Fine Art, Old Master Drawings & Prints, Antiques & Textiles

* Guida (John, 1897-1965). Fashion illustration, 1931, watercolour, coloured pastels and pencil on thick wove paper, depicting an elegant female m...

* Guida (John, 1897-1965). Fashion illustration, 1931, watercolour, coloured pastels and pencil on thick wove paper, depicting an elegant female m...

* Guida (John, 1897-1965). Fashion illustration, 1931, watercolour, coloured pastels, pencil and charcoal on thick wove paper, depicting an elegan...

* Morland (Henry Robert, 1716-1797). Girl with a Candle, circa 1765-70, colour pastels on paper, laid down on canvas, 56 x 43.5 cm (22 x 17.1 in) ...

* Follower of Albrecht Durer (1471-1528). Hercules, 16th century, pen and brown ink on laid paper, single rule border to outer edges, some surgace...

* Circle of Paolo Veronese (1528-1588). Kneeling Saint receiving a scroll and blessing from the Pope, circa 1550-1600, pe n and brown ink on laid ...

* Circle of Peter Paul Rubens (1577-1640). The Trinity, after Durer, pen and brown ink with brown wash on paper, with inscription in brown ink to ...

* North Italian School. The Angel in the Carpenter's Shop, circa 1600-1625, black chalk on cream laid paper, some marks and light soiling, several...

* Attributed to Mauro Gandolfi (1764-1834). Studies of Male Heads in Profile, pen, brown ink and brown wash on two sheets of laid paper, each insc...

* Saint-Aubin (Gabriel-Jacques de, 1724-1780). Young woman seated, holding a fan in her right hand, black and white chalk on blue prepared paper, ...

* French School. Male Nude throwing a man against rocks, later 17th or early 18th century, red chalk on laid paper, with watermark of a Strasburg ...

* French School. A collection of 17 studies of male and female figures, circa 1725-50, all on blue laid paper, depicting male and female standing ...

* Durer (Albrecht). Bagpiper, 1514, copper engraving on laid paper, trimmed (slightly unevenly) just inside the plate mark, closed tear to centre ...

* Grien (Hans Baldung, 1484-1545). The Last Judgement, circa 1505-07, woodcut on laid paper, the second state (of 2) with the address of Durer add...

* Trento (Antonio Da, 1508-1550). The Tiburtine Sibyl showing the Virgin and Child to Augustus (after Parmigianino), circa 1527-1530, chiaroscuro ...

* Both (Jan Dircksz , circa 1618-1652). The Hinny Drover, Via Appia, etching on laid paper, a rare proof before the addition of artist's name to l...

* Callot (Jacques, 1592-1635). Le mendiant aux bequilles et a la besace, La borgnesse, Le mendiant obese aux yeux baissés, La mendiante aux bequil...

* Couvay (Jean, 1622-1675/80) . Le Palais des Facultés de l'Ame (after Grégoire Huret, 1606-1670), circa 1640, copper engraving on laid paper, pub...

* Galle (Cornelis, the Elder, 1576 - 1656). Four Fathers of the Church (after Peter Paul Rubens), engraving on laid paper, published by Gillis Hen...

* Goltzius (Hubert, 1526-1583). Portrait of Antonio Moro, painter to Philip II of Spain, oval copper engraving on laid paper, with printed text to...

* Jegher (Christoffel, 1596-1652/53). The Coronation of the Virgin (after Rubens), 1633, woodcut on laid paper, trimmed to outer black border, a f...

* Le Sueur (Nicolas, 1691-1764). The Rape of Europa, circa 1740, chiaroscuro woodcut on laid paper, after Paulo Farinati (1524-1606), printed in l...

* Ostade (Adriaen van, 1610-1685). Bust of a Laughing Peasant, circa 1636, Bust of a Peasant, circa 1636, & The Smoker, circa 1640, three etchings...

* Piranesi (Giovanni Battista, 1720-1778). Veduta interna del Sepolcro di S. Costanza ..., 1756, etching printed on laid paper, with double ring f...

* Prestel (Johann Gottlieb, 1739-1808). Saint Francis, Catherine and Jerome, 1786, chiaroscuro woodcut printed in pale green, blue, brown and blac...

* Rembrandt (Harmensz van Rijn, 1606-1669). Self Portrait, Drawing at a Window, 1648, etching and drypoint on laid paper, a good impression of New...

* Rembrandt (Harmensz Van Rijn, 1606-1669). Self-Portrait with Raised Sabre, 1634, etching on laid paper, a later impression, with reworking, some...

* Rembrandt (Harmensz van Rijn, 1606-1669). The Flight into Egypt (Small Plate), 1633, etching on laid paper, with light surface tone, ink stamps ...

* Reni (Guido, 1575-1642). Virgin and Child, with Saint Claire (after Annibale Caracci), etching on laid paper, trimmed just inside the plate mark...

* Stock (Andries Jacobsz, circa 1580-circa 1648). Portrait of Hans Holbein, fine copper engraving, trimmed to plate margins, 224 x 169 mm (8.8 x 6...

