19
JEAN-BAPTISTE CHARPENTIER - Huile sur toile
Description
JEAN-BAPTISTE CHARPENTIER , PARIS, 1728 - PARIS, 1806
Flower seller and picture seller in front of a stall
Oil on canvas 38 x 46 cmEverything here seems to be captured on the spot. We catch these characters in the spontaneity of their daily activities and enjoy imagining their adventures. In the foreground, we see two women in the middle of an altercation, if we are to believe the attitude of the older one, who has her back to us. With her hands on her hips, she vehemently calls out to a young flower seller, who turns towards her in disbelief. Could it be that the hood of vegetables spilled on the ground is the cause of this quarrel? Leaving this first playlet bathed in light, the eye distinguishes in the background a man whom a woman is supporting to help him move forward. Is he drunk? We are here at the entrance of an estaminet recognisable by its sign and the two jugs hanging on the frame of a canvas awning. At the back of this estaminet, two other travelling saleswomen, stripped of their hoods and baskets, are drinking while leaning against the counter. Finally, back in the street, we see, on the right in the half-light, a picture dealer who is being helped by a young man to fix the frames on his hook. The atmosphere is picturesque rather than theatrical. Everything is rendered with an alert brush that stops at small details; the palette of bright colours with porcelain accents gives these playlets a joyful and distanced aspect. We observe, we enjoy, we marvel at the details. The light is placed here and there on the groups to sequence their discovery and to rank their order of appearance.
Jean-Baptiste Charpentier le vieux (1728-1806) was a French painter and portraitist at the court of the king, who became famous for his portraits of Marie-Antoinette and members of the Penthièvre family. He began by depicting genre scenes, but soon turned to painting portraits of the aristocracy, before returning to genre painting after the Revolution. He was admitted to the Académie de Saint-Luc in 1760 and became a teacher and then an advisor. After its closure in 1777, he continued to exhibit at the Salon de la Correspondance of the Royal Academy and became friends with Jean-Baptiste Greuze. When the French Revolution abolished the Royal Academy, he exhibited at the Salon du Louvre from 1791 to 1799. His entry into the service of Louis-Jean-Marie de Bourbon, Duke of Penthièvre, offered him an enviable position, of which the large full-length portrait of the Duke preserved in the Musée des Beaux-Arts in Rennes and two highly refined canvases preserved in the Château de Versailles remain: The Portrait of the Prince and Daughter Louise-Adélaïde in a Garden (Versailles) and The Cup of Chocolate (The Family of the Duc de Penthièvre) dated 1768. In addition to these princely portraits, the small genre paintings constitute the most delightful part of Charpentier's work. The painter was a champion of lively scenes populated by small merchants and playful children. His paintings with unpretentious titles are always constructed as small theatrical performances, as with this Flower seller and picture seller in front of a stall, which may be the Market scene presented by Charpentier at the Salon of 1799 (no. 40), of which we have lost track.
Signatur: Traces of signature at lower left (...ntier)
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JEAN-BAPTISTE CHARPENTIER , PARIS, 1728 - PARIS, 1806
Flower seller and picture seller in front of a stall
Oil on canvas 38 x 46 cmEverything here seems to be captured on the spot. We catch these characters in the spontaneity of their daily activities and enjoy imagining their adventures. In the foreground, we see two women in the middle of an altercation, if we are to believe the attitude of the older one, who has her back to us. With her hands on her hips, she vehemently calls out to a young flower seller, who turns towards her in disbelief. Could it be that the hood of vegetables spilled on the ground is the cause of this quarrel? Leaving this first playlet bathed in light, the eye distinguishes in the background a man whom a woman is supporting to help him move forward. Is he drunk? We are here at the entrance of an estaminet recognisable by its sign and the two jugs hanging on the frame of a canvas awning. At the back of this estaminet, two other travelling saleswomen, stripped of their hoods and baskets, are drinking while leaning against the counter. Finally, back in the street, we see, on the right in the half-light, a picture dealer who is being helped by a young man to fix the frames on his hook. The atmosphere is picturesque rather than theatrical. Everything is rendered with an alert brush that stops at small details; the palette of bright colours with porcelain accents gives these playlets a joyful and distanced aspect. We observe, we enjoy, we marvel at the details. The light is placed here and there on the groups to sequence their discovery and to rank their order of appearance.
