Fine & Decorative Arts Auction

A Ruskin Crystalline glazed bowl, 1931, pedestal form, dribbled green over an orange band, impressed marks, 13cm high, 20cm diameter

A Ruskin Crystalline trial glazed vase, circa 1930, shouldered form, matte blue over orange bands above a mottled turquoise glaze, impressed marks...

A Ruskin Crystalline glazed vase, circa 1930, squat ovoid shouldered form, textured blue mottled over green turquoise, impressed marks, 13cm high

A Ruskin Crystalline glazed vase, circa 1930, open necked gourd form, cream over orange draining to blue, impressed marks, 16cm high

A Ruskin Crystalline glazed vase, circa 1930, ogee conical gourd form, textured orange, the interior in green, impressed marks, 12cm high

A Ruskin Crystalline glazed pot and cover, circa 1930, three footed crucible form, bands of ochre on blue, impressed marks, 9.5cm diameter

A Ruskin crystalline lamp base, 1927, footed shouldered form, impressed marks, 31cm high

A Ruskin Crystalline glazed bowl and stand, circa 1932, footed hemispherical form, green blue ochre over orange, the square section stand in orang...

A Ruskin Crystalline glazed vase, circa 1930, bulbous form with flared neck, mottled blue, impressed marks, 16.5cm high

A Ruskin lustre inkwell, 1925, rounded cylindrical disc form with fluted band and half covered opening, pale blue iridescent glazed, impressed mar...

A small Ruskin lustre vase, 1926, onion form, pale lilac glazed, impressed marks, 11cm high

A Ruskin lustre vase, 1918, inverse baluster form, textured orange peel with green iridescent glaze, impressed marks, 19cm high

A Ruskin lustre vase, 1921, bulbous gourd form with flared cylindrical neck, lilac glazed, impressed marks, 20cm high

A Ruskin Souffle glazed vase, 1906, Meiping form, green fruit skin texture with iron red band to the foot, impressed marks, 18.5cm high

A Ruskin Souffle glazed vase, 1922, elongated Meiping form, mottled blue, impressed marks, 28.5cm high

A Ruskin High Fired ginger jar with silver lid, 1920, ovoid form, red over mottled grey flambe glaze, impressed marks, 10cm high

A Ruskin High Fired vase, 1924, slender inverse baluster form, crackled red over grey flambe glaze, impressed marks, 22.5cm high

A Ruskin High Fired vase, 1925, shouldered form, ochre and red flambe glaze, impressed marks, 26cm high

A Ruskin High Fired vase, 1911, elephant foot form, purple over red with copper oxide speckles, impressed marks, 21cm high

A Ruskin High Fired vase, 1920, inverse baluster form, liver red and grey flambe glaze, impressed marks, 27cm high

A Ruskin High Fired lily vase, 1916, flared cylindrical trumpet form, mottled opaque blue over red and white flambe glaze, with electric blue and ...

Bernard Moore, a flambe Gu vase, waisted form, painted with a central raised band of fish and scrolls, over an aquatic ground of seaweed, painted ...

A Royal Doulton Flambe vase, lobed inverse baluster tulip form, Sung type mottled yellow and black over red glaze, printed marks, 19cm high

A Myottt Goldscheider figure of two deer, modelled sitting, incised and printed marks, 16cm long

Frederick Rhead for Foley, an Intarsio ewer, shouldered form, decorated with royal heralds between foliate scroll bands, the neck with rampant lio...

A Crown Ducal 'Autumn Leaves' charger designed by Charlotte Rhead, printed marks, diameter 32cm

Gordon Forsyth (attributed) for Gray's Pottery, a lustre jug, ovoid bulbous form with ropetwist handle, painted with copper leaves and red floral ...

Daisy Makeig Jones for Wedgwood, a pair of dragon lustre vases, Z4827 4, inverse baluster form, red with pearlescent interior, gilt marks, 23cm hi...

Daisy Makeig Jones for Wedgwood, a butterfly lustre bowl, Z4827, octagonal section, red with pearlescent interior, gilt marks, 21.5cm diameter

Daisy Makeig Jones for Wedgwood, a Fairyland lustre footed punch bowl, Woodland Bridge (Elves V), the exterior with Poplar Trees, Z4968, around a ...

