294
DU MAURIER DAPHNE: (1907-1989) British Author. T.L.S., Daphne, four pages, 8vo, Menabilly, 6th
1/4
Description
DU MAURIER DAPHNE: (1907-1989) British Author. T.L.S., Daphne, four pages, 8vo, Menabilly, 6th September n.y (1960), to [Foy Quiller-Couch]. Du Maurier notes, at the head of the first page, 'Run out of note-paper. Excuse this odd scrap…..', the first page being a sheet of Buckingham Palace notepaper issued for use by her husband, Frederick Browning, and the second being a sheet of scrap paper with an irregularly torn left edge. Du Maurier commences her letter 'Listen, you were doing very well when I arrived in the Fox's car. I heard you quote Plato, and was much impressed, but I felt that Mrs Singer's nearness and the beaming gaze she fixed upon you may have proved embarrassing. Then someone, a school master I think, called you an “exile“ and soon afterwards we drove away, as I had to rush back to a guest who had arrived by Riviera. But I still think the plaque is too big, and will cause accidents. Incidentally, what is this horrid news about the crests off your father's Memorial stone having been wrenched off and removed by some vandal?' She further writes of having visited Woodgate Creek with her husband ('Guardsman') commenting 'Viaduct path & stream itself quite overgrown. Woodgate's creek and lonely swans and lonely cottage with orchard behind much more my idea of a trysting and a hiding-place, but would it have been part of Penquite land and perhaps inhabited by a keeper in the last century, or even in our young days? We were rather intrigued to learn, from a holiday-maker camping in the cottage, that all the Woodgate woods and hills and I think Lantyan woods too, belong to a lady “up Woking way“. Who could she be? Guardsman felt all that Woodgate valley, and the deserted orchards, had atmosphere of great antiquity, as tho' much cultivated centuries ago, and I agree, but perhaps if it was Penquite land once that would account for it' and further referring to research into her current work, 'It has struck me that if the novel Castle Dor is roughly assumed to be about the 1860's - which dialogue, etc, harmonises with well, - was china clay at the jetties thriving then? I gather the Lostwithiel-Fowey branch line did not appear till about the turn of the century, but I imagine ships loaded just as they do now. The allusion to “railway“ embankment could come out, when Ledru goes up river in a boat. Its great fun pottering through the M.S. and roughing in scraps of dialogue to insert between Carfax and Ledru where I find your Father not explicit enough about the Tristan story - he assumes the reader will understand every allusion which I fear they won't. Also Molly and Johnny's conversations rather detract from story, which instead of meandering around the Bosanko family should begin to quicken at this point, with rather sinister similarities to Tristan story happenings suddenly beginning to strike Doctor Carfax. Invention will have to start with Chapter XXIII, and instead of Carfax by the Town Hall, and the declaration of war for 1914, we might have Carfax at his home (obviously The Haven) & Mark Lewarne coming to him for advice about Linnet of whom he is already suspicious - meanwhile Amyot is hiding at Woodgate creek, & Linnet has sworn the two children to secrecy. Scene now set for lovers hiding in woods just as T and Iseult hid in forest of Moresque as they did in oldest legend. Will get Tregantil into it somehow. Everyone is drawn into the business despite themselves, somehow against their will so that there is a sort of feeling of Fate about the whole thing'. Accompanied by the original envelope. About VG
Foy Quiller-Couch - daughter of British writer Arthur Quiller-Couch (1863-1944), and a life-long friend of Du Maurier. Indeed, Du Maurier was accompanied by Foy Quiller-Couch when she became inspired with the storyline for her novel Jamaica Inn. In 1930, apparently around the time of the present letter, the two ladies were staying at Jamaica Inn and went riding on Bodmin Moor. They became lost in bad weather conditions and apparently sheltered for some time in a derelict cottage on the moor but were eventually led back to Jamaica Inn by their horses.
The work which Du Maurier refers to in the present letter is Castle Dor, a historical novel based around the legend of Tristan and Iseult, but set in 19th century Cornwall. The main characters are a Breton onion seller, Amyot Trestane, and the newly wed Linnet Lewarne. Published in 1961, Du Maurier completed the unfinished manuscript of Sir Arthur Quiller-Couch's last novel. Quiller-Couch's daughter, Foy, had given her blessing for Du Maurier to complete the work.
