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AFTER RICHARD COSWAY, COLOURED STIPPLE ENGRAVING (FADED), “The Cosway Children”, 7 ½” x 6” ...[more]
GROUP OF: FIVE ASSORTED TOPOGRAPHICAL ETCHINGS AND ENGRAVINGS, various sizes (5) ...[more]
WILLIAM BELL, SIGNED IN PENCIL TO MARGIN, SET OF FOUR LIMITED EDITION PRINTED WOODBLOCK PRINTS (80/
WILLIAM BELL, SIGNED IN PENCIL TO MARGIN, SET OF FOUR LIMITED EDITION PRINTED WOODBLOCK PRINTS (80/100), “Spotted Flycatcher”; “Linnet”; “Blue-Tit...
PACKET: ASSORTED 19TH CENTURY HAND COLOURED AND BLACK AND WHITE BOOKPLATES, mainly Topographical
PACKET: ASSORTED 19TH CENTURY HAND COLOURED AND BLACK AND WHITE BOOKPLATES, mainly Topographical Subjects – Northumberland ...[more]
MARJORIE MAY BACON, SIGNED IN PENCIL TO LOWER RIGHT MARGIN, THREE BLACK AND WHITE ETCHINGS/AQUATINT,
MARJORIE MAY BACON, SIGNED IN PENCIL TO LOWER RIGHT MARGIN, THREE BLACK AND WHITE ETCHINGS/AQUATINT, St Benet’s Abbey; The Abbey Church of St Mary...
JOAN HASSALL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE WOOD ENGRAVING, “The Wood Sorrel” (
JOAN HASSALL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE WOOD ENGRAVING, “The Wood Sorrel” (1946), 4” x 2 ½”; together with one Volume “Our Villa...
EARLY 20TH CENTURY, JAPANESE COLOURED WOODBLOCK PRINT, Prunus in Winter, 9” x 5” ...[more]
GRAHAM CLILVERD, SIGNED AND DATED 1921 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Street Scene;
GRAHAM CLILVERD, SIGNED AND DATED 1921 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Street Scene; together with three further Etchings by a diffe...
FRANK PATON, SIGNED TO BORDER, BLACK AND WHITE ETCHING, “Rough and Ready” (Dogs after a Rat), 4 ½” x
FRANK PATON, SIGNED TO BORDER, BLACK AND WHITE ETCHING, “Rough and Ready” (Dogs after a Rat), 4 ½” x 6” ...[more]
ANTIQUE BLACK AND WHITE MAP, “Island of Minorca”, Published 1781, 11” x 15” ...[more]
LATE 19TH CENTURY, HAND COLOURED LITHOGRAPH, “Persan, Stallion belonging to the Duke of Northumberland”, 9 ½” x 13 ½” ...[more]
JOHN SELL COTMAN, BLACK AND WHITE ETCHING, “Sketch after Rembrandt”, (No 44 from “Liber Studiorum”
JOHN SELL COTMAN, BLACK AND WHITE ETCHING, “Sketch after Rembrandt”, (No 44 from “Liber Studiorum” Published 1838), 5” x 3 ½” ...[more]
PAIR OF: LATE 18TH/EARLY 19TH CENTURY COLOURED STIPPLE ENGRAVINGS, “Emma Hamilton” and one similar, 9 ½” x 8”, original gilt frames (2) ...[more]
HUGH DODD, SIGNED IN PENCIL TO MARGIN, SET OF THREE LIMITED EDITION COLOURED PRINTS (142/750 and
HUGH DODD, SIGNED IN PENCIL TO MARGIN, SET OF THREE LIMITED EDITION COLOURED PRINTS (142/750 and 151/750), “The Estate Agent”; “The Estate Agent’s...
JOHN DOYLE (ALIAS H B), TWENTY-TWO ANTIQUE BLACK AND WHITE ENGRAVINGS, PUBLISHED CIRCA 1830, including “The Upsetting of the Reform Coach”; “The T...
