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Christopher Lawrence, a Modernist silver commemorative dish, London 1994, for the Bank of England, four section oval form with cast laurel wreath ...
A Chinese pale grey crackle glaze baluster vase, unmarked, 13cm high
Three Chinese Republican famille rose bowls, Ya Wan Zheng Cang marks, circa 1950s, rounded form with everted rims, painted and enamelled with peon...
A Chinese pouring vessel, bulbous form with three loop rings to the shoulder and a small spout to
A Chinese pouring vessel, bulbous form with three loop rings to the shoulder and a small spout to the front, hand painted with blue decoration, 26...
An Arts and Crafts Cornish copper inkwell, Newlyn style, the circular dish repousse decorated with fish and seaweed, the cylindrical pot with a ba...
An Italian maiolica loving cup, late 18th/early 19th Century, of silver shape painted in typical
An Italian maiolica loving cup, late 18th/early 19th Century, of silver shape painted in typical palette with a frieze of wild animals, chevron p...
An 18th Century Dutch Delft blue and white circular plate, painted with chrysanthemum within a
An 18th Century Dutch Delft blue and white circular plate, painted with chrysanthemum within a cartouche and lozenge border, 29.5cm diameter
A set of twelve 18th Century Dutch Delft titles, manganese decorated, each painted with various
A set of twelve 18th Century Dutch Delft titles, manganese decorated, each painted with various landscape and figure scenes within roundels, 13 by...
A late 19th Century European majolica jardiniere stand, circa 1870, of trefoil form with moulded
A late 19th Century European majolica jardiniere stand, circa 1870, of trefoil form with moulded winged lions amongst acanthus leaves, golden yell...
Karlsruhe Majolica, a German faience pottery vase, spherical form, turquoise ground, painted in the Persian style with flying geese and peacock ey...
Three Samson cabinet plates, late 19th Century in the manner of Chelsea and Meissen, two moulded and
Three Samson cabinet plates, late 19th Century in the manner of Chelsea and Meissen, two moulded and with floral decoration, one painted with two ...
A late 19th Century Vienna style portrait plaque, Mary Queen of Scots, unmarked, 8.5cm high, framed
Jules Sarlandie (French, 1874-1936), a Limoges Art Nouveau convex enamel portrait plaque, depicting a young lady in profile wearing diaphanous rob...
Creil Montereau B and Cie, a French painted and silvered charger, circa 1880, decorated with blue tits on a thistle entwined with convolvulus and ...
A Royal Copenhagen Blue Onion pattern teapot, circa 1936, hexagonal ovoid form on bracketed foot, with pierced gallery rim, the spout and wishbone...
Three early 20th century Meissen floral decorated and relief moulded dishes, each painted with sprays and sprigs of summer flowers and leaves with...
Six early 20th century Meissen dishes, circular form, decorated in high relief with sinuous convolvulus flowers and leaves heightened in gilt, to ...
Four of early 20th century Meissen dishes, circular scalloped form, painted with floral sprays within a high relief moulded foliate border, heigh...
An early 20th century Meissen part dessert set, including comport and four side plates, hexagonal scalloped form, the fan shaped hexagonal panels ...
Two early 20th century Meissen relief moulded grape leaf plates, heptagonal denticulated form with polychrome and gilded detail, each with undergl...
Five early 20th century Meissen relief moulded grape leaf plates, heptagonal denticulated form with polychrome and gilded detail, including a set ...
Jeanne Grut for Royal Copenhagen, a figure of a Guinea Pig, marks indistinct, 9.5cm high
Knud Khyn for Royal Copenhagen, large polar bear figure, sitting with upward gaze, underglaze printed and painted marks, numbered 0/825, 30cm high
Knud Khyn for Royal Copenhagen, a figure of standing bull on oval naturalistic base, impressed signature, printed and painted marks, No. 1195,
Paul Dachsel for Amphora, a large Secessionist vase, circa 1900, shouldered ovoid form, modelled in high relief with four cats heads, brambles and...
Sigismund Wernekinck for Goldscheider, Polar Bear, model 4144, circa 1911, modelled striding on an oval plinth, impressed marks and signature, 29 ...
Louis Wain for Amphora, a Futurist pottery Lucky Mascot Cat vase, circa 1919, modelled sitting upright, moulded meow meow notes to the body, highl...
After Pablo Picasso, a Padilla limited edition vase, 1993, number 11 of 200, wide necked bulbous form, polychrome decorated with a stylised face, ...
Philip Gibson for Cobridge, a stoneware Bottle Kiln vase, 1998, shouldered inverse baluster form, impressed marks, gilt signature and date, 26.5cm...