Daisy Makeig Jones for Wedgwood, a dragon lustre vase, inverse baluster form, Z4829, 23cm high

Daisy Makeig Jones for Wedgwood, a Fairyland lustre bowl, Bluebell interior and Woodland Birdge II to the exterior, Z4968, 23cm diameter

John Skeaping and Norman Wilson for Wedgwood, a model of a Bison, brown grey glaze, impressed and printed marks NW 2109, 23cm high

Arnold Machin and Norman Wilson for Wedgwood, a model of a leopard in a tree stump, brown grey glaze, impressed marks, NW 2109 17.5cm high

Norman Wilson for Wedgwood, a Unique Ware bowl, white glazed, conical form on a cylindrical foot, printed mark and hand incised monogram, 25.5cm d...

Clarice Cliff for Newport Pottery, an Alton small conical beaker, Fantasque Bizarre marks, 7cm high

Clarice Cliff for Wilkinson, an Aurea bowl with Delicia interior, squat inverted form, printed Bizarre marks, 26cm diameter

Clarice Cliff for Newport Pottery, a Limberlost vase, bulbous trumpet form, Fantassque Bizarre marks, 22cm high

Clarice Cliff for Newport Pottery, a Crocus beehive honey pot, relief moulded with bee finial, Clarice mark, 10cm high

Clarice Cliff for Wilkinson, a Crocus sandwich serving plate, square form with moulded handles, Bizarre mark, 27cm long

Clarice Cliff for Newport Pottery, a Beechwood bowl, relief moulded Autumn leaves, circa 1936, printed marks, 18cm diameter

Truda Carter for Poole, a large Persian Deer vase, circa 1950s, shouldered form, SK mark, 34cm high

A large Poole Aegean charger, orange and ochre sailing boats in a harbour, printed marks 54, 41.5cm diameter

A Poole Aegean dish, spear head form, slip decorated with a fish, printed marks 84 and monogram, 44cm long

Two Poole Delphis plates, including a spear head shape 82 and a circular dish painted by Carol Cutler, 44cm long (2)

Tony Morris for Poole, a limited edition charger, D12, decorated with a jewelled tree in yellow orange mottled ground, monogram and printed marks,...

A studio pottery slipware charger, in the style of Thomas Toft, tubelined with a central coat of arms for Leeds and name Sydney Beevers, September...

Michael Cardew for Winchcombe, a studio pottery hanging planter, incised stylised floral motif, burst bubble glaze, impressed seal marks, 24cm high

Jitka Palmer, Fire, a large studio pottery vase, the exterior painted with woodland figures holding branches, the interior with a campfire scene, ...

Roger Cockram for Chittlehampton Pottery, a studio pottery vase and cover, ovoid form, incised and part glazed with a relief moulded crab, the cla...

Colin Andrews, two studio pottery fish, Brown Trout and Roach, 1996 and 2000, signed, 31cm long (2)

John Leach for Muchelney, a studio pottery cider flagon, sack form with strap handle, green drip glaze, impressed marks, 14cm high

Jane Hamlyn, a salt glazed studio pottery jam pot and cover, circular section, triple strand coiled finial to lid, impressed mark, 11cm high

Derek Emms, a studio pottery porcelain box and cover, flattened ovoid form, painted with stylised leaves to the lid, within a gilt band, concentri...

Ursula Morley Price, a studio pottery sculptural vase, ovoid form, ash glazed with rusticated texturing and inverted rim, 10.5cm diameter

Ursula Morley Price, a studio pottery sculptural bowl, naturalistic coral form with wavy crimped rim, oatmeal glazed, seal mark, 34cm diameter

A Minton pate sur pate seau, circa 1880, flared and chamfered rectangular form, decorated with four panels of putti, foliate scroll fountains and ...

A Royal Worcester gilt netsuke, modelled as a tortoise, 1909, puce marks, 5cm long

A Royal Worcester bird painted part dessert service, 1901, each decorated with a central specimen, including goldfinch, blue tit and wren, within ...

A Royal Worcester floral painted Persian bottle vase, circa 1896, footed baluster bottle form with two reticulated handles, tube gilt cartouches o...