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room Crewkerne, Somerset

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CARLO LASINIO (Engraver, 1759-1838) [SELF PORTRAITS OF ARTISTS FROM THE UFFIZI COLLECTION] Forty, engravings, part-printed in colour and finished ...

JOHN SMITH (1652-1743), AFTER SIR GODFREY KNELLER (1646-1723) THO[MAS] TOMPION, AUTOMATOPAEUS Mezzotint, c.1697, a good impression of this famous ...

AFTER WILLIAM HOGARTH (1697-1764) MARRIAGE A-LA-MODE, Plate 1 Engraving, by G. Scotin, published by the artist, 1745, Image 35.5 x 44.5cm.; with ...

AFTER GEORGE STUBBS, ARA (1724-1806) DUNGANNON Stipple engraving, by George Townley Stubbs, published by Messrs Stubbs, 1794, rare 39 x 50.5cm. Pr...

AFTER GEORGE STUBBS, ARA (1724-1806) SHOOTING The set of four, engravings with hand colouring, by W. Woollett, published by T. Bradford, 1769 Each...

A FOLIO OF PRINTS comprising subjects by or after Stefano della Bella, Gerard Seghers, David Teniers, J. C. A. Richter and Karl Postl, eight subje...

LEMERCIER & COMPANY (Printers) VUE PANORAMIQUE DE L'ISTHME DE NICARAGUA Lithograph, with hand colouring, showing a proposed sea route from San Jua...

AFTER ROBERT JOHN THORNTON (c.1768-1837) TEMPLE OF FLORA Five, aquatints with hand colouring, from the celebrated series, comprising `The Quadrang...

AFTER ROBERT JOHN THORNTON (c.1768-1837) TEMPLE OF FLORA (from THE ROYAL BOTANIC LOTTERY) Four, coloured aquatints, comprising `Tulips` (by Dunkar...

AFTER GEORGE MORLAND (1763-1804) GIRL AND PIGS; THE FLEECY CHARGE Two, a coloured mezzotint and a colour stipple engraving Each 34 x 44.5cm. appro...

AFTER ADAM BUCK (1759-1833) RIDE ON PICKABACK MY DARLING; RIDE ON A HORSE TO BANBURY CROSS; FIRST STEPS IN LIFE; STEP BY STEP OR THE PROGRESS OF H...

GEORGE EDWARDS (1694-1773) (BIRD SUBJECTS) A pair of coloured etchings from `History of Birds` (1743-1851), in black and gilt `Chinoiserie` lacque...

AFTER GEORGE MORLAND (1763-1804) THE VIRTUOUS PARENT; DRESSING FOR THE MASQUERADE (`LAETITIA` SERIES) Two, colour stipple engravings, by J. R. Smi...

AFTER WILLIAM HAMILTON, RA (1751-1801) JEU DE LA SAVATTE; LA MAIN CHAUDE A pair, coloured stipple engravings by Laindor de Toulouze [sic], publish...

AFTER HENRY SINGLETON (1766-1839) THE MARKET GIRL; THE WANDERING SAILOR A pair, mezzotints with hand colouring by G. C. Street, published by James...

A GROUP OF SIX DECORATIVE ENGRAVINGS comprising stipple engravings after Kauffmann, Cipriani, Bunbury etc, each trimmed and/or shaped to fit circu...

AFTER ADAM BUCK (1759-1833) MAMA AT ROMPS; THE DARLING DANCING A pair, colour stipple engravings by S. Freeman Each 27 x 19.5cm approx. (2) ++ Som...

AFTER J** KAMPHUYZEN (Fl.c.1815) (SCENES AT WATERLOO) A pair, stipple engravings by D. Sluyter, published in Amsterdam Each 27.5 x 41cm approx; w...

AFTER HENRY SINGLETON (1766-1839) GIPSEY'S STEALING A CHILD [sic] Coloured mezotint by F. Green, published 1801 41 x 55.5cm. ++ Some light-stainin...

AFTER THOMAS WALMSLEY (1763-1805) A DISTANT VIEW OF BOWNESS AND PART OF WINDERMERE LAKE, WESTMORLAND; ULSWATER, CUMBERLAND; UPPER FALL AT RIDAL, W...

AFTER MARY BENWELL (1739-1800) THE STUDIOUS FAIR Glass print (coloured mezzotint) by C. Spooner, published by Robert Sayer, c.1775 31 x 25cm. ++ S...

