The Winter Auction

Property from Newton House, Somerset and the contents of an historic Wiltshire townhouse including items from Longleat, Orchardleigh and Reddish House

1055 items 1055 items
Auction closed (2 day sale)
room DT1 1GA

Auction details

The Winter Auction

Property from Newton House, Somerset and the contents of an historic Wiltshire townhouse including items from Longleat, Orchardleigh and Reddish House

Auction closed (2 day sale)

Auction dates

  • ( Lots: 1-491a)
  • ( Lots: 492-end)

Auction details

Currency: GBP
Buyer's premium Inc. VAT/sales tax: 30.00%
Online commission inc. VAT/sales tax: 5.94%

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A GEORGE II WALNUT AND FEATHEER BANDED CHEST OF DRAWERS, circa 1740, the rectangular quarter veneered top above two short and three graduated long...

AN EARLY GEORGE III OAK DRESSER, circa 1770, the rectangular top with ogee moulded front and side edges, the central panel door flanked to each si...

A CHARLES II  OAK COFFER, circa 1680, the hinged rectangular top with rounded front corners and ogee moulded front and side edges, the front wit...

A LOUIS XV CHESTNUT ARMOIRE, mid 18th century, the double arched top with stylised flaming heart and foliate cresting, above twin panel doors with...

AN ITALIAN CARVED AND PAINTED WOOD OVERMANTEL MIRROR, mid 18th century and later redecorated, with scallopshell finial above a swagged pediment an...

AN OAK GATELEG WAKE TABLE, early 18th century, the oval top with twin drop leaves, above knop turned and waisted supports to block lower legs with...

A CONTINENTAL GILT TOOLED LEATHER FOUR LEAF ROOM SCREEN, late 19th century, each leaf divided into three panels with a central oval reserve within...

A GEORGE III MAHOGANY CHEST ON CHEST, circa 1775, with dentilled cornice above a blind fretwork frieze, the three short and three graduated long d...

A GEORGE IV ROSEWOOD BREAKFRONT CHIFFONIER, circa 1820, with gallery shelf supported on two knopped columns, with central frieze drawer above open...

AN EMPIRE UPHOLSTERED AND STAINED HARDWOOD CHAISE LONGUE, early 19th century, with scrolled head and foot, the half-back with scrolling finial, th...

A QUEEN ANNE ELM GATELEG TABLE, early 18th century, the oval top with twin drop leaves, on knop turned columnar supports to square section lower l...

AN OAK OPEN BOOKCASE IN 17TH CENTURY TASTE, early 20th century, with a frieze of carved scrollwork above fluted sides and bun feet, height: 163cm,...

A LOUIS XV CHESTNUT COMMODE, mid 18th century, the top with moulded front and side edges above a serpentine front, the three drawers all with twin...

AN OAK CHEST OF DRAWERS, late 17th century, the rectangular top with moulded front and side edges, the three long drawers modelled as three pairs ...

A GEORGE III CARTON-PIERRE FRAMED WALL MIRROR, circa 1775, the oval plate within a border of raised bellflowers and rocaille mouldings, the openwo...

A  LOUIS XVI STYLE MAHOGANY AND GILT METAL MOUNTED BUREAU PLAT, the inset gilt tooled leather surface within a brass three-quarter gallery, abov...

A CARVED AND GILTWOOD AND WHITE MARBLE MOUNTED CONSOLE TABLE, IN LOUIS XV STYLE, the rectangular top with moulded front and side edges, above an o...

A GEORGE III MAHOGANY TRAY TOP COMMODE, circa 1780 and later adapted, the rectangular top with three-quarter gallery pierced for handles at each s...

A GEORGE III BIRDSEYE MAPLE HANGING CORNER CABINET, circa 1775, with cornice above the door, with later arched glass pane, above a moulded lower e...

AN IRISH GEORGE II MAHOGANY CARD TABLE, mid 18th century, the hinged top with eared front corners, opening to a later baize lined interior with fo...

AN OAK WAINSCOT CHAIR, 17th century, the panel backrest toprail carved with scrolling foliage between twin scrolled finials, the straight armrests...

A GEORGE III ASH AND OAK CHILD'S WINDSOR CHAIR, late 18th century, the hooped spindle back with a hooped stretcher extending as armrests, the shap...

A GEORGE III MAHOGANY TRAY TOP COMMODE, circa 1780 and later adapted, the galleried top pierced for handles at each side, the serpentine front wit...

AN OAK JOINT STOOL IN 17TH CENTURY STYLE, late 19th /early 20th century, the rectangular seat with moulded edging, one long side with a drawer, th...

AN OAK JOINT STOOL IN 17TH CENTURY STYLE, but probably early 20th century construction, the rectangular seat with moulded edges, the sides all car...

A CHARLES I OAK JOINT STOOL, circa 1640 with later elements, the rectangular seat with moulded edges, the friezes with simple linear mouldings, ab...

A VICTORIAN OAK PURDONIUM, late 19th century, in 17th century taste, of rectangular form, the fall front opening to a zinc lined interior containi...

A GEORGE II MAHOGANY DEMI-LUNE WORK AND TEA TABLE, mid 18th century, of diminutive proportions, the upper leaf opening and supported on a hinge ou...

A LATE GEORGE II OR GEORGE III MAHOGANY TRAY TOP COMMODE, circa 1760 and later adapted, the pierced gallery with a handle to back, front and each ...

A WALNUT AND UPHOLSTERED FAUTEIL IN LOUIS XIV STYLE, late 19th century, with oval backrest and serpentine arms on turned supports, the block cut a...