FOLDER: ASSORTED MODERN PRINTS INCLUDING STURGEON AND LIMITED EDITIONS AFTER CECIL ALDIN ...[more]
FOLDER: PRINTS AFTER CECIL ALDIN ...[more]
* TOM PHILLIPS, SIGNED AND NUMBERED 82/275 IN PENCIL TO LOWER MARGIN, COLOURED LITHOGRAPH, Brunnhilde, 10 ½” x 20”, unframed ...[more]
* CHARLES JOHNSON PAYNE “Snaffles”, SIGNED AND EMBOSSED LOWER LEFT, COLOURED PRINT, The Biggest
* CHARLES JOHNSON PAYNE “Snaffles”, SIGNED AND EMBOSSED LOWER LEFT, COLOURED PRINT, The Biggest Walls in the Country Was in it, 11 ½” x 17 ½” .....
* CHARLES JOHNSON PAYNE “Snaffles”, SIGNED AND EMBOSSED LOWER LEFT, COLOURED PRINT, Great Banks
* CHARLES JOHNSON PAYNE “Snaffles”, SIGNED AND EMBOSSED LOWER LEFT, COLOURED PRINT, Great Banks There Was Below in the Fields, 12” x 17” ...[mor...
FRED NEWMAN, BOTH SIGNED IN PENCIL TO MARGIN LOWER RIGHT AND ONE INSCRIBED WITH TITLE, TWO BLACK AND
FRED NEWMAN, BOTH SIGNED IN PENCIL TO MARGIN LOWER RIGHT AND ONE INSCRIBED WITH TITLE, TWO BLACK AND WHITE ETCHINGS, Bow Church, Cheapside and Tha...
T STEAD, SIGNED IN PENCIL TO MARGIN, SET OF SIXTEEN BLACK AND WHITE ETCHINGS, Titled Norwich Views, each approximately 3” x 5” (16) ...[more]
GROUP OF: SIX FRAMED AND THREE UNFRAMED 19TH CENTURY TOPOGRAPHICAL COLOURED AND BLACK AND WHITE
GROUP OF: SIX FRAMED AND THREE UNFRAMED 19TH CENTURY TOPOGRAPHICAL COLOURED AND BLACK AND WHITE ENGRAVINGS, East Anglian Subjects, various small s...
AFTER JOHN NINHAM, ENGRAVED BY WALTER HAGREEN, SET OF TWENTY-TWO HAND COLOURED ETCHINGS, Norwich
AFTER JOHN NINHAM, ENGRAVED BY WALTER HAGREEN, SET OF TWENTY-TWO HAND COLOURED ETCHINGS, Norwich Gates (inside and outside), uniform mounts and bl...
AFTER TITIANUS J STRADANUS ETC, GROUP OF FIVE ANTIQUARIAN BLACK AND WHITE ENGRAVINGS, Figure and
AFTER TITIANUS J STRADANUS ETC, GROUP OF FIVE ANTIQUARIAN BLACK AND WHITE ENGRAVINGS, Figure and Landscape Subject, various sizes, unframed (5) ...
WILLIAM WALCOT, RE, SIGNED AND NUMBERED 63/75 IN PENCIL TO LOWER MARGIN, DRYPOINT ETCHING, Kom
WILLIAM WALCOT, RE, SIGNED AND NUMBERED 63/75 IN PENCIL TO LOWER MARGIN, DRYPOINT ETCHING, Kom Ombo 1928, 6 ¼” x 8”, mounted but unframed ...[mo...
SMALL FOLDER: ASSORTED PRINTS AND LITHOGRAPHS ...[more]
WILLIAM WALCOT, RE, SIGNED IN PENCIL TO MARGIN LOWER RIGHT, DRYPOINT ETCHING, Hadrian’s First
WILLIAM WALCOT, RE, SIGNED IN PENCIL TO MARGIN LOWER RIGHT, DRYPOINT ETCHING, Hadrian’s First Entry into Salonika, 3” x 5” ...[more]
WILLIAM WALCOT, RE, SIGNED IN PENCIL TO MARGIN LOWER RIGHT, DRYPOINT ETCHING, Wooden Temple of
WILLIAM WALCOT, RE, SIGNED IN PENCIL TO MARGIN LOWER RIGHT, DRYPOINT ETCHING, Wooden Temple of Jupiter, 5” x 7” ...[more]
WILLIAM DOUGLAS MacLEOD, SIGNED IN INK TO MARGIN, FIRST IMPRESSION ETCHING, “The Spanish Coast”,
WILLIAM DOUGLAS MacLEOD, SIGNED IN INK TO MARGIN, FIRST IMPRESSION ETCHING, “The Spanish Coast”, 8 ½” x 15” ...[more]
CHARLES NOLLET, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Reims, La Cathedral”, 11 ½”
CHARLES NOLLET, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Reims, La Cathedral”, 11 ½” x 8”; together with a further Signed Etching of ...
