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with appropriate vignettes ...[more]
comprising of sixteen wine glasses, nine flutes, seven tumblers, etc., ...[more]
now converted to a table lamp
late 19th century, each modelled as a maiden portrayed in light Roman armour and diaphanous drapery, with a diadem in her hair, alighting on a dom...
late 19th century, after the Antique, later mounted onto a cuboid stained wood base, ...[more]
coloured engraving, the image 36cm x 49cm William Long was huntsman to the Duke of Beaufort's Badminton hounds
galloping to left, in plumed helmet & uniform, rising in stirrups, arms crossed before him, sabre in each hand, inscribed below "This print repres...
coloured print, the image 45cm x 31cm; together with two further prints including a full length portrait of David Garrick as Abel Drugger after Be...
A racehorse being led by a groom, coloured aquatint, the image 49cm x 66cm Birdcatcher (1833–1860), or Irish Birdcatcher, was a thoroughbred raceh...
engraving, published by Thomas Agnew & Sons, the image 48cm x 63cm ...[more]
JEAN PIERRE MARIE JAZET (1788-1871) AFTER CARLE VERNET (1758-1836) 'Chasse au Tigre dans l'Inde'
aquatint, the image 59cm x 79cm ...[more]
signed in pencil to the margin, monogrammed and dated 1912 in plate, with Print Sellers Association blind stamp 'GG' lower left, mezzotint engravi...
signed and dated 1922 in plate, blind stamp lower left, etching, the image 36.5cm x 63.5cm ...[more]
monochrome wash over pencil, 10cm x 15cm
A LARGE WICKER LOG BIN,
20th century, of square section and tapering form, a handle to each side, 87cm high x 88cm wide ...[more]
second half 19th century, cast after the Antique, portrayed as seated on an outcrop, partially draped and wearing a woven hat; a boss protruding b...
Swiss, late 19th century and possibly by Alfred Stahli, naturalistically portrayed standing on a rocky outcrop with foliate adornment, broken fenc...
Swiss, late 19th century and possibly by Alfred Stahli, naturalistically portrayed standing on a rocky outcrop with foliate adornment, broken fenc...
circa 1825, the twin doors with gilt brass strung panels with stylised bellflowers at the corners, on square section short tapered legs; the inter...
late 18th century, the top with sycamore strung angles at the outer edges, the four graduated drawers all with cockbeading, around twin swing hand...
circa 1740, with projecting upper corners above scrolled foliate crockets at the sides, the sanded fascias descending to outscrolled lower corners...
late 19th century, the two frieze drawers each with a sprung brass knob handle, the support at each end with a high stretcher between, above two p...
circa 1825, the toprail of the backrest with everted rim, the lobed, knop turned and waisted front legs and slightly splayed back legs on brass ca...
circa 1825, the serpentine backrest with raised central toprail above relief carved lappets and scroll carved ends, with a heraldic gryphon painte...
A LATE GEORGE II OR EARLY GEORGE III CARVED AND GILTWOOD FRAMED WALL MIRROR IN ROCOCO STYLE,
circa 1760 with later bevelled rectangular plate, with rocaille scallop shell cresting above openwork scrolling foliate carved sides and apron, 15...
second half 19th century, previously a dressing table mirror, with ogee moulded surround, 82cm high x 62cm wide ...[more]
circa 1936, with concave velvet covered seat on straight legs with chamfered angles, the underside stamped GR VI CORONATION, 48cm high x 46cm wide...
circa 1815, with reeded outer edge to a deep cavetto set with spheres, above bead-and-bar and further mouldings to the ebonised sight edge, 58cm d...
