Fine & Decorative Arts

Creil Montereau B and Cie, a French painted and silvered charger, circa 1880, decorated with blue tits on a thistle entwined with convolvulus and ...

A Royal Copenhagen Blue Onion pattern teapot, circa 1936, hexagonal ovoid form on bracketed foot, with pierced gallery rim, the spout and wishbone...

Joseph Ferdinand Regnier for Sevres, an exhibition pate sur pate tri colour celadon ground vase, circa 1867, Second Empire, twin handled pedestal ...

Three early 20th century Meissen floral decorated and relief moulded dishes, each painted with sprays and sprigs of summer flowers and leaves with...

Six early 20th century Meissen dishes, circular form, decorated in high relief with sinuous convolvulus flowers and leaves heightened in gilt, to ...

Four of early 20th century Meissen dishes, circular scalloped form, painted with floral sprays within a high relief moulded foliate border, heigh...

An early 20th century Meissen part dessert set, including comport and four side plates, hexagonal scalloped form, the fan shaped hexagonal panels ...

Three early 20th century Meissen floral decorated and relief moulded plates, including a wrythen moulded example with acid yellow border reserving...

Two early 20th century Meissen relief moulded grape leaf plates, heptagonal denticulated form with polychrome and gilded detail, each with undergl...

Five early 20th century Meissen relief moulded grape leaf plates, heptagonal denticulated form with polychrome and gilded detail, including a set ...

Jeanne Grut for Royal Copenhagen, a figure of a Guinea Pig, marks indistinct, 9.5cm high

Knud Khyn for Royal Copenhagen, large polar bear figure, sitting with upward gaze, underglaze printed and painted marks, numbered 0/825, 30cm high

Knud Khyn for Royal Copenhagen, a figure of standing bull on oval naturalistic base, impressed signature, printed and painted marks, No. 1195,

Paul Dachsel for Amphora, a large Secessionist vase, circa 1900, shouldered ovoid form, modelled in high relief with four cats heads, brambles and...

Sigismund Wernekinck for Goldscheider, Polar Bear, model 4144, circa 1911, modelled striding on an oval plinth, impressed marks and signature, 29 ...

Louis Wain for Amphora, a Futurist pottery Lucky Mascot Cat vase, circa 1919, modelled sitting upright, moulded meow meow notes to the body, highl...

After Pablo Picasso, a Padilla limited edition vase, 1993, number 11 of 200, wide necked bulbous form, polychrome decorated with a stylised face, ...

Paolo Staccioli (Italian, 1943), a ceramic tile with three stylized horses, iridescent lustre glaze, signed and dated 2001 l.r., 24 by 24cm

Philip Gibson for Cobridge, a stoneware Bottle Kiln vase, 1998, shouldered inverse baluster form, impressed marks, gilt signature and date, 26.5cm...

Sally Tuffin for Dennis Chinaworks, a polar bear teapot and cover, circa 2000, impressed and underglaze blue script marks, 14.5cm high. Note: unr...

Philip Richardson for Moorcroft, a Fairy Rings jardiniere, circa 1987, footed form, impressed marks and underglaze monogram, 22cm high

Emma Bossons for Moorcroft, two Queens Choice lamp bases, baluster form on wooden bases, 26cm high to fittings (2)

Walter Moorcroft, an Orchid lamp base, circa 1960, shouldered baluster form, impressed marks and underglaze blue monogram, 33cm high

Walter Moorcroft, a Hibiscus vase, circa 1960s, shouldered form, impressed marks and underglaze green monogram, late Queen Mary sticker, 18.5cm hi...

Walter Moorcroft, a Flambe Clematis vase, circa 1960s, inverse baluster form, impressed marks, underglaze green monogram, 15cm high

Walter Moorcroft, a Pansy jug, spherical form, impressed marks, 12cm high

William Moorcroft for James MacIntyre, a Rose, Tulip an Forget me Not twin handled vase, circa 1907, kantharos form, pink and blue on a cream grou...

William Moorcroft for James MacIntyre, a Florian Ware miniature pansy twin handled pedestal vase, circa 1903, kantharos form, printed marks, Rd.No...

William Moorcroft for James MacIntyre, a Florian Ware Violet vase, circa 1902, waisted gourd form, printed mark and underglaze green signature, 30...

William Moorcroft for James MacIntyre, a Cornflower twin handed vase, circa 1900, conical form with strap handles, green and teal blue colourway, ...

