Fine & Decorative Arts

An Aesthetic Movement gilt framed overmantel, circa 1880, chamfered edges, black painted stylized motifs, 144 by 134cm

Ambrose Heal for Heals, an Arts and Crafts Cotswold School oak dresser, circa 1920s, of small proportions, the base with a drawer over cupboard do...

Gordon Russell, a rosewood veneered coffee table, circa 1970, rectangular top, chrome legs of square section, width 91cm, depth 49cm

Ole Wanscher for A J Iversen, a set of six Danish Modernist rosewood dining chairs, circa 1943, diaper lattice bar backs over black leatherette up...

Arne Jacobsen for Fritz Hansen (attributed), a pair of Dot stools, designed circa 1953, model 3170, each with three tubular metal legs lacquered g...

A large Bohemian brass and cut glass chandelier, circa 1920s, provenance: Catthorpe Manor & Latvian consulate Eaton Square ...[more]

A large Jugendstil wrought iron pendant light, the circular drum with planished stylised leaves suspended from a four strand tubular and concentri...

Two 1950s wall lights, with two frosted glass shades, wall lights 23cm high (2)

Franco Bresciani for Harvey Guzzini, an Italian Modernist Bud Grande mid 20th century chrome floor standing standard lamp, circa 1968, the tubular...

William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, green aventurine ground, green clover leaf within green ...

William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, blue ground with white and purple petaled central flower...

William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, turquoise ground with yellow daffodil within latticinio ...

William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, with pink and aventurine central flower within latticini...

William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, with central radiating floral cogs within polychrome flo...

William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, blue floral centre circled by five pink and aventurine r...

William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, green ground, green winged, aventurine butterfly within ...

William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, blue ground, pink tipped white flower within five petale...

William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, central blue dahlia within blue and green cog border on ...

William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, dark purple ground, pink stemmed aventurine flower with ...

William Manson and John Deacon for Strathearn, a limited edition paperweight, 2006, blue ground with flower and berries and pink and green cog bor...

Theresienthal, a Bohemian enamelled armorial glass roemer, circa 1900, olive green, the tulip bowl decorated with gilt, blue and red enamel herald...

A Bohemian enamelled glass heraldic stein, circa 1890, green with pewter lid and thumbpiece, decorated with a coat or arms, 22cm high

A 19th century Bohemian enamelled and gilded, aventurine glass carafe, circa 1870s, the ovoid and shaft bottle form body with silver mica inclusio...

Baccarat, a 19th century rock crystal glass perfume bottle, square section, cut and optic moulded lozenge diaper design with facet cut ball stoppe...

Thomas Webb and Sons, a cameo glass biscuit barrel, circa 1880, tapered ovoid form, engraved with fuchsias in opaque over blue, silver plated moun...

Thomas Webb and Sons, a cameo glass scent bottle, circa 1880, spherical form, white over pink, carved with dog roses, silver screw cap, 6cm high

Thomas Webb and Sons, a Victorian high relief etched Cameo type wine glass, circa 1890, the rounded bowl engraved and modelled with raised blossom...

Thomas Webb and Sons, an Alexandrite glass vase, circa 1900, bulbous form with crimped petal rim, optic martele effect body, draining from teal bl...

Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass decanter, circa 1907, square section shouldered form with leaf stopp...

Otto Thamm for Fritz Heckert, a large Changeant iridescent glass vase, circa 1903, hexagonal section shouldered gourd form with crimped rim, wavy ...

Otto Thamm for Fritz Heckert, a large Iris iridescent glass vase, circa 1903, bottle form with elongated neck, yellow draining to green and blue l...

Loetz, a Secessionist Candia Papillon iridescent glass vase, circa 1900, goose necked dimpled bottle form, 24.5cm high

Loetz for Juventa, a Secessionist iridescent glass and pewter vase, circa 1905, the Crete Papillon baluster form body within a cast floral and whi...

Josef Hoffmann for Wiener Werkstatte, a Secessionist glass vase, circa 1924, made by Ludwig Moser, lobed form in blue, 19cm ...

