October Decorative Arts and Design

Sheaffer Imperial I fountain pen in box, black, together with another and a Sheaffer Triumph fountain pen (3)

An Art Deco pen set, aventurine included purple resin, in fitted case

Montblanc Meisterstuck Classique fountain pen, with box, plus ink bottles

Montblanc Meisterstuck Classique propelling pencil, with box

A Parker 61 fountain pen gold filled cap, with a Parker Duofold maroon fountain pen with 14ct gold nibs

A collection of pens including Parker 45 stainless steel, jotter, Cross ballpoint, Sheaffer ballpoint and pencil

Waterman pens including Hemisphere rollerball, Laureat fountain pen and rollerball and another gun metal pen set (5)

Parker 61 gold filled fountain pen and ballpoint pen, pinstripe design, in case (2)

Sheaffer Targa fountain pen set, gold filled pinstripe, 14 carat gold nib, including rollerball and ballpoint, boxed (3)

Parker 61 fountain pen, gold filled cap, turquoise barrel, 14 carat gold nib

An Aesthetic Movement Royal Worcester vase, in the style of Christopher Dresser, 1877, square section baluster form with moulded grotesque tongue ...

William Moorcroft, a Moonlit Blue vase, inverse baluster form, impressed marks and underglaze green signature, 18cm high

A Belgian Art Pottery tyg vase, green glazed bottle form with three handles, bearing an impressed mark to base, approx 15cm high

Leslie Harradine for Royal Doulton, Gloria, HN 1700, painted marks, 18cm high

Alan Compton Luckham for Hornsea, a Classic Doric vase, circa 1962, shouldered form with grey fluted body, printed marks, 827, 27cm highNote: exam...

Christopher Dresser (attributed) for Minton, an Aesthetic Movement plate, circa 1875, the vacant centre and pink ground ring within a raised gilt ...

Knabstrup, a Danish Modernist art pottery box and cover, circa 1970s, circular form, grey stoneware with concentric ring deocration to the lid, pr...

KPM, a Royal Porcelain, white bisque vase, circa 1960s, cylinder form with textured abstract relief design, printed marks and impressed 668/2, 22c...

A pair of Royal Doulton stoneware vases, ovoid form, white marble glaze with raised floral motifs to the rim, 7919, impressed with an inscription ...

Clarice Cliff for Newport Pottery, a Secrets pattern preserve pot, ogee ovoid form with fruit moulded finial, 8cm high

Leon Solon and John Wadsworth for Minton,a Secessionist candlestick, 1902, conical form with saucer sconce, green and turquoise design, impressed ...

William Moorcroft for Liberty, a Flamminian Ware bowl, red glazed rectangular form with moulded roundels to the corners, inverted rim, incised sig...

Henry Mashman, a stoneware jug 1921, ovoid form, incised leaf design with aventurine purple brown glaze, incised ChatswoodNote: Australian potter,...

Leon Solon and John Wadsworth for Minton, a Secessionist plate, 1903, tulip design, green and blue tubelined, impressed marks and date code, appro...

Frederick Rhead for Foley, an Intarsio twin handled vase, squat pedestal boat urn form, with lid, decorated with a band of fish between scrolling ...

William Moorcroft for James MacIntyre, an Aurelian vase, twin handled, inverse baluster form, highlighted in gilt, 22.5cm high

A 1920s fish bowl with painted plaster surround depicting two boys

Langley Mill pottery, hand painted fish vase, circa 1949; together with a bramble decorated tobacco jar and a serving dish, tobacco jar 13.5cm hig...

Barry Pittar, an Art Deco figure of a sea nymph with fish on a rocky outcrop, signed, approx 25cm high

Four pieces of Istalif Afghanistan pottery, two bowls, a shallow bowl and a dish, all items incised pattern, produced early 20th century

Alison Brigden for Troika, a totem vase, signed to base, approx 22cm high

Florence Barlow for Royal Doulton, a stoneware pedestal dish or tazza, 1878, in the Egyptian style, twin handled, sgraffito decorated with knotted...

A Shelley Harmony butter dish and cover, turquoise ground with orange radiating spray pattern late, square form, 16cm diameter

Louis Wain for Bristol pottery, a Cat and Dog tea cup and saucer, painted with motto 'It was years since we last met', 14.5cm diameter

A large Lorna Bailey plaque, limited edition with certificate, "The Beatles", 11 of 100, 33cm diameter

A Lorna Bailey Artware advertising plaque, diamond form, plain white, 11cm high

A Lorna Bailey black and white Port Vale vase, 13cm high

A Lorna Bailey sugar castor, conical form, red roof design, 14cm high

A pair of Lorna Bailey Bursley Way pattern vases, with stylised lightning bolt handles, 19cm high (2)

A Lorna Bailey vase, Bursley Way pattern, flattened conical form, 24.5cm high

A Lorna Bailey Bursley Way mug, 10cm high

Clews and Co., a Chameleon ware bottle vase, shape number 223 11/116, 16.5cm high

A Lorna Bailey teapot, Mackintosh Rose, black, white and pink, spherical form, 18cm high

A Wedgwood lustre bowl octagonal form decorated with dragons and oriental scenes to the border, 23cm diameter

James MacIntyre, a ceramic and gilt metal biscuit barrel in the form of a handbag, transfer printed with brown floral garlands, the lid etched sim...

Martin Brothers, a miniature Matinware stoneware vase, 1902, squat ovoid form with dimpled neck, incised marks, 6cm diameter

Martin Brothers, a miniature Martinware stoneware vase, 1910, onion form with incised and moulded vertical stipes, highlighted in green, incised m...

Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, ovoid bottle form, decorated with a central diaper band punctuated by flower heads,...

William Moorcroft, a large Pansy vase, footed ovoid form with flared neck, white ground, underglaze green signature and dated 1914, impressed mark...

Hannah Barlow for Doulton Lambeth, a stoneware jug, the spherical body incised with rabbit and snowdrops, above a lappet band, the handle with zig...

Ruskin Pottery, a high fired vase, 1933, twin handled cyclindrical, shouldered form, red fading to purple, speckled throughout with blue and green...

Richard Joyce for Plikington, a Royal Lancastrian lustre vase, shouldered form, purple to blue ground, decorated with a foliate band of birds and ...

William S Mycock for Pilkington, a Royal Lancastrain lustre vase, bottle form in blue, the neck with vertical foliate stripes, above a Tudor rose ...

Robert Wallace Martin, a Martin Borthers Martinware stoneware pottery jardiniere, 1890, sgraffito decorated with passion flowers and vine, incised...

Martin Brothers, a Martinware stoneware pottery vase, 1910, elongated ovoid form, faceted and black glazed, 23cm high

Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, globe and shaft form, decorated with a band of stags in floral foliate ground, betw...

Richard Joyce for Pilkington, a Royal Lancastrian lustre bowl, 1919, the interior with a central double fish motif within a border of shells and ...

Richard Joyce for Pilkington, a Royal Lancastrian lustre plaque, 1926, relief moulded with a central cartouche of Pegasus galloping through waves,...

Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, 1913, twin handled ovoid form, blue ground with deer and fox within a millefleur gr...

Leon Solon and John Wadsworth for Minton, a large Secessionist vase, circa 1903, pattern No 1, ovoid form, red and green garland design, impressed...