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ROBIN HILL (BORN 1932), SIGNED AND NUMBERED 343/350 IN PENCIL TO MARGIN, COLOURED PRINT, “Whooping
ROBIN HILL (BORN 1932), SIGNED AND NUMBERED 343/350 IN PENCIL TO MARGIN, COLOURED PRINT, “Whooping Crane” (with dedication for George and Ann with...
AFTER G BRAQUE, COLOURED PRINT, A Dove, 26” x 20” ...[more]
AFTER A THORBURN, PAIR OF COLOURED PHOTOGRAVURES, “Duck Shooting” and “Snipe”, 8 ½” x 14 ½” (2)
AFTER A THORBURN, PAIR OF COLOURED PHOTOGRAVURES, “Duck Shooting” and “Snipe”, 8 ½” x 14 ½” (2) ...[more]
AFTER WILLIAM CORNWALLIS HARRIS, TWO HAND-COLOURED LITHOGRAPHS (CIRCA 1840), “XIX. Rhinoceros Simus – Square Nosed or White Rhinoceros” and “XII. ...
JAMES GILLRAY, AFTER BROWNLOW NORTH, HAND-COLOURED AQUATINT (PUBLISHED 1800 BY H HUMPHREY), “Hounds Finding”; together with three similar, 9” x 14...
AFTER E NICOL, HAND-COLOURED LITHOGRAPH (PUBLISHED 1867 BY F GAMBART), “The Finishing Touch”, 17”
AFTER E NICOL, HAND-COLOURED LITHOGRAPH (PUBLISHED 1867 BY F GAMBART), “The Finishing Touch”, 17” x 14” ...[more]
19TH CENTURY, BLACK AND WHITE MEZZOTINT, “Sir Joshua Reynolds”, 12 ½” x 10 ½”; together with one
19TH CENTURY, BLACK AND WHITE MEZZOTINT, “Sir Joshua Reynolds”, 12 ½” x 10 ½”; together with one further Lithograph; together with AFTER J RIGAUD,...
MEDICI SOCIETY, CHROMOLITHOGRAPH, “In The Temple”, 19” x 19” (arched) ...[more]
RALPH BINGHAM (20TH CENTURY), SIGNED AND DATED 1926 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING,
RALPH BINGHAM (20TH CENTURY), SIGNED AND DATED 1926 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Big Ben”, 9” x 5 ½” ...[more]
19TH CENTURY, HAND-COLOURED ENGRAVING, “The Inside of Kings College Chapel, Cambridge”, 17” x 14”
19TH CENTURY, HAND-COLOURED ENGRAVING, “The Inside of Kings College Chapel, Cambridge”, 17” x 14” ...[more]
ERSKINE NICOL, ENGRAVED BY W H SIMMONDS, SIGNED BY BOTH IN PENCIL TO MARGIN, HAND-COLOURED MEZZOTINT
ERSKINE NICOL, ENGRAVED BY W H SIMMONDS, SIGNED BY BOTH IN PENCIL TO MARGIN, HAND-COLOURED MEZZOTINT (PUBLISHED 1877 BY MESSRS PILGERUAN & LEFEVRE...
AFTER ERNEST GEORGE, BLACK AND WHITE PROOF ETCHING, “The Paul Pindar”, 8” x 5” ...[more]
AFTER JAMES GILLRAY, HAND-COLOURED LITHOGRAPH (PUBLISHED 1793 BY S W FORES), “Flannel Coats of
AFTER JAMES GILLRAY, HAND-COLOURED LITHOGRAPH (PUBLISHED 1793 BY S W FORES), “Flannel Coats of Mail ….”, 9 ½” x 13 ½” ...[more]
GRAHAM CLARKE (BORN 1941), SIGNED AND NUMBERED 122/400 IN PENCIL TO MARGIN, COLOURED ETCHING,
GRAHAM CLARKE (BORN 1941), SIGNED AND NUMBERED 122/400 IN PENCIL TO MARGIN, COLOURED ETCHING, Inscribed “Journeyman”, 9” x 10” ...[more]
GRAHAM CLARKE (BORN 1941), SIGNED AND INSCRIBED “ARTIST’S PROOF” IN PENCIL TO MARGIN, COLOURED
GRAHAM CLARKE (BORN 1941), SIGNED AND INSCRIBED “ARTIST’S PROOF” IN PENCIL TO MARGIN, COLOURED ETCHING, Inscribed “A Rovin”, 13” x 21”. ...[more]
GROUP OF SEVEN BAXTER PRINTS, IN TWO FRAMES, assorted sizes (2) ...[more]
AFTER CHARLES RENNIE MACKINTOSH, PAIR OF COLOURED PRINTS, Town and Village Scenes, 16” x 16” (2)
AFTER CHARLES RENNIE MACKINTOSH, PAIR OF COLOURED PRINTS, Town and Village Scenes, 16” x 16” (2) ...[more]
AFTER HENRY ALKEN, SET OF FOUR HAND-COLOURED ENGRAVINGS ON ONE SHEET, “Grouse – Partridge – Pheasant
AFTER HENRY ALKEN, SET OF FOUR HAND-COLOURED ENGRAVINGS ON ONE SHEET, “Grouse – Partridge – Pheasant – Duck Shooting”, overall size 9” x 12” ...[...