Josef Hoffmann for Wiener Werkstatte (attributed), a Secessionist glass bowl, circa 1910, probably made by Moser, conical form with slice cut face...

A pair of Secessionist enameled glass vases, circa 1920, shouldered form, blue opaque painted with stylised tulips and scrolling tendrils, 16.5cm ...

Wolfgang von Wersin for Tiroler Glaschutte, a Secessionist glass vase, circa 1924, cobalt blue, flared trumpet form with applied pulled prunts or ...

Frederick Carder for Steuben, a Bristol Yellow glass bowl, model 2851, circa 1920, optic ribbed with folded rim, 29cm diameter

Libochovice, an Art Deco Sklo Union moulded glass jug, model 1449, circa 1930s-50s, modelled in relief with open square frame panels on a rusticat...

William Wilson and Frank Hill for Whitefriars, a Commemorative multicoloured opaque twist glass goblet vase, 1953, for the Coronation of Elizabeth...

David Hammond for Thomas Webb and Sons, a Modernist glass martini mixer jug, circa 1950s, conical with folded lip, controlled bubble inclusions to...

Otto Brauer for Holmegaard, an amber glass Gulvase, designed 1962, shouldered bottle form, in variegated burnt orange to yellow, 30cm high

Geoffrey Baxter for Whitefriars, Architectural Slab 2, a Modernist textured glass sculpture, 1969, rectangular form with indented squares, 17.5cm ...

Eric Dobson and Michael Harris for Mdina, a studio glass Tiger vase, circa 1970, spherical form with flared rim, mottled and marbled with aventuri...

Milan Metelach, Milos Pulpitel and Rudolf Schwedler for Harrach, a Modernist Harrtil glass bowl, circa 1950s, irregularly crimped and coiled dish ...

Tapio Wirkkala for Iittala, a Modernist Sointu glass vase, circa 1960s, cuboid form with moulded textured fluting, incised TW and sticker label, 1...

An Italian maiolica loving cup, late 18th/early 19th Century, of silver shape painted in typical palette with a frieze of wild animals, chevron p...

An 18th Century Dutch Delft blue and white circular plate, painted with chrysanthemum within a cartouche and lozenge border, 29.5cm diameter

A set of twelve 18th Century Dutch Delft titles, manganese decorated, each painted with various landscape and figure scenes within roundels, 13 by...

A 19th Century French faience barber's bowl, decorated in polychrome with a central figure of a man wearing a hat and clock playing a violin surro...

A late 19th Century European majolica jardiniere stand, circa 1870, of trefoil form with moulded winged lions amongst acanthus leaves, golden yell...

Karlsruhe Majolica, a German faience pottery vase, spherical form, turquoise ground, painted in the Persian style with flying geese and peacock ey...

Two Samson blue scale cabinet plates, early 20th Century, pseudo Chelsea gilt anchor marks, 19cm diameter (2)

Three Samson cabinet plates, late 19th Century in the manner of Chelsea and Meissen, two moulded and with floral decoration, one painted with two ...

A late 19th Century Vienna style portrait plaque, Mary Queen of Scots, unmarked, 8.5cm high, framed

Jules Sarlandie (French, 1874-1936), a Limoges Art Nouveau convex enamel portrait plaque, depicting a young lady in profile wearing diaphanous rob...

A Berlin K.P. M porcelain portrait plaque, late 19th/early 20th Century, Erbluth after Asti, signed Wagner l.c., impressed monogram and sceptre ma...

A Berlin K.P.M porcelain portrait plaque, late 19th/early 20th Century, 'Lassitude' after Asti, signed A. Scherf l.l., impressed monogram and sce...

A Berlin K.P.M porcelain portrait plaque, early 20th Century, Una Gitana after Asti, impressed monogram and sceptre marks, incised 315 255, Copyri...

Alfred Stellmacher, a sepia blush ivory porcelain oil lamp base, circa 1870, modelled as four standing elephants, united with a domed Howdah, rais...