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Carter, Stabler and Adams, a Poole pottery V pattern vase, shouldered ovoid form, painted with abstract flowers, impressed marks, 19.5cm high
Charlotte Rhead for Crown Ducal, a Lotus Leaves charger and four plates, tubeline, signed and numbered 2682, 36cm diameter (5)
Charlotte Rhead for Bursley Ware, a TL14 Tulips Pattern lamp base, shouldered ovoid form, 17cm high
Clarice Cliff for Wilkinson, a Biarritz plate, painted with lustre, red and black geometric design, printed Bizarre marks, 23.5cm long
Clarice Cliff for Newport Pottery, a House and Bridge vase, shape 265, footed barrel form with everted rim, printed Bizarre marks, 15.5cm high
Clarice Cliff for Wilkinson, a Newlyn vase, shape 572, waisted form, Delecia interior, printed Bizarre marks, 10cm high
John Spencer for Pilkington, a Royal Lancastrian figure group of two penguins, circa 1936, black glazed, impressed marks, 16.5cm high
Donald Gilbert for Bourne Denby, a Danesby Ware relief moulded fish lamp base, modelled leaping, mouth open, printed marks, 27cm high with fitting
Keith Murray for Wedgwood, a black basalt bowl, circa 1933, footed conical form with incised band to the rim, impressed marks and printed facsimil...
Keith Murray for Wedgwood, a black basalt vase, circa 1933, footed trumpet form with fluted bands to the upper body, impressed marks and printed f...
Millicent Taplin for Wedgwood, a resist lustre dish, circa 1940s, painted with alternating panels of poppies and trellis around a central three fl...
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