ROMAN SCHOOL, 17th CENTURY MADONNA AND CHILD Bears later inscription Guido Reni on support sheet, pen and ink and brown wash with some graphite, c...

A FOLIO OF OLD MASTER DRAWINGS mixed schools, to include The Sacrifice of Isaac, Angel appearing to Tobit, Virgin and Child, Standing Nude, Head o...

A FOLIO OF OLD MASTER DRAWINGS principally by Italian hands, comprising St Antony of Padua, Noah, Virgin and Child with Saints, a Bishop Saint, Cu...

ITALIAN SCHOOL, 18th CENTURY DESIGN FOR A EWER Pen and brown ink with brown wash, heightened with white, over a black chalk sketch, unframed 35 x ...

ATTRIBUTED TO JOHN RUSSELL, RA (1745-1806) PEASANT GIRL WITH HER BABY Pastels on paper, backed onto canvas 56 x 45.5cm. Provenance: London, Christ...

HERCULES BRABAZON BRABAZON (1821-1906) AN INTERPRETATION OF TURNER'S `CALAIS PIER` Signed with initials, watercolour and pencil heightened with wh...

WILLIAM PAYNE (1760-1830) VIEW OF STONEHOUSE, PLYMOUTH Signed, watercolour 12.5 x 16.5cm. Provenance: London, Christies, July 14th 1998, lot 43 ++...

FELIX HIPPOLYTE LANOUE (1812-1872) VILLA IL FORTINO, CAPRI Signed, indistinctly dated, inscribed Capri, pastels on paper, laid onto a support shee...

JEAN BAPTISTE MAUZAISSE (1784-1844) AMBASSADEURS DU SULTAN TIPOO SAIB ADMIS A L'AUDIENCE DU ROY LE.10 AOUST MDCCLXXXVIII The Ambassadors are named...

COMPANY SCHOOL, 19th CENTURY STUDY OF A RODENT, POSSIBLY MELOMYS CRISTATUS Gouache and pencil, unframed Sheet 26 x 35cm.; with three engravings, o...

FOLLOWER OF NICOLA CASSISA (d.1730) AN URN OF MIXED FLOWERS ON A MARBLE LEDGE Oil on metal, mounted oval 17.5 x 12.5cm. ++ A little scattered reto...

FOLLOWER OF CLAUDE-JOSEPH VERNET (1714-1789) ITALIANATE LAKE SCENE, FIGURES HAULING A BOAT IN THE FOREGROUND Oil on canvas laid on board 42 x 58.5...

FOLLOWER OF JEAN-FRANCOIS MILLET (1642-1679) A CLASSICAL LANDSCAPE WITH FIGURES BY A BEND IN A RIVER NEAR A FORTIFIED TOWN Oil on canvas, in a Car...

ATTRIBUTED TO NICOLAES FICKE (1620-1702) A HUNTING PARTY ON UPLAND NEAR AN OLD FARMHOUSE Oil on canvas 80.5 x 68cm. * In correspondence with Hugh ...

FOLLOWER OF MELCHIOR DE HONDECOETER (1636-1695) AN ASSEMBLY OF POULTRY, A PARROT AND OTHER BIRDS Oil on canvas 82 x 112cm. Provenance: London, Chr...

MANNER OF PAUL BRIL (c.1553-1626) FANTASTIC LANDSCAPE WITH A CHURCH BY A WATERFALL, A SPORTSMAN WITH A HOUND AND A PILGRIM GROUP Oil on canvas 107...

CARLO ANTONIO TAVELLA, called IL SOLFAROLO (1668-1738) THE REST ON THE FLIGHT INTO EGYPT Oil on canvas 120.5 x 94.5cm. * A pen and ink study for t...

FOLLOWER OF CARLO MARATTA (1625-1713) ST JOSEPH WITH THE CHRIST CHILD AND THE INFANT JOHN THE BAPTIST Oil on canvas, in an associated carved wood ...

MANNER OF GIACOMO NANI (1698-1755) STILL LIFE OF AN URN OF SUMMER FLOWERS AND A BASKET OF FRUITS, CLASSICAL RUINS BEYOND Oil on canvas 74.5 x 104c...

