Editions and Works on Paper 1500 - 2023

349 items 349 items
Auction closed
room LONDON

Auction details

Editions and Works on Paper 1500 - 2023

Auction closed

Auction dates

Auction details

Currency: GBP
Buyer's premium Inc. VAT/sales tax: 31.20%
Online commission inc. VAT/sales tax: 6.00%

Auction house

Refine your search

Sale Section

Estimate

Filter by Price Range
to

Category

You’re currently pending approval by the auctioneer. In the meantime you can continue to place bids from the lot page which will be accepted once you’re approved.
349 items
Per Page
  • List
  • Grid

A subscription to the Price Guide is required to view results for auctions ten days or older. Click here for more information

Albrecht Dürer (1471-1528)The Ascension, from: The Small PassionWoodcut, 1511, a very good richly inked impression of Meder's III c (of IV) after ...

Albrecht Dürer (1471-1528)Christ on the Cross, from: The Engraved PassionEngraving, 1511, an excellent well inked Meder a-b (of e) impression on l...

** Albrecht Dürer (1471-1528)The Sea MonsterEngraving, circa 1498, a slightly compromised impression, probably Meder b-c, with burr printing to th...

** Albrecht Dürer (1471-1528)Saints Stephen, Sixtus and LawrenceWoodcut, circa 1504-1505, an evenly inked Meder d (of f) impression on laid paper ...

** Albrecht Dürer (1471-1528)The Glorification of the Virgin, from: Life of the VirginWoodcut, circa 1504, a Meder e/f impression printed after th...

** Albrecht Dürer (1471-1528)Christ among the Doctors, from: The Life of the VirginWoodcut, 1503, but from the Latin text edition of 1511, on laid...

** Albrecht Dürer (1471-1528)Veronica with Saints Peter and Paul, from: The Small PassionWoodcut, 1510, but from the Latin text edition of 1511, a...

** Albrecht Dürer (1471-1528)The Birth of the Virgin, from: The Life of the VirginWoodcut, 1503, but a later Meder g/h impression after the Latin ...

Albrecht Dürer (1471-1528)The Martyrdom of Saint CatherineWoodcut, circa 1498, but a later a Meder g impression on thick laid paper without waterm...

Albrecht Dürer (1471-1528)Samson rending the LionWoodcut, circa 1497-1498, an evenly inked but later Meder g (of g) impression, on laid paper with...

Carlo Maratti (1625-1713), Circle of.Moses revealing the Ten Commandments (recto); Figure studies (verso)Pen and black ink over black chalk (recto...

Carlo Maratti (1625-1713), Attributed to.Saint John the Evangelist, with angel pointing out New JerusalemBlack chalk on thick laid paper, within f...

Andrea Sacchi (c.1599-1661), Follower of.Study of the head and torso of a male nudeBlack chalk, heightened with white, on grey-brownish oatmeal la...

Vincenzo Dandini (1607-1675)Martyrdom of Saint Lucy (recto); Figure study (verso)Black ink over pencil on thin laid paper, inscribed 'Vita Vincenz...

** Rembrandt van Rijn (1606-1669)The GoldsmithEtching and drypoint, 1655, a good impression of New Hollstein's first state (of three), well inked ...

Rembrandt van Rijn (1606-1669)Christ and the woman of Samaria among ruinsEtching, 1639, a fine early impression of New Hollstein's first state (of...

** Rembrandt van Rijn (1606-1669)Bald Headed Man in Profile Right: the Artist's Father (?)Etching, 1630, a good impression of New Hollstein's fina...

** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching and engraving, circa 1632, a very good but later impression of Ne...

** Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein...

** Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with touches of drypoint, 1635, but a later impression o...

** Rembrandt van Rijn (1606-1669)Jerome Praying: ArchedEtching, 1632, a fine delicate impression of New Hollstein's first state (of five) on laid ...

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth...

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth...

** Rembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's sixth state (of seven), printing w...

** Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, but a later impression of New Hollstei...

Rembrandt van Rijn (1606-1669)Abraham Caressing IsaacEtching, circa 1637, but a later impression of New Hollstein's third state (of four) on laid ...

** Rembrandt van Rijn (1606-1669)The Death of the VirginEtching with drypoint, 1639, a later impression of New Hollstein's fourth state (of five),...

Rembrandt van Rijn (1606-1669)Three Oriental Figures (Jacob and Laban?)Etching, 1641, a fine early impression of New Hollstein's second state (of ...

** Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good clear impression of New Hollstein's third state (of five) with Watelet's scr...

** Rembrandt van Rijn (1606-1669)The Angel departing from the Family of TobiasEtching, 1641, but a later slightly grey-black impression of New Hol...

Rembrandt van Rijn (1606-1669)The Rest on the Flight: a Night PieceEtching with drypoint, circa 1644, a good impression of New Hollstein's seventh...

