British & European Paintings & Watercolours, Old Master & Modern Prints & Drawings

* Esdaile (William, 1758-1837). A collection of 21 pen and ink sketches after William Hogarth, 21 small pen and black or brown ink studies of head...

* Baillie (Captain William, 1723-1810). The Three Trees after Rembrandt, 1758, etching with drypoint and roulette on laid paper, fourth state (of ...

* Baudous (Robert Willemsz de, 1574-1659). Phoebus exposing Mars and Venus to the ridicule of the Olympians, after Hendrick Goltzius, circa 1615, ...

* Beham (Hans Sebald, 1500-1550). Frieze with Two Tritons, woodcut on laid paper, with watermark of a crowned serpent, a very good impression and ...

* Blake (William, 1757-1827). Beggar's Opera, Act III. 'When my hero in Court appears, &c.', From the Original Picture, in the Collection of his G...

* Caraglio (Gian Giacomo Karalis, circa 1505-1565). Apollo and Daphne, circa 1527, copper engraving on laid paper, with watermark (only partially ...

* Castiglione (Giovanni Benedetto, 1609-1664). Young man looking down to the right, & a head of an old bearded man with a turban, from Small Heads...

* Collaert (Adriaen, circa 1560-1618). Augustus (from the series The Twelve Months), 1578-82, copper engraving on laid paper, after Hans Bol (1534...

* Vicentino (Niccolo, active circa 1510-circa 1550). Olympus (Surprise), (after Parmigianino), circa 1540s, oval chiaroscuro woodcut on laid paper...

* Attributed to Jerome David (circa 1605-circa 1670). Timur, from the series of Character Heads, circa 1637, engraving and etching on laid paper, ...

* Durer (Albrecht, 1471-1528). The Standard Bearer, 1502, copper engraving on laid paper, without watermark, a Meder b impression, trimmed to or j...

* Durer (Albrecht, 1471-1528). The Three Bishops, Nicholas, Ulrich and Erasmus, circa 1510 [but later], woodcut on laid paper, a copy in reverse, ...

* Durer (Albrecht, 1471-1528). The Peasant and his Wife (Rustic Couple), 1497, copper engraving on laid paper, a good impression, trimmed slightly...

* Goudt (Hendrick, 1582/88-1630/48). Ceres seeking her Daughter, after Adam Elsheimer, 1610, etching and copper engraving on laid paper, a good da...

* Hollar (Wenceslaus, 1607-1677). The Angler, 1650, etching on laid paper, a very good impression of the second state, with added words to centre ...

* Jackson (John Baptist, 1701-circa 1780). Melchisedek meeting and blessing Abraham, after the victory over the Kings, after Giovanni dal Ponte, c...

* Kolbe (Carl Wilhelm, 1757-1835). Das Gespräch, 1800 [or slightly later], copper engraving on heavy wove paper, some minor pale green spotting, t...

* Labruzzi (Carlo). Figure Di Carlo Labruzzi, 1788, 8 sepia etched plates with aquatint, some with etched numerals to upper right and line borders...

* Laurie (Robert, circa 1755-1836). Landscape with storm and fishermen by the river, fine mezzotint on laid paper, with indistinct watermark, publ...

* Leyden (Lucas van, 1494-1533). The Beggars (Eulenspiegel), 1520 [or later], etching and engraving on laid paper, with large indistinct watermark...

* Merian (Matthaus, 1593-1650). Original engraved copper plate for Icones Biblicae, circa 1625-30 [or later], depicting a woman seated on the floo...

* After Paul Bril (c.1553/54-1626). Five landscapes, early 17th century, etching & engraving on laid paper, including two by Johannes Sadeler (155...

* Piranesi (Giovanni Battista, 1720-1778). Veduta della Piazza di Monte Cavallo, 1750 [or later], etching on thick laid paper, a strong impression...

* Rembrandt (Harmensz. van Rijn, 1606-1669). Christ at Emmaus: The Larger Plate, 1654, etching with drypoint on laid paper, with indistinct waterm...

* Rembrandt Harmensz van Rijn (1606-1669). The Stoning of St. Stephen, 1635, etching on laid paper, a posthumous, late 18th century impression, re...

* Ribera (Jusepe de, 1591-1652). The Drunken Silenus, 1628, etching on laid paper, the second state (of 3), with address of Giovanni Orlandi, some...

* Saenredam (Jan Pietersz., 1565-1607). The Adulterous Woman, after Hendrick Goltzius, copper engraving on laid paper, a very good impression, tri...

* Saint-Aubin (Gabriel de, 1724-1780). Frontispiece for the Recuil de Poesies by Michel Jean Sedaine, 1757, etching on laid paper, the second, def...

* Schon (Erhard, circa 1491-1542). Albrecht Durer Conterfeyt in seinem alter des LVI. Jares (Portrait of Albrecht Durer in his 56th Year), circa 1...

* Vorsterman (Lucas, The Elder, 1595-1675). Thomas Howard, Duke of Norfolk, after Hans Holbein, circa 1655, engraving on laid paper, with Strasbou...