MANNER OF BALTHASAR VAN DER AST (c.1593-1657) STILL LIFE OF A BASKET OF FRUIT, WITH LOOSE FRUITS, A DRAGONFLY AND A KNIFE UPON A MARBLE LEDGE Oil ...

PAUL BRIL (1554-1626) MOUNTAINOUS LANDSCAPE WITH SATYRS AND GOATS BY A CASCADE Signed P. BRILL D, oil on canvas 65 x 89.5cm. Literature: Unpublish...

AFTER SIR JOSHUA REYNOLDS, PRA (1723-1792) PORTRAIT OF THE ARTIST Oil on canvas 58.5 x 49cm. with a portrait of John Knox, after the original prob...

FOLLOWER OF THOMAS HILL (1661-1734) PORTRAIT OF A GENTLEMAN, PROBABLY EDWARD PETHERICK; and A PORTRAIT OF A LADY, MARY PETHERICK (nee MIDDLETON) O...

FOLLOWER OF SIR GODFREY KNELLER, Bt. (1646-1723) PORTRAIT OF A YOUNG LADY Quarter length, wearing a blue-green mantle, oil on canvas 72.5 x 59.5cm...

ANGLO-DUTCH SCHOOL, 17th CENTURY PORTRAIT OF A GENTLEMAN, POSSIBLY AN APOTHECARY Half length, wearing a buff coat with a red lining, his left hand...

ATTRIBUTED TO THOMAS BEACH (1738-1806) PORTRAIT OF A BOY Bust length, wearing a dark tunic and white collar, oil on canvas 49.5 x 36.5cm. ++ Lined...

•AFTER THOMAS KEARSLEY (1773-1801) PORTRAIT OF RICHARD BRINSLEY PORTAL Seated long half length, wearing a red suit with a white collar, holding a ...

FOLLOWER OF JOHN RISING (1756-1815) PORTRAIT OF A BOY Half length, wearing a red coat and waistcoat, white shirt with a lace collar, holding a bir...

ENGLISH PROVINCIAL SCHOOL, mid-19th CENTURY PORTRAIT OF A GIRL Standing, half length, by a pillar, wearing a white dress with a blue sash, holding...

MANNER OF GEORGE ROMNEY (1734-1802) PORTRAIT OF A LADY Depicted as a Classical tragic figure, wearing a pale green chiton, within a painted oval, ...

ATTRIBUTED TO FRANCIS ALLEYNE (1750-1815) PORTRAIT OF PHILIP FINNIMORE (1748-1829); and his wife ELIZABETH FINNIMORE (née KINGTON) (1754-1832) A p...

FOLLOWER OF JEAN LAURENT MOSNIER (c.1743-1808) PORTRAITS OF THOMAS TYNDALL (1764-1804); and OF HIS WIFE, MARIANNE (nee SCHIMMELPENNINCK, 1768-1805...

CIRCLE OF OZIAS HUMPHRY (1742-1810) PORTRAIT OF A YOUNG GENTLEMAN Quarter length, wearing a blue coat and white neckcloth, oil on canvas, unframed...

CIRCLE OF WILLIAM SALTER (1804-1875) PORTRAIT OF A UNIFORMED OFFICER WITH HIS WIFE, STANDING IN AN INTERIOR Oil on canvas, unframed 66 x 56cm. ++ ...

ENGLISH PROVINCIAL SCHOOL, 18th CENTURY HARE COURSING SCENE Oil on panel, possibly from an overmantel or a trumeau mirror, with bevelled edge Sigh...

CIRCLE OF JOHN WOOTTON (1686-1764) A HUNTING PARTY Oil on canvas 59 x 91.5cm. Provenance: Family collection since 1948 ++ Lined; retouching; some ...

FOLLOWER OF JOHN WOOTTON (1686-1749) HUNTSMEN WITH HOUNDS ON HIGH GROUND Oil on canvas 73.5 x 99.5cm. Provenance: Family collection since 1948 ++ ...

CHARLES TOWNE (1763-1840) A SADDLED BAY HUNTER, TETHERED TO A POST Inscribed The Gift of Charles Town/ To John Carmichael 1792 [sic], oil on canva...

JAMES BARENGER (1780-1831) A POINTER IN A FIELD Signed and dated 1826, oil on canvas 19.5 x 24.5cm. ++ Lined; some retouching in sky; some craquel...

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