William Moorcroft for James MacIntyre, an Eighteenth Century inkwell, circa 1908, the integrated cuboid vessel on a shaped pen tray, printed marks...

William Moorcroft, a Red Flamminian alms dish wall plaque, circa 1908, circular with central convex bosse and broad rim, incised signature, 30.5cm...

William Moorcroft for Liberty and Co., a Red Flamminian twin handled vase or biscuit barrel, circa 1908, cuboid form with angled handles, printed ...

William Moorcroft, a Flambe Leaf and Berry jug, circa 1928, ovoid form, with incised concentric ring base, impressed marks and underglaze blue mon...

William Moorcroft, a Cornflower pedestal vase, 1913, footed ovoid form, underglaze green signature and date XII-1913, 22cm high

William Moorcroft for Liberty and Co., a Hazledene vase, circa 1903, squat ovoid, shouldered form, printed mark and underglaze green signature, 19...

William Moorcroft, a Wisteria on blue teacup and saucer, circa 1930, footed beaker form, impressed marks and underglaze blue monograms, 17cm diame...

William Moorcroft, a Pomegranate vase, circa 1915, twin handled amphora form, impressed Burslem marks and underglaze green signature, 13.5cm high

William Moorcroft, a flambe Leaf and Berry vase, inverse baluster form, circa 1927, impressed marks and underglaze blue signature, 23.5cm high

William Moorcroft, a Spanish low bowl, circa 1916, impressed marks and underglaze green signature, 15cm diameter

William Moorcroft, a Pomegranate on ochre three piece tea set, circa 1914, ovoid form with loop over handles, underglaze green signature, impresse...

William Moorcroft, a Pansy on white vase, circa 1914, baluster form, impressed Burslem mark and underglaze green signature, 14.5cm high

William Moorcroft, an Flambe Landscape vase, circa 1918, baluster form, impressed marks and underglaze blue signature, 26.5cm high

William Moorcroft, a large Claremont vase, circa 1920, shouldered form, impressed marks and underglaze blue signature, 35cm high

William Moorcroft, a Seagull table box and cover, circa 1930, of rectangular form, underglaze blue monogram,19.5cm wide

William Moorcroft, a salt-glazed Fish bowl, squat circular form, circa 1930, impressed marks, facsimile signature, underglaze blue monogram, 26cm...

William Moorcroft, a Powder Blue Revived Cornflower vase, circa 1920, squat baluster form, impressed marks and underglaze blue signature, 18cm high

William Moorcroft, a Pansy on White dish, circa 1915, circular with inverted rim, impressed Burslem marks and underglaze green signature, 11cm dia...

William Moorcroft, a Powder Blue Revived Cornflower bowl, circa 1920, squat footed ogee form with everted rim, impressed marks and underglaze blue...

William Moorcroft for James MacIntyre, a Florian Crocus jardiniere, circa 1903, octagonal shouldered form, blue on blue, printed marks and undergl...

William Moorcroft for James MacIntyre, a Blue Poppy vase, circa 1903, footed beaker form with banded rim, printed marks and underglaze green monog...

William Moorcroft for James MacIntyre, an unrecorded Grape Lustre biscuit barrel, circa 1908, twin handled cuboid form, yellow ground, underglaze ...

William Moorcroft, a miniature Pomegranate on ochre tray, 1914, rectangular form, underglaze green signature and date, 13cm x 8cm

William Moorcroft, a Hazledene coffee can and saucer, circa 1914, impressed Burslem mark and date, underglaze green signature to saucer, 11.5cm di...

Christopher Dresser for Minton, an Aesthetic Movement blue and white teapot and stand, 1882 to 1884, the squat pear form body with bisected hoop h...

Christopher Dresser for Minton, an Aesthetic Movement vase, circa 1870, round cylindrical beaker form, supported on three pierced and knotted angl...

Christopher Dresser for Minton, an Aesthetic Movement censer vase, 1868, squat ovoid form on three gilt spike feet, painted with roses and rose hi...

Christopher Dresser for Minton, a relief moulded porcelain vase, 1868, the snowdrop bell flower form body applied with relief moulded snowdrop pla...

Christopher Dresser for Minton, a set of six Aesthetic Movement tea cups and saucers, 1875, bleu celeste ground, relief moulded with gilded lily p...

Christopher Dresser for Minton, an Aesthetic Movement vase, 1871, bulbous thistle form, painted in raised enamels with rose garlands below a toole...