections around the world. She has had solo exhibitions at major institutions including the National Gallery, London, and the Scottish National Gallery of Modern Art, Edinburgh. Her work was recently included in ‘I Am Here! From Rembrandt to the Selfie’ at the Staatliche Kunsthalle, Karlsruhe, which toured to the Musee des Beaux-Arts, Lyon (as ‘Autoportraits’) and the Scottish National Portrait Gallery (as ‘Facing The World: Self-Portraits from Rembrandt to Ai Weiwei’) in 2016. Important recent group exhibitions include ‘Defining Beauty’, British Museum (2015), ‘Reality: Modern & Contemporary British Painting’ at the Sainsbury Centre for Visual Arts, Norwich and Walker Art Gallery, Liverpool (2014-15) and ‘Autoriatratto’, Uffizi Gallery (2010). In 2006-8 Watt was Associate Artist at The National Gallery in London. Works from her residency were shown in her landmark solo exhibition, ‘Phantom’, at the National Gallery in 2008 and Watt was awarded an OBE in the same year. In 2014, as part of the GENERATION programme of exhibitions celebrating recent Scottish art, a retrospective exhibition of Watt’s paintings was held at Perth Museum and Art Gallery, and a solo display was presented at the Scottish National Gallery of Modern Art, Edinburgh. Watt’s work is included in many important collections including the Scottish National Gallery of Modern Art, Edinburgh, the British Council Collection, London, the Arts Council Collection, London, the Gallery of Modern Art, Glasgow, Southampton City Art Gallery, and the Uffizi in Florence.
oil on board, signed, titled and dated 2015 verso
framed
image size 12.5cm x 12cm, overall size 22cm x 18cm
Label verso, with reference number AFG 54543 (this is a Flowers Gallery, London reference number)
Exhibited: "Small is Beautiful" exhibition Flowers Gallery, Cork Street, London 19th December 2015 - 9th January 2016.
Note: Widely regarded as one of the leading painters working in the UK today, Alison Watt first came to public attention in 1987 when she won the National Portrait Gallery’s coveted annual award while still a student at Glasgow School of Art. Subsequently, she became well known for her paintings of figures, often female nudes. In 1997 Watt’s exhibition ‘Fold’ at Edinburgh’s Fruitmarket Gallery marked a turning point in her work by introducing fabric alongside these figures. This was followed by ‘Shift’, a major solo exhibition at the Scottish National Gallery of Modern Art in 2000, which saw Watt move away from the figure and display a series of twelve large paintings depicting swathes of fabric. The absence of the human figure marked an important shift in her work. However, rather than completely abandoning the figure Watt’s new paintings evoked the human body in its absence. In 2006-8 Watt undertook a prestigious residency as Associate Artist at The National Gallery in London. This culminated in the landmark solo exhibition ‘Phantom’ at the National Gallery in 2008. Watt was awarded an OBE in the same year. In 2014, as part of the GENERATION programme of exhibitions, a retrospective exhibition of Watt’s paintings was held at Perth Museum and Art Gallery, and a solo display was presented at the Scottish National Gallery of Modern Art, Edinburgh. A major exhibition of new work, ‘A Shadow on the Blind’, opened at the Abbot Hall Art Gallery, Kendal, in 2018 and travelled to Paraffin in 2019. Watt’s exquisitely painted canvases continue to negotiate a position close to abstraction yet are firmly rooted in her studies of drapery, light, the human form and old master paintings and sculpture. Alison Watt’s work has been exhibited internationally and is held in many important public and private collections around the world. She has had solo exhibitions at major institutions including the National Gallery, London, and the Scottish National Gallery of Modern Art, Edinburgh. Her work was recently included in ‘I Am Here! From Rembrandt to the Selfie’ at the Staatliche Kunsthalle, Karlsruhe, which toured to the Musee des Beaux-Arts, Lyon (as ‘Autoportraits’) and the Scottish National Portrait Gallery (as ‘Facing The World: Self-Portraits from Rembrandt to Ai Weiwei’) in 2016. Important recent group exhibitions include ‘Defining Beauty’, British Museum (2015), ‘Reality: Modern & Contemporary British Painting’ at the Sainsbury Centre for Visual Arts, Norwich and Walker Art Gallery, Liverpool (2014-15) and ‘Autoriatratto’, Uffizi Gallery (2010). In 2006-8 Watt was Associate Artist at The National Gallery in London. Works from her residency were shown in her landmark solo exhibition, ‘Phantom’, at the National Gallery in 2008 and Watt was awarded an OBE in the same year. In 2014, as part of the GENERATION programme of exhibitions celebrating recent Scottish art, a retrospective exhibition of Watt’s paintings was held at Perth Museum and Art Gallery, and a solo display was presented at the Scottish National Gallery of Modern Art, Edinburgh. Watt’s work is included in many important collections including the Scottish National Gallery of Modern Art, Edinburgh, the British Council Collection, London, the Arts Council Collection, London, the Gallery of Modern Art, Glasgow, Southampton City Art Gallery, and the Uffizi in Florence.
The Scottish Contemporary Art Auction
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