1586
Ludolf Backhuysen d. Ä.Ein Blick von Texel mit Fischern, die ihre Netze einholen, einem SegelschÖl
Auctioneer has chosen not to publish the price of this lot
Köln
Description
Ludolf Backhuysen d. Ä.
Ein Blick von Texel mit Fischern, die ihre Netze einholen, einem Segelsch
Öl auf Leinwand. 54,6 x 67,3 cm.
Provenienz
Lord Radstock. - John Smith (1751-1855). - 1834 verkauft an Adriaan van der Hoop (1778-1854), Amsterdam. - Thomas Agnew, London. - Rupert Preston Ltd. - Englische Privatsammlung. - Richard Green, London 1993. - Privatsammlung USA.
Literatur
John Smith: A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish and French Painters, Bd. VI, S. 415, Nr. 38. - C. Hofstede de Groot: A Catalogue Raisonné of the Most Eminent Dutch Painters of the Seventeenth Century, 1976, Bd. VII, S. 288, Nr. 336.
Dieses Gemälde ist ein exquisites Kabinettstück des herausragenden niederländischen Marinemalers Ludolf Backhuysen. Es zeigt eine Ansicht von der Insel Texel aus auf die flache Küste Hollands, die als zarter Streifen in der Ferne erscheint. Der Künstler hat die Szenerie in ein prächtiges silbernes Licht getaucht, das den Eindruck eines frischen Morgens auf See vermittelt. Im Vordergrund schaukelt ein kleines Boot mit zwei Fischern, die ihre Netze einziehen. Links davon sieht man das Heck eines Segelschiffes mit niederländischer Flagge, dessen geblähtes Segel das einstrahlende Licht auffängt. Auf beiden Seiten davon liegen zwei jener kleineren Boote, die für den Transport der Handelswaren von Stadt zu Stadt und entlang der Küsten eingesetzt wurden. Weiter weg davon ankert ein Kriegsschiff mit Segeln auf Halbmast. Backhuysens genaue Beobachtung der Details, seine Kenntnisse der Schifffahrt sowie sein Talent für atmosphärische Bedingungen, für die Wiedergabe des Wassers und der Licht- und Wetterverhältnisse, kommt auf diesem Gemälde zu schönster Geltung.
Laut Houbraken hat Backhuysen bei den Marinespezialisten Hendrik Dubbels und Allaert van Everdingen gelernt. Er trat mit 32 Jahren 1663 der Amsterdamer Malerzunft bei. 1665 erhielt er vom Amsterdamer Bürgermeister den Auftrag, eine Ansicht von Amsterdam zu malen (heute Louvre, Paris), die als Geschenk für den Außenminister Ludwigs XIV. Hugues de Lionne, Marquis de Berny bestimmt war. Als die beiden Willem van de Velde, der Ältere und der Jüngere 1672, aus wirtschaftlichen und politischen Gründen nach England gezogen waren, blieb Backhuysen als führender Marinemaler in den Niederlanden. Houbraken berichtet auch, dass Cosimo III de' Medici, Friedrich I. von Preußen und Peter der Große sein Atelier besuchten und letzterer sogar Zeichenunterricht bei ihm genommen haben soll.
Ludolf Backhuysen the Elder
View from Texel with Fishermen Gathering their Nets, a Sailing Ship,
Oil on canvas. 54.6 x 67.3 cm.
Provenance
Lord Radstock. - John Smith (1751-1855). - A834 purchased by Adriaan van der Hoop (1778-1854), Amsterdam. - Thomas Agnew, London. - Rupert Preston Ltd.. - English private collection. - Richard Green, London 1993. - Private collection, USA.
Literature
John Smith: A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish and French Painters, vol. VI, p. 415, no. 38. - C. Hofstede de Groot: A Catalogue Raisonne of the Most Eminent Dutch Painters of the Seventeenth Century, 1976, vol. VII, p. 288, no. 336.
