Lot

6

Seltene und sehr feine Figur des Maitreya. Feuervergoldete Bronze. Sinotibetisch oder mongolisch.

In Asian Art

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Seltene und sehr feine Figur des Maitreya. Feuervergoldete Bronze. Sinotibetisch oder mongolisch. - Image 1 of 2
Seltene und sehr feine Figur des Maitreya. Feuervergoldete Bronze. Sinotibetisch oder mongolisch. - Image 2 of 2
Seltene und sehr feine Figur des Maitreya. Feuervergoldete Bronze. Sinotibetisch oder mongolisch. - Image 1 of 2
Seltene und sehr feine Figur des Maitreya. Feuervergoldete Bronze. Sinotibetisch oder mongolisch. - Image 2 of 2
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Köln
Seltene und sehr feine Figur des Maitreya. Feuervergoldete Bronze. Sinotibetisch oder mongolisch. 17In europƤischer Sitzhaltung (bhadrasana) auf einem rechteckigen Thron, dabei ruhen die FĆ¼ĆŸe auf einem runden Lotos. Seine HƤnde hat er zur Radandrehungsgeste (dharmacakra mudra) vor der Brust erhoben, gleichzeitig hƤlt er in seinen HƤnden die StƤngel zweier Lotosblumen, auf deren BlĆ¼ten befinden sich das GefƤƟ (kundika), gefĆ¼llt mit heiligem Wasser, das auch Ambrosia bezeichnet wird, und das Rad der Lehre (cakra). Er trƤgt ein fein gefƤlteltes Beinkleid und einen Schal, dessen BƤnder, elegant geschwungen Ć¼ber die Arme, auf den Sockel fallen. Eine fĆ¼nfblƤttrige Krone, OhrgehƤnge und der Schmuck auf der Brust, an den Armen und an dem Beinkleid, besetzt mit Korallen und TĆ¼rkisen, zieren die Figur prinzengleich. Das Inkarnat ist braun patiniert, das Gesicht kultisch bemalt. Der Sockel verschlossen, die Bodenplatte mit einem Doppel-vajra versehen. Ikonographisch zeigt die Figur Maitreya (tib. byams-pa, der Liebende) als bodhisattva, der unter den Gƶttern im Tushita-Himmel weilt. Sobald seine Zeit gekommen ist, wird er bereit sein, sich zu erheben und auf Erden die buddhistische Lehre (dharma) zu verkĆ¼nden. Er ist der lange prophezeite ThronanwƤrter, mit dem ein neues glĆ¼ckliches Zeitalter auf Erden beginnen wird. Er gilt deswegen auch als der Buddha der Zukunft. Maitreyas europƤische Sitzhaltung (bhadrasana) ist grundsƤtzlich den Darstellungen des Maitreya und den Darstellungen von Buddhas vorbehalten, die in Ihren entsprechenden Himmel Lehren.H 37 cmProvenienzChina-Bohlken (Theodor Bohlken, 1884 - 1954), BerlinFriedrich Wilhelm Schmidtmann (1885 - 1960), Stuttgart-Degerloch, vermacht 1963 an Emilfranz Maurer (1920 - 2000), EssenLiteraturVgl. Ƥhnliche Figuren in: Xia Jingchun (Hrsg.), Banruo Zhi Guang: Xia Jingchun Cang Fo Jianshang (Buddhist Statues Collected by Xia Jingchun), Shenyang 2004, Nr. 145 und 146A rare and exquisite Sinotibetan or Mongolian gilt bronze figure of Maitreya. 17th/18th centuryA rare and exquisite Sinotibetan or Mongolian gilt bronze figure of Maitreya, seated in European way (bhadrasana) on a rectangular stepped throne with his feet resting on a circular lotus blossom. His hands are in the gesture of turning the Wheel of Law (dharmacakra mudra) and hold the stems of two lotus flowers, supporting the water vessel (kundika) and the Wheel of Law (cakra). He wears a dhoti with beaded jewellery, a shawl billowing elegantly around his arms, and he is richly adorned with a five-leafed tiara with beaded strands resting gracefully on his forehead, earrings, necklaces and bracelets, all inset with coral and turquoise. The face and body are ungilded, but display a smooth deep brown patina, the eyes and lips are painted with pigments. The base is sealed, the base plate with an incised double-vajra. 17th/18th century. The iconography of the present work represents Maitreya - in Tibetan byams-pa means the loving one - in his aspect of a bodhisattva, who resides in the Tushita heaven. He is ready to rise from his throne and come into this world to teach the Dharma (Buddhist Law), thereby heralding an age that will be a complete victory for Buddhism. That is why he is called Maitreya, the Buddha of the Future. His seated posture known as bhadrasana (auspicious posture) or pralambapadasana (extended legs posture) is usually reserved for images of Maitreya or Buddhas preaching in their respective heavens.Height 37 cmProvenanceChina-Bohlken (Theodor Bohlken, 1884 - 1954), BerlinFriedrich Wilhelm Schmidtmann (1885 - 1960), Stuttgart-Degerloch, bequeathed in 1963 to Emilfranz Maurer (1920 - 2000), EssenLiteratureCompare two similar figures in: Xia Jingchun (ed), Banruo Zhi Guang: Xia Jingchun Cang Fo Jianshang (Buddhist Statues Collected by Xia Jingchun), Shenyang 2004, no. 145 and
