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AAttributed to Juan Rodríguez Juárez (Mexico, 1675 - 1728)
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Description
Attributed to Juan Rodríguez Juárez (Mexico, 1675 - 1728)
"Saint Gregory the Great, inspired by the Holy Spirit, in 'sacra conversazione' with Saint Matthew"
Oil on canvas. Relined. 165 x 106 cm.
Saint Gregory the Great, Pope and Doctor of the Church, to whom the title "doctor of the celestial militia" is given, said in his Moralia: "The existence of angels is attested almost on every page of Sacred Scripture," or "Go forth to meet him, angels of the Lord, to offer his soul in the presence of the Most High," which the Church sings in the office for the dead.
In this mystical window or trompe l'oeil oval architecture, we find Saint Gregory with Saint Matthew, depicted with an angel listening to them or dictating to them. According to the patristic tradition, the angel is actually Matthew himself because he is the only one who speaks at the beginning of his Gospel about the Son of Man, the genealogy of Christ, and also about the Angel (the same one who appeared to Joseph), representing divine love, a Love sent by the angels (messengers of Christ) to humans.
An "Angelical Doctrine" that inspired and moved them both, representing them as if they were two additional angels, intellectual beings superior to men, endowed by the Lord with special virtue and power.
Juan Rodríguez Juárez belonged to a renowned family of painters in colonial Mexico. His artistic quality and the family's artistic importance earned him significant commissions from the aristocracy and high clergy of the viceroyalty.
In this way, he coincided with the Archbishop of Mexico, José Pérez de Lanciego, who was brought to Mexico by King Philip V to ensure that secular clergy predominated over regular clergy in New Spain. There is evidence of Juan's close relationship with the aforementioned archbishop through various official portraits and commissions he received from areas in Latin America and others to be sent to the peninsula.
This leads us to believe that, given the monumental nature of this painting, it may have been one of those commissions from the archbishop destined for Spain.
It is also possible that it was part of a series of paintings representing the Doctors of the Church.
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Attributed to Juan Rodríguez Juárez (Mexico, 1675 - 1728)
"Saint Gregory the Great, inspired by the Holy Spirit, in 'sacra conversazione' with Saint Matthew"
Oil on canvas. Relined. 165 x 106 cm.
Saint Gregory the Great, Pope and Doctor of the Church, to whom the title "doctor of the celestial militia" is given, said in his Moralia: "The existence of angels is attested almost on every page of Sacred Scripture," or "Go forth to meet him, angels of the Lord, to offer his soul in the presence of the Most High," which the Church sings in the office for the dead.
In this mystical window or trompe l'oeil oval architecture, we find Saint Gregory with Saint Matthew, depicted with an angel listening to them or dictating to them. According to the patristic tradition, the angel is actually Matthew himself because he is the only one who speaks at the beginning of his Gospel about the Son of Man, the genealogy of Christ, and also about the Angel (the same one who appeared to Joseph), representing divine love, a Love sent by the angels (messengers of Christ) to humans.
An "Angelical Doctrine" that inspired and moved them both, representing them as if they were two additional angels, intellectual beings superior to men, endowed by the Lord with special virtue and power.
Juan Rodríguez Juárez belonged to a renowned family of painters in colonial Mexico. His artistic quality and the family's artistic importance earned him significant commissions from the aristocracy and high clergy of the viceroyalty.
In this way, he coincided with the Archbishop of Mexico, José Pérez de Lanciego, who was brought to Mexico by King Philip V to ensure that secular clergy predominated over regular clergy in New Spain. There is evidence of Juan's close relationship with the aforementioned archbishop through various official portraits and commissions he received from areas in Latin America and others to be sent to the peninsula.
This leads us to believe that, given the monumental nature of this painting, it may have been one of those commissions from the archbishop destined for Spain.
It is also possible that it was part of a series of paintings representing the Doctors of the Church.
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Lots: 100
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