Country House and Asian Art Auction

Attributed to Dirk Maes (Haarlem, 1659-1717), Hunting party, pencil and grey wash, 17.5 x 28cm. Provenance: Purchased by the vendor at Christie's ...

Jan Baptist de Wael II (1632- after 1669) after Cornelis de Wael (Antwerp 1592-1662 Rome), The Prodigal son wasting his fortune, engraving, collec...

Nicolas Le Sueur (1691-1764) after Jean Bonnatti (1635-1681) under the guidance of Anne Claude Philippe de Tubieres, Le Comte de Caylus (1692-1765...

Rene Boyvin (c.1525-1598 Angers) after Leonard Thiry (1490-1550, Fontainebleu), Jason Seizing the Golden Fleece, with monogram left middle, engrav...

Giovanni Battista Piranesi (Venice 1720-1778 Rome), Two plates from Le Antichita Romane di Giambastista Piransei, volume 1, engravings, each 13.5 ...

Lucas van Leyden (1494-1533), 'The Beggars', etching, with trimmed margins, unframed, 11 x 8cm (SH)

Wendel Dietterlin (1550-1599 Germany), Ttile page and illustrations 27 and 130 of the Fourth Book of Architecture, 1598, printed by Balthasar Caym...

Hans Sebald Beham (1500-1550 Nuremberg), The Prodigal Son Wasting his Fortune, engraving on laid paper, plate 2 of a set of 4, edges trimmed, shee...

Theodorus van Kessel (1620-1693), 'Dogs', etching, with trimmed margins, unframed, 7 x 10cm (SH)

Jacob de Gheyn II (1565-1629) after Karel van Mander (1548-1606), The Descent from the Cross, no.11 in the seris 'The Passion'. engraving, 16 x 10...

Allart Van Everdingen (Alkmaar 1621-1675 Amsterdam), Man Crossing a Wooden Bridge, with monogram AVE, engraving, unframed, 10 x 14cm (PL) together...

Aegidius Sadeler II (1570-1629) after Roeland Savery (1576-1639), Man with Four Goats near a Waterfall, engraving,

Jan Galle (1600-1676, Antwerp) after Jan Stradanus (1523-1605), Quail Hunt, Metrical line translated, 'Thus is the peregrine quail caught in the A...

Johann Christoph Dietzsch (1710-69), Travellers on a rural track, engraving, collectors stamp 'George Biorklund' verso, 8 x 13cm (PL), unframed, t...

Adriaen van der Cabel (Netherlands 1631-1705), Woodland Landscape with figures and sheep, pubished by N.Robert, engraving, with trimmed margins, u...

Antonie Waterloo (1609-1690), Dutch rural landscape, engraving, unframed, 12 x 13.5cm (PL), together with an 18th century Dutch landscape after a ...

Stefano Solari (1550-1580) after Etienne Delaune (1518-1583), Two plates out of a series titled 'The Genesis' (A summary of Genesis in latin), eac...

Thomas Cornell (1937-2012), Decartes, signed and numbered 83/100, dated '64, etching, 22 x 14cm (PL) together with another portrait etching by Tho...

Lucien Pissarro (1863-1944), 'In the Field', from the queen of the Fishes, 1897, woodcut, 14 x 10cm (PL)

Theodore Roussel (1847-1926), Cheyne Walk, etching and drypoint, inscribed in the margin verso, etching, 13.5 x 19cm (PL), together with two furth...

Edward Bawden RA (1903-1989), Lindsell Church, signed lower right, inscribed 'artists proof, out of series' lower left, linocut, 61 x 156cm (I)

James Robert Granville Exley RE (1878-1967) after James Pollard, The Meet of the Fox Hounds, signed lower right, aquatint, 38 x 52cm (PL), unframed

James Abbott McNeil Whistler (1834-1903), The Old Rag Lady, inscribed in the margin, etching, 21 x 15cm (PL)

William Walcot RA (1874-1943), Figures at the gateway to the Ducal Palace, Venice, signed in pencil, etching, 55 x 35cm (PL) Provenance: Coton Hall

Gerald Leslie Brockhurst RA RP RE (1890-1978), Chiquita, signed lower right, etching, 16 x 13cm (PL) together with a portrait etching by Felix Bra...

Robert Austin (1895-1973), Woman Tethering a Goat, signed and numbered 58/75, etching, 13.5 x 12.5cm (PL), together with a further four etchings t...

Harvard University student protest poster, 1968, consigned by the vendor, she was a cataloguer at the Houghton Library, stencil on paper then repr...