A GEORGE III MAHOGANY TRAY TOP COMMODE, circa 1765, the serpentine gallery front, back and sides all with pierced handles, the front with lower pu...

A WELSH OAK COFFER, late 17th century, the hinged top with moulded front and side edges, above a recessed relief carved frieze of four stylised dr...

FOUR VARIOUS CARVED WOOD AND UPHOLSTERED STOOLS, comprising a Victorian oak footstool with Berlin woolwork covering and gilt bronze paw mounts at ...

A VICTORIAN OAK SIDE TABLE, IN 17TH CENTURY STYLE, late 19th century, the rectangular top with moulded edges, above a frieze drawer relief carved ...

A GEORGE III MAHOGANY DRESSING TABLE MIRROR, circa 1800, the oval plate angle adjustable within twin serpentine supports, rising above a bowfront ...

A GEORGE IV MAHOGANY DRESSING TABLE MIRROR, IN THE MANNER OF GILLOWS, circa 1825, the angle adjustable rectangular plate held within twin 'A' fram...

A VENETIAN ETCHED AND CUT GLASS OVERMANTEL MIRROR, of cartouche form, with stylised foliate cresting and foliate and floral etched panels around t...

A PAIR OF LARGE CARVED AND GILTWOOD FRAMED WALL MIRRORS, IN ROCOCO TASTE, of recent manufacture, each with openwork scrolling foliate and rocaille...

A FRENCH CHINOISERIE LACQUERED AND MARBLE TOPPED COMMODE, early 20th century, the marbe vert de Estours top with canted front corners and moulded ...

A KINGWOOD AND GILT BRONZE MOUNTED BUREAU PLAT, IN LOUIS XV STYLE, the rectangular top with gilt tooled leather inset surface and serpentine front...

A PAIR OF CARVED AND GILTWOOD FAUTEUILS, IN LOUIS XV TRANSITIONAL STYLE, early 20th century, the oval backs with floral and foliate carved surroun...

A PAIR OF CARVED, PAINTED AND PARCEL GILTWOOD FAUTEUILS, IN LOUIS XV TRANSITIONAL STYLE, the oval backrests with tied bow crestings, the arms with...

A CARVED AND GILTWOOD FAUTEUIL , IN LOUIS XV STYLE, last quarter 19th century, the cartouche shaped backrest with floral cresting, the armrests wi...

A PAINTED WOOD AND COMPOSITION DEMI-LUNE CONSOLE TABLE, IN NEOCLASSICAL STYLE, the central tablet of the frieze with twin adorsed gryphons in low ...

A FRENCH WALNUT, PARQUETRY AND EBONY BANDED COMMODE, late 18th century, the white marble top with moulded front and side edges, above three long d...

A GILTWOOD AND COMPOSITION TORCHERE STAND, IN GEORGE I STYLE, the circular top with recessed floral patera in low relief within a moulded outer ed...

A PAIR OF PAINTED WOOD AND COMPOSITION TORCHERE STANDS, IN NEOCLASSICAL STYLE, late 19th century and later redecorated, in the manner of ancient t...

A CARVED AND CREAM PAINTED WOOD FRAMED WALL MIRROR, IN NEOCLASSICAL STYLE, of rectangular form, the sides of the surround with foliage and grotesq...

A GEORGE IV PAINTED AND PARCEL GILT PIER MIRROR, circa 1825, the inverted breakfront cornice with running spheres, above a frieze with confronting...

A GEORGE IV GILTWOOD AND COMPOSITION FRAMED MANTEL MIRROR, circa 1825, of rectangular form, with inverted breakfront cornice of stylised acanthus,...

A VENETIAN ETCHED AND CUT GLASS PIER MIRROR, composed of an arched upper section and rectangular lower, the top with a floral vase cut finial, abo...

A CARVED AND PARCEL GILT OAK FRAMED MIRROR, IN BOLOGNESE BAROQUE STYLE, the rectangular bevelled plate within an openwork scrolling foliate surrou...

A CARVED AND GILTWOOD BERGÈRE, IN LOUIS XV STYLE, early 20th century, the toprail and backrest sides carved with flowers and ribbon work, the arm...

A GEORGE III HARDWOOD, POSSIBLY GONCALO ALVES AND SATINWOOD BANDED DEMI-LUNE CARD TABLE, circa 1800, the interior with later green baize, with lin...

A LACQUERED AND EBONISED LOW OCCASIONAL TABLE, the rectangular top with depictions in iron red of birds and a landscape, on faux bamboo legs wit...

A GEORGE IV WALNUT AND WHITE MARBLE TOPPED ENCOIGNURE STAND, circa 1825, with two open shelves with mirrored backs, above splayed legs, height: 85...

A MAHOGANY AND MARBLE TOPPED DWARF OPEN BOOKCASE, the top with brass gallery, above four short legs, height: 81cm, width: 35cm, depth: 24cm

A PAIR OF LOUIS XVI STYLE WALNUT AND MARQUETRY ENCOIGNURES, the mottled brown and white marble tops with moulded edges, above quarter veneered and...

A CONTINENTAL SILVERED PINE AND COMPOSITION FRAMED PIER MIRROR, of rectangular form with rounded upper corners, the openwork cresting of birds amo...

A VICTORIAN CARVED WALNUT AND UPHOLSTERED 'NURSING CHAIR', circa 1870, with foliate carved toprail above reeded and waisted sides to scroll carved...

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