149
BORDALO II, FRAGILE 2023
fine art print on paper, signed and numbered, from an edition of 500.
Boradlo spray painted the symbols on every print by hand, making each one unique.
60cm x 60cm
Artur Bordalo (Lisbon, 1987) uses the artist name Bordalo II, which he chose as a tribute to his grandfather, the painter Real Bordalo, in order to promote a continuity and reinvention of his artistic legacy. His youth took place between the hours spent in the studio of his grandfather Real Bordalo and the adventures around illegal graffiti in the underworld of the city of Lisbon. He attended the Painting course at the Faculty of Fine Arts in Lisbon for eight years, without ever having completed it, but says that these years allowed him to discover sculpture, ceramics, and to experiment with a variety of materials that have distanced him from painting, which had taken him there in the first place. The excessive production and consumption of stuff, which results in the continuous production of “garbage” and consequently in the destruction of the Planet, are the central themes of his production. This “garbage” assumes itself as the unusual and unique raw material that Bordalo uses in the construction of small and large scale pieces that he has spread around the world and that, above all, intend to be the vehicle of a universal manifesto. Instagram: b0rdalo_ii
fine art print on paper, signed and numbered, from an edition of 500.
Boradlo spray painted the symbols on every print by hand, making each one unique.
60cm x 60cm
Artur Bordalo (Lisbon, 1987) uses the artist name Bordalo II, which he chose as a tribute to his grandfather, the painter Real Bordalo, in order to promote a continuity and reinvention of his artistic legacy. His youth took place between the hours spent in the studio of his grandfather Real Bordalo and the adventures around illegal graffiti in the underworld of the city of Lisbon. He attended the Painting course at the Faculty of Fine Arts in Lisbon for eight years, without ever having completed it, but says that these years allowed him to discover sculpture, ceramics, and to experiment with a variety of materials that have distanced him from painting, which had taken him there in the first place. The excessive production and consumption of stuff, which results in the continuous production of “garbage” and consequently in the destruction of the Planet, are the central themes of his production. This “garbage” assumes itself as the unusual and unique raw material that Bordalo uses in the construction of small and large scale pieces that he has spread around the world and that, above all, intend to be the vehicle of a universal manifesto. Instagram: b0rdalo_ii
Antiques & Interiors
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Collin Moran & Son Ltd
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0141 849 1947
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