Graham Sutherland O.M (1903-1980), 'Warning Camp', signed lower right, inscibed with title lower left, etching on laid paper, 12.5 x 15cm (PL)

James Abbott McNeil Whistler (1834-1903), Billingsgate (K47) 1859, etching, 15.5 x 22cm (PL)

Graham Sutherland O.M (1903-1980), 'The Meadow Chapel', signed lower right and inscibed with title lower left, etching on laid paper, 11 x 15.5cm ...

William Holman Hunt (1827-1910), Scene from the Medieval Poem 'The Pearl' republished in 1891 as a limited edition, inscribed by 'Holman Hunt to E...

Robert Walker Macbeth RA RI RE (1848-1910), 'No Hurry', signed lower left, etching, 33 x 54cm (PL), unframed

Arthur Ralph Middleton Todd RA (1891-1966), Gipsy Basket Maker, signed and inscribed, etching, 20 x 15cm (PL), together with two further etchings ...

Henri Matisse (1869-1954), Seated lady, signed and numbered 13/25, etching, 15 x 12cm (PL)

Samuel Palmer (1805-1881), Opening the Fold - Early Morning, signed lower right, published by the Fine Art Society, 148 New Bond Street, London, W...

James McBey (1883-1959), Jewish Quarter, signed and inscribed, etching, 18 x 45cm (PL), together with two etchings by Marius Bauer (1867-1932) and...

Samuel Palmer (1805-1881), The Herdsman's Cottage (Sunset), etching, Palmer's etched initials lower left, 9.5 x 7.5cm (PL)

Leonard Baskin (1922-2000), A collection titled 'Lavs Pictorum', portraits of 19th century artists invented and engraved by Leonard Baskin, signed...

After Adriaen van Ostade, a collection of three etched Dutch interior scenes, all unframed, various sizes, together with a 20th century etching of...

Graham Sutherland O.M (1903-1980), 'Lammas', signed lower right, inscribed with title lower left, etching on laid paper, 11.5 x 16cm (PL)

Circle of Claude Joseph Vernet (1714-1789), Figures on a rocky outcrop with a Dutch sailing ship and anglers beyond, oil on canvas, 155 x 127cm Pr...

Circle of Philip Wouwerman (1619-1668), Hunting party outside a county house, oil on panel, 12 x 16.5cm Provenance: Coton Hall

Henry George Hine (1811-1895), Midhurst Common, Sussex, signed and dated 1881 lower right, watercolour, 32 x 64cm Provenance: Coton Hall

William Miles Johnston (1893-1974), Farm House in Kirkcudbrightshire, signed lower right, watercolour, 32 x 41cm

British school, late 19th century, Extensive rural landscape, oil on board, diameter 23cm, together with an Edwardian still life in oil and a wate...

William Shayer Snr (1787-1879), Gypsy Encampment, oil on canvas, 74 x 61cm

Attributed to James Baker Pyne (1800-1870), Bay and Castle of Baiae, watercolour heightened with white, 23 x 34cm Provenance: Coton Hall

Roy Peter Reynolds, 'Rostam', signed, dated 1975 and inscribed 'Owner HRH Prince Phillip', oil on canvas board, 24 x 34cm Notes: Rostram was prese...

Attributed to Agostino Aglio, Travellers on a woodland track, oil on canvas, 45 x 53cm Provenance: Coton Hall

British school, Early 20th century, Herbaceous border, indistinctly signed lower left and dated 1909, watercolour, 25 x 36cm, together with a coll...

British school, late 18th century, View of the River Thames with London Bridge and St Pauls, watercolour, 23 x 33cm

Robert Thorne Waite (1842-1935), Cornfield near Lewes, signed lower right, watercolour, 36 x 52cm Provenance: Coton Hall

Attributed to George Morland (1763-1804), Pigs and piglets eating cabbage leaves, bears signature lower right and dated 1795, oil on canvas, unfra...

Carl Brennir (1850-1920), Lingering light near Kempsey, signed lower left, oil on canvas, 51 x 76cm

French school, late 18th century, Portrait of a lady, half length wearing a pale blue dress and a yellow stole, oil on canvas, 82 x 66cm Provenanc...

James Webb (1825-1895), Strand on the Green, oil on canvas, 37 x 55cm Notes: Agnews gallery label verso

English school, mid 19th century, Portrait of a gentleman, half length, wearing a black jacket and a portrait of a lady wearing a dark velvet dres...

Follower of Jan Breughel II, The vision of Saint Hubery, oil on copper, 26 x 34cm

Henry Barlow Carter (1803-1867), Scarborough Castle, signed and dated 1854 lower left, watercolour, 31 x 46cm Provenance: Coton Hall

Continental school, 18th century, Portrait of Joachim Camerarius, oil on panel, 43 x 32cmProvenance: Coton HallFootnote: A label on reverse wears ...