Auction Details
Shipping
T&Cs & Important Info
Ask seller a question
DU MAURIER DAPHNE: (1907-1989) British Author. T.L.S., Daphne, four pages, 8vo, Menabilly, 6th September n.y (1960), to [Foy Quiller-Couch]. Du Maurier notes, at the head of the first page, 'Run out of note-paper. Excuse this odd scrap…..', the first page being a sheet of Buckingham Palace notepaper issued for use by her husband, Frederick Browning, and the second being a sheet of scrap paper with an irregularly torn left edge. Du Maurier commences her letter 'Listen, you were doing very well when I arrived in the Fox's car. I heard you quote Plato, and was much impressed, but I felt that Mrs Singer's nearness and the beaming gaze she fixed upon you may have proved embarrassing. Then someone, a school master I think, called you an “exile“ and soon afterwards we drove away, as I had to rush back to a guest who had arrived by Riviera. But I still think the plaque is too big, and will cause accidents. Incidentally, what is this horrid news about the crests off your father's Memorial stone having been wrenched off and removed by some vandal?' She further writes of having visited Woodgate Creek with her husband ('Guardsman') commenting 'Viaduct path & stream itself quite overgrown. Woodgate's creek and lonely swans and lonely cottage with orchard behind much more my idea of a trysting and a hiding-place, but would it have been part of Penquite land and perhaps inhabited by a keeper in the last century, or even in our young days? We were rather intrigued to learn, from a holiday-maker camping in the cottage, that all the Woodgate woods and hills and I think Lantyan woods too, belong to a lady “up Woking way“. Who could she be? Guardsman felt all that Woodgate valley, and the deserted orchards, had atmosphere of great antiquity, as tho' much cultivated centuries ago, and I agree, but perhaps if it was Penquite land once that would account for it' and further referring to research into her current work, 'It has struck me that if the novel Castle Dor is roughly assumed to be about the 1860's - which dialogue, etc, harmonises with well, - was china clay at the jetties thriving then? I gather the Lostwithiel-Fowey branch line did not appear till about the turn of the century, but I imagine ships loaded just as they do now. The allusion to “railway“ embankment could come out, when Ledru goes up river in a boat. Its great fun pottering through the M.S. and roughing in scraps of dialogue to insert between Carfax and Ledru where I find your Father not explicit enough about the Tristan story - he assumes the reader will understand every allusion which I fear they won't. Also Molly and Johnny's conversations rather detract from story, which instead of meandering around the Bosanko family should begin to quicken at this point, with rather sinister similarities to Tristan story happenings suddenly beginning to strike Doctor Carfax. Invention will have to start with Chapter XXIII, and instead of Carfax by the Town Hall, and the declaration of war for 1914, we might have Carfax at his home (obviously The Haven) & Mark Lewarne coming to him for advice about Linnet of whom he is already suspicious - meanwhile Amyot is hiding at Woodgate creek, & Linnet has sworn the two children to secrecy. Scene now set for lovers hiding in woods just as T and Iseult hid in forest of Moresque as they did in oldest legend. Will get Tregantil into it somehow. Everyone is drawn into the business despite themselves, somehow against their will so that there is a sort of feeling of Fate about the whole thing'. Accompanied by the original envelope. About VG
Foy Quiller-Couch - daughter of British writer Arthur Quiller-Couch (1863-1944), and a life-long friend of Du Maurier. Indeed, Du Maurier was accompanied by Foy Quiller-Couch when she became inspired with the storyline for her novel Jamaica Inn. In 1930, apparently around the time of the present letter, the two ladies were staying at Jamaica Inn and went riding on Bodmin Moor. They became lost in bad weather conditions and apparently sheltered for some time in a derelict cottage on the moor but were eventually led back to Jamaica Inn by their horses.
The work which Du Maurier refers to in the present letter is Castle Dor, a historical novel based around the legend of Tristan and Iseult, but set in 19th century Cornwall. The main characters are a Breton onion seller, Amyot Trestane, and the newly wed Linnet Lewarne. Published in 1961, Du Maurier completed the unfinished manuscript of Sir Arthur Quiller-Couch's last novel. Quiller-Couch's daughter, Foy, had given her blessing for Du Maurier to complete the work.
