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The Artist, Volume 24, January to April 1899, Frederick Rhead pottery page 64-72 and 198-200
The Artist, Volume 24, January to April 1899, Frederick Rhead pottery page 64-72 and 198-200
The Artist, 1899, Frederick Rhead Dutch pottery page 199, Vulliamy grotesque pottery page 145-146,
The Artist, 1899, Frederick Rhead Dutch pottery page 199, Vulliamy grotesque pottery page 145-146, Norman Ernst Spittle page 182-185, Sixth Arts C...
Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 1915-2010), Brownfield Site, signed and dated 1950
Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 1915-2010), Brownfield Site, signed and dated 1950 l.r., watercolour, 37 by 52cm, framed. Note: Ar...
A 19th Century French double desk inkstand, of Rococo design, gilt metal scrollwork frame surmounted
A 19th Century French double desk inkstand, of Rococo design, gilt metal scrollwork frame surmounted with a cherub holding floral branches, kingwo...
An Arts and Crafts copper mirror, Newlyn style, rectangular form with circular aperture, repousse decorated with fairy and pixie riding a dolphin ...
A Berlin K.P. M porcelain portrait plaque, late 19th/early 20th Century, Erbluth after Asti,
A Berlin K.P. M porcelain portrait plaque, late 19th/early 20th Century, Erbluth after Asti, signed Wagner l.c., impressed monogram and sceptre ma...
A Berlin K.P.M porcelain portrait plaque, late 19th/early 20th Century, 'Lassitude' after Asti,
A Berlin K.P.M porcelain portrait plaque, late 19th/early 20th Century, 'Lassitude' after Asti, signed A. Scherf l.l., impressed monogram and sce...
A Berlin K.P.M porcelain portrait plaque, early 20th Century, Una Gitana after Asti, impressed
A Berlin K.P.M porcelain portrait plaque, early 20th Century, Una Gitana after Asti, impressed monogram and sceptre marks, incised 315 255, Copyri...
Sally Tuffin for Dennis Chinaworks, a polar bear teapot and cover, circa 2000, impressed and
Sally Tuffin for Dennis Chinaworks, a polar bear teapot and cover, circa 2000, impressed and underglaze blue script marks, 14.5cm high. Note: unr...
Philip Richardson for Moorcroft, a Fairy Rings jardiniere, circa 1987, footed form, impressed marks and underglaze monogram, 22cm high
Walter Moorcroft, an Orchid lamp base, circa 1960, shouldered baluster form, impressed marks and underglaze blue monogram, 33cm high
Walter Moorcroft, a Hibiscus vase, circa 1960s, shouldered form, impressed marks and underglaze green monogram, late Queen Mary sticker, 18.5cm hi...
William Moorcroft for James MacIntyre, a Rose, Tulip an Forget me Not twin handled vase, circa 1907,
William Moorcroft for James MacIntyre, a Rose, Tulip an Forget me Not twin handled vase, circa 1907, kantharos form, pink and blue on a cream grou...
William Moorcroft for James MacIntyre, a Florian Ware miniature pansy twin handled pedestal vase,
William Moorcroft for James MacIntyre, a Florian Ware miniature pansy twin handled pedestal vase, circa 1903, kantharos form, printed marks, Rd.No...
William Moorcroft for James MacIntyre, a Florian Ware Violet vase, circa 1902, waisted gourd form, printed mark and underglaze green signature, 30...
William Moorcroft for James MacIntyre, an Eighteenth Century inkwell, circa 1908, the integrated cuboid vessel on a shaped pen tray, printed marks...
William Moorcroft, a Flambe Leaf and Berry jug, circa 1928, ovoid form, with incised concentric ring base, impressed marks and underglaze blue mon...
William Moorcroft for Liberty and Co., a Hazledene vase, circa 1903, squat ovoid, shouldered form, printed mark and underglaze green signature, 19...
William Moorcroft, a Wisteria on blue teacup and saucer, circa 1930, footed beaker form, impressed marks and underglaze blue monograms, 17cm diame...
William Moorcroft, a Pomegranate vase, circa 1915, twin handled amphora form, impressed Burslem marks and underglaze green signature, 13.5cm high
William Moorcroft, a Spanish low bowl, circa 1916, impressed marks and underglaze green signature,
William Moorcroft, a Spanish low bowl, circa 1916, impressed marks and underglaze green signature, 15cm diameter
William Moorcroft, a Pansy on white vase, circa 1914, baluster form, impressed Burslem mark and underglaze green signature, 14.5cm high
William Moorcroft, a large Claremont vase, circa 1920, shouldered form, impressed marks and underglaze blue signature, 35cm high
William Moorcroft, a Seagull table box and cover, circa 1930, of rectangular form, underglaze blue
William Moorcroft, a Seagull table box and cover, circa 1930, of rectangular form, underglaze blue monogram,19.5cm wide
William Moorcroft, a salt-glazed Fish bowl, squat circular form, circa 1930, impressed marks,
William Moorcroft, a salt-glazed Fish bowl, squat circular form, circa 1930, impressed marks, facsimile signature, underglaze blue monogram, 26cm...
William Moorcroft, a Pansy on White dish, circa 1915, circular with inverted rim, impressed Burslem marks and underglaze green signature, 11cm dia...
