Wormington Grange: Auction of the Contents

after Evert A. Duycknick's engraving, portrayed in later years, wearing a wig, necktie and coat, atop a waisted circular socle, 55cm high x 44cm w...

stamped to the reverse HS, 45cm high x 30cm wide  ...[more]

circa 1815, each one carved to the front and one side as a reeded scrolling volute with conforming volute terminal, 62cm high x 10cm wide x 17cm d...

19th century, portrayed looking straight ahead, with long tousled hair above tasseled collars, 43cm high x 35cm wide  ...[more]

Brienz, late 19th century, naturalistically portrayed walking, with inset glass eyes, 36cm high x 66cm long  ...[more]

late 19th century, cast after the Antique original held at the Museo Nazionale, Naples, inscribed in the maquette Chiurazzi Napoli, 53cm high x 48...

in neo-classical style, portrayed standing and nude but for his woven pilos hat and drapery hanging from his right arm, a horn slung behind his le...

later 19th century, cast after the Antique almost certainly by Chiurazzi & Sons, portrayed standing and nude but for sandals, an animal skin slung...

portrayed standing in a lounge suit, his hands held behind his back, dated 1903, signed to the base and entitled to the front in the maquette, 90c...

dated 1927, portrayed standing and in Renaissance attire, the rectangular base inscribed JOHN CABOT 1450 - 1498 and signed in the maquette, 91cm h...

dated 1947, portrayed standing and in period attire and with a sword, the rectangular base inscribed HENRY HUDSON - 1611 and signed in the maquett...

dated 1944, portrayed standing and in period attire with a sword, the rectangular base inscribed SIR FRANCIS DRAKE 1545 - 1595, and signed in the ...

circa 1880, each modelled with the standing figure of warrior king, each portrayed wearing a crown and a chain mail tunic and resting against his ...

third quarter 19th century, both portrayed as standing and nude, the hunter with a deer over his shoulder and a horn in his left hand, the fisher ...

early 20th century, modelled with a standing terrier above a dished copper liner, 12.5cm high x 18cm wide  ...[more]

first half 19th century and adapted, portrayed in pharaonic style headwear, each with a socket in the back, atop a rectangular veneered wood plint...

portrayed wearing a high woven hat with braids hanging around the nape and ears, the spreading square section base relief cast with entwined strap...

second half 19th century, each modelled with pharaonic headdress, on rectangular marmo nero Belgio socles, 15cm high x 27cm long (2) ...[more]

last quarter 19th century, the marmo rouge griotte dished top with profile relief cast tondo, with fluted and lobed underside tp an Italian green ...

late 19th century, on a rectangular marmo nero Belgio base, 11cm high x 18cm long  ...[more]

Swiss, probably Brienz, early 20th century and possibly by Alfred Stahli (1893-1972), portrayed with head turned to dexter and wings outspread, st...

third quarter 19th century, portrayed as standing, his head a little to sinister, wearing frock coat, weskit and necktie, on a square section base...

late 19th century, and after Flaminio Vacca (1538 - 1605), portrayed with one forepaw resting on a sphere, on a stepped rectangular base with cant...

last quarter 19th century, one cast after the Albani Vase, with egg-and-dart cast everted rim above four heads cast in high relief to front and to...

circa 1875, portrayed as partially draped and kneeling on one knee, an oil lamp held in her right hand, inscribed E.Laurent in the maquette to the...

late 19th century, cast as a standing maiden holding the socket aloft, on a hexagonal base; And a bronze walking stick handle cast as the head of ...

portrayed standing and in cloaked Roman armour, with acanthus leaves in his hair, a basilica and a flag held in his left hand, on a rectangular ba...

circa 1875, cast by the Barbedienne Foundry, portrayed kneeling, clad in rustic attire and looking wistfully to sinister, the edge of the oval bas...

last quarter 19th century, naturalistically modelled, the rectangular base signed BARYE in the maquette and inscribed for the founder F.BARBEDIENN...

circa 1875, the oval base with crenellated edging, 16cm high x 26cm long  ...[more]

late 19th and 20th century, comprising a head of Queen Nefertiti, modelled after the Antique; a head modelled after the bronze Delphi Charioteer; ...

early 20th century, naturalistically portrayed, on a shaped base, painted to simulate bronze, 33cm high x 43cm long ...[more]

19th century, comprising a black painted example after Joseph Nollekens (1737 - 1823,) portraying Charles James Fox; a white painted bust of Mozar...

19th century, portrayed as draped to one shoulder, 32cm high ...[more]

second half 19th century, the character from Dickens' Martin Chuzzlewit portrayed standing and attired in a knee length coat, waistcoat, tie and b...

third quarter 19th century, portrayed nude but for a vine leaf, seated on an outcrop, the winged beast at his feet, on an circular base, 24cm high...

third quarter 19th century, the body resembling an oval section bath with entwined serpent cast handles at each end, swagged to front and back and...

last quarter 19th century, the Barye originals both entitled Lion qui Marche, naturalistically portrayed, the underside of the rearmost paw in eac...

last quarter 19th century, portrayed as nude but for loose drapery across his loins, straining upwards to restrain the animal, on a later rectangu...

late 19th century, after the Antique, later mounted onto a cuboid stained wood base,  ...[more]

second half 19th century, cast after the Antique, portrayed as seated on an outcrop, partially draped and wearing a woven hat; a boss protruding b...

Swiss, late 19th century and possibly by Alfred Stahli, naturalistically portrayed standing on a rocky outcrop with foliate adornment, broken fenc...

Swiss, late 19th century and possibly by Alfred Stahli, naturalistically portrayed standing on a rocky outcrop with foliate adornment, broken fenc...

late 19th century, the circular top above a knopped shaft and socle, the shaft with flat back, to a square base, 29cm high; and a turned serpentin...

late 19th century, simulating terracotta, portrayed as a youth, standing to bend his bow beside a tree stump, the rectangular base inscribed BOIZO...

last quarter 19th century, naturalistically modelled, the base stamped for the FALKIRK foundry in the maquette, 33cm high x 54cm wide  ...[more]

late 19th century, previously an element of a larger piece of sculpture, with projecting fixing lug at the truncation, 45cm long ...[more]

third quarter 19th century, possibly previously an element of a fountain, 33cm high x 43cm wide  ...[more]

last quarter 19th century, portrayed in middle age, his hair swept back, wearing loose collars and drapery, on a waisted circular section socle, 5...

20th century, of bowed form, the three lions passant within a border of fleurs-de-lys, the reverse with paper label for GEO. WILLCOCKS& SONS, HERA...

late 19th century, portrayed in middle age, with tousled hair and beard, 48cm high ...[more]

19th century, portrayed togate, on a waisted circular section socle, 72cm high x 50cm wide  ...[more]

his head turned to dexter, the helmet with plume rising above a recumbent sphinx, and with gryphons, anthemia and other motifs in relief, on a wai...

late 19th /early 20th century, bald, with full beard and moustache, togate with clasp to one shoulder, 52cm high x 45cm wide  ...[more]

A PLASTER MODEL OF THE HEAD OF A HORSE, 20th century, naturalistically modelled, 31cm high  ...[more]

late 19th century, each modelled as a seated male, each holding a drink, 40cm x 19cm  ...[more]

last quarter 19th century, 26cm long ...[more]

late 18th century, possibly heraldic and previously gilded, each double faced head above a bust with trefoil cast lower edge, on rope cast bases, ...

late 19th century, naturalistically portrayed walking, its head to sinister, 28cm high x 13cm long  ...[more]

circa 1900, naturalistically cast and decorated, stamped GESCHUTZT, 14cm long ...[more]