Autograph Auction
Sale Date(s)
Lots: 1-600
Venue Address
Foxhall Business Centre
Foxhall Road
Nottingham
Nottinghamshire
NG7 6LH
United Kingdom
General delivery information available from the auctioneer
Shipment
Once payment has been received in full we will be delighted to mail your puurchases to you. Lots are securely packed in house and shipments are generally made through the Royal Mail using one of their tracked services which will require a signature upon delivery. Overseas deliveries are sent via insured air mail will also require a signature upon delivery. If you require your package to be sent via couriers such as FedEx or DHL please advise us as this will incur additional costs.
Please click on the link below regarding costs:
https://www.autographauctions.co.uk/component/com_makepayment/
Important Information
Viewing is available in the week prior to the auction at our Nottingham offices, by appointment only. Viewing is also available on the day of the sale at Foxhall Business Centre, Nottingham, from 9am.
Terms & Conditions
Buyers Terms & Conditions
1. Interpretation
1.1. "Auctioneers" means " International Autograph Auctions Ltd. "
1.2. "Catalogue" means the brochure relating to a sale (including any addendum thereto) and any other related documents and advertisements.
1.3. "Conditions" means these terms and conditions of sale
1.4. "Hammer Price" means the price at which a lot is knocked down by the Auctioneers to the Purchaser.
1.5. "Purchaser" means the person who purchases a lot or lots pursuant to these conditions.
1.6. "Seller" means the person who is selling the lot or lots pursuant to these conditions.
1.7. "VAT" means Value Added Tax.
2. Bidding
2.1. The highest bidder for each lot shall be the Purchaser of that lot.
2.2. No person shall be entitled to retract a bid. The Auctioneers reserve the right of refusing any bid without giving any reason and of altering, adding to, dividing, consolidating or withdrawing any lot or lots for sale.
2.3. The Auctioneers reserve the right to fix a reserve price for any lot at a figure no higher than the lower estimate.
2.4. The Auctioneers reserve the right to bid on behalf of the Seller on lots which are subject to a reserve price. The Seller shall not be entitled to bid where the Auctioneers have reserved such a right.
2.5. In the case of a dispute as to any bid the Auctioneers may immediately determine the dispute or put up the lot again at the last undisputed bid or withdraw the lot.
2.6. The Auctioneers will accept written commission bids free of charge from any person who is unable to attend the sale. Bids will also be accepted by telephone and fax at the sender's risk.
2.7. Lots will not normally be sold at less than two-thirds bottom estimate.
3. Payment
3.1. Each Purchaser shall give in his name and address and proof of identity (if required) to the Auctioneers at a sale and shall if required pay such deposit as the Auctioneers may specify.
3.2. The Purchaser shall pay the Hammer Price together with a premium of 27% on the Hammer Price (this amount includes VAT and must not be shown separately or claimed as input tax). By the making of any bid the Purchaser acknowledges that his attention had been drawn to this fact and that he assents to the Auctioneers receiving the said commission. A 22.5% premium will be payable by Purchasers outside the European Union (EU). Zero-rated goods such as books will be subject to a premium of 22.5% whether within or outside the EU unless entered by a VAT registered Seller.
3.3. Items marked with an asterisk * in the Catalogue after the lot number and before the description will be subject to VAT at 20% on the Hammer Price (not chargeable to Purchasers outside of the EU).
3.4. Payments for lots must be made in cash, bankers draft or cheque guaranteed by the bank upon which it is drawn. Lots will not be released against cheques from Purchasers unknown to the Auctioneers until cleared by such Purchaser's bank. Payment is accepted by Visa and Mastercard. A surcharge of 3% plus VAT will be levied to accounts settled by credit cards. Payment is also accepted by most debit cards with no surcharge.
3.5. Overseas clients are requested to settle accounts by USA Dollars or Sterling bank transfer (details upon request), by Sterling cheques only if drawn on major English clearing houses, by Visa or Mastercard (a surcharge of 3% plus VAT [clients outside the EU exempt from VAT] will be levied to accounts settled by this method) or if payment is made on personal accounts in foreign currency the client is requested to add the equivalent of a further £10 to cover bank conversion charges. The Auctioneer reserves the right to claim back from the Purchasers any shortfall due to bank charges or currency fluctuations on that account.
3.6. No lots will be released by the Auctioneers until receipt of payment in full from the Purchaser.
4. Risk
4.1. All lots shall be the sole risk of the Purchaser from the fall of the hammer.
4.2. The Purchaser shall take all lots in the condition in which he finds them. It is the responsibility of all intending Purchasers to satisfy themselves by inspection or otherwise as to the authenticity in the authorship, date, age, period, condition or quality of any lot.
