British & European Paintings & Watercolours, Old Master & Modern Prints & Drawings

* Haag (Carl, 1820-1915). Italian peasant girl in a landscape, 1899, watercolour with bodycolour on card (additionally laid down on card by the ar...

* Harrison (Thomas Erat, 1858-1917). Danaé, Dictys & Perseus, monochrome gouache on paper, depicting Dictys standing on a rock and holding a tride...

* Hornbrook (Thomas Lyde, 1780-1855). Sailing vessels and a fortification, 1819, pen, ink & wash, depicting a dhow and a barque with a fortificati...

* Italian School. Study for an equestrian monument, circa 1820s, watercolour and pencil on laid paper, depicting a statue of a warrior on a rearin...

* Landseer (Charles, 1799-1879). Study of an antique sculpture, possibly South-East Asian, circa 1830's-40's, pen, ink and brown & grey wash on pa...

* Legge (Lady Charlotte, 1789-1877). Between Ronco and Arquato, Apennines, pencil and sepia wash, depicting a mountainous landscape with trees, dw...

* Linnell (James Thomas, 1820-1905). A collection of 15 figure and landscape studies, 15 drawings, all on coloured wove paper, comprising: a penci...

* London. The Fire at The Albion, circa 1820s/30s, watercolour on wove paper, depicting a fire raging at Albion Mills, Blackfriars Bridge, with fi...

* McEvoy (Arthur Ambrose, 1878-1927). Portrait of a lady in a red shawl, watercolour, half-length portrait of a woman with swept back fair hair se...

* Attributed to George Morland (1762/63-1804). Peasants Resting at an Inn, black chalk and watercolour on laid paper, depicting a group of peasant...

* Munro (Thomas, 1759-1833). Landscape with a lake, trees and a figure, charcoal and grey wash on wove paper 15.5 x 22.7cm (6 x 9ins), mounted, fr...

* Naive School. A pair of Regency drawings of domestic scenes, circa 1810, pen, ink and watercolour with traces of pencil, the first depicting 3 w...

* Nicholson (George, 1795?-1838). Views in the vicinity of Liverpool, 1832, a sketchbook comprising 17 pencil drawings of buildings and landscapes...

* Paget (Sidney Edward, 1860/61-1908). Boats and Sailing Ship on a Stormy Sea, watercolour with pencil on paper, heightened with white bodycolour,...

* Payne (William, 1755/60-circa 1830). On the River Yealm, Devon, circa 1790, pen, black ink and watercolour on paper, signed Payne to centre of l...

* Powell (James & Sons). A small collection of original designs for stained glass, Whitefriars Glass Works, late 19th/early 20th century, together...

* Attributed to Thomas Charles Leeson Rowbotham (1823-1875) . Italian Lake Scene, possibly Lago Maggiore, 1850-60, watercolour on paper, watermark...

* Sasse (Richard, 1774-1849). Rustic Landscape with figures by an old mill, Switzerland, gouache with watercolour and pen and ink on paper, signed...

* Scott (Thomas, 1854-1927). Coastal scene with fisherwomen, 1881, watercolour, depicting a bonneted woman on a path beside the sea with a basket ...

* English School. Quarry workers with horses and carts, early 20th century, 3 colour chalk drawings on paper, unsigned, laid down on modern card, ...

* Stacey (Walter Sydney, 1846-1929). Landscape with fisherman by a rushing stream, watercolour on paper, signed W. S. Stacey to lower left, 52 x 6...

* Attributed to Archibald Thorburn (1860-1935). Study of a sparrowhawk, pen & brown ink on paper, depicting a bird of prey perched on the branch o...

* Toovey (Richard Gibbs Henry, 1861-1927). Farmhouses in Finistere, 1889, & Carting Seaweed, 1883, two watercolours heightened with gouache on pap...

* Underhill (Frederick Thomas, circa 1847-1897). English Summer Landscapes with Cottages and Cows Pasturing, a pair of watercolours on paper, each...

* Wells (Henry Tanworth, 1828-1903). Landscape with two girls and a pig, 1851, watercolour on paper, signed H. T. Wells and dated to lower left, 4...

* Attributed to Richard Westall (1765-1836). Joan of Arc bidding farewell to her family, watercolour with traces of pencil, depicting Joan of Arc ...

* Wilson (Thomas Walter, 1851-1912). Portrait of Colin Hunter ARA, pen, ink, & wash, half-length portrait half-profile to left of a bearded and be...

* Zichy (Mihaly von, 1827-1906). Bons Souvenirs, black and chalk on pale brown wove paper, signed lower left, one or two minor surface marks, shee...

* Alma-Tadema (Laurence, 1836-1912). The Parting Kiss, Munich: Franz Hanfstaengl, photogravure print after a painting by Alma-Tadema, depicting an...

* Alma-Tadema (Sir Lawrence, 1836-1912). A Silent Greeting, 1892, uncoloured etching by Leopold Lowenstam (1842 - 1898), published Stephen. J. Goo...

