Musical Instruments - including the Christopher Hogwood Collection of Keyboard Instruments

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Musical Instruments - including the Christopher Hogwood Collection of Keyboard Instruments

Auction closed (2 day sale)

Auction dates

  • ( Lots: 1 - 881)
  • ( Lots: 1001 - 1419)

Viewing dates

  • 09:00 GMT - 17:30 GMT
  • 09:00 GMT - 17:30 GMT
  • 09:00 GMT - 17:30 GMT
  • 09:00 GMT - 17:30 GMT
  • 09:00 GMT - 11:00 GMT

Auction details

Currency: GBP
Buyer's premium Inc. VAT/sales tax: 24.00%
Online commission inc. VAT/sales tax: 3.60%

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A dummy keyboard by Chappell & Co., London, late 19th century, the case of mahogany, the two octave keyboard, with ivory naturals and ebony accide...

A cabinet piano by John Broadwood & Sons, London, circa 1823, the case of mahogany with beaded mouldings, the panel above the keyboard of pleated ...

A square piano by Johannes Pohlmann, London, 1773, the mahogany case with holly stringing, the keyboard, compass four octaves and ten notes, GG to...

An upright piano or schrankklavier by Franz Martin Seuffert, Vienna, circa 1820, the case of cherry with two doors above the keyboard with wide eb...

A grand piano after Anton Walter, Vienna, circa 1795, by Derek Adlam, Welbeck, 1987, the case veneered in yew, the keyboard, compass five octaves ...

A grand piano after Matthaus Heilmann, Mainz, circa 1785, in the Stein tradition, by Adlam Burnett, Goudhurst, 1976, the case of walnut, the lid o...

A grand piano, circa 1815, the case veneered in walnut and with bevelled front corners, the six octave keyboard, compass, FF to f4, with bone natu...

A grand piano by Joseph Johann Brodmann, Vienna, circa 1815, the case veneered in walnut and stained red in imitation of mahogany, with bevelled f...

A muselar virginal after Joannes Couchet, Antwerp, 1650, by Adlam Burnett, Goudhurst, Kent, 1972, the exterior of the case painted in two shades o...

A bentside spinet by Thomas Hancock, London, 1732, the casework veneered in walnut, the lid solid walnut with shaped and engraved brass strap hing...

A single-manual harpsichord by Thomas Culliford for Longman & Broderip, London, 1782, the case of mahogany with boxwood stringing, the lid with br...

A single-manual harpsichord by Jacob Kirckman, London, 1766, the mahogany case with boxwood stringing, the lid with shaped brass strap hinges, th...

A single-manual harpsichord, Florence, 2nd half of 17th century, of inner-outer case construction, the inner case of cypress, the outer case of po...

A bureau organ, north German, mid-18th century, the case of mahogany, the fall front opening to reveal some of the pipework, with four false singl...

**THIS LOT IS TO BE SOLD IN SITU - SEE VIEWING ARRANGEMENTS BELOW** A five-stop chamber organ, Dutch, circa 1760 and later, the case painted crea...

A fretted clavichord after Georg Friedrich Schmahl, Ulm, 1807, by Adlam Burnett, Goudhurst, 1979, the case of unpainted pine, the four and a half ...

A small unfretted clavichord by Thomas Goff and Joseph Cobby, London, 1952, the case of burr walnut with kingwood crossbanding, the lid with two s...

A small unfretted clavichord by Arnold Dolmetsch, Haslemere, 1929, the case of walnut with gilded mouldings and shaped brass strap hinges, the lid...

A small unfretted clavichord by Arnold Dolmetsch, Haslemere, 1922, the case of dark walnut with gilded mouldings, the lid with two shaped brass st...

An unfretted clavichord after an instrument by Christian Gotthelf Hoffmann, Ronneburg, 1784, by Arnold Dolmetsch for Chickering & Sons, Boston, 19...

An unfretted clavichord by Pehr Lindholm, Stockholm, 1794, the exterior of the case painted grey, the edges of the case interior veneered in mahog...

An unfretted clavichord by Johann David Schiedmayer, Erlangen, 1791, the case of oak with frame and panel lid, the area beyond the hitchpins venee...

A fretted clavichord by Johann Jacob Bodechtel, Nuremberg, circa 1790, the pine case painted light green, the interior of the main section of the ...

An unfretted clavichord by Johann Gottlob Horn, Dresden, 1789. the oak case veneered with mahogany panels with holly stringing and mahogany crossb...

A small fretted travelling clavichord by Johann Heinrich Gräbner the younger, Dresden, 1761, the case of oak with a full-width drawer below the bo...

An unfretted clavichord by Johann Adolph Hass, Hamburg, 1761, the case exterior painted with simulated tortoiseshell, the lid with a floral and tr...

Chappell & Co patent keyboard, the ivory and ebony keys enclosed by a satinwood gallery with fret carved sound holes and central name plate inscri...

Grand piano by Muzio Clementi & Co, London, 1804, stamped with maker's number 504, the case of mahogany with holly stringing, the main board and c...

Pinfolds patent metronome, the adjustable slide inscribed 'Pinfolds, Rd no. 12445, Brevete, S.C.D.G', 11" high; together with a J.T.L Maelzel metr...

Edwardian inlaid rosewood music cabinet, the glazed door enclosing four felt covered shelves upon bracket feet, surmounted by a pierced brass gall...

19th century walnut duet music stand, the bevelled ledges with pierced lyre backs upon adjustable turned column and carved swept tripod legs

Early ebonised piano accordion inscribed Busson, Paris within a fitted wooden box; together with a forty-eight button piano accordion branded Fron...

Silver plated trombone inscribed 'Maker to H.M. Forces, A. Hall Gisborne, Factory Vere Street, Birmingham, England, no. 17059', with foliate engra...

Interesting Viennese valve trumpet, with extra tuning slide, case; together with a brass cornet stamped W Brown & Sons..., within a fitted wooden ...

Good contrabass sarrusophone by and stamped C.G. Conn Limited, Elkhart-Ind., also stamped Patd. Dec.8.1914, 1119954, E flat, no. V133

Rare Wheatstone English concertina, circa 1845, labelled C. Wheatstone, Inventor, 20 Conduit Street, Regent Street, London, stamped no. 880, with ...

Lachenal & Co McCann duet concertina, no. 8470, with forty-six bone buttons on pierced wooden ends (a.f) *This concertina comes with a copy of the...

Good Lachenal & Co English concertina, no. 51484, with sixty metal buttons on pierced ebonised ends and seven-fold bellows ...[more]

Late 19th century Neapolitan bowl back mandolin labelled Cav. Giovanni De Meglio Figlio...Anno 1895, model 1 'A', no. 3561..., also stamped Privat...

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