The Autumn Fine Sale

A PAIR OF REGENCY OR GEORGE IV GILT BRONZE MOUNTED GLASS CORNUCOPIA, In the Grecian style, circa 1820, the cut and etched glass vases rising from ...

A NAPOLEON BONAPART MEMENTO MORI IVORY BOX OF MOTHER-OF-PEARL GAMING COUNTERS, Mid 19th century, the Cantonese carved cylindrical box inscribed Na...

A CONTINENTAL RELIEF CARVED IVORY PORTRAIT ROUNDEL, late 18th / early 19th century, depicting a maiden bust length in profile, within an ormolu ci...

AN AUSTRIAN COLD PAINTED BRONZE MOUNTED MAHOGANY LETTER CLIP, Late 19th century, for wall mounting, the bronze cast as a hound's head, sprung on i...

A TURNED, CARVED AND PART STAINED BONE BARLEYCORN PATTERN CHESS SET, First half 19th century, stained red and natural; with an associated Victoria...

A LATE VICTORIAN /EDWARDIAN TURNED BOXWOOD AND EBONISED STAUNTON PATTERN CHESS SET, Circa 1900, with stained softwood box with fitted and baize li...

A COLLECTION OF TEN VISITING CARD CASES, 19th century, comprising a pressed tortoiseshell case decorated with a shell to front and back, 10 x 7cm;...

AN AMETHYST GEODE, Of typical form, as a vertical cavity containing the crystals, with plain and rough exterior, height: 46cm, width: 23cm

A CARVED ELM AND OAK WALKING STICK, Late 19th century, the grip carved as the Man in the Moon, the shaft with brass ferrule, height: 84cm

A LATE GEORGE II MINIATURE MAHOGANY TRIPOD TABLE, Mid 18th century, the hinged circular top on a turned gun barrel stem, with cabriole legs to pad...

VICTORIAN ELECTROPLATED THREE BOTTLE TANTALUS by James Dixon & Sons, locking bar and loop carrying-handle, three cut-glass decanters and stoppers,...

A PAIR OF TURNED OAK CANDLE STANDS, Late 19th century, the sockets on dished drip pans with knopped, waisted and ribbed mouldings; fitting snugly ...

A VICTORIAN REVERSE PAINTED SHIP PORTRAIT 'Airey of Liverpool', 51.75cm x 71cm

A PAIR OF STAINED HARDWOOD AND CHEQUER STRUNG KNIFE URNS IN SHERATON STYLE, Each rising cover with an urn finial to the domed top, the fitted inte...

A PAINTED SHEET METAL TRADE SIGN, Depicting a standing sheep, for COOPER'S DIP, SOLD BY ALAN C.POLLARD. M.P S-CHEMIST. LONG STREET. TETBURY, on a ...

A SIENA MARBLE MODEL OF A ROMAN BATH IN GRAND TOUR STYLE, Of tapering oval form, with twin ring handles relief carved to front and back, on twin r...

AN EGYPTIAN BANDED ALABASTER SQUAT JAR, probably Third Intermediate Period - Late Period, 21st - 27th Dynasty, 1070 - 404 B.C., with broad and fla...

AN AFRICAN CARVED WOOD STOOL, PROBABLY NUPE TRIBE, NIGERIA, The rectangular top with linear lozenge carving, on six inverted conical legs, height:...

A MAORI CARVED WHALEBONE WAHAIKA HANDCLUB, Possibly for a child or ceremonial use, late 19th / early 20th century, the unusually shaped loosely re...

A MAORI CARVED NEPHRITE HEI-TIKI PENDANT New Zealand, 19th century, with red sealing wax around the eyes, the angled head with well defined featur...

A CARVED WOOD AND ANTLER MOUNTED STAG'S HEAD WALL TROPHY, 19th century, of naturalistic form, height: 71cm, width: 94cm

A 'BLACK FOREST' CARVED LINDEN WOOD MODEL OF A BULL, Late 19th century, naturalistically modelled and portrayed standing, on an oval foliate carve...

A 'BLACK FOREST' CARVED LINDEN WOOD MODEL OF A BEAR, Circa 1900, naturalistically modelled, standing with jaws open, height: 87cm

A 'BLACK FOREST' CARVED AND STAINED LINDEN WOOD BOX AND A CACHE POT WITH A BEAR Brienz, late 19th century, the hinged rectangular cover surmounted...

A NORWEGIAN BURR BIRCH 'PEG' TANKARD 18th century, the slightly domed cover carved in low relief with the Royal lion, the incised handle with a st...

A CARVED WALNUT MODEL OF AN EAGLE, First half 19th century, Previously a lectern or reading stand, portrayed with head turned to sinister, the win...

AN ITALIAN CARVED ALABASTER URN ON PLINTH, Circa 1900, the urn modelled with fruiting grapevines overall, with waisted stem; the cylindrical and s...

A JAPANESE BRONZE VASE, Meiji period, late 19th century and later fitted as a table lamp, of baluster form, with fruit and foliage in high relief,...

A PAIR OF SUBSTANTIAL IRON PIER FINIALS CAST AS RAMPANT LIONS, 19th century, later painted black overall, with white eyes and pink tongues, each ...

A PAIR OF PATINATED BRONZE MODELS OF FOXES, POSSIBLY BOOKENDS, Cast as standing on their hind legs, with arched backs and looking downwards, the l...

