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Salvador Dali, 'Leonardo da Vinci', etching, 6.75" x 4.75".
Maud Earl (1864-1943) British, Two Poodles seated, a photogravure, signed in pencil, 11.25" x 13.
Maud Earl (1864-1943) British, Two Poodles seated, a photogravure, signed in pencil, 11.25" x 13.75".
Gwen Raverat (1885-1957) British, 'The Dwarf', wood engraving, label and catalogue description
Gwen Raverat (1885-1957) British, 'The Dwarf', wood engraving, label and catalogue description verso, 4.25" x 3.25".
A. Simes, Edinburgh Castle and two others by the same hand, etchings, all signed and inscribed in
A. Simes, Edinburgh Castle and two others by the same hand, etchings, all signed and inscribed in pencil, two 5.75" x 3.75" and one 5.75" x 3.25",...
Sidney Mackenzie Litten, 'Eilen Marken' Netherlands, etching, signed in pencil and numbered, label
Sidney Mackenzie Litten, 'Eilen Marken' Netherlands, etching, signed in pencil and numbered, label verso, 8,25" x 14.75".
Ken Done (born. 1940) Australian, A poster of Sydney, lithograph, 19.75" x 26".
After Georges Braque, 'The Bird', lithograph, 19.5" x 29.25". (a/f)
A collection of four antique hand-coloured views of London, Foundling Hospital, Mr Smith's House
A collection of four antique hand-coloured views of London, Foundling Hospital, Mr Smith's House at Battersea, Hampton Court and Hotel du Lord, Ma...
Ivan Bilibin, An illustration for a fairy tale, a barrel in a stormy sea, text verso, chromolithograph, 9" x 10.75", mounted, (unframed).
Blanche Allarty et Ses Mehards, a colour poster published by Louis Galice, Paris, 39.5" x 25.5" (100
Blanche Allarty et Ses Mehards, a colour poster published by Louis Galice, Paris, 39.5" x 25.5" (100 x 65cm).
Jean Frelaut (1879-1954) a collection of six etchings, 5 landscapes and a mother and child, each
Jean Frelaut (1879-1954) a collection of six etchings, 5 landscapes and a mother and child, each signed in pencil, from 3" x 4" to 5" x 8", (6).
English School, Circa 1822, a group of six prints depicting skeletons in various pursuits, including
English School, Circa 1822, a group of six prints depicting skeletons in various pursuits, including cricket, each 4" x 15", (6).
Carol Walklin (20th Century), 'Rural Museum, Isle of Wight', linocut, signed and inscribed in pencil
Carol Walklin (20th Century), 'Rural Museum, Isle of Wight', linocut, signed and inscribed in pencil and numbered 13/17, 21"x 25.5".
Hilda Frank (20th Century), 'The Zig-Zag, Selborne' and 'St Mary's, Selborne', a pair of woodcut
Hilda Frank (20th Century), 'The Zig-Zag, Selborne' and 'St Mary's, Selborne', a pair of woodcut prints, Artist's Proof, both signed and inscribed...
After Rembrandt, a lithograph print of a resting lion, 4" x 7.5".
It's Judy, a 1963 Judy Garland poster for 'I could go on Singing', 17.5" x 13.25".
Ando Hiroshige (1797-1858) Japan, figures crossing a river, woodcut, 9.5" x 14".
Ando Hiroshige (1797-1858) Japan, figures carrying items up a snowy mountainside, woodcut, 6.5" x
Ando Hiroshige (1797-1858) Japan, figures carrying items up a snowy mountainside, woodcut, 6.5" x 9.5".
Nelson Ethelred Dawson (1859-1941) British, a collection of six unframed engravings of various
Nelson Ethelred Dawson (1859-1941) British, a collection of six unframed engravings of various subjects, along with an unframed engraving signed J...
Charles William (Early 19th Century) British, 'The Emperor of the Gulls in his Stolen Gear', hand
Charles William (Early 19th Century) British, 'The Emperor of the Gulls in his Stolen Gear', hand coloured print, 9.5" x 13".
William Lionel Wyllie (1851-1931) British, Scapa Flow, etching, signed in pencil, 4" x 13".