AFTER D WOLSTENHOLME, HAND-COLOURED LITHOGRAPH (PUBLISHED 1840 BY D WOLSTENHOLME), “Love in a
AFTER D WOLSTENHOLME, HAND-COLOURED LITHOGRAPH (PUBLISHED 1840 BY D WOLSTENHOLME), “Love in a Tub”, 13” x 18” ...[more]
AFTER GEORGE MORLAND, ENGRAVED BY WILLIAM WARD, PAIR OF ANTIQUE HAND COLOURED MEZZOTINTS, “Shepherd’s Boy” and “Woodcutter”, 17” x 21” (in Hogarth...
AFTER MAURICE C WILKS, TWO COLOURED PRINTS, “Kerry Cottages”, 15 ½” x 20 ½”; together with two
AFTER MAURICE C WILKS, TWO COLOURED PRINTS, “Kerry Cottages”, 15 ½” x 20 ½”; together with two further COLOURED PRINTS of Irish interest (4) ......
AFTER W CALLOW, CHROMOLITHOGRAPH, Continental Street Scene, 11” x 8” ...[more]
DAVID YOUNG CAMERON (1865-1945), BLACK AND WHITE ETCHING, Amboise, 10” x 6” ...[more]
AFTER PATEL, ENGRAVED BY F VIVARES, PAIR OF BLACK AND WHITE ENGRAVINGS (ORIGINALLY PUBLISHED 1757), Italianate Landscapes, 15” x 19” (2). ...[mo...
ARCHIBALD STANDISH HARTRICK (1864-1950), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE LITHOGRAPH,
ARCHIBALD STANDISH HARTRICK (1864-1950), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE LITHOGRAPH, Inscribed “The Dungeon 1928”, 11” x 16” ...[mor...
AFTER W HOGARTH, ENGRAVED BY T COOK, BLACK AND WHITE ENGRAVING (PUBLISHED 1798 BY G G AND J ROBINSON), “A Midnight Modern Conversation”, 13” x 17 ...
AFTER GEORGE AND HENRY RICHTER, PAIR OF ANTIQUE HAND COLOURED ENGRAVINGS, “Turn Out” and “Come
AFTER GEORGE AND HENRY RICHTER, PAIR OF ANTIQUE HAND COLOURED ENGRAVINGS, “Turn Out” and “Come In”, 15”x 18” (in Hogarth frames) (2). ...[more]
AFTER EUGENE TILY, GROUP OF FOUR COLOURED STIPPLE ENGRAVINGS (CIRCA 1900), Four Stages of Womanhood,
AFTER EUGENE TILY, GROUP OF FOUR COLOURED STIPPLE ENGRAVINGS (CIRCA 1900), Four Stages of Womanhood, 14” x 10” (4) ...[more]
AFTER CORREGIO, ENGRAVED BY F BARTOLOZZI, 19TH CENTURY ROUGE STIPPLE ENGRAVING, “Cupid Disarmed by
AFTER CORREGIO, ENGRAVED BY F BARTOLOZZI, 19TH CENTURY ROUGE STIPPLE ENGRAVING, “Cupid Disarmed by Venus”, 14” x 10 ½”. ...[more]
AFTER GEORGE MORLAND, ENGRAVED BY THOMAS GAUGAIN, PAIR OF COLOURED SOFT GROUND ENGRAVINGS, “Guinea
AFTER GEORGE MORLAND, ENGRAVED BY THOMAS GAUGAIN, PAIR OF COLOURED SOFT GROUND ENGRAVINGS, “Guinea Pigs” and “Dancing Dogs”, 20” x 16” (in Hogarth...