A FRENCH BRONZE MODEL OF NAPOLEON BONAPART, Late 19th century, portrayed as seated astride a ladderback chair, on a square section marmo rouge gri...

A PATINATED BRONZE MODEL OF THE SPINARIO, Cast after the Antique, 20th century, height: 15.5cm

AFTER JEAN-ANTOINE HOUDON, (FRENCH, 1741 - 1828), A SCULPTED WHITE MARBLE BUST OF A GIRL, Portrayed with head turned to dexter, her chignon tied w...

VICTOR AIMONE, (ITALIAN, 1853 - 1922), A SCULPTED WALNUT BUST OF A NEAPOLITAN MAN Portrayed in traditional garb, his head turned to sinister, abov...

F. ROLAND, 1891, A PATINATED BRONZE PORTRAIT RELIEF ROUNDEL, Inscribed  MARIE LOUISE SOPHIE LE QUIN NEE RENAULT DU MOTEY A L'AGE DE 71 ANS, Diame...

STUDIO OF JOHN HOGAN, (1800 – 1858), A PAINTED PLASTER MAQUETTE OF AN ECORCHE FIGURE, Portrayed kneeling on one knee, his left elbow raised abov...

AFTER JEAN-ANTOINE HOUDON, (FRENCH, 1741 – 1828), A BRONZE BUST OF A MAIDEN, Portrayed with head declined a little to dexter, her hair tied up a...

AN ITALIAN GRAND TOUR BRONZE MODEL OF THE DISCOBOLOS, Circa 1860, cast after the Antique, atop a cylindrical marmo rosso antico and marmo nero Bel...

AFTER FERNANDO TACCA, A BRONZE MODEL OF ONE OF THE TWO MEDICI LIONS, Late 19th century, portrayed with head turned slightly to sinister, the front...

AFTER GUILLAUME COUSTOU THE ELDER, PAIR OF GILT METAL MODELS OF THE MARLY HORSES, The rearing beasts each with a partially draped groom straining ...

A SILWORK EMBROIDERY PICTURE OF BIRDS AND ANIMALS IN A LANDSCAPE, Late 19th century, finely worked, with the creatures on blossoming branches, in ...

AN EARLY VICTORIAN NEEDLEWORK SAMPLER, The work of Susan Ann Hammond, 1839, with moralising verse surrounded by birds, animals, trees and flowers,...

A VICTORIAN NEEDLEWORK SAMPLER, Worked by Ellen Bloom, Aged 14, South Ormsby School, March 19th 1861, with alphabet, Biblical verse, trees, flower...

A 17TH CENTURY STYLE LINEN AND PULLED THREAD WORK TABLE CLOTH the centre and corners with embroidered cream work panels, edged with a wide pulled ...

A 19TH CENTURY LINEN AND CROCHET LACE TABLE RUNNER panels of cream embroidered linen and crochet lace, edged with a crochet lace border

A COLLECTION OF TAPESTRY SEAT COVERS AND UPHOLSTERY of 18th century design, one worked with stags in a landscape and others with figures and vases...

A PAIR OF CONTINENTAL FRAMED EMBROIDERY PANELS, Late 19th century, depicting grotesques amongst foliage in Renaissance style, the giltwood frames ...

CREWEL WORK WALL HANGING, LATE 17TH/ EARLY 18TH CENTURY decorated throughout with blue brown tan and cream foliage wool threadwork, on a linen gro...

A CONTINENTAL WOVEN WALL HANGING IN EARLY RENAISSANCE STYLE, 20th century, printed, depicting figures, birds and animals between lion and unicorn ...

A GROUP OF FOUR LEADED BRONZE AND BRASS MORTARS, 17th and 18th century, comprising an English example of flared cylindrical form, with exterior li...

A SET OF FOUR BLACK PAINTED CAST IRON URNS 20th century, of Campana form with foliate cast everted rims, lobed undersides, knopped stems and squar...

FOUR VARIOUS LOW COUNTRIES BRASS JARDINIERES, Late 19th and 20th century, the largest in Renaissance style, of oval section, with repousse worked ...

A DUTCH OR FLEMISH GILT REPOUSSE COPPER LOG BIN IN 17TH CENTURY STYLE, Last quarter 19th century, of cylindrical form, with an armorial to front, ...

A LARGE COPPER LOG CAULDRON with a shaped iron carrying handle secured through upright circular loops, 67cm dia., and a smaller cauldron with a re...

A PAIR OF FRENCH GILT BRONZE VASES, Circa 1870, modelled as twin handled tapering and gently waisted urns, with insect and foliate cast detailing ...

A GILT BRONZE MODEL OF THE WARWICK VASE, After the Antique, with twin entwined and reeded handles descending from the everted rim to the relief ca...

A SET OF FOUR VICTORIAN CAST IRON PIER FINIALS, Circa 1875, with knopped, lobed and waisted castings above ovoid bodies to waisted stems and circu...

A PAIR OF GEORGE IV PATINATED BRONZE COLZA OIL TABLE LAMPS IN THE FORM OF ANTIQUE RHYTONS, Circa 1825, in the manner of examples by Thomas Messeng...

A PAIR OF FRENCH GILT BRONZE AND ONYX MOUNTED SIX LIGHT FIGURAL CANDELABRA, Circa 1875, each with a raised, central foliate cast urn socket and dr...

A PAIR OF GILT METAL AND MARBLE MOUNTED FIGURAL TWIN LIGHT CANDELABRA, In Louis XV style, late 19th century, the lanceolate leaf cast sockets and ...