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Twenty six leaves, eleven printed with two subjects, by Francesco Novelli (1764-1836), c.1790-1792, all unframed, various sizes (26). *CR Good ...
BRIGHTON INTEREST.
Four prints, comprising an etching with aquatint of the Pavilion, sight 32.5 x 88.5cm.; `Chain Pier at Brighton during the late Tempest`, coloured...
CHARLES ROBERT RICKETTS (1838-1883). After. ROYAL THAMES YACHT CLUB: OCEAN MATCH FROM NORE TO DOVER
Tinted lithograph with hand colouring, published by Maclure & Macdonald, maple veneered frame 38 x 67.5cm. *CR Creases lower right, principally...
Ten, chromolithographs, published by David Douglas, Edinburgh, 1885-1889 Sight 42 x 27cm. approx (10). *CR Generally good; a few with unobtrus...
Etching, with plate tone, 1938, signed and numbered XXVIII in ink 27 x 23cm. Provenance: London, P. & D. Colnaghi & Co Ltd (label on backboard) ...
Etching, 1922, signed, titled and inscribed `D G Imb.`, unframed 12.2 x 14.5cm. *CR Some pale foxing and time toning.
Two, lithographs, partly printed in colour, aside from the edition of 740 numbered prints, printed by Mourlot, published by Librairie Grand, Pari...
Etching, 1910 or later 16.5 x 11cm. *CR A good impression; the paper time-toned.
Etching, c.1892, a later impression, from the cancelled plate, unframed 17.5 x 11cm. *CR The paper with slight time-toning.
Colour lithograph, apparently derived from the watercolour, c.1958, bears signature and number 184/300 Image 47.5 x 37cm approx. * The watercolou...
Woodcut, signed and titled in pencil, unframed 34.5 x 41cm. *CR The paper yellowed; pale foxing; creases in margins; small paper losses at top...
Woodcut, with hand colouring, published by William Heinemann, 1898, signed on support sheet 20 x 20cm. *CR Some browning/discoloration.
Colour woodcut, 1912, signed and dated 35.5 x 45.5cm (to outer border of image) Provenance: London, P. & D. Colnaghi Ltd (label on backboard). ...
Colour lithograph, an artist's proof, unsigned 50 x 65cm. *CR Good condition.
Etching, printed in colours, signed, titled and inscribed `T.P.3` (trial proof?) 60.5m x 45cm.; with `Mushrooms`, colour etching with aquatint by ...
Linocut, 2000, signed, titled and numbered 28/100 44.5 x 71cm. *CR Very slight time toning of the paper.
Engraving with etching, printed in colours, 1976, signed, dated, titled and numbered 72/75 41 x 53cm. *CR A good impression; the apparent pale ...
Colour linocut, signed, titled and inscribed `A/P` 33.5 x 76cm. *CR Very slight time toning of the paper; image good.
Colour lithograph, 1974, signed and numbered 78/150 (there were also 15 artist's proofs), published by Christie's Contemporary Art, London, with t...
The complete folio, 1986, comprising eighteen coloured etchings with aquatint, each plate signed, titled and numbered 124/200, each plate with the...
Colour reproduction, 2010, signed, dated, titled, numbered 67/100 and also signed in pencil by Sir Elton John 35.5 x 28.5cm. * Commissioned by Si...
Digital print, 2011, signed, dated and numbered 3/100, within a hand-finished frame Sight 31 x 31cm. * Quinns Iris paintings from 2009 were subt...
CHRISTOPHER RICHARD WYNNE NEVINSON , ARA (1889-1946). DAWN AT SOUTHWARK (Jonathan Black 12).
Lithograph, 1916/1917, on thin wove, signed and dated 1917 Image 33.5 x 45.5cm. Provenance: London, The Antique Lovers' Coterie at Ingram Warwick...
GIOVANNI BATTISTA PIRANESI (1720-1778). VEDUTA INTERNA DELLA BASILICA DI S. PIETRO IN VATICANO (Hind
Etching with engraving, c.1774, with the `Strada Felice` publication line lower right, central vertical fold as issued, unframed Image 38.5 x 59cm...
Hand coloured print, published by the Cuala Press, mounted on card, apparently as issued, unframed Image 20 x 30cm. *CR Some foxing; slight mou...
Screenprint, published by Jonathan Stone, printed by Advanced Graphics, signed and numbered 217/250, unframed 39 x 55.5cm. *CR Margins with som...
Aquatint with etching and engraving, printed in colour, 1971, signed, dated, titled and numbered 49/100, unframed 59 x 48cm. *CR Slight time to...
NORMAN ACKROYD, CBE, RA (B.1938). FLORAL PIECE (SQUARE); BRAEMAR II; AND THREE OTHER SUBJECTS. (d)
Five, aquatints, 1970-1973, each signed and dated, each numbered from editions of 18 or 50, two inscribed with title, all unframed, various sizes ...
Woodcut with screenprint, printed in colours, 1962, signed and numbered 29/35, unframed Image 86 x 51cm approx. *CR Image good overall; margins...
Colour woodblock print, 1967, signed, dated, titled and inscribed `II H.C` [hors commerce], mounted on card, unframed 45.5 x 45.5cm.; with `Christ...
Etching with aquatint, 1973, printed by Studio Prints and published by Leslie Waddington, London, signed, titled and inscribed `Artist's Proof`, ...
Colour lithograph, 1949, published by School Prints, printed by W S Cowell Ltd, Sight 48.5 x 75cm. *CR Apparently in good condition; unexamine...
Lithograph, printed in sepia and black, 1971, published by Leslie Waddington Prints, printed by Curwen Studio, numbered 41/70, unframed Sheet 59 x...
Lithograph, printed in colours, 1948, printed by Ravel, Paris and published by The Redfern Gallery, signed and inscribed `Trial Proof GS 1st state...
Linocut printed in colours, 1973, published by Christies Contemporary Art, signed, dated, titled and numbered 118/150, laid onto card, unframed 50...
Colour lithograph, 1983, signed, titled and inscribed `Curwen Archive`, unframed Image 57 x 83cm approx. Provenance: London, The New Academy Gall...
Colour screenprint, 1991, signed, titled and numbered 69/95, unframed 71.5 x 50.5cm. *CR 35mm tear in left margin; footprint mark in lower left...