This exquisite cabinet piece was painted by the distinguished Dutch marine painter Ludolf Backhuysen. It depicts the island of Texel off the coast of Holland, visible as a faint strip of land in the background. The artist bathes the scene in glittering silvery light, evoking the atmosphere of a fresh morning by the sea. In the foreground a small boat bobs up and down on the water while two fishermen gather their nets. To the left of this we see the stern of a sailing ship flying Dutch colours, its billowing sail catching the morning light. On either side are two of the smaller boats used for transporting goods along the coast from town to town. Further in the distance a warship is shown anchored at half-mast. The work is a fine example of Backhuysen's talent for depicting atmospheric conditions, weather, and the play of light upon the water.
According to Houbraken, Backhuysen was taught to paint by Hendrik Dubbels and Allaert van Everdingen, both specialists in marine painting. He became a member of the Amsterdam painter's guild in 1663 at the age of 32. In 1665 the mayor of Amsterdam commissioned him to paint a view of the city as a present for Louis XIV's foreign secretary Hugues de Lionne, Marquis de Berny (now in the Louvre, Paris). When the two Willem van de Veldes, the Elder and the Younger, moved to England in 1672 for economic and political reasons, Backhuysen remained in Amsterdam as the leading marine painter in the Netherlands. Houbraken also reports that Cosimo III de' Medici, Frederick I of Prussia, and Peter the Great visited his studio and that the latter even took drawing lessons from him.
Ein Blick von Texel mit Fischern, die ihre Netze einholen, einem Segelsch
Öl auf Leinwand. 54,6 x 67,3 cm.
Provenienz
Lord Radstock. - John Smith (1751-1855). - 1834 verkauft an Adriaan van der Hoop (1778-1854), Amsterdam. - Thomas Agnew, London. - Rupert Preston Ltd. - Englische Privatsammlung. - Richard Green, London 1993. - Privatsammlung USA.
Literatur
John Smith: A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish and French Painters, Bd. VI, S. 415, Nr. 38. - C. Hofstede de Groot: A Catalogue Raisonné of the Most Eminent Dutch Painters of the Seventeenth Century, 1976, Bd. VII, S. 288, Nr. 336.
Dieses Gemälde ist ein exquisites Kabinettstück des herausragenden niederländischen Marinemalers Ludolf Backhuysen. Es zeigt eine Ansicht von der Insel Texel aus auf die flache Küste Hollands, die als zarter Streifen in der Ferne erscheint. Der Künstler hat die Szenerie in ein prächtiges silbernes Licht getaucht, das den Eindruck eines frischen Morgens auf See vermittelt. Im Vordergrund schaukelt ein kleines Boot mit zwei Fischern, die ihre Netze einziehen. Links davon sieht man das Heck eines Segelschiffes mit niederländischer Flagge, dessen geblähtes Segel das einstrahlende Licht auffängt. Auf beiden Seiten davon liegen zwei jener kleineren Boote, die für den Transport der Handelswaren von Stadt zu Stadt und entlang der Küsten eingesetzt wurden. Weiter weg davon ankert ein Kriegsschiff mit Segeln auf Halbmast. Backhuysens genaue Beobachtung der Details, seine Kenntnisse der Schifffahrt sowie sein Talent für atmosphärische Bedingungen, für die Wiedergabe des Wassers und der Licht- und Wetterverhältnisse, kommt auf diesem Gemälde zu schönster Geltung.
Laut Houbraken hat Backhuysen bei den Marinespezialisten Hendrik Dubbels und Allaert van Everdingen gelernt. Er trat mit 32 Jahren 1663 der Amsterdamer Malerzunft bei. 1665 erhielt er vom Amsterdamer Bürgermeister den Auftrag, eine Ansicht von Amsterdam zu malen (heute Louvre, Paris), die als Geschenk für den Außenminister Ludwigs XIV. Hugues de Lionne, Marquis de Berny bestimmt war. Als die beiden Willem van de Velde, der Ältere und der Jüngere 1672, aus wirtschaftlichen und politischen Gründen nach England gezogen waren, blieb Backhuysen als führender Marinemaler in den Niederlanden. Houbraken berichtet auch, dass Cosimo III de' Medici, Friedrich I. von Preußen und Peter der Große sein Atelier besuchten und letzterer sogar Zeichenunterricht bei ihm genommen haben soll.