RUSSELL REEVE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Sandy Lane, Norwich”, 5” x 4”
RUSSELL REEVE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Sandy Lane, Norwich”, 5” x 4” ...[more]
WILHELM KUHNERT, SIGNED LOWER RIGHT, BLACK AND WHITE ETCHING, Bird on a Branch, 7” x 3 ½”, unframed
WILHELM KUHNERT, SIGNED LOWER RIGHT, BLACK AND WHITE ETCHING, Bird on a Branch, 7” x 3 ½”, unframed ...[more]
LOUISE VON SCHOICK, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (3/5), “
LOUISE VON SCHOICK, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING (3/5), “The Five”, 7” x 10” ...[more]
AFTER A OSTADE, ENGRAVED BY C SPOONER AND J WATSON, PAIR OF ANTIQUE BLACK AND WHITE MEZZOTINTS, “
AFTER A OSTADE, ENGRAVED BY C SPOONER AND J WATSON, PAIR OF ANTIQUE BLACK AND WHITE MEZZOTINTS, “Law” and “The Burgomaster”, 12 ½” x 10” (2) ......
DAVID GREEN, SIGNED IN PENCIL TO MARGIN, PAIR OF LIMITED EDITION COLOURED PRINTS (36/400 AND 132/
DAVID GREEN, SIGNED IN PENCIL TO MARGIN, PAIR OF LIMITED EDITION COLOURED PRINTS (36/400 AND 132/600), “Blakeney Afternoon” and “The Red Beach Hut...
* ROWLAND LANGMAID, RN, SIGNED IN PENCIL TO MARGIN LOWER RIGHT, ARTIST’S PROOF DRYPOINT ETCHING,
* ROWLAND LANGMAID, RN, SIGNED IN PENCIL TO MARGIN LOWER RIGHT, ARTIST’S PROOF DRYPOINT ETCHING, Rolling Down to Rio, 6 ½” x 12” ...[more]
FRANK GILLETT, SIGNED IN PENCIL TO MARGIN, SECOND TRIAL BLACK AND WHITE ETCHING, “On The Hilltop”,
FRANK GILLETT, SIGNED IN PENCIL TO MARGIN, SECOND TRIAL BLACK AND WHITE ETCHING, “On The Hilltop”, 3” x 7” ...[more]
J D VAN LAULAERT, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED LITHOGRAPH (20/50), Portrait of a Young Society Lady, 23” x 19”, rolled, (A...
ELYSE ASHE-LORD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION HAND COLOURED DRYPOINT ETCHING (32/75),
ELYSE ASHE-LORD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION HAND COLOURED DRYPOINT ETCHING (32/75), Chinese Lady Sitting under a Tree with her Ma...
CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING, A Wherry
CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING, A Wherry Nearing Horning Ferry, 7” x 5” ...[more]
CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “A Norfolk Wherry”, 9” x
CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “A Norfolk Wherry”, 9” x 10” ...[more]
CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION SEPIA ETCHING (6/20), A Wherry in
CHARLES MAYES WIGG, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION SEPIA ETCHING (6/20), A Wherry in a Stiff Breeze on the Norfolk Broads, 9” x 6” ...
* HAROLD WYLLIE, OBE, RSMA, SIGNED AND NUMBERED LXXXIV IN PENCIL TO LOWER MARGIN, DRYPOINT ETCHING, Ships at Anchor, 6” x10” ...[more]
* HAROLD WYLLIE, OBE, RSMA, SIGNED AND NUMBERED LXXXIV IN PENCIL TO LOWER MARGIN, DRYPOINT ETCHING, Shipping off a Coast, 6 ½” x 11 ½” ...[more]
* FELIKS TOPOLSKI, SIGNED, NUMBERED 10/25 AND INSCRIBED A/P IN PENCIL TO LOWER MARGIN, COLOURED
* FELIKS TOPOLSKI, SIGNED, NUMBERED 10/25 AND INSCRIBED A/P IN PENCIL TO LOWER MARGIN, COLOURED LITHOGRAPH, PUBLISHED BY MIGHTWELL FINE ARTS, The ...
