19th & 20th Century Paintings & Drawings including The Oliver Hoare Print Collection

* Palmer (Samuel, 1805-1881). The Herdsman’s Cottage or Sunset, 1850, etching, a fine, atmospheric impression of the second (final) state, after t...

* Palmer (Samuel, 1805-1881). The Early Ploughman or The Morning Spread upon the Mountains, 1861, etching, a fine, atmospheric impression of the f...

* Palmer (Samuel, 1805-1881). The Skylark, 1850, etching, a fine, atmospheric impression of the sixth state (of eight), before the plate was cut d...

* Manet (Édouard, 1832-1883). Chapeau et Guitare, Frontispiece to Le Cahier des Quatorze Eaux-fortes, etching, roulette and aquatint printed in bi...

* Buhot (Félix-Hilaire, 1847-1898). La Dame aux Cygnes, 1879, etching, drypoint, roulette and stipple engraving, on Arches laid paper, a very good...

* Klinger (Max, 1857-1920). Intermezzi, Opus IV, 1881, etchings and aquatint, the set of twelve on cream Chine collé on sturdy wove support sheets...

* Baumer (Lewis, 1870-1963). Nude before a Mirror, 1920s, drypoint printed in bistre, a fine impression, printing with rich burr and plate tone, o...

* Brett (Simon, born 1943). Under the Skylight: A Presentation Print for the Print Collectors Club, 1992, wood engraving, on wove paper, a very go...

ARR * Brockhurst (Gerald Leslie, 1890-1978). Nadia, 1921, etching on laid paper, with Britannia watermark, from the published edition of 55 impres...

ARR * Buckland Wright (John, 1897-1954). Jeune Fille au Bain, 1932, drypoint on simili-Japan paper, signed, dated, titled and numbered 18/25 in pe...

* Cameron (David Young, 1865-1945). The Chimera of Amiens, 1910, etching with drypoint, signed in pencil, printed in bistre ink on fine laid paper...

ARR * Craig (Edward Henry Gordon, 1872-1966). Black Girl, 1914, woodcut, on tissue-thin Japan with wirelines, a good impression of the third (fina...

ARR * Craig (Edward Henry Gordon, 1872-1966). Mask, 1908, woodcut, on soft, tissue-thin laid Japan paper, an effective, textural impression, signe...

* Daglish (Eric Fitch, 1894-1964). Draped Female Nude, wood engraving, on tissue-thin, fibrous Japan with wirelines, a very good, black impression...

* Gag (Wanda, 1893-1946). Moonlight, 1926, crayon lithograph, on wove paper, a very good, rich impression, signed, dated and titled in pencil, fro...

* Gill (Eric, 1882-1940). Twenty-Five Nudes: Six Plates, 1937, wood engravings, from the set of twenty-seven, on wove paper, published by J.M. Den...

* Gill (Eric, 1882-1940). Twenty-Five Nudes: Three Plates, 1937, wood engravings, from the set of twenty-seven, very good proof impressions on tis...

* Gill (Eric, 1883-1940). The Miller’s Tale, from The Canterbury Tales; and The Annunciation, The Woman of Samaria and The Woman taken in Adultery...

* Hill (Frank, 1881-1981). Synthesis; and Salome, 1920, etching, a fine, rich and tonal impression, printing with plate tone, on wove paper, signe...

ARR * Holloway (Edgar, 1914-2008). Mr Marshall, Basket Maker, 1937, etching, on fine antique laid paper, signed, titled and numbered in pencil: ‘3...

* Landacre (Paul, 1893-1963). Indecision, 1935, line wood engraving, a fine, rich and black impression on fibrous Japan paper, signed, titled and ...

* Larkins (William Martin, 1901-1974). Bush House, New York, 1927, etching and engraving printed in bistre, on buff, fibrous Japan paper, a very g...

* Latham (Barbara). A Negro Group, 1936, wood engraving, on soft, fibrous Japan with wirelines, a very good impression, signed, titled, and inscri...

* Leighton (Clare Veronica Hope (1898-1989). Dawn in the Train to Mostar, 1926, wood engraving, a very good, black impression on tissue-thin Simil...

* Leighton (Clare Veronica Hope, (1898-1989). Turning the Plough, 1926, wood engraving, on fibrous Japan with wirelines, a rich, black proof impre...

* Leighton (Clare Veronica Hope, 1898-1989). May: Sheep Shearing, from A Farmer’s Year: A Calendar of English Husbandry; and Limbing, from The Lum...

* Leighton (Clare Veronica Hope, 1898-1989). The Abbess and the Twins from The Bridge of St Louis Rey, 1929, wood engraving, on Simili Japan, a ve...

Leighton (Clare Veronica Hope, 1898-1989). The Farmer’s Year, A Calendar of English Husbandry, First Edition published by Collins, London, 1933, t...

* Leighton (Clare Veronica Hope, 1898-1989). Toulon Washerwomen, 1925, wood engraving, on tissue thin Japan, a fine, black proof impression, aside...

* Leighton (Clare Veronica Hope, 1898-1989). Treading Grapes, 1928, wood engraving, on soft, fibrous, tissue-thin Japan with wirelines, a rich, bl...