Ludolf Backhuysen the Elder
View from Texel with Fishermen Gathering their Nets, a Sailing Ship,
Oil on canvas. 54.6 x 67.3 cm.
Provenance
Lord Radstock. - John Smith (1751-1855). - A834 purchased by Adriaan van der Hoop (1778-1854), Amsterdam. - Thomas Agnew, London. - Rupert Preston Ltd.. - English private collection. - Richard Green, London 1993. - Private collection, USA.
Literature
John Smith: A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish and French Painters, vol. VI, p. 415, no. 38. - C. Hofstede de Groot: A Catalogue Raisonne of the Most Eminent Dutch Painters of the Seventeenth Century, 1976, vol. VII, p. 288, no. 336.
This exquisite cabinet piece was painted by the distinguished Dutch marine painter Ludolf Backhuysen. It depicts the island of Texel off the coast of Holland, visible as a faint strip of land in the background. The artist bathes the scene in glittering silvery light, evoking the atmosphere of a fresh morning by the sea. In the foreground a small boat bobs up and down on the water while two fishermen gather their nets. To the left of this we see the stern of a sailing ship flying Dutch colours, its billowing sail catching the morning light. On either side are two of the smaller boats used for transporting goods along the coast from town to town. Further in the distance a warship is shown anchored at half-mast. The work is a fine example of Backhuysen's talent for depicting atmospheric conditions, weather, and the play of light upon the water.
According to Houbraken, Backhuysen was taught to paint by Hendrik Dubbels and Allaert van Everdingen, both specialists in marine painting. He became a member of the Amsterdam painter's guild in 1663 at the age of 32. In 1665 the mayor of Amsterdam commissioned him to paint a view of the city as a present for Louis XIV's foreign secretary Hugues de Lionne, Marquis de Berny (now in the Louvre, Paris). When the two Willem van de Veldes, the Elder and the Younger, moved to England in 1672 for economic and political reasons, Backhuysen remained in Amsterdam as the leading marine painter in the Netherlands. Houbraken also reports that Cosimo III de' Medici, Frederick I of Prussia, and Peter the Great visited his studio and that the latter even took drawing lessons from him.
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Ludolf Backhuysen d. Ä.
Ein Blick von Texel mit Fischern, die ihre Netze einholen, einem Segelsch
Öl auf Leinwand. 54,6 x 67,3 cm.
Provenienz
Lord Radstock. - John Smith (1751-1855). - 1834 verkauft an Adriaan van der Hoop (1778-1854), Amsterdam. - Thomas Agnew, London. - Rupert Preston Ltd. - Englische Privatsammlung. - Richard Green, London 1993. - Privatsammlung USA.
Literatur
John Smith: A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish and French Painters, Bd. VI, S. 415, Nr. 38. - C. Hofstede de Groot: A Catalogue Raisonné of the Most Eminent Dutch Painters of the Seventeenth Century, 1976, Bd. VII, S. 288, Nr. 336.
Dieses Gemälde ist ein exquisites Kabinettstück des herausragenden niederländischen Marinemalers Ludolf Backhuysen. Es zeigt eine Ansicht von der Insel Texel aus auf die flache Küste Hollands, die als zarter Streifen in der Ferne erscheint. Der Künstler hat die Szenerie in ein prächtiges silbernes Licht getaucht, das den Eindruck eines frischen Morgens auf See vermittelt. Im Vordergrund schaukelt ein kleines Boot mit zwei Fischern, die ihre Netze einziehen. Links davon sieht man das Heck eines Segelschiffes mit niederländischer Flagge, dessen geblähtes Segel das einstrahlende Licht auffängt. Auf beiden Seiten davon liegen zwei jener kleineren Boote, die für den Transport der Handelswaren von Stadt zu Stadt und entlang der Küsten eingesetzt wurden. Weiter weg davon ankert ein Kriegsschiff mit Segeln auf Halbmast. Backhuysens genaue Beobachtung der Details, seine Kenntnisse der Schifffahrt sowie sein Talent für atmosphärische Bedingungen, für die Wiedergabe des Wassers und der Licht- und Wetterverhältnisse, kommt auf diesem Gemälde zu schönster Geltung.