* HORACE W TUCK, SIGNED LOWER RIGHT, OIL ON CANVAS, Fishermen on a Quiet Corner of the Norfolk
* HORACE W TUCK, SIGNED LOWER RIGHT, OIL ON CANVAS, Fishermen on a Quiet Corner of the Norfolk Broads at Sunset, 13 ½” x 19” ...[more]
HORACE W TUCK, SIGNED, WOODBLOCK, Fishermen in a Rowing Boat, 4” x 7” ...[more]
HORACE W TUCK, SIGNED, WOODBLOCK, Norfolk Landscape; together with two Etchings by the same artist, assorted sizes (3) ...[more]
HORACE W TUCK, OIL ON PANEL, Seascape, 11” x 16” ...[more]
HORACE W TUCK, SIGNED ON CANVAS, Figure, Horse and Cart in a Wooded Lane by Cottages, 9 ½” x 11 ½”
HORACE W TUCK, SIGNED ON CANVAS, Figure, Horse and Cart in a Wooded Lane by Cottages, 9 ½” x 11 ½” ...[more]
HORACE W TUCK, SIGNED IN PENCIL TO MARGIN, TWO COLOURED WOODBLOCK PRINTS, Barn and Yard Scene,
HORACE W TUCK, SIGNED IN PENCIL TO MARGIN, TWO COLOURED WOODBLOCK PRINTS, Barn and Yard Scene, 7 ½” x 9”; together with a further Unsigned Black a...
HORACE W TUCK, SIGNED, GROUP OF FIVE LANDSCAPE WATERCOLOURS AND A STILL LIFE STUDY OF FLOWERS,
HORACE W TUCK, SIGNED, GROUP OF FIVE LANDSCAPE WATERCOLOURS AND A STILL LIFE STUDY OF FLOWERS, some mounted, all unframed (6) ...[more]
HORACE W TUCK, SIGNED, GROUP OF THREE WATERCOLOURS, Landscape Subjects and a further Watercolour
HORACE W TUCK, SIGNED, GROUP OF THREE WATERCOLOURS, Landscape Subjects and a further Watercolour highlighted with charcoal, Figures by an Old Arch...
HORACE W TUCK, SIGNED, GROUP OF FOUR WATERCOLOURS, River and Mountain Landscape Subjects, each
HORACE W TUCK, SIGNED, GROUP OF FOUR WATERCOLOURS, River and Mountain Landscape Subjects, each approximately 10” x 14”, mounted but unframed (4) ...
HORACE W TUCK, SIGNED, GROUP OF FOUR WATERCOLOURS, Coastal Views with Figures and Boats, each
HORACE W TUCK, SIGNED, GROUP OF FOUR WATERCOLOURS, Coastal Views with Figures and Boats, each approximately 9” x 14”, three mounted, all unframed ...
HORACE W TUCK, FOUR SIGNED, FIVE WATERCOLOURS, Landscapes and River Estuary Subjects, including
HORACE W TUCK, FOUR SIGNED, FIVE WATERCOLOURS, Landscapes and River Estuary Subjects, including one inscribed “Cancale, Brittany”, various sizes, ...
HORACE W TUCK, SIGNED, THREE WATERCOLOURS, Landscape Subjects including Castle and Church; and a
HORACE W TUCK, SIGNED, THREE WATERCOLOURS, Landscape Subjects including Castle and Church; and a further Pen, Ink and Watercolours Study, “Sandpit...
HORACE W TUCK, SIGNED, GROUP OF SIX WATERCOLOURS, Landscape and Coastal Subjects, each approximately
HORACE W TUCK, SIGNED, GROUP OF SIX WATERCOLOURS, Landscape and Coastal Subjects, each approximately 10” x 14”, five mounted, all unframed (6) ....
HORACE W TUCK, SIGNED, GROUP OF THREE WATERCOLOURS, Landscape Subjects; together with two Still Life
HORACE W TUCK, SIGNED, GROUP OF THREE WATERCOLOURS, Landscape Subjects; together with two Still Life Studies, each approximately 10” x 14”, mounte...
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