* Leighton (Clare, 1898-1989). Grape Harvest, 1928, wood engraving on off-white japon, from the edition of 60 impressions, signed, titled, and num...

ARR * Moore (Henry, 1898-1986). Hands I, 1973, colour lithograph on pale cream arches paper, printed by Curwen Prints, and published by Fischer Fi...

* Nash (John, 1893-1977). A Cottage in Gloucestershire, 1925/78, and Cottage Interior, 1921, wood engravings, on fine, fibrous Japan with wireline...

* Nash (John, 1893-1977). Blackbirds eating Berries; and Peace Lily, wood engravings, on tissue-thin, fibrous Japan with wirelines, the first a ri...

* Nash (John, 1893-1977). Southern Women, Sounds, Transmutation and Nurses, from Céleste and other Sketches by Stephen Hudson, 1930, four wood eng...

ARR * Nash (John, 1893-1977). Reclining Nude, Seen from Behind, pencil, on thick wove paper, bearing a pencil inscription ‘Nue 46’ in pencil verso...

ARR * Nash (John, 1893-1977). Study of Michauxia Campanuloides or André Michaux’s Campanula, pencil with black, violet and green inks, on laid pap...

* Nash (John, 1893-1977). The Four Seasons: Sketches, pencil with pen and dark blue ink, on wove paper, Spring inscribed in pencil ‘Cyclists Blue ...

ARR * Nash (John, 1893-1977). The Sacred Wood, frontispiece from Ovid’s Elegies translated by Christopher Marlowe with the epigrams of Sir John Da...

* Nash (John, 1893-1977). Black Bryony, Deadly Nightshade, Yew Taxus Baccata Taxaceae and Monk’s Head, from Poisonous Plants: Dangerous, Deadly an...

* Nicholson (William, 1872-1949). George Birmingham, circa 1932, woodcut, on firm simili Japan, a very good, black impression, signed and numbered...

ARR * Raverat (Gwen, 1885-1957). Bowl Players in Sunlight, Venice, 1922, wood engraving, a very good, atmospheric impression, printing with contra...

ARR * Raverat (Gwen, 1885-1957). Portrait for the Poems of Rupert Brooke, 1919, wood engraving, a fine, rich proof impression printing with great ...

ARR * Raverat (Gwen, 1885-1957). The Bolshevist Agent, No 1, 1920, wood engraving, a fine, black proof impression aside from the edition of 60, on...

* Rawlinson (William Thomas). Sweet Briar, 1971, wood engraving, on tissue-thin, fibrous Japan with wirelines, a very good proof impression, with ...

* Rawlinson (William Thomas, 1912-1993, Drew, Diana, 1912-1976, and Hughes-Stanton, Blair, 1902-1981). A collection of linocuts, Linocut printed i...

* Rawlinson (William Thomas, 1912-1993). The Lake, Ragley, near Alcester, 1956, wood engraving, a rich, black impression, printing with clarity, o...

* Rothenstein (Sir William, 1872-1945). Fresne No. 2, circa 1918-1922, drypoint, a fine, strong impression, printing with rich burr, plate tone an...

* Rothenstein (Sir William, 1872-1945). Portrait of Paul Verlaine, 1895, crayon lithograph, on fine laid Venetian paper watermarked L[uigi] Trenti...

ARR * Rottluff (Karl Schmidt, 1884-1976). Frauenkopf, 1916, woodcut, on wove paper, a strong, black impression, published in Genius I, 1919, with ...

* Sandzén (Birger, 1871-1954). The Sentinel of the Mesa, 1933, crayon lithograph, on wove paper, a very good, rich impression, signed, titled and ...

* Sandzén (Birger, 1871-1954). Wind whipped Pines, 1928, crayon lithograph, on Arches laid paper, a very good, rich impression, signed and titled ...

* Storrs (John Bradley, 1885-1956). Exhibition John Storrs, 1927, woodcut on cream wove paper, an artist's proof, signed, marked A/P, and dated 19...

* Strang (Ian, 1886-1952). Place St André des Arts, Paris, etching, a fine, bright impression printing with clarity and contrasts, and with a ligh...

ARR * Sutherland (Graham, 1903-1980). Pecken Wood, 1925, etching, on fibrous buff wove paper, a very good, rich and tonal impression of the fifth ...

ARR * Tanner (Robin, 1904-1988). March, 1981, etching, a very good impression of the third (final) state, signed, inscribed and titled in pencil ‘...

ARR * Tanner (Robin, 1904-1988). The Old Thorn, 1975, etching, a very fine, richly inked impression of the fourth (final) state, published in an e...

ARR * Tanner (Robin, 1904-1988). The Wicket Gate, 1977, etching, a very good, bright impression of the third (final) state, from the edition of 49...

ARR * Tanner (Robin, 1904-1988). White Violets, 1973, etching, a fine impression, printing with rich contrasts, signed, dated and inscribed ‘Robin...

ARR * Tanner (Robin, 1904-1988). Wiltshire Hedger, 1928, etching, a fine, rich impression of the first state (of three), before the vertical shadi...