Jean-Baptiste Charpentier le vieux (1728-1806) was a French painter and portraitist at the court of the king, who became famous for his portraits of Marie-Antoinette and members of the Penthièvre family. He began by depicting genre scenes, but soon turned to painting portraits of the aristocracy, before returning to genre painting after the Revolution. He was admitted to the Académie de Saint-Luc in 1760 and became a teacher and then an advisor. After its closure in 1777, he continued to exhibit at the Salon de la Correspondance of the Royal Academy and became friends with Jean-Baptiste Greuze. When the French Revolution abolished the Royal Academy, he exhibited at the Salon du Louvre from 1791 to 1799. His entry into the service of Louis-Jean-Marie de Bourbon, Duke of Penthièvre, offered him an enviable position, of which the large full-length portrait of the Duke preserved in the Musée des Beaux-Arts in Rennes and two highly refined canvases preserved in the Château de Versailles remain: The Portrait of the Prince and Daughter Louise-Adélaïde in a Garden (Versailles) and The Cup of Chocolate (The Family of the Duc de Penthièvre) dated 1768. In addition to these princely portraits, the small genre paintings constitute the most delightful part of Charpentier's work. The painter was a champion of lively scenes populated by small merchants and playful children. His paintings with unpretentious titles are always constructed as small theatrical performances, as with this Flower seller and picture seller in front of a stall, which may be the Market scene presented by Charpentier at the Salon of 1799 (no. 40), of which we have lost track.
Signatur: Traces of signature at lower left (...ntier)Galerie Dreyfus Auction
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Important Information
In addition to the auction price, the buyer shall pay commissions and taxes:
-to 250,000 CHF: 25%
-to 2,000,000 CHF: 20%
-above 2,000,001 CHF: 15%
+ VAT at the prevailing rate.
VAT on commissions and import costs may be retroceded to the successful bidder on presentation of proof of export outside SWITZERLAND.
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Non-binding translation! The original business conditions in French apply!
GENERAL TERMS AND CONDITIONS FOR PURCHASES AT PUBLIC AUCTIONS
DREYFUS is an operator of voluntary sales by public auction. In this capacity DREYFUS acts as an agent for the seller who contracts with the buyer. The relationship between DREYFUS and the buyer is subject to the present general conditions, which may be amended by written or oral notices prior to the sale and which will be mentioned in the sale report.
1. The objects offered for sale
a) Potential buyers are invited to examine the goods they may be interested in prior to the auction, particularly during the exhibitions. DREYFUS is at the disposal of potential buyers to provide them with reports on the condition of the lots.
b) The descriptions of lots resulting from the catalogue, reports, labels and verbal indications or announcements are only the expression by DREYFUS of its perception of the lot, but cannot constitute proof of a fact.
c) Indications given by DREYFUS on the existence of a restoration, accident or incident affecting the lot are expressed to facilitate its inspection by the potential buyer and remain subject to his personal appreciation or that of his expert. The absence of any indication of restoration, accident or incident in the catalogue, reports, labels or verbally, does not imply that an item is free of any present, past or repaired defect. Conversely, the mention of some defects does not imply the absence of all other defects
d) Estimates are provided for information purposes only and cannot be taken to imply that the item will be sold at the estimated price or even within the estimate range. Estimates do not constitute a guarantee of any kind.
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c) The normal way to bid is to be present in the auction room. However, DREYFUS will be able to accept bids by telephone from a potential buyer who will have made himself known before the sale. DREYFUS will not be held responsible in particular if the telephone connection is not established, is established late, or in the event of errors or omissions relating to the receipt of bids by telephone. For all practical purposes, DREYFUS reserves the right to record telephone communications during the sale. The recordings will be kept until the price is paid, unless challenged.
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3. THE EXECUTION OF THE SALE
1) In addition to the auction price, the successful bidder (buyer) shall pay the following commissions and taxes per lot and per degressive tranche:
-From 1 to 250,000 CHF: 25% + VAT at the current rate
-From 250,001 to 2,000,000 CHF: 20% + VAT at the prevailing rate.
