Lot

17

AN ABBASID BLUE ON WHITE POTTERY BOWL

In Islamic & Indian Art

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Auctioneer has chosen not to publish the price of this lot
London
AN ABBASID BLUE ON WHITE POTTERY BOWL
MESOPOTAMIA, 9th / 10th CENTURY
of rounded form, with slightly everted rim on a short foot, with two lines of kufic inscriptions in blue on one part of the rim of the bowl, on a white ground 
18.5cm (7 2/8in) diameter
Acquired from Earls Colne Priory by Michael Archer in circa late 1960s.Thence by descent. Michael Archer Like his father, William Archer, before him, Michael enriched the experience and collection of the Victoria and Albert Museum (V&A;) through his long-term dedication and expertise. Beginning as Assistant Keeper of Ceramics, he was successively Deputy Keeper and Acting Keeper before being appointed Senior Research Curator.  Sociable, witty and engaging, Archer was a popular character who enhanced the museum’s knowledge through his research on stained glass, pottery and tin-glazed earthenware about which he published extensively and became an internationally respected authority. A particular area of Archer’s expertise was English glass of the 17th and 18th centuries, typified by studies of Richard Butler, Abraham van Linge and William Price. He was also an expert in tin-glazed earthenware known as English Delftware. His 1997 catalogue of the prestigious V&A; collection, which he helped to build, is an essential reference work.  Archer’s expertise was widely acknowledged amongst academics and practitioners. He was appointed Honorary Vice-President of the British Society of Master Glass Painters and a Trustee of the Ely Stained Glass Museum and York Glaziers Trust. He also the chaired both the Canterbury Cathedral Fabric Advisory Committee and the Stained Glass Conservation Committee of the Council for the Care of Churches. Archer enjoyed a long-distinguished career which was fittingly recognised with an OBE in the same way that his parents, William and Mildred Archer, were before him. Within this sale there are three ceramic items from Archer’s personal collection. Coming from distinct cultural traditions the Iznik, Abbasid and Safavid artefacts reflect Archer’s enthusiasm for ceramics and knowledge of the genre. 
Inscriptions:Based on other very similar pieces, either ‘abduhu’ (his slave) or ‘ghibta’ (happiness).
AN ABBASID BLUE ON WHITE POTTERY BOWL
MESOPOTAMIA, 9th / 10th CENTURY
of rounded form, with slightly everted rim on a short foot, with two lines of kufic inscriptions in blue on one part of the rim of the bowl, on a white ground 
18.5cm (7 2/8in) diameter
Acquired from Earls Colne Priory by Michael Archer in circa late 1960s.Thence by descent. Michael Archer Like his father, William Archer, before him, Michael enriched the experience and collection of the Victoria and Albert Museum (V&A;) through his long-term dedication and expertise. Beginning as Assistant Keeper of Ceramics, he was successively Deputy Keeper and Acting Keeper before being appointed Senior Research Curator.  Sociable, witty and engaging, Archer was a popular character who enhanced the museum’s knowledge through his research on stained glass, pottery and tin-glazed earthenware about which he published extensively and became an internationally respected authority. A particular area of Archer’s expertise was English glass of the 17th and 18th centuries, typified by studies of Richard Butler, Abraham van Linge and William Price. He was also an expert in tin-glazed earthenware known as English Delftware. His 1997 catalogue of the prestigious V&A; collection, which he helped to build, is an essential reference work.  Archer’s expertise was widely acknowledged amongst academics and practitioners. He was appointed Honorary Vice-President of the British Society of Master Glass Painters and a Trustee of the Ely Stained Glass Museum and York Glaziers Trust. He also the chaired both the Canterbury Cathedral Fabric Advisory Committee and the Stained Glass Conservation Committee of the Council for the Care of Churches. Archer enjoyed a long-distinguished career which was fittingly recognised with an OBE in the same way that his parents, William and Mildred Archer, were before him. Within this sale there are three ceramic items from Archer’s personal collection. Coming from distinct cultural traditions the Iznik, Abbasid and Safavid artefacts reflect Archer’s enthusiasm for ceramics and knowledge of the genre. 
Inscriptions:Based on other very similar pieces, either ‘abduhu’ (his slave) or ‘ghibta’ (happiness).

Islamic & Indian Art

Sale Date(s)
Venue Address
22 Connaught St
London
W2 2AF
United Kingdom

COLLECTIONS & STORAGE OF PURCHASED LOTS 

FOR INTERNATIONAL BUYERS & UK (OUTSIDE SCOTLAND) BUYERS

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Thereafter we will store items at Stephen Morris Shipping Ltd., 15 Ockham Drive, Greenford Park, Greenford, UB6 0FD. Telephone +44(0)20 8832 2222. Items will be available to collect from 9am on Monday 1st July 

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COST: Please note from Thursday 27th June you will be charged by our storage partners.
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FOR SCOTTISH BUYERS

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CALL 0131 557 8844
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Important Information

BUYER'S PREMIUM

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.
26% up to £20,000
25% from £20,001 to £500,000
20% thereafter

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT

VAT at the standard rate payable on the hammer price
Reduced rate of 5% import VAT payable on the hammer price
[Ω] Standard rate of import VAT on the hammer price

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This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale. More information on Droit de Suite is available at www.dacs.org.uk.

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UK - Conditions Of Sale For Buyers
These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

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See Full Terms And Conditions

Tags: Delftware, Iznik, Ceramic Bowl, Bowl