William Moorcroft, a Powder Blue Revived Cornflower bowl, circa 1920, squat footed ogee form with everted rim, impressed marks and underglaze blue...
William Moorcroft for James MacIntyre, a Florian Crocus jardiniere, circa 1903, octagonal shouldered form, blue on blue, printed marks and undergl...
William Moorcroft for James MacIntyre, a Blue Poppy vase, circa 1903, footed beaker form with banded rim, printed marks and underglaze green monog...
William Moorcroft for James MacIntyre, an unrecorded Grape Lustre biscuit barrel, circa 1908, twin handled cuboid form, yellow ground, underglaze ...
William Moorcroft, a miniature Pomegranate on ochre tray, 1914, rectangular form, underglaze green signature and date, 13cm x 8cm
Christopher Dresser for Minton, an Aesthetic Movement vase, circa 1870, round cylindrical beaker form, supported on three pierced and knotted angl...
Christopher Dresser for Minton, a relief moulded porcelain vase, 1868, the snowdrop bell flower form body applied with relief moulded snowdrop pla...
Christopher Dresser for Watcombe, a pair of Aesthetic Movement terracotta vases, circa 1885, conical form, transfer decorated with stylised acanth...
Christopher Dresser for Wedgwood, an Aesthetic Movement Persian water ewer, circa 1877, shouldered form, blue and white printed decoration, impres...
Christopher Dresser for Minton, an Aesthetic Movement Avon water ewer, 1881, barrel form, decorated with alternating vertical panels of prunus and...
William S Coleman and Christopher Dresser for Minton, an Aesthetic Movement terracotta twin handled vase, flattened and lobed moonflask form, deco...
William S Coleman for Minton, a pair of Game pattern dinner plates, 1881, transfer decorated with a border of woodcock and ferns, impressed marks,...
Annie Davis for Della Robbia, an art pottery plate, circa 1900, slip and sgraffito decorated with radiating leaves within an ogee rimmed border of...
Edmund Harry Elton for Sunflower Pottery, a very large Elton Ware vase, bulbous bottle form, slip decorated and incised with raised floral design ...
Edmund Harry Elton for Sunflower Pottery, an Elton Ware jug, spherical double gourd form, slip decorated and incised with raised poppy design on m...
Edmund Harry Elton for Sunflower Pottery, an Elton Ware jug, baluster form with crimped rim, slip decorated and incised with raised floral design ...
Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, ovoid form with wide flared neck, slip decorated with raised floral design on marble...
Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, bulbous bottle form with raised studs to the neck, slip decorated and incised with r...
Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, cylindrical bulbous ogee gourd form, slip decorated and incised with raised poppy an...
Jane Fitzgerald for Troika, an art pottery textured wheel vase, circa 1979, relief moulded to each side with abstract designs in blue and green, 1...
Sue Lowe for Troika, an art pottery textured Marmalade pot, relief moulded with abstract designs
Sue Lowe for Troika, an art pottery textured Marmalade pot, relief moulded with abstract designs in blue and ochre, 9.5cm high
Ryoji Hayashi, a studio pottery bowl, Japanese, kyo ware, footed, with incised bands of geometric line and scroll motifs, around a floral centre, ...
A Royal Worcester commemorative silver mounted scent bottle, Golden Jubilee 1887, circular flask form, modelled in high relief with the head of Qu...
Frank Roberts for Royal Worcester, a fruit painted bowl, circular form, decorated with apples, peaches and grapes on a naturalistic ground, within...
Freeman et al for Royal Worcester, a fruit painted tea trio, circa 1949 to 55, including cup, saucer and plate, decorated with apples, peaches, gr...
A Royal Worcester fruit painted miniature tea trio, 1952 to 1954, including cup, saucer and plate, decorated with grapes, cherries and peaches, in...
Ricketts for Royal Worcester, a fruit painted vase, 1923, spherical onion form with relief moulded arcading to the shoulder, decorated with peache...
James Rouse Snr (British, 1802-1884), a Derby porcelain botanical plaque, painted with tulip, roses,
James Rouse Snr (British, 1802-1884), a Derby porcelain botanical plaque, painted with tulip, roses, honeysuckle, daffodils and pansies in a baske...
Stefan Nowacki, a painted and jewelled porcelain scent bottle, canted cuboid form, the central panel decorated with a coastal scene of lighthouse ...
P Curnock for Royal Doulton, an Edward VII dessert service prototype plate, circa 1905, painted with alternating floral baskets and festoons, with...
C B Brough for Royal Doulton, an Edward VII dessert service unfinished prototype plate, circa
C B Brough for Royal Doulton, an Edward VII dessert service unfinished prototype plate, circa 1905, painted with alternating floral baskets and fe...
A Royal Doulton prototype character jug, John Gilpin, modelled and painted with green hat and black green cloak, printed marks Property of Royal D...
A Royal Doulton prototype figure
A Royal Doulton prototype figure, modelled as an 18th century woman with feather, standing next to a chair, printed marks Property of Royal Doulto...
A Royal Doulton prototype figure of Lord Nelson, modelled on plinth with deck and rigging, printed marks, 33cm high
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