* Waterloo (Anthonie, circa 1610-1690). A wooded riverbank with church in the distance, etching on laid paper, plate size 128 x 138 mm (5 x 5.4 in...

* O'Neil (Henry Nelson, 1817-1880). Study for Eastward Ho!, circa 1857, oil study on wood panel, for part of the larger finished work exhibited by...

* Chasselat (Charles Abraham, 1782-1843). Le Grand Conde / Mort de Turenne, circa 1826, a pair of pen and brown ink miniature drawings with waterc...

* French School. Arcadian landscape, 1824, gouache on paper, laid down on later backing card, with some signs of restoration, depicting 4 female f...

* London. The Fire at The Albion, circa 1820s/30s, watercolour on wove paper, depicting a fire raging at Albion Mills, Blackfriars Bridge, with fi...

* Alma-Tadema (Laurence, 1836-1912). The Parting Kiss, Munich: Franz Hanfstaengl, photogravure print after a painting by Alma-Tadema, depicting an...

* Alma-Tadema (Sir Lawrence, 1836-1912). A Silent Greeting, 1892, uncoloured etching by Leopold Lowenstam (1842 - 1898), published Stephen. J. Goo...

* Alma-Tadema (Sir Lawrence, 1836-1912). Welcome Footsteps, Arthur Tooth & Sons, 1888, uncoloured etching on india wove by Leopold Lowenstam (1842...

* Alma-Tadema (Sir Lawrence, 1836-1912). [The Convalescent], published J. S. Virtue & Co., 1896, uncoloured etching by Charles O. Murray (1842 - 1...

* Holman Hunt (William, 1827-1910) The Finding of the Saviour in the Temple, 1867, etching and engraving on chine colle, by Auguste Thomas Marie B...

* Hunt (William Holman, 1827-1910). The Shadow of Death, [1878], uncoloured mezzotint and mixed method engraving by Frederick Stacpoole (1813-1907...

* Leighton (Frederick, 1830-1896). Anita, 1879, mezzotint on india wove by Thomas Lewis Atkinson (1817–1898) after Frederick Leighton, published b...

* Leighton (Frederick, 1830-1896). Moretta - A Venetian Girl, 1876, uncoloured mezzotint by Samuel Cousins (1801-1887) after Frederick Leighton, p...

* Long (Edwin Longsden, 1829-1891). Merab, & Michal, 1890, a pair of mixed method proof engravings on india wove by Herbert Bourne (1825-1907) aft...

* Macbeth (Robert Walker, 1848 - 1910). In the Fens, Evening, 1887, uncoloured etching on chine collé, signed with monogram and dated 1887 in the ...

* Millais (John Everett, 1829-1896). The Order of Release, 1856, mezzotint by Samuel Cousins after J. E. Millais, a proof before letters on india ...

* Millais (John Everett, 1829-1896). The Minuet, 1868, mezzotint by Samuel Cousins after J.E. Millais, published by Henry Graves, July 17th 1868, ...

* Millais (John Everett, 1829-1896). A Huguenot on St Bartholomew's Day, 1857, mixed method engraving on chine collé, by Thomas Oldham Barlow, aft...

* Poynter (Edward John, 1836-1919). Helena and Hermia, A Midsummer Night's Dream, 1899, proof engraving by William Heydemann (1866-1917) after E. ...

* Ryall (Henry Thomas, 1811-1867). The Pursuit of Pleasure (A Vision of Human Life), 1864, uncoloured mixed method engraving by Henry Ryall after ...

* Sargent (John Singer, 1856-1925). Miss Jane Evans, 1899, photogravure by William H. Ward & Co. Ltd after the oil portrait by John Singer Sargent...

* Severn (Walter, 1830-1904). Nearing Home, 1861, etching on chine appliqué, published by Day & Son, December 1st 1861, as issued in Passages for ...

* Sant (James, 1820-1916). The Mirror, 1894, uncoloured mezzotint on india wove by Charles John Tomkins (1847-circa 1897), after James Sant, plate...

* After Frederick Walker (1840-1875). Phillip in Church, 1885, uncoloured etching by Hubert von Herkomer after Frederick Walker, published by The ...

* Watts (George Frederick, 1817-1904). A Greek Idyll, 1903, etching printed in sepia by Robert Walker Macbeth (1848 - 1910) after G.W. Watts, publ...

* Wilkie (David 1785-1841). The Flemish Mother, 1820, etching on chine collé, image size 174 x 146 mm (6.85 x 5.75 ins), plate size 225 x 182 cm (...

* MacNab (Iain, 1890-1967). French Market Place, etching on pale cream wove paper, signed in pencil lower right, plate size 275 x 370 mm (10.9 x 1...

* Austin (Robert Sargent, 1895-1973). The Wooden Bridge, Sottocastello, 1929, copper engraving on pale cream laid paper, signed in pencil, a very ...

* Barry (Claude Francis, 1883-1970). Windsor, 1926, aquatint on cream wove paper, lightly toned and with mount mark, titled in pencil lower left, ...

* Blampied (Edmund, 1886-1966). Purring and Snoring, 1921, etching with drypoint on pale cream wove paper, from the published edition of 100 proof...