Rembrandt van Rijn (1606-1669)Christ carried to the TombEtching and drypoint, circa 1645, but a later impression of the only state, on thin laid p...

Rembrandt van Rijn (1606-1669)Nude man seated and another standing, with a woman and baby lightly etched in the backgroundEtching, circa 1646, but...

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, a good clear impression of New Hollstein's second state (of 5), print...

Rembrandt van Rijn (1606-1669)Christ Disputing with the Doctors: A SketchEtching and drypoint, 1652, a dark impression of New Hollstein's first st...

** Rembrandt van Rijn (1606-1669)Adoration of the Shepherds: Night PieceEtching and drypoint, 1652, but a later impression of New Hollstein's eigh...

** Rembrandt van Rijn (1606-1669)The Descent from the Cross by TorchlightEtching and drypoint, 1654, but a later impression of New Hollstein's sec...

** Rembrandt van Rijn (1606-1669)Jan Lutma, GoldsmithEtching and drypoint, 1656, but a later impression of New Hollstein's fourth state (of five) ...

Rembrandt van Rijn (1606-1669)The Tribute MoneyEtching, circa 1635, a later impression of New Hollstein's final state (of four), printing with som...

Rembrandt van Rijn (1606-1669)Beggar with a Wooden LegEtching, circa 1630, a later impression of New Hollstein's final state (of four), on thick i...

Adriaen Jansz van Ostade (1610-1685)The Backgammon PlayersEtching, circa 1682, a well inked impression of the fifth state (of six) on laid paper w...

John Constable (1776-1837), After.Castle Acre PrioryMezzotint, 1831, by David Lucas, a very fine impression of Progress Proof g/g before letters, ...

John Constable (1776-1837), After.Opening of Waterloo Bridge [two variant states]Mezzotint, 1831, by David Lucas, including a very fine impression...

Walter Sickert (1860-1942)A Music Hall - The Orchestra PitEtching, circa 1884, an unpublished and unrecorded impression of probably the only state...

δ Walter Sickert (1860-1942)The London Shoreditch (Bromberg 192)Etching, circa 1920, bearing a pencil signature, the third and final state, on wov...

δ Walter Sickert (1860-1942)Femme de Lettres (Bromberg 149)Etching, circa 1911/12, the fifth state, on wove paper, with full margins, sheet 241 x ...

δ Augustus John (1878-1961)Maggie, A Village Child (Campbell Dodgson 69)Etching and drypoint, circa 1904, the edition was 25, on laid paper, with ...

δ Augustus John (1878-1961)Girl seated with a shawl (Campbell Dodgson 60)Etching, circa 1906, signed in pencil, the edition was 25, on wove paper,...

Georges William Thornley (1857-1935)Paysages DiversFour lithographs printed in colours, circa 1910, two signed in pencil, on simili-japan paper, w...

Vicente Rojo Almazán (1932-2021)Funeral Mal III. AcordieThe book, 1979, comprising two collographs with coloured crayon additions each signed in p...

André Beaudin (1895-1979)BucoliquesThe book, 1934, comprising twenty-one etchings (eleven hors texte), with title-page, text and justification, th...

** δ Pierre Bonnard (1867-1947)Les Chiens (Bouvet 25)Lithograph, 1893, signed in pencil, from the deluxe edition of 20, published by Edouard Klein...

Georges Braque (1882-1963) after.Still life with Lemons and PipeCollotype printed in colours, circa 1960, signed in pencil, an artist's proof numb...

Georges Braque (1882-1963) after.Nature Morte aux Huîtres, from EstampesWood engraving printed in colours, 1949, signed and numbered from the edit...

δ Paul Cézanne (1839-1906)Guillaumin au Pendu (Cherpin 2)Three impressions of the etching, 1873, from the posthumous edition, printed after 1906, ...

δ Marc Chagall (1887-1985)Colère (Anger) II (Kornfeld 59)Etching printed in red ink, 1925, one of only 16 impressions on Japan paper, and very few...

δ Marc Chagall (1887-1985)Mère et Enfant (See Cramer 22)Etching, 1952, plate 48 from Fables de la Fontaine, signed in pencil, a proof aside from t...

δ Marc Chagall (1887-1985)Cirque pl. 27 (Mourlot 516)Lithograph printed in colours, 1961, the colours bright and fresh, from the edition of 250, p...

** δ Marc Chagall (1887-1985)Hyménée, from Daphnis et Chloé (Cramer 46; Mourlot 349)Lithograph printed in colours, 1961, signed and numbered from ...

** Marc Chagall (1887-1985) after.Le Cheval RougeLithograph printed in colours, 1954, signed in blue pen, numbered from the edition of 300 in penc...

Loading...Loading...