Isaac Robert Cruickshank (1789-1956), 'Reflection. To Be or Not To Be', hand coloured etching, 13.5"
Isaac Robert Cruickshank (1789-1956), 'Reflection. To Be or Not To Be', hand coloured etching, 13.5" x 9.5".
James Bacon and Sons, a group of three portraits of Art Deco ladies, lithograph on silk, each 13.
James Bacon and Sons, a group of three portraits of Art Deco ladies, lithograph on silk, each 13.5" x 9.5", (3).
Frank Paton (1855-1909), 'The Good Old Days', and 'Eight Above the Line', 2 prints, both signed in
Frank Paton (1855-1909), 'The Good Old Days', and 'Eight Above the Line', 2 prints, both signed in pencil, each 8" x 10", (2).
After George Moutard Woodward, 'The Discovery or Little Faux Pas', hand coloured etching, early 19th
After George Moutard Woodward, 'The Discovery or Little Faux Pas', hand coloured etching, early 19th Century, 10" x 13".
William Walcott (1874-1943) British, A view of Piccadilly Circus, signed in pencil, 4.25" x 6.25".
William Walcott (1874-1943) British, A view of Piccadilly Circus, signed in pencil, 4.25" x 6.25".
Giovanni Piranesi (1720-1778), 'Arco di Settimio Severo', etching, 18th Century, 15" x 23.25".
Giovanni Piranesi (1720-1778), 'Arco di Settimio Severo', etching, 18th Century, 15" x 23.25".
Frederic Jacque (1859-1931) French, 'Le Vieux Barbizon', hand coloured aquatint, signed and inscribed in pencil, 10" x 14", along with a 19th Cent...
Christo and Jean-Claude, The Umbrellas USA, colour print, signed, 19.5" x 39", (A/F).
After Gustav Dore, Christ Entering Jerusalem, engraving, signed in pencil, 21" x 32.5".
After Toulouse Lautrec, 'Ambassadeurs, Aristide Bruant', 20th Century, Colour Print, 35.5" x 23.5".
After Toulouse Lautrec, 'Ambassadeurs, Aristide Bruant', 20th Century, Colour Print, 35.5" x 23.5".
After Arthur Rackham, two book illustrations from an unknown publication, each 9" x 6.5".
Jacques Saraben (b. 1939), a head study of Francis Bacon, lithograph, signed in pencil, dated '79
Jacques Saraben (b. 1939), a head study of Francis Bacon, lithograph, signed in pencil, dated '79 and inscribed E.A., 19" x 15", and another simil...
After Corot, 'Une Matinee La Danse des Nymphes', colour mezzotint, signed in pencil, 14.5" x 20".
After Corot, 'Une Matinee La Danse des Nymphes', colour mezzotint, signed in pencil, 14.5" x 20".
Manuel Robbe (1872-1936), 'Le Deshabille', etching in colour, 14" x 19.5".
A 1950's poster for the Marilyn Monroe film 'Love Nest', National Screen Service reference 51/534, (534th film registered in 1951), 39" x 25.5". ...
Henri Matisse, 'La Danseuse Creole', lithograph, 44.75" x 26.5".
Charles Lewis after Thomas Barker,19th Century, Nelson receiving swords on board the San Joseph,
Charles Lewis after Thomas Barker,19th Century, Nelson receiving swords on board the San Joseph, February 14th 1797, engraving, 27" x 43.75".
After William Russell Flint, A group of Idlers, collotype print, signed in pencil, 19.75" x 26.25".
After William Russell Flint, A group of Idlers, collotype print, signed in pencil, 19.75" x 26.25".
After William Russell Flint , Variations IV, collotype print, signed in pencil, 18.5" x 23.75".
After William Russell Flint , Variations IV, collotype print, signed in pencil, 18.5" x 23.75".
After William Russell Flint, The Dubios Bernini, collotype print, signed in pencil, 17.25" x 22.
After William Russell Flint, The Dubios Bernini, collotype print, signed in pencil, 17.25" x 22.25".