* Tiepolo (Giovanni Battista, 1696-1770). Standing Woman and Seated Man (from Vari Capricci), etching on laid paper, without watermark, a very goo...

* Van Dyck (Anthony, 1599-1641). Portrait of Pieter Breughel the Younger, circa 1632, etching on laid paper, light overall mount stain, laid down ...

* Fisher (Edward, 1722-1785). Portrait of Kitty Fisher as Cleopatra, [circa 1752], mezzotint on laid paper, proof before letters, a rich, dark, ve...

* McArdell (John, 1729-1765). Girl with Watch and Fan, circa 1760, mezzotint on laid paper, proof before letters, a rich, velvety impression befor...

* Hoppner (John, 1758-1810, & Wilkin, Charles, 1750-1814). Portraits of Ladies of Rank and Fashion... executed in a manner to unite the high finis...

* Goya (Francisco, 1746-1828). Disparate Furioso (Furious Folly), from Los Proverbios, circa 1815-1823, etching with burnished aquatint, from the ...

* Goya (Francisco, 1746-1828). Los moros hacen otro capeo en plaza con su albornoz (The moors made a different play in the ring [calling the bull]...

* [Bewick, Thomas, 1753-1828]. A collection of 45 various 17th, 18th and 19th century etchings and engravings once owned by the artist and engrave...

* Circle of Tommaso Minardi (1787-1871). A pair of drawings of female figures, pencil on laid paper, one a full-length profile to right of a femal...

* Leys ( Hendrik , 1815-1869). Gerrit Six in Rembrandt's Studio, oil on wood panel, signed lower left, large wax seal to reverse of the panel, and...

* Whistler (James Abbot McNeill , 1839-1903). Billingsgate, 1859, etching on cream laid paper, signed and dated in the plate, as issued in Philip ...

* McBey (James, 1883-1959). Sunrise at Tarragona, 1911, etching with drypoint on cream laid paper, signed in ink and inscribed to William Hutchiso...

* Shannon (Charles Haslewood, 1863-1937). The Sea Coast, lithograph printed in brown on pale cream wove paper, light mount stain, signed in pencil...

* Shannon (Charles Haslewood, 1863-1937). Romantic Landscape, 1893, lithograph on laid paper, published in The Dial, October 1893, with artist's n...

* Pissarro (Lucien, 1863-1944). Les Lavandieres (Le Lavoir), 1897, colour wood engraving printed from four blocks, a very good impression on ivory...

* Wood (William Thomas, 1877-1958). Searchlights over London, 1915, lithograph with hand-colouring by the artist, showing searchlights over the Th...

* Armitage (Jean, 1895-1988). Great Spotted Woodpecker, colour woodcut, printed in an edition of 50 impressions, signed, titled and numbered 1/50 ...

* Bartlett (Charles William, 1860-1940). Ushibuse, 1916, colour woodcut, rectangular artist's seal CWB, signed in red pencil to lower margin, and ...

* Bauer (Marius, 1867-1932). Mecca Pilgrims, 1892, etching on laid paper, signed with initials in pencil, and numbered 40 lower left, some overall...

* Bone (Muirhead, 1876-1953). The Apse, Leon Cathedral, Spain, 1932, etching and drypoint on off-white paper, a strong rich impression, signed low...

* Boxsius (Sylvan G., 1878-1941). At Winchelsea, colour woodcut, titled lower left, signed in pencil lower right, image size 15 x 10cm (6 x 4ins),...

* West, Joseph Walter, 1860-1933. 'Salvage', 1915, lithograph printed in dark brown-black on thin laid paper, signed and titled in pencil, very li...

ARR * Drury (Paul, 1903-1987). Head of a Young Woman, 1930, etching and engraving on wove paper, published in an edition of 100 impressions by the...

* Giles (William, 1872-1939). Quedlinburg-Am-Harz, 1909, colour woodblock, a proof aside from the published edition, signed in pencil to lower mar...

* Gill (Eric, 1882-1940). Earth Receiving (from Procreant Hymn), 1926, copper engraving on cream laid paper, from the edition of 15 impressions, s...

* Gross (Anthony, 1905-1984). Chateau Correze, copper etching on thick Arches wove paper, printed by the artist's daughter, Mary West, at the arti...

* Gwynne-Jones (Allan, 1892-1982). Horses watering in the farmyard, 1928, etching on ivory handmade wove paper, signed lower right, plate size 30....

* Kuh (Wilhelm Friedrich, 1886-1967). Goats on a mountain top, 1923, colour woodcut on laid paper, signed, dated and marked 'Orig. Handdruck No. 1...

* Leighton (Clare, 1898-1989). Evening at Cavtat, Croatia,1927, wood engraving, on ivory paper, Sa very good impression, from the published editio...

* Lewis (John, 1912-1996). Young Couple in a Bar, 1934, wood engraving on pale cream wove paper, signed and dated in pencil to lower margin, image...