Laut Houbraken hat Backhuysen bei den Marinespezialisten Hendrik Dubbels und Allaert van Everdingen gelernt. Er trat mit 32 Jahren 1663 der Amsterdamer Malerzunft bei. 1665 erhielt er vom Amsterdamer Bürgermeister den Auftrag, eine Ansicht von Amsterdam zu malen (heute Louvre, Paris), die als Geschenk für den Außenminister Ludwigs XIV. Hugues de Lionne, Marquis de Berny bestimmt war. Als die beiden Willem van de Velde, der Ältere und der Jüngere 1672, aus wirtschaftlichen und politischen Gründen nach England gezogen waren, blieb Backhuysen als führender Marinemaler in den Niederlanden. Houbraken berichtet auch, dass Cosimo III de' Medici, Friedrich I. von Preußen und Peter der Große sein Atelier besuchten und letzterer sogar Zeichenunterricht bei ihm genommen haben soll.
Ludolf Backhuysen the Elder
View from Texel with Fishermen Gathering their Nets, a Sailing Ship,
Oil on canvas. 54.6 x 67.3 cm.
Provenance
Lord Radstock. - John Smith (1751-1855). - A834 purchased by Adriaan van der Hoop (1778-1854), Amsterdam. - Thomas Agnew, London. - Rupert Preston Ltd.. - English private collection. - Richard Green, London 1993. - Private collection, USA.
Literature
John Smith: A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish and French Painters, vol. VI, p. 415, no. 38. - C. Hofstede de Groot: A Catalogue Raisonne of the Most Eminent Dutch Painters of the Seventeenth Century, 1976, vol. VII, p. 288, no. 336.
This exquisite cabinet piece was painted by the distinguished Dutch marine painter Ludolf Backhuysen. It depicts the island of Texel off the coast of Holland, visible as a faint strip of land in the background. The artist bathes the scene in glittering silvery light, evoking the atmosphere of a fresh morning by the sea. In the foreground a small boat bobs up and down on the water while two fishermen gather their nets. To the left of this we see the stern of a sailing ship flying Dutch colours, its billowing sail catching the morning light. On either side are two of the smaller boats used for transporting goods along the coast from town to town. Further in the distance a warship is shown anchored at half-mast. The work is a fine example of Backhuysen's talent for depicting atmospheric conditions, weather, and the play of light upon the water.
According to Houbraken, Backhuysen was taught to paint by Hendrik Dubbels and Allaert van Everdingen, both specialists in marine painting. He became a member of the Amsterdam painter's guild in 1663 at the age of 32. In 1665 the mayor of Amsterdam commissioned him to paint a view of the city as a present for Louis XIV's foreign secretary Hugues de Lionne, Marquis de Berny (now in the Louvre, Paris). When the two Willem van de Veldes, the Elder and the Younger, moved to England in 1672 for economic and political reasons, Backhuysen remained in Amsterdam as the leading marine painter in the Netherlands. Houbraken also reports that Cosimo III de' Medici, Frederick I of Prussia, and Peter the Great visited his studio and that the latter even took drawing lessons from him.
Ein Blick von Texel mit Fischern, die ihre Netze einholen, einem Segelsch
Öl auf Leinwand. 54,6 x 67,3 cm.
Provenienz
Lord Radstock. - John Smith (1751-1855). - 1834 verkauft an Adriaan van der Hoop (1778-1854), Amsterdam. - Thomas Agnew, London. - Rupert Preston Ltd. - Englische Privatsammlung. - Richard Green, London 1993. - Privatsammlung USA.
Literatur
John Smith: A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish and French Painters, Bd. VI, S. 415, Nr. 38. - C. Hofstede de Groot: A Catalogue Raisonné of the Most Eminent Dutch Painters of the Seventeenth Century, 1976, Bd. VII, S. 288, Nr. 336.