After J.W. Huggins, The Honourable East India Companies ship Inglis and other frigates, a hand
After J.W. Huggins, The Honourable East India Companies ship Inglis and other frigates, a hand coloured aquatint engraving, 16.5" x 22".
James Bailey, after Thomas Whitcombe, late 18th Century, a hand coloured aquatint, HMS Spartan
James Bailey, after Thomas Whitcombe, late 18th Century, a hand coloured aquatint, HMS Spartan having defeated the French squadron, 17.5" x 23.75".
Robert Pollard, after Nicholas Pocock, HMS Mermaid run aground in the chase of the French Corvette
Robert Pollard, after Nicholas Pocock, HMS Mermaid run aground in the chase of the French Corvette Brutus off the coast of Grenada, 10th October 1...
Pietro Antonio Martini, after J.H. Ramberg, The exhibition of the Royal Academy 1787, hand coloured etching, 14" x 19.25".
After Louis Wain, 19th Century, Dogs misbehaving in a classroom, a chromolithograph, 11.75" x 15.
After Louis Wain, 19th Century, Dogs misbehaving in a classroom, a chromolithograph, 11.75" x 15.5".
After Birket Foster, Two late 19th Century chromo lithographs, rural landscapes, one with sheep
After Birket Foster, Two late 19th Century chromo lithographs, rural landscapes, one with sheep resting by a brook with a family playing along the...
George Hawkins (1809-1852) A collection of mid-19th Century lithographs all published by Day &
George Hawkins (1809-1852) A collection of mid-19th Century lithographs all published by Day & Son, including Howden Church, Mount Grace, Byland A...
Claude Mellan, (1598-1688) A marble statue of Venus, engraving, 15.75" x 11.75" along with two
Claude Mellan, (1598-1688) A marble statue of Venus, engraving, 15.75" x 11.75" along with two others (3).
After J. Stewart, Three 18th Century engravings of Classical female figures, two 13.5" x 8.75" the
After J. Stewart, Three 18th Century engravings of Classical female figures, two 13.5" x 8.75" the other 13.75" x 7.5", (3).
Early 20th Century hand coloured lithograph, After Charles Johnson Payne, 'Snaffles', 'Gunners', 7.
Early 20th Century hand coloured lithograph, After Charles Johnson Payne, 'Snaffles', 'Gunners', 7.5" x 17".
Sue McCartney Snape (b.1957) 'Bridge', print, signed, inscribed and numbered 384/600 in pencil, 14.
Sue McCartney Snape (b.1957) 'Bridge', print, signed, inscribed and numbered 384/600 in pencil, 14.5" x 18.5".
A 18th Century hand coloured engraving, Paul Fourdrinier, 'Sweet Williams's farewell to blacked eyed
A 18th Century hand coloured engraving, Paul Fourdrinier, 'Sweet Williams's farewell to blacked eyed Susan', 11.5" x 13.75".
19th Century hand coloured lithograph of 'The City of Ragusa', the smallest craft that ever made the
19th Century hand coloured lithograph of 'The City of Ragusa', the smallest craft that ever made the voyage to and from America, 8.25" x 9.75".
Jules David, A 19th Century hand coloured lithograph, The young Bibliophiles, 5.75" x 7.5".
After H.W. Brewer, A hand coloured print, A birds eye view of Portsmouth harbour, 13.5" x 35.75".
After H.W. Brewer, A hand coloured print, A birds eye view of Portsmouth harbour, 13.5" x 35.75".
After Samuel and Nathaniel Buck, A hand coloured print, the West prospect of Portsmouth in Hampshire, 12.5" x 31".
Robert Dighton, A first class Man of War taken from the dockyard Plymouth, hand coloured etching,
Robert Dighton, A first class Man of War taken from the dockyard Plymouth, hand coloured etching, 11" x 8", (unframed).
After William Lionel Wyllie, a collection of twelve late 19th Century gravure prints depicting views
After William Lionel Wyllie, a collection of twelve late 19th Century gravure prints depicting views on the Thames and Medway, circa 1885, various...
An original poster, Lee on Solent air display 1957, 30" x 20", (unframed). ...[more]
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