Wormington Grange: Auction of the Contents

signed in pencil to the margin, etching, the image 17.5cm x 22.25cm; together with a portrait of a lady with hands clasped in prayer by Robert Sar...

woven with five rows of guhls, 337cm x 226cm ...[more]

indistinctly signed, gouache, each 26cm x 38.5cm (2)

unrecorded state, lacking woman to foreground, monochrome print, the impression 13.5cm x 18cm; together with a reproduction print of Ely Cathedral...

  ...[more]

from the original plate of Samuel Palmer, bearing a triangle in bottom left margin, indicating a reprint by Griggs, Hardy and Short, titled and in...

bearing a triangle in bottom left margin, indicating a reprint by Griggs, Hardy and Short from Palmer's original plate, etching, the image 10cm x...

signed in pencil to the margin, Comstock 42, third state, etching, the image 16.5cm x 24.5cm

signed in pencil to the margin, Comstock 55, fifth state, one of c.30 impressions, etching, the image 20cm x 26.5cm

signed and inscribed "23/5' in pencil to the margin, Comstock 49, third state, one of seventy five impressions, etching, the image 25cm x 17.5cm P...

signed in pencil to the margin, Comstock 21, state six or seven, etching, the image 17cm x 25cm

signed in pencil to the margin, Comstock 56, third state, etching, the image 24.5cm x 19.5cm

signed in pencil to the margin, Comstock 6, second state, etching, the image 12cm x 17.5cm

signed in pencil to the margin, with printed dedication to Phillip Merriman, Comstock 24, fourth state, one of nineteen, etching, the image 8cm x ...

signed and titled in pencil to the margin, Comstock 12, second state, one of 38 impressions before addition of weathervane, etching, the image 16....

signed in pencil to the margin, Comstock 33, seventh state, one of forty-six impressions, trees to right appear beyond transept, etching, the imag...

signed in pencil, Comstock 21, third state, one of eleven impressions, etching, the impression 22cm x 30cm

signed in pencil to the margin, Comstock 18, second state, one of forty impressions, etching, the image 12cm x 16.5cm

signed in pencil to the margin, Comstock 45, third state, one of ninety impressions, etching, the image 18cm x 25.5cm

signed in pencil to the margin, Comstock 34, fifth state, one of eighty two impressions, etching, the image 23.5cm x 16cm

signed in pencil to the margin, Comstock 10, third state, one of thirty five impressions, etching, the image 15.25cm x 23.5cm

signed in pencil to the margin, Comstock 15, third state, one of forty impressions, etching, the image 17cm x 20cm

signed in pencil to the margin, Comstock 45, fifth state, one of eighty, drypoint etching, 17.5cm x 25cm

etching, the image 17.25cm x 32.75cm; together with a a view of St Olave's Church, Southwark, by William Washington (1885-1956) signed in pencil t...

etching, the image 20cm x 25cm

signed and titled in pencil to the margin, copper engraving, the image 27cm x 21.5cm

The Highlander, head and shoulders portrait of a seasoned Highland regiment piper in feather bonnet, signed and numbered 75/75 in pencil to the ma...

portrait study, signed in pencil to the margin, etching, the image 35cm x 25cm; and another smaller signed portrait etching by Simpson 'The Pastel...

signed and numbered 50/75 in pencil to the margin, etching, the image 20.5cm x 25cm

A woman feeding her child porridge, signed and dated 1861 in plate, etching, 18cm x 15cm

mid 19th century, the caned backrest with serpentine toprail and hinged canework seat, to the hinged aperture, the serpentine front rail above a p...

circa 1925, of rectangular form, the front and sides with galleries of serpentine cut panels, 10cm high x 74cm wide x 24cm deep; two pairs of stee...

modern, decorated with Watteauesque figural scenes amongst scrolling foliage, with pleated tops and lined, 278cm high, each curtain 265cm wide .....

early 20th century, with repousse acorn terminal at each end, twenty-six brass rings and three brass wall brackets, 420cm long  ...[more]

modern, with floral designs in red, green, pink and blue on white ground, with pleated tops, lined, interlined and weighted, (the widths varying);...

early 20th century, modelled as a large candlestick and decorated in Chinoiserie style,  with later electrical fitment, 78cm high (including shade...

a cut glass inkwell, two hipflasks, and other items,  ...[more]

20th century; and a painted wirework chair ...[more]

late 19th century, of square section with acanthus moulded sides, 42cm high x 30cm wide  ...[more]

late 19th century, both of square section and with lions' masks moulded to each side; a terracotta planter, with foliate moulded sides, and a terr...

signed in pencil to the margin, etching, the image 53cm x 45cm ...[more]

signed in pencil to the margin, etching, the image 20cm x 42cm

signed in pencil to the margin, monogrammed in plate lower left, etching, the image 22.5cm x 35cm; together with a similar signed limited edition ...

standing with hands in pockets, signed to margin, drypoint etching, the image 30cm x 25cm; together with a similar work 'The Aged Spaniard' by Alp...

signed in pencil to the margin, drypoint etching, the image 20cm x 25cm; together with a similar work 'Low Tide and the Evening Star, and Rye's Lo...

A view of the Old Bridge in Berwick, signed and dated 1924 lower left, watercolour, 36cm x 47.5cm Exhibited: The Artist's Memorial Exhibition, Wal...

street scene with figures, signed lower left, titled lower right, watercolour and graphite, 25.5cm x 38cm

signed in pencil to the margin, drypoint etching, the image 25cm x 23.5cm Provenance: With Colnaghi & Co, New Bond Street, London

early 19th century, with three quarter galleried top above a hinged door with geometric panel moulding, on knop turned, waisted and lobed legs, 79...

circa 1825, the rectangular top with three quarter gallery, above a hinged door with turned knob handle, flanked by beaded panels, on knop turned,...

oil on canvas, 50cm x 67cm

oil on canvas, 45cm x 60cm

circa 1820, the cornice with truncated pediment above two panel doors with inset rounded corners, opening to slides, the two short and two long dr...

circa 1815, the three-quarter gallery to the top with reeded edge, the three frieze drawers all with turned knob handle, on knop turned, waisted a...

early 20th century, with gilt tooled writing surface, the front with an arrangement of eight drawers around the kneehole, (one deep drawer resembl...

second quarter 19th century, the rectangular seat on twin 'X' frame supports with bullseye roundels, united by a knop turned stretcher, 41cm high ...

circa 1815, with later floral printed cotton fabric coverings, the outscrolled arm rests with reeded fronts descending to the conforming front rai...

circa 1825, with three quarter gallery above an arched panel door with gilt metal knob handle, on tapering, knop turned, waisted and hexagonal sec...

19th century, of rectangular form, with three plates within a simple fascia and beaded outer edge, 76cm high x 137cm wide  ...[more]

circa 1825, the rectangular seat with an octagonal section bolster at each end and canted corners, on knop turned, waisted and octagonal section l...