* Alma-Tadema (Sir Lawrence, 1836-1912). Welcome Footsteps, Arthur Tooth & Sons, 1888, uncoloured etching on india wove by Leopold Lowenstam (1842...

* Alma-Tadema (Sir Lawrence, 1836-1912). [The Convalescent], published J. S. Virtue & Co., 1896, uncoloured etching by Charles O. Murray (1842 - 1...

* Dighton (Richard, 1752-1814). Album of 78 hand-coloured caricatures, 1792-1812, 78 hand-coloured etched caricatures on wove paper, several leave...

* Herkomer (Hubert von, 1849-1914). The Lady in White (Miss Grant), 1887, uncoloured etching, an artist's proof, published by Obach & Co., with PS...

* Holman Hunt (William, 1827-1910) The Finding of the Saviour in the Temple, 1867, etching and engraving on chine colle, by Auguste Thomas Marie B...

* Hunt (William Holman, 1827-1910). The Shadow of Death, [1878], uncoloured mezzotint and mixed method engraving by Frederick Stacpoole (1813-1907...

* Leighton (Frederick, 1830-1896). Anita, 1879, mezzotint on india wove by Thomas Lewis Atkinson (1817–1898) after Frederick Leighton, published b...

* Leighton (Frederick, 1830-1896). Moretta - A Venetian Girl, 1876, uncoloured mezzotint by Samuel Cousins (1801-1887) after Frederick Leighton, p...

* Long (Edwin Longsden, 1829-1891). Merab, & Michal, 1890, a pair of mixed method proof engravings on india wove by Herbert Bourne (1825-1907) aft...

* Macbeth (Robert Walker, 1848 - 1910). In the Fens, Evening, 1887, uncoloured etching on chine collé, signed with monogram and dated 1887 in the ...

* Millais (John Everett, 1829-1896). The Order of Release, 1856, mezzotint by Samuel Cousins after J. E. Millais, a proof before letters on india ...

* Millais (John Everett, 1829-1896). The Minuet, 1868, mezzotint by Samuel Cousins after J.E. Millais, published by Henry Graves, July 17th 1868, ...

* Millais (John Everett, 1829-1896). A Huguenot on St Bartholomew's Day, 1857, mixed method engraving on chine collé, by Thomas Oldham Barlow, aft...

* After Albert Joseph Moore (1841-1893). Reading Aloud, circa 1900, electrotype printed in sanguine, after the oil painting of 1884, trimmed to im...

* Poynter (Edward John, 1836-1919). Helena and Hermia, A Midsummer Night's Dream, 1899, proof engraving by William Heydemann (1866-1917) after E. ...

* Ryall (Henry Thomas, 1811-1867). The Pursuit of Pleasure (A Vision of Human Life), 1864, uncoloured mixed method engraving by Henry Ryall after ...

* Sargent (John Singer, 1856-1925). Miss Jane Evans, 1899, photogravure by William H. Ward & Co. Ltd after the oil portrait by John Singer Sargent...

* Severn (Walter, 1830-1904). Nearing Home, 1861, etching on chine appliqué, published by Day & Son, December 1st 1861, as issued in Passages for ...

* Sant (James, 1820-1916). The Mirror, 1894, uncoloured mezzotint on india wove by Charles John Tomkins (1847-circa 1897), after James Sant, plate...

* After Frederick Walker (1840-1875). Phillip in Church, 1885, uncoloured etching by Hubert von Herkomer after Frederick Walker, published by The ...

* Watts (George Frederick, 1817-1904). A Greek Idyll, 1903, etching printed in sepia by Robert Walker Macbeth (1848 - 1910) after G.W. Watts, publ...

* Wilkie (David 1785-1841). The Flemish Mother, 1820, etching on chine collé, image size 174 x 146 mm (6.85 x 5.75 ins), plate size 225 x 182 cm (...

* MacNab (Iain, 1890-1967). French Market Place, etching on pale cream wove paper, signed in pencil lower right, plate size 275 x 370 mm (10.9 x 1...

* Austin (Robert Sargent, 1895-1973). The Wooden Bridge, Sottocastello, 1929, copper engraving on pale cream laid paper, signed in pencil, a very ...

* Barry (Claude Francis, 1883-1970). Windsor, 1926, aquatint on cream wove paper, lightly toned and with mount mark, titled in pencil lower left, ...

* Blampied (Edmund, 1886-1966). Purring and Snoring, 1921, etching with drypoint on pale cream wove paper, from the published edition of 100 proof...

* Blampied (Edmund, 1886-1966). The Vraic Season (The Seaweed Harvest), 1936, etching with drypoint on pale cream wove paper, from the edition of ...

* Brangwyn (Frank, 1867-1956). Sisteron, 1924, etching with drypoint on ivory laid paper, signed in pencil, plate size 150 x 120 mm (5.9 x 4.75 in...

* Briscoe (Arthur John Trevor, 1873-1943). Outward Bound, 1927, etching with drypoint on pale cream laid paper, printed with plate tone, from the ...

* Briscoe (Arthur John Trevor, 1873-1943). Casting Her Off, 1927, etching on off-white wove paper, printed with plate tone, from the published edi...