5. Liability
5.1. Neither the Seller of any lot nor the Auctioneers make or give nor has any person in the employment of the Auctioneers any authority to make or give any representation or warranty in relation to any lot and any implied conditions or warranties are excluded.
5.2. All statements contained in the Catalogue as to the authenticity, attribution, genuineness, origin, authorship, date, age, period, condition or quality of any lot are statements of opinion only and are not to be taken as or implying statements or representations of fact. Lots are sold subject to all faults and errors in description or otherwise.
5.3. Notwithstanding the provisions of paragraphs 5.1. and 5.2. of these Conditions in the event of a dispute as to authenticity of any lot(s) the item or items in question should be returned to the Auctioneers within 21 days of receipt by the Purchaser of such lot(s) together with a formal statement by a recognised expert The Auctioneers shall at their option and without admission of liability reimburse the price paid by the Purchaser in respect of such lot(s). This does not constitute an approval service.
5.4. Neither the Auctioneers nor the Seller shall be responsible for any loss, damage or injury occasioned to or sustained by any person on the premises before, during or after a sale save in respect of death or personal injury caused by negligence of the Seller or the Auctioneers.
6. Capacity of Auctioneers
For all purposes of a sale the Auctioneers shall be deemed to be the agent of both the Seller and the Purchaser and they shall not be considered responsible for any default on the part of either the Seller or Purchaser.
7. Delivery
7.1. Lots will only be released once payment in full has been received from the Purchaser.
7.2 All lots are normally held at the sole risk of the Purchaser from the fall of the hammer. However, with effect from the 1st December 2013, the Auctioneer will indemnify the Purchaser against loss or damage to purchased lots from the fall of the hammer to the point of despatch at no extra charge to the Purchaser. Following receipt of payment lots will be despatched , at the Purchaser’s cost, by the most expedient means of transit (or in accordance with the purchaser’s written or emailed instructions).
With effect from the 1st December 2013 all shipments will be covered for the full value of the goods (including Purchaser’s premium but excluding import taxes) in the event of loss or damage. The charges for this service, which are as follows, will be added to the Purchaser’s invoice prior to shipment.
In the event that the Purchaser has either made alternative insurance arrangements or does not require to take advantage of the Auctioneer’s scheme, written (or emailed) instructions to that effect must be received prior to the goods leaving the Auctioneer’s premises.
Scale of Charges:
Shipment value including premium. Charge
Under £250 £5.00
£250-£500 £7.50
£501-£1000 £10.00
£1001-£2000 £20.00
£2001-£5000 £35.00
Over £5000 £50.00
7.3. Postage is subject to VAT at 20% within the EU
7.4. The Auctioneers will provide full customs declarations on the Hammer Price plus the Purchaser's premium and Purchaser's shall be responsible for any customs charges made by the country of import.
7.5. A charge will be made for the packing of deliveries which is subject to VAT at 20% within the EU.
8. Auctioneers Remedies
In the event that the Purchaser fails to pay for any lot(s) in full pursuant to these Conditions then the Auctioneers shall be entitled:
8.1. to rescind the sale of the relevant lot(s)
8.2. to resell the lot(s) without further notice either by public or private sale and the deficiency (if any) arising from such second sale together with all charges and expenses relating to the same shall be the responsibility of the defaulting Purchaser and shall be recoverable as and for liquidated damages.
9. Jurisdiction
These Conditions shall be governed by English law and the parties submit to the exclusive jurisdiction of the English courts.
Online Bidding
International Autograph Auctions Ltd. offer an online bidding service for bidders who cannot attend the sale, however please be advised that a charge of 3% + VAT is chargeable on all purchases made through any of the online bidding facilities offered.
In completing the bidder registration and providing your credit card details and unless alternative arrangements are agreed with International Autograph Auctions Ltd. you
1. authorise International Autograph Auctions Ltd., if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction, and
2. confirm that you are authorised to provide these credit card details to International Autograph Auctions Ltd. and agree that International Autograph Auctions Ltd. are entitled to ship the goods to the card holder name and card holder address provided in fulfillment of the sale.
3. confirm that you accept that an additional charge of 3% + VAT will be applied to your invoice for use of an online bidding facility