Seltene und sehr feine Figur des Maitreya. Feuervergoldete Bronze. Sinotibetisch oder mongolisch. 17In europƤischer Sitzhaltung (bhadrasana) auf einem rechteckigen Thron, dabei ruhen die FĆ¼ĆŸe auf einem runden Lotos. Seine HƤnde hat er zur Radandrehungsgeste (dharmacakra mudra) vor der Brust erhoben, gleichzeitig hƤlt er in seinen HƤnden die StƤngel zweier Lotosblumen, auf deren BlĆ¼ten befinden sich das GefƤƟ (kundika), gefĆ¼llt mit heiligem Wasser, das auch Ambrosia bezeichnet wird, und das Rad der Lehre (cakra). Er trƤgt ein fein gefƤlteltes Beinkleid und einen Schal, dessen BƤnder, elegant geschwungen Ć¼ber die Arme, auf den Sockel fallen. Eine fĆ¼nfblƤttrige Krone, OhrgehƤnge und der Schmuck auf der Brust, an den Armen und an dem Beinkleid, besetzt mit Korallen und TĆ¼rkisen, zieren die Figur prinzengleich. Das Inkarnat ist braun patiniert, das Gesicht kultisch bemalt. Der Sockel verschlossen, die Bodenplatte mit einem Doppel-vajra versehen. Ikonographisch zeigt die Figur Maitreya (tib. byams-pa, der Liebende) als bodhisattva, der unter den Gƶttern im Tushita-Himmel weilt. Sobald seine Zeit gekommen ist, wird er bereit sein, sich zu erheben und auf Erden die buddhistische Lehre (dharma) zu verkĆ¼nden. Er ist der lange prophezeite ThronanwƤrter, mit dem ein neues glĆ¼ckliches Zeitalter auf Erden beginnen wird. Er gilt deswegen auch als der Buddha der Zukunft. Maitreyas europƤische Sitzhaltung (bhadrasana) ist grundsƤtzlich den Darstellungen des Maitreya und den Darstellungen von Buddhas vorbehalten, die in Ihren entsprechenden Himmel Lehren.H 37 cmProvenienzChina-Bohlken (Theodor Bohlken, 1884 - 1954), BerlinFriedrich Wilhelm Schmidtmann (1885 - 1960), Stuttgart-Degerloch, vermacht 1963 an Emilfranz Maurer (1920 - 2000), EssenLiteraturVgl. Ƥhnliche Figuren in: Xia Jingchun (Hrsg.), Banruo Zhi Guang: Xia Jingchun Cang Fo Jianshang (Buddhist Statues Collected by Xia Jingchun), Shenyang 2004, Nr. 145 und 146A rare and exquisite Sinotibetan or Mongolian gilt bronze figure of Maitreya. 17th/18th centuryA rare and exquisite Sinotibetan or Mongolian gilt bronze figure of Maitreya, seated in European way (bhadrasana) on a rectangular stepped throne with his feet resting on a circular lotus blossom. His hands are in the gesture of turning the Wheel of Law (dharmacakra mudra) and hold the stems of two lotus flowers, supporting the water vessel (kundika) and the Wheel of Law (cakra). He wears a dhoti with beaded jewellery, a shawl billowing elegantly around his arms, and he is richly adorned with a five-leafed tiara with beaded strands resting gracefully on his forehead, earrings, necklaces and bracelets, all inset with coral and turquoise. The face and body are ungilded, but display a smooth deep brown patina, the eyes and lips are painted with pigments. The base is sealed, the base plate with an incised double-vajra. 17th/18th century. The iconography of the present work represents Maitreya - in Tibetan byams-pa means the loving one - in his aspect of a bodhisattva, who resides in the Tushita heaven. He is ready to rise from his throne and come into this world to teach the Dharma (Buddhist Law), thereby heralding an age that will be a complete victory for Buddhism. That is why he is called Maitreya, the Buddha of the Future. His seated posture known as bhadrasana (auspicious posture) or pralambapadasana (extended legs posture) is usually reserved for images of Maitreya or Buddhas preaching in their respective heavens.Height 37 cmProvenanceChina-Bohlken (Theodor Bohlken, 1884 - 1954), BerlinFriedrich Wilhelm Schmidtmann (1885 - 1960), Stuttgart-Degerloch, bequeathed in 1963 to Emilfranz Maurer (1920 - 2000), EssenLiteratureCompare two similar figures in: Xia Jingchun (ed), Banruo Zhi Guang: Xia Jingchun Cang Fo Jianshang (Buddhist Statues Collected by Xia Jingchun), Shenyang 2004, no. 145 and

Asian Art

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