A RARE WILLIAM IV CARVED OAK LIBRARY ELBOW CHAIR OR READING CHAIR, POSSIBLY BY JOHNSTONE, JUPE...
circa 1835, the upholstered rectangular backrest carved with trailing foliate sides, the armrests each with an inset brass socket previously for a...
early 19th century, the rectangular top with rounded corners and lobed and fluted edging, with twin slender frieze drawers to the front, with a kn...
last quarter 19th century, on a shaped, breakfront base, the reverse cast with indistinct diamond date mark, 37cm high; and a George IV brass door...
late 19th century, the circular top above a knopped shaft and socle, the shaft with flat back, to a square base, 29cm high; and a turned serpentin...
circa 1825, the hinged tops each with a border of foliate arabesques and rounded front corners, the interiors with later green baize lining, above...
late 19th century, with finial and bell supported above foliate cut and engraved panels to front and sides, the Roman chapter ring around a foliat...
late 19th century, simulating terracotta, portrayed as a youth, standing to bend his bow beside a tree stump, the rectangular base inscribed BOIZO...
A VICTORIAN WALNUT TABLE LAMP,
last quarter 19th century and later adapted, with electrical fitment on a spiral carved stem, tapering down to a dished circular base with ovolo m...
20th century, modelled as a candlestick, the electrical fitment in an urn socket, with tapered hexagonal section shaft descending to a circular ba...
AFTER PIERRE-JULES MENE, (FRENCH 1810 - 1879), A VICTORIAN PATINATED CAST IRON GROUP OF TWO...
last quarter 19th century, naturalistically modelled, the base stamped for the FALKIRK foundry in the maquette, 33cm high x 54cm wide ...[more]
the rectangular top and ogee moulded cornice above six drawers, the uppermost with fitted divisions to the interior, partial dust covers to the re...
A HAMDAN RUNNER,
the dark blue field woven with rows of flowering plants, 511cm x 108cm ...[more]
A HAMADAN RUNNER,
the camel field woven with spaced flowering plants, 266cm x 104cm ...[more]
A PAIR OF HAMADAN RUNNERS,
each dark blue field woven with a Herati motif, 530cm x 93cm ...[more]
circa 1815, the waisted backrest with arched top over relief carved descending lobes, with canework seat above sabre front and splayed back legs, ...
A VICTORIAN WALNUT DRYING HORSE,
mid 19th century, the upper rail and two pairs below all knopped and waisted, held in twin conforming uprights at each end joining in arched tops,...
late 19th century, previously an element of a larger piece of sculpture, with projecting fixing lug at the truncation, 45cm long ...[more]
A HERIZ CARPET,
the rust red field woven with bold foliate trellis, 420cm x 338cm ...[more]
including Richard Wellesley, 1st Marquis Wellesley after Howe (6)
including Lord Newton after Raeburn (6)
signed in plate, etching, 15cm x 21cm; and two further unsigned etchings by Strang (3)
signed in pencil to the margin, signed and dated (18)82 in plate, etching, the plate 18cm x 20cm; and another similar signed etching by the same a...
signed in pencil to the margin, etching, 17.75cm x 12.75cm; and another signed etching by the same artist, the frontispiece to the book 'Spanish E...
last quarter 19th century, of 'pillar box' form, with domed hexagonal top above the slot and hinged door, with ogee moulding to the cylindrical ba...
A VICTORIAN OAK HALL BENCH,
circa 1880, the backrest with two finials carved as owls above a toprail with recessed frieze of trefoil lunettes, above two panels and inverted c...
second quarter 18th century, the surround formed as profusely scrolling and fruiting foliage overall, with ribbon-twist and further mouldings at t...
circa 1775, the hood with caddy top, twin finials, and glazed arched door flanked by pilasters, the trunk with arched door, the Roman and Arabic c...
last quarter 19th century, of 'banjo' type, with scrolling foliate carved top above the thermometer, with silvered gauge and mercury filled glass,...
late 19th century, the five tubular metal bells within a rectangular case with Solomonic columns at each side; the wood striking hammer with felt ...
chromolithograph, 38cm x 101cm
chromolithograph, 34cm x 98cm; and a similar study 'The Eton Coach (2)