Dieses Gemälde ist ein exquisites Kabinettstück des herausragenden niederländischen Marinemalers Ludolf Backhuysen. Es zeigt eine Ansicht von der Insel Texel aus auf die flache Küste Hollands, die als zarter Streifen in der Ferne erscheint. Der Künstler hat die Szenerie in ein prächtiges silbernes Licht getaucht, das den Eindruck eines frischen Morgens auf See vermittelt. Im Vordergrund schaukelt ein kleines Boot mit zwei Fischern, die ihre Netze einziehen. Links davon sieht man das Heck eines Segelschiffes mit niederländischer Flagge, dessen geblähtes Segel das einstrahlende Licht auffängt. Auf beiden Seiten davon liegen zwei jener kleineren Boote, die für den Transport der Handelswaren von Stadt zu Stadt und entlang der Küsten eingesetzt wurden. Weiter weg davon ankert ein Kriegsschiff mit Segeln auf Halbmast. Backhuysens genaue Beobachtung der Details, seine Kenntnisse der Schifffahrt sowie sein Talent für atmosphärische Bedingungen, für die Wiedergabe des Wassers und der Licht- und Wetterverhältnisse, kommt auf diesem Gemälde zu schönster Geltung.
Laut Houbraken hat Backhuysen bei den Marinespezialisten Hendrik Dubbels und Allaert van Everdingen gelernt. Er trat mit 32 Jahren 1663 der Amsterdamer Malerzunft bei. 1665 erhielt er vom Amsterdamer Bürgermeister den Auftrag, eine Ansicht von Amsterdam zu malen (heute Louvre, Paris), die als Geschenk für den Außenminister Ludwigs XIV. Hugues de Lionne, Marquis de Berny bestimmt war. Als die beiden Willem van de Velde, der Ältere und der Jüngere 1672, aus wirtschaftlichen und politischen Gründen nach England gezogen waren, blieb Backhuysen als führender Marinemaler in den Niederlanden. Houbraken berichtet auch, dass Cosimo III de' Medici, Friedrich I. von Preußen und Peter der Große sein Atelier besuchten und letzterer sogar Zeichenunterricht bei ihm genommen haben soll.
Ludolf Backhuysen the Elder
View from Texel with Fishermen Gathering their Nets, a Sailing Ship,
Oil on canvas. 54.6 x 67.3 cm.
Provenance
Lord Radstock. - John Smith (1751-1855). - A834 purchased by Adriaan van der Hoop (1778-1854), Amsterdam. - Thomas Agnew, London. - Rupert Preston Ltd.. - English private collection. - Richard Green, London 1993. - Private collection, USA.
Literature
John Smith: A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish and French Painters, vol. VI, p. 415, no. 38. - C. Hofstede de Groot: A Catalogue Raisonne of the Most Eminent Dutch Painters of the Seventeenth Century, 1976, vol. VII, p. 288, no. 336.
This exquisite cabinet piece was painted by the distinguished Dutch marine painter Ludolf Backhuysen. It depicts the island of Texel off the coast of Holland, visible as a faint strip of land in the background. The artist bathes the scene in glittering silvery light, evoking the atmosphere of a fresh morning by the sea. In the foreground a small boat bobs up and down on the water while two fishermen gather their nets. To the left of this we see the stern of a sailing ship flying Dutch colours, its billowing sail catching the morning light. On either side are two of the smaller boats used for transporting goods along the coast from town to town. Further in the distance a warship is shown anchored at half-mast. The work is a fine example of Backhuysen's talent for depicting atmospheric conditions, weather, and the play of light upon the water.
According to Houbraken, Backhuysen was taught to paint by Hendrik Dubbels and Allaert van Everdingen, both specialists in marine painting. He became a member of the Amsterdam painter's guild in 1663 at the age of 32. In 1665 the mayor of Amsterdam commissioned him to paint a view of the city as a present for Louis XIV's foreign secretary Hugues de Lionne, Marquis de Berny (now in the Louvre, Paris). When the two Willem van de Veldes, the Elder and the Younger, moved to England in 1672 for economic and political reasons, Backhuysen remained in Amsterdam as the leading marine painter in the Netherlands. Houbraken also reports that Cosimo III de' Medici, Frederick I of Prussia, and Peter the Great visited his studio and that the latter even took drawing lessons from him.
Old Master Paintings and Drawings, Sculpture / 19th Century Art
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Henrik Hanstein, sworn public auctioneer
Takuro Ito, Auctioneer