AFTER J M W TURNER, GROUP OF SIX LIMITED EDITION (557/5000) COLOURED PRINTS, The Rivers of France
AFTER J M W TURNER, GROUP OF SIX LIMITED EDITION (557/5000) COLOURED PRINTS, The Rivers of France Collection, 5 ½” x 7” (6). ...[more]
FRANCES ST CLAIR MILLER (20TH CENTURY), SIGNED AND NUMBERED 9/75 IN PENCIL TO MARGIN, COLOURED
FRANCES ST CLAIR MILLER (20TH CENTURY), SIGNED AND NUMBERED 9/75 IN PENCIL TO MARGIN, COLOURED ETCHING, Inscribed “Luxembourg Gardens”, 14” x 13 ½...
JULIUS KOMIJATI (1894-1958), SIGNED AND NUMBERED 3/75 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Man Clasping Hands Wearing a Hat, 10” x 8”; to...
CHARLES HAIGH-WOOD (1856-1927), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE PHOTOGRAVURE, “I’m
CHARLES HAIGH-WOOD (1856-1927), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE PHOTOGRAVURE, “I’m Sorry”, 15” x 12” ...[more]
AFTER W F WITHERINGTON, ENGRAVED BY J POSSELWHITE, SOFT GROUND ENGRAVING, “The Youthful Queen of the
AFTER W F WITHERINGTON, ENGRAVED BY J POSSELWHITE, SOFT GROUND ENGRAVING, “The Youthful Queen of the Hop Garden”, 19” x 15 ½”. ...[more]
AFTER WALE, ENGRAVED BY LODGE, BLACK AND WHITE ENGRAVING (PUBLISHED BY A HOGG), “The Seizing of
AFTER WALE, ENGRAVED BY LODGE, BLACK AND WHITE ENGRAVING (PUBLISHED BY A HOGG), “The Seizing of Guy Fawkes …”, 12” x 8” ...[more]
AFTER H HEATH, HAND-COLOURED LITHOGRAPH (PUBLISHED 1830 BY S W FORES), “Ahithophel in the Dumps”, 8”
AFTER H HEATH, HAND-COLOURED LITHOGRAPH (PUBLISHED 1830 BY S W FORES), “Ahithophel in the Dumps”, 8” x 13” ...[more]
AFTER W HOGARTH, ENGRAVED BY W HOGARTH AND C GRIGNION, BLACK AND WHITE ENGRAVING (PUBLISHED 1746), “Mr Garrick in the Character of Richard 3rd), 1...
AFTER R SMIRKE, ENGRAVED BY R POLLARD, HAND-COLOURED ENGRAVING (PUBLISHED BY R POLLARD 1784), “The
AFTER R SMIRKE, ENGRAVED BY R POLLARD, HAND-COLOURED ENGRAVING (PUBLISHED BY R POLLARD 1784), “The Grosvenor East India Man”, 15” x 21”. ...[mor...
AFTER J C HARRISON, COLOURED PRINT, “Snipe Startled” (see label verso), 12” x 9” ...[more]
AFTER MEISSONIER, ENGRAVED BY JULES JACQUET, AND SIGNED BY LATTER IN PENCIL TO MARGIN, HAND-COLOURED
AFTER MEISSONIER, ENGRAVED BY JULES JACQUET, AND SIGNED BY LATTER IN PENCIL TO MARGIN, HAND-COLOURED ETCHING ON VELLUM (PUBLISHED BY C KLACKNER 18...
AFTER W SHAYER, ENGRAVED BY J R MACKRELL, HAND-COLOURED AQUATINT (PUBLISHED BY J MOORE 1844), “
AFTER W SHAYER, ENGRAVED BY J R MACKRELL, HAND-COLOURED AQUATINT (PUBLISHED BY J MOORE 1844), “Charming Polly – The Property of E. O’Neil – Ridden...
SIDNEY TUSHINGHAM (1884-1968), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Young Child
SIDNEY TUSHINGHAM (1884-1968), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Young Child Seated, 11” x 8”. ...[more]
AFTER I LENFANT, BLACK AND WHITE ENGRAVING, Andreas de Paiot, 14” x 11” ...[more]
DAVID ORD KERR (BORN 1951), SIGNED AND INSCRIBED “ARTIST’S PROOF” IN PENCIL TO MARGIN, COLOURED
DAVID ORD KERR (BORN 1951), SIGNED AND INSCRIBED “ARTIST’S PROOF” IN PENCIL TO MARGIN, COLOURED PRINT, “Halfcollared Kingfisher”, 17 ½” x 14 ½”. ...