-Above 2,000,001 CHF: 15% + VAT at the prevailing rate.
2) VAT on commissions and import costs may be retroceded to the successful bidder on presentation of proof of export outside SWITZERLAND.
a) It will be up to the successful bidder to insure the lot as soon as it is auctioned. He will not be able to appeal against DREYFUS, in the event that, following the theft, loss or damage to his lot after the auction, the compensation he will receive from the DREYFUS insurer proves to be insufficient.
b) The lot will only be delivered to the buyer after full payment of the price, costs and taxes. In the case of payment by cheque, the lot will only be delivered after the cheque has been cashed, i.e. 8 working days after the cheque has been deposited. As of the Monday following the 90th day after the sale, the lot purchased, whether paid for or not, remaining in the warehouse, will be invoiced at €50 (excl. VAT) per week and per lot, with any week begun being due in full for storage and insurance costs. In the event of non-payment by the successful bidder, after formal notice has remained unsuccessful, the item will be put back up for sale at the request of the seller on the basis of an irresponsible bid by the defaulting bidder; if the seller does not make such a request within three months of the auction, the sale will be automatically cancelled, without prejudice to any damages due by the defaulting bidder.
In addition. DREYFUS reserves the right to claim from the defaulting bidder, at his choice
-Interest at the legal rate increased by five points to the defaulting bidder, at its choice:
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DREYFUS also reserves the right to proceed to any compensation with sums due to the defaulting bidder. DREYFUS reserves the right to exclude from future sales any successful bidder who has defaulted or who has not respected the present general terms of purchase.
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4. INCIDENTS OF THE SALE
In the event of a dispute, DREYFUS reserves the right to designate the successful bidder, to continue the sale or to cancel it, or to put the lot back on sale.
a) In the event that two persons have made identical bids by voice, gesture or telephone and claim the benefit of the auction at the same time after the hammer has been struck, the property will be immediately reoffered for sale at the price proposed by the last bidders, and all members of the public present will be able to bid again.
b) To facilitate the presentation of goods during sales, DREYFUS may use video means. In the event of a handling error that could lead during the sale to present a different item from the one on which the bids are placed, DREYFUS will not be held responsible and will be the sole judge of the necessity to restart the bidding.
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DREYFUS is the owner of the reproduction right of its catalogue. Any reproduction of the latter is forbidden and constitutes an infringement to its detriment. Moreover, DREYFUS has an exemption allowing it to reproduce in its catalogue the works offered for sale, even if the reproduction right has not fallen into the public domain. Any reproduction of the DREYFUS catalogue may therefore constitute an illicit reproduction of a work exposing its author to infringement proceedings by the holder of the rights to the work. The sale of a work does not give the owner the right to reproduce and present the work.
6. GOODS SUBJECT TO SPECIAL LEGISLATION
The international regulation of 3 March 1973, known as the Washington Convention, has the effect of protecting specimens and species that are threatened with extinction. The terms of its application differ from one country to another. It is the responsibility of each buyer to check the legislation applied in his country before bidding. Any lot containing an ivory or rosewood item, regardless of its date of execution or certificate of origin, may not be imported into the United States, in view of the legislation in force there.
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The buyer will be responsible for insuring his acquisitions, and DREYFUS declines all responsibility for any damage that the object may incur, and this as soon as the auction is pronounced. All formalities and transport remain the exclusive responsibility of the buyer.
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The provisions of these general conditions of purchase are independent of each other. The invalidity of any provision shall not render the others inapplicable.
9. LEGISLATIVE AND JURISDICTIONAL COMPETENCE
In accordance with the law, it is specified that all civil liability claims arising from auctions and voluntary and judicial sales of furniture by public auction are subject to a ten-year statute of limitations as from the auction or the auction. Swiss law alone governs these general conditions of purchase. Any dispute concerning their existence, their validity, their enforceability against any bidder or buyer, and their execution shall be settled by the competent court of Basel (Switzerland).
10. PROTECTION OF CULTURAL PROPERTY
DREYFUS participates in the protection of cultural property and makes every effort, within its means, to ensure the provenance of the lots offered for sale in this catalogue.
