46
Andy Warhol, Lenin
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Colour screenprint on card 100 x 75 cm. Framed under glass. Signed and numbered. Artist's copyright stamp "© ANDY WARHOL 1987" verso. Proof 41/120 (+24 A.P. +6 P.P. +10 H.C.). Edition Galerie Bernd Klüser, Munich. - Minor traces of age.
Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints, A Catalogue Raisonné 1962-1987, New York 2003, cat.rais.no.II.402
Provenance
Galerie Klüser, Munich (1987); private ownership, Lower Saxony
Andy Warhol, a leading figure in the American Pop Art movement, created this portrait of Russian communist leader Vladimir Lenin in 1987. Lenin, the first head of government of the Soviet Union, was the architect of the October Revolution and the founder of the one-party state. This portrait, created seventy years after the Russian Revolution and just four years before the dissolution of the Soviet Union, presents Lenin in a dark, ominous light. Warhol focuses on only a few defining features, such as Lenin’s face, his beard, and a book in the lower part of the composition, which references Lenin’s role as a theorist and intellectual.
This portrayal of Lenin aligns with Warhol’s interest in depicting political figures, following his previous works featuring Mao Zedong, former U.S. President Jimmy Carter, and the media spectacle surrounding the assassination of John F. Kennedy. By continuing this tradition, Warhol demonstrates his ability to transform historically significant images into provocative works of art, as he also explored socialist imagery in his 1976 Hammer and Sickle series, which depicted the Soviet flag.
It is intriguing, however, that Warhol, an artist who famously distanced himself from politics and was known for his capitalistic approach to art, chose to portray Lenin, an icon of communism, as subject. This contradiction adds complexity to Warhol's work, highlighting the tension between his personal beliefs and his artistic exploration of politically charged imagery.
Farbserigraphie auf Karton 100 x 75 cm. Unter Glas gerahmt. Signiert und nummeriert. Rückseitig mit dem Copyright-Stempel des Künstlers "© ANDY WARHOL 1987". Exemplar 41/120 (+24 A.P. +6 P.P. +10 H.C.). Edition Galerie Bernd Klüser, München. - Mit leichten Altersspuren.
Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints, A Catalogue Raisonné 1962-1987, New York 2003, WVZ-Nr.II.402
Provenienz
Galerie Klüser, München (1987); Privatbesitz, Niedersachsen
Andy Warhol, eine Schlüsselfigur der amerikanischen Pop-Art-Bewegung, schuf dieses Porträt des russischen kommunistischen Führers Wladimir Lenin im Jahr 1987. Lenin, der erste Staatschef der Sowjetunion, war der Initiator der Oktoberrevolution und der Begründer des Einparteienstaates. Dieses Porträt, das siebzig Jahre nach der Russischen Revolution und nur vier Jahre vor dem Zusammenbruch der Sowjetunion entstand, inszeniert Lenin in einem dunklen, düsteren Licht. Warhol konzentriert sich nur auf wenige markante Merkmale, wie Lenins Gesicht, seinen Bart und ein Buch im unteren Teil der Komposition, das auf Lenins Rolle als Theoretiker und Intellektueller hindeutet.
Diese Darstellung von Lenin knüpft an Warhols Interesse an der Darstellung politischer Persönlichkeiten an, nachdem er zuvor bereits Mao Zedong, den ehemaligen US-Präsidenten Jimmy Carter und das Medienspektakel rund um die Ermordung von John F. Kennedy thematisiert hatte. Durch die Fortsetzung dieser Tradition demonstriert Warhol seine Fähigkeit, historisch bedeutsame Bilder in provokative Kunstwerke zu verwandeln, ebenso wie er sich in seiner Hammer-und-Sichel-Serie von 1976, die die sowjetische Flagge zeigt, mit sozialistischer Symbolik auseinandersetzte.
Es ist jedoch faszinierend, dass Warhol, ein Künstler, der sich bekanntermaßen von der Politik distanzierte und für seinen kapitalistischen Ansatz in der Kunst bekannt war, Lenin, eine Ikone des Kommunismus, als Motiv wählte. Dieser Widerspruch verstärkt die Komplexität von Warhols Werk und verdeutlicht die Spannung zwischen seinen persönlichen Überzeugungen und seiner künstlerischen Auseinandersetzung mit einer politisch aufgeladenen Bildsprache.
Colour screenprint on card 100 x 75 cm. Framed under glass. Signed and numbered. Artist's copyright stamp "© ANDY WARHOL 1987" verso. Proof 41/120 (+24 A.P. +6 P.P. +10 H.C.). Edition Galerie Bernd Klüser, Munich. - Minor traces of age.
Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints, A Catalogue Raisonné 1962-1987, New York 2003, cat.rais.no.II.402
Provenance
Galerie Klüser, Munich (1987); private ownership, Lower Saxony
Andy Warhol, a leading figure in the American Pop Art movement, created this portrait of Russian communist leader Vladimir Lenin in 1987. Lenin, the first head of government of the Soviet Union, was the architect of the October Revolution and the founder of the one-party state. This portrait, created seventy years after the Russian Revolution and just four years before the dissolution of the Soviet Union, presents Lenin in a dark, ominous light. Warhol focuses on only a few defining features, such as Lenin’s face, his beard, and a book in the lower part of the composition, which references Lenin’s role as a theorist and intellectual.
This portrayal of Lenin aligns with Warhol’s interest in depicting political figures, following his previous works featuring Mao Zedong, former U.S. President Jimmy Carter, and the media spectacle surrounding the assassination of John F. Kennedy. By continuing this tradition, Warhol demonstrates his ability to transform historically significant images into provocative works of art, as he also explored socialist imagery in his 1976 Hammer and Sickle series, which depicted the Soviet flag.
It is intriguing, however, that Warhol, an artist who famously distanced himself from politics and was known for his capitalistic approach to art, chose to portray Lenin, an icon of communism, as subject. This contradiction adds complexity to Warhol's work, highlighting the tension between his personal beliefs and his artistic exploration of politically charged imagery.
Farbserigraphie auf Karton 100 x 75 cm. Unter Glas gerahmt. Signiert und nummeriert. Rückseitig mit dem Copyright-Stempel des Künstlers "© ANDY WARHOL 1987". Exemplar 41/120 (+24 A.P. +6 P.P. +10 H.C.). Edition Galerie Bernd Klüser, München. - Mit leichten Altersspuren.
Frayda Feldman, Jörg Schellmann, Claudia Defendi, Andy Warhol Prints, A Catalogue Raisonné 1962-1987, New York 2003, WVZ-Nr.II.402
Provenienz
Galerie Klüser, München (1987); Privatbesitz, Niedersachsen
Andy Warhol, eine Schlüsselfigur der amerikanischen Pop-Art-Bewegung, schuf dieses Porträt des russischen kommunistischen Führers Wladimir Lenin im Jahr 1987. Lenin, der erste Staatschef der Sowjetunion, war der Initiator der Oktoberrevolution und der Begründer des Einparteienstaates. Dieses Porträt, das siebzig Jahre nach der Russischen Revolution und nur vier Jahre vor dem Zusammenbruch der Sowjetunion entstand, inszeniert Lenin in einem dunklen, düsteren Licht. Warhol konzentriert sich nur auf wenige markante Merkmale, wie Lenins Gesicht, seinen Bart und ein Buch im unteren Teil der Komposition, das auf Lenins Rolle als Theoretiker und Intellektueller hindeutet.
Diese Darstellung von Lenin knüpft an Warhols Interesse an der Darstellung politischer Persönlichkeiten an, nachdem er zuvor bereits Mao Zedong, den ehemaligen US-Präsidenten Jimmy Carter und das Medienspektakel rund um die Ermordung von John F. Kennedy thematisiert hatte. Durch die Fortsetzung dieser Tradition demonstriert Warhol seine Fähigkeit, historisch bedeutsame Bilder in provokative Kunstwerke zu verwandeln, ebenso wie er sich in seiner Hammer-und-Sichel-Serie von 1976, die die sowjetische Flagge zeigt, mit sozialistischer Symbolik auseinandersetzte.
Es ist jedoch faszinierend, dass Warhol, ein Künstler, der sich bekanntermaßen von der Politik distanzierte und für seinen kapitalistischen Ansatz in der Kunst bekannt war, Lenin, eine Ikone des Kommunismus, als Motiv wählte. Dieser Widerspruch verstärkt die Komplexität von Warhols Werk und verdeutlicht die Spannung zwischen seinen persönlichen Überzeugungen und seiner künstlerischen Auseinandersetzung mit einer politisch aufgeladenen Bildsprache.
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Vorbesichtigung
KÖLN
Samstag 24. Mai | 10 – 16 Uhr
Sonntag 25. Mai | 11 – 16 Uhr
Montag 26. Mai – Mittwoch 28. Mai
10 – 17.30 Uhr
Donnerstag 29. Mai | 11 – 15 Uhr
Matinée
Samstag 24. Mai | 12 Uhr
Isabel Apiarius-Hanstein und Henrik Hanstein treffen Sebastian Preuss
(Senior Editor WELTKUNST) zum Gespräch über das Erbe
Oskar Schlemmers
________________________________________________
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In Auswahl
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Dienstag 6. Mai und Mittwoch 7. Mai
jeweils 10 – 17 Uhr
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In Auswahl
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Vernissage | Samstag 26. April
11 – 17.00 Uhr
Sonntag 27. April 11 – 17.00 Uhr
Montag 28. April und Dienstag 29. April
jeweils 10 – 17.30 Uhr
________________________________________________
BERLIN
In Auswahl
Poststr. 22, 10178 Berlin-Mitte
Vernissage | Montag 12. Mai
18 – 21 Uhr
Dienstag 13. Mai und Mittwoch 14. Mai
jeweils 10 – 17 Uhr
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