British & European Paintings, Old Master & Modern Works on Paper, Pictures from Beeleigh Abbey

* Dürer (Albrecht, 1471-1528). The Nativity, 1504, engraving, a good, but slightly later, Meder d-e impression, without watermark as is consistent...

* Beatrizet (Nicolas, circa 1507- circa 1566). The Combat between Reason and Amor, after Baccio Bandinelli (1493-1560), 1545, engraving, a good im...

* Master of the Die (Rome, active 1530–1560) after Raphael (circa 1530-1560). The Victory of Scipio over Syphax, 1530-1560, engraving on laid pape...

* Straet (Jan van der, 1523-1605). The Jailer about to kill himself, converted by Saint Paul, & Saint Paul before the High Priest, plates 28 and 3...

* Cavalieri (Giovanni Battista de', 1526–1597). A collection of 44 engravings from Antiquarum Statuarum urbis Romaquae in publicis privatisque loc...

* Rogers (William, active 1584-1604). Sir Thomas Docwra, full-length in armour as a Knight of St John of Jerusalem, 1595-1602, engraving, a very g...

* Visscher (Cornelis, 1628/9-1658). The Large Cat, circa 1657, engraving, a good impression of the second (final) state on laid paper, with margi...

* Huyberts (Cornelis, 1669-1712). The Triumphs of Caesar, after Andrea Mantegna, circa 1696, the set of nine engravings on laid paper, each letter...

* Hafner (Johann Christoph, 1688-1724). Forest Interior with Swamp, (after Adam Frans van der Meulen), circa 1690-1710, etching on laid paper, pub...

* Piranesi (Giovanni Battista, 1720-1778). Veduta del Ponte Lugano su l'Anione, from Vedute di Roma, 1763, etching on laid paper, a strong impress...

* Attributed to Eustache le Sueur (1617-1655). A Friar in Supplication, red chalk on laid paper laid to the mount, bearing contemporary ink inscri...

* Earlom (Richard, 1743-1822). A Flower Piece, and A Fruit Piece, after Jan van Huysum, 1778, two mezzotints, both fine impressions on laid paper ...

Goya y Lucientes (Francisco de, 1746-1828). Los Caprichos, FIRST EDITION, 1799, published by the artist, the complete set of eighty etchings with ...

* Lasinio (Conte Carlo, 1759-1838). The Rod of Aaron and the Brazen Serpent, after Benozzo Gozzoli (1420-1497), hand coloured etching with gouache...

* Prague School. Studies of male and female figures, circa 1580, three pen and brown ink and grey wash on fine laid paper, depicting a male travel...

* Guerra (Giovanni, circa 1540-1618). Scenes from the Life of the Pope, pen and brown ink and brown wash on laid paper; a pentimento for the centr...

* Attributed to Abraham Danielsz. Hondius (1625-1691). Wild Boars, circa 1672, pen and brown ink and grey wash on laid paper, inscribed ‘Hondius’ ...

* French School. Virgin and Child, late 17th century, oval gouache applied in the stippled manner, showing the Virgin and Child seated before a pa...

* North Italian School. Allegory of the Coronation of the Pope, circa 1720-40, oval pen and brown ink and brown and grey wash over black chalk, de...

* Dutch School. A View of a Town with a Barn, a Milkmaid and two Cows in the foreground, 18th century, watercolour and bodycolour on laid paper wi...

* Follower of Giovanni Battista Piranesi (1720-1778). The Inquisitorial Dungeon, Doge's Palace, after 1750, pen and brown ink, with black, grey an...

* French School. Capriccio of Rome, with Bernini's Fontana del Tritone in Piazza Barberini, circa 1750, watercolour on laid paper with a pen and i...

* Neoclassical School. Apollo, & Prometheus, probably French, circa 1750, red chalk studies on laid paper, some marks and water stains, fraying to...

* Venetian School. View of a Venetian Lagoon, with the Basilica of San Marco beyond, early to mid 18th century, pen and brown ink on fine laid pap...

* German School. The Martyrdom of Saint Andrew, 1764, pen and brown ink over black chalk, squared for transfer in black chalk, dated in pen and br...

* Dance (George, 1741-1825). Three Dancing Figures, watercolour on laid paper with vertical join, depicting a frieze of figures, comprising a man ...

* French School. Landscape with figures admiring the temple at Tivoli, circa 1770-1790, watercolour heightened with white bodycolour over pen and ...

* English School. Oval half-length portrait of a young woman in Regency dress, probably later 19th century, coloured chalks on paper, signed 'Will...

* Carvalho Negreiros (José Manuel de, 1751-1815). Study of a Naked Youth, red chalk on paper, in the manner of Michelangelo, horizontal fold to up...

* Attributed to Benjamin West (1738-1820). Betrothal Scene, circa 1799, black chalk, on laid paper with an O Taylor watermark, 185 x 281 mm (7 1/4...

* Academy Studies from Life. A collection of 21 chalk life studies, circa 1800-1802, mostly black chalk (some heightened with white chalk), includ...

* Academy Studies after the Antique. A collection of 17 ink drawings of classical and antique sculptures, circa 1795-1800, in black ink and grey w...

* Circle of Lucas Cranach the Elder (1472-1553). The Crucifixion, with Mary Magdalene, John and the Virgin Mary at the foot of the Cross, circa 15...

* Studio of Hans van Aachen (1552-1615). The Martyrdom of Saint Sebastian, circa 1554, oil on bevelled panel, with Christie’s catalogue entry atta...

* Attributed to Hans Rottenhammer the Elder (1564/5-1625). The Crucifixion, circa 1605, oil on bevelled panel, with the panel maker’s mark WB vers...

* After Peter Paul Rubens (1577-1640). The Descent from the Cross, after 1614, oil on canvas, 81 x 59.5 cm (31 7/8 x 23 3/8 ins), glazed, in an or...

* After Gerrit von Honthorst (1590-1656). Portrait of Princess Elizabeth, Queen of Bohemia, 19th century, oil on canvas, inscribed centre left ‘El...

* Byzantine School. Christ Pantocrator, Veneto-Cretan, late 17th or 18th century, large fragment of a painted fresco, depicting Christ blessing, h...

* Dutch School. Portrait of a Gentleman, circa 1650-80, oil on copper plate, depicting the head and shoulders of a gentleman wearing a curled brow...

* After Luca Giordano (1634-1705). The Sermon of St. Vincent Ferrer, later 17th century, oil on cradled canvas, 55 x 51 cm, with old Christie’s st...

* After Pietro da Cortona (1596-1669). Pope Urban VIII, probably first half 18th century, large-scale oil on canvas, a copy in reverse of the port...

* After Sir Godfrey Kneller (1646/9-1723). Portrait of Jean-Baptiste Monnoyer, 18th century, oil on canvas half-length portrait within a feigned o...

* Loutherbourg (Philip James de, 1740–1812) Italianate pastoral landscape, with a cattle drover and his herd crossing a ford before a ruin, oil on...

* Wright of Derby (Joseph, 1734-1797). Portrait of John Harrison, surgeon of Derby, circa 1781, oil on canvas, half-length in three-quarter profil...

* Smith (John Raphael, 1751-1812). Portrait of John Harrison, surgeon of Derby, after Joseph Wright of Derby (1734-1797), circa 1781, mezzotint on...

* Norwich School. A River Landscape with thatched cottages, late 18th / early 19th century, oil on bevelled panel, 20.5 x 30.5 cm (8 x 12 ins), in...