INDISTINCTLY SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Honfleur”, 6” x 8” ...[more]
AFTER R W BUSS, ENGRAVED BY LUPTON, BLACK AND WHITE MEZZOTINT, “Soliciting a Vote, 13” x 17 ½”
AFTER R W BUSS, ENGRAVED BY LUPTON, BLACK AND WHITE MEZZOTINT, “Soliciting a Vote, 13” x 17 ½” ...[more]
AFTER HENRY PICKERING, CHROMOLITHOGRAPH, “The Gospel Ship”, 15 ½” x 20”. ...[more]
AFTER RAFFAELLE, THOUGHT TO BE ENGRAVED BY K E C HESS, WOODCUT, An Allegorical Festival, 14” x
AFTER RAFFAELLE, THOUGHT TO BE ENGRAVED BY K E C HESS, WOODCUT, An Allegorical Festival, 14” x 15 ½”. ...[more]
PAIR OF 19TH CENTURY HAND-COLOURED ENGRAVINGS, (PRINTED FOR J HINTON), Plates XXV and XXII from
PAIR OF 19TH CENTURY HAND-COLOURED ENGRAVINGS, (PRINTED FOR J HINTON), Plates XXV and XXII from The Gentleman’s Magazine circa 1750, 14” x 9” (2) ...
AFTER L BURLEIGH BRUHL, PAIR OF CHROMOLITHOGRAPHS, View of Bruges, 21” x 15” (2) ...[more]
ALBANY HOWARTH (1872-1936), SIGNED IN PENCIL TO MARGIN, PAIR OF BLACK AND WHITE ETCHINGS, Continental Street Scenes with Figures, 10” x 6 ½” (2). ...
AFTER GOYA, PAIR OF ETCHINGS WITH AQUATINT, “Las Runde el Sueno” and “Si Quobro el Contarp” (
AFTER GOYA, PAIR OF ETCHINGS WITH AQUATINT, “Las Runde el Sueno” and “Si Quobro el Contarp” (probably from 9th Edition 1908-1912), 7 ½” x 5” (2). ...
AFTER HIROSHIGE, THREE COLOURED WOODBLOCKS, Station No. 29 Mitsuke and two similar, 9” x 14” (3).
AFTER HIROSHIGE, THREE COLOURED WOODBLOCKS, Station No. 29 Mitsuke and two similar, 9” x 14” (3). ...[more]
BLACK AND WHITE AQUATINT, Young Children with Sheep Watering, 14” x 19” ...[more]
AFTER LOUIS WAIN, CHROMOLITHOGRAPH, “The Naughty Puss”, 15” x 23” ...[more]
AFTER FRAGONARD, HAND-COLOURED 19TH CENTURY ENGRAVING, “Le Verrou”, 13 ½” x 17” ...[more]
ROWLAND LANGMAID, RN, (1897-1956), SIGNED IN PENCIL TO MARGIN, ARTIST’S PROOF DRY POINT ETCHING, “
ROWLAND LANGMAID, RN, (1897-1956), SIGNED IN PENCIL TO MARGIN, ARTIST’S PROOF DRY POINT ETCHING, “Billingsgate from The Pool”, 11 ½” x 9”. ...[m...
AFTER A KAUFFMAN, ENGRAVED BY T CHEESEMAN, STIPPLE ENGRAVING (PUBLISHED BY P BORGNIS 1798), “The
AFTER A KAUFFMAN, ENGRAVED BY T CHEESEMAN, STIPPLE ENGRAVING (PUBLISHED BY P BORGNIS 1798), “The Marchioness of Townshend”, 9 ½” x 8” ...[more]
GORDON KING (BORN 1939), SIGNED AND NUMBERED 239/850 IN PENCIL TO MARGIN, PAIR OF COLOURED ARTIST’
GORDON KING (BORN 1939), SIGNED AND NUMBERED 239/850 IN PENCIL TO MARGIN, PAIR OF COLOURED ARTIST’S PROOFS WITH PUBLISHER’S BLIND STAMP, Young Lad...
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