Emma Bossons for Moorcroft, two Queens Choice lamp bases, baluster form on wooden bases, 26cm high to fittings (2)
Walter Moorcroft, a Flambe Clematis vase, circa 1960s, inverse baluster form, impressed marks, underglaze green monogram, 15cm high
Walter Moorcroft, a Pansy jug
Walter Moorcroft, a Pansy jug, spherical form, impressed marks, 12cm high
William Moorcroft for James MacIntyre, a Cornflower twin handed vase, circa 1900, conical form with strap handles, green and teal blue colourway, ...
William Moorcroft, a Red Flamminian alms dish wall plaque, circa 1908, circular with central convex bosse and broad rim, incised signature, 30.5cm...
William Moorcroft for Liberty and Co., a Red Flamminian twin handled vase or biscuit barrel, circa 1908, cuboid form with angled handles, printed ...
William Moorcroft, a Cornflower pedestal vase, 1913, footed ovoid form, underglaze green signature and date XII-1913, 22cm high
William Moorcroft, a flambe Leaf and Berry vase, inverse baluster form, circa 1927, impressed
William Moorcroft, a flambe Leaf and Berry vase, inverse baluster form, circa 1927, impressed marks and underglaze blue signature, 23.5cm high
William Moorcroft, a Pomegranate on ochre three piece tea set, circa 1914, ovoid form with loop over handles, underglaze green signature, impresse...
William Moorcroft, an Flambe Landscape vase, circa 1918, baluster form, impressed marks and underglaze blue signature, 26.5cm high
William Moorcroft, a Powder Blue Revived Cornflower vase, circa 1920, squat baluster form, impressed marks and underglaze blue signature, 18cm high
William Moorcroft, a Hazledene coffee can and saucer, circa 1914, impressed Burslem mark and date, underglaze green signature to saucer, 11.5cm di...
Christopher Dresser for Minton, an Aesthetic Movement blue and white teapot and stand, 1882 to 1884, the squat pear form body with bisected hoop h...
Christopher Dresser for Minton, an Aesthetic Movement censer vase, 1868, squat ovoid form on three gilt spike feet, painted with roses and rose hi...
Christopher Dresser for Minton, a set of six Aesthetic Movement tea cups and saucers, 1875, bleu celeste ground, relief moulded with gilded lily p...
Christopher Dresser for Minton, an Aesthetic Movement vase, 1871, bulbous thistle form, painted in raised enamels with rose garlands below a toole...
Christopher Dresser for Minton, an Aesthetic Movement jug, 1875, baluster form, painted with lilies with entwined and knotted trailing stems, on a...
Christopher Dresser for Minton, an Aesthetic Movement twin handled ice bucket or seau, 1875, rounded and footed cylindrical form, decorated in the...
Christopher Dresser for Minton, a pair of Bamboo Sprigs jardinieres, 1879, cuboid form with knop finials, transfer printed with cane frames and le...
Christopher Dresser for Minton, two Aesthetic Movement vases, 1873 and 1876, flattened bottle form, with applied beads to the tooled gilt band nec...
Christopher Dresser for Minton, an Aesthetic Movement twin handled Chinoiserie vase, 1865, inverse baluster form with ring handles, on integrated ...
Ruth Bare for Della Robbia, an art pottery dish and cover, circa 1900, slip decorated with knotted ribbon deign to the domed lid, the broad rimmed...
Edmund Harry Elton for Sunflower Pottery, an Elton Ware jug, gourd form with open mouth, slip decorated and incised with raised rose design on mar...
Edmund Harry Elton for Sunflower Pottery, an Elton Ware jug, bulbous bottle form, slip decorated with raised tulip design on marbled green ground,...
Edmund Harry Elton for Sunflower Pottery, an Elton Ware lustre jug, iridescent gilt crackle, played trumpet form with bulbous neck band and incise...
Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, ribbed cylindrical trumpet form with six open stranded handles, slip decorated and i...
Edmund Harry Elton for Sunflower Pottery, an Elton Ware lustre vase, iridescent gilt crackle, ovoid shouldered form with everted rim, painted mark...
Edmund Harry Elton for Sunflower Pottery, an Elton Ware lustre vase, iridescent gilt crackle, dimpled ovoid form, painted mark, 21cm high
Edmund Harry Elton for Sunflower Pottery, a large Elton Ware lustre vase, iridescent gilt crackle, ovoid form, painted mark, 31cm high
Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, double gourd form with six stranded handles to the neck, slip decorated and incised ...
A Doulton Lambeth stoneware umbrella stand, impressed foliage pattern, impressed marks, circa
A Doulton Lambeth stoneware umbrella stand, impressed foliage pattern, impressed marks, circa 1920, 62cm high
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