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*Holloway (Edgar, 1914-2008). Llanthony Tertia, Capel-y-Ffin, 1970, etching on paper, signed and
*Holloway (Edgar, 1914-2008). Llanthony Tertia, Capel-y-Ffin, 1970, etching on paper, signed and numbered 42/50 in pencil, plate size 22.7 x 15 c...
*Hughes-Stanton (Blair, 1902-1981). The Ship, 1931, wood engraving on pale cream wove, an artist's
*Hughes-Stanton (Blair, 1902-1981). The Ship, 1931, wood engraving on pale cream wove, an artist's proof, signed, dated '31 and marked 'Chap 29 A...
*Kernoff (Harry Aaron, 1900-1974). Leprechaun, 1935, woodcut on wove paper, signed, titled and dated
*Kernoff (Harry Aaron, 1900-1974). Leprechaun, 1935, woodcut on wove paper, signed, titled and dated in pencil, short closed tear to lower left b...
Leighton (Clare, 1898-1989). The Farmer's Year, A Calendar of English Husbandry, written and
Leighton (Clare, 1898-1989). The Farmer's Year, A Calendar of English Husbandry, written and engraved by Clare Leighton, 1st edition, Collins, 193...
*Meryon (Charles, 1821-1868). Le Petit Pont, 1858, etching on wove paper, a 19th century impression,
*Meryon (Charles, 1821-1868). Le Petit Pont, 1858, etching on wove paper, a 19th century impression, trimmed to plate margin, 262 x 190 mm (10.3 x...
*Noske (Hugo, 1886-1960). Still life with vase of chrysanthamums, & Cyclamen in a vase, two colour
*Noske (Hugo, 1886-1960). Still life with vase of chrysanthamums, & Cyclamen in a vase, two colour woodcuts, circa 1930s, the first signed in penc...
*O'Connor (John Scorror, 1913-2004). Cockle Boats, wood engraving on Zerkall mould-made paper,
*O'Connor (John Scorror, 1913-2004). Cockle Boats, wood engraving on Zerkall mould-made paper, printed at the Rocket Press, and published by Meri...
*O'Connor (John Scorror, 1913-2004). Boy Bathing, wood engraving on Zerkall mould-made paper,
*O'Connor (John Scorror, 1913-2004). Boy Bathing, wood engraving on Zerkall mould-made paper, printed at the Rocket Press, and published by Meriv...
*Orpen (Sir William, 1878-1931). Sewing the Seed, Winner, Breeze, The Bather, & After Bathing, 1913,
*Orpen (Sir William, 1878-1931). Sewing the Seed, Winner, Breeze, The Bather, & After Bathing, 1913, 5 photolithographs, each with printed title ...
*Palmer (Samuel, 1805-1881). The Early Ploughman, etching on laid paper, with partial shield and
*Palmer (Samuel, 1805-1881). The Early Ploughman, etching on laid paper, with partial shield and crown watermark, the 8th state (of 9), image siz...
*Parker (Mordaunt Mauleverer, 1891-1970). The Belfry, & The Corner Tower, circa 1920s, two woodcuts on paper, both views of ancient Chinese archi...
*@Raverat (Gwen, 1885-1957). Child Stealers, 1909, wood engraving on pale cream laid paper, signed
*@Raverat (Gwen, 1885-1957). Child Stealers, 1909, wood engraving on pale cream laid paper, signed and titled in pencil, image size 10.3 x 15.3 c...
*Ravilious (Eric, 1903-1942). Three Vignettes from Thrice Welcome, wood-engraving on velin d'
*Ravilious (Eric, 1903-1942). Three Vignettes from Thrice Welcome, wood-engraving on velin d'Arches paper, from the edition of 500 printed by Ian...
*Ravilious (Eric, 1903-1942). Children in a Park, wood-engraving on hand-made Japanese vellum paper,
*Ravilious (Eric, 1903-1942). Children in a Park, wood-engraving on hand-made Japanese vellum paper, from the edition of 100 printed by Ian Morti...
*Ravilious (Eric, 1903-1942). Boy Bird's Nesting, wood-engraving on Zerkall wove paper, from the
*Ravilious (Eric, 1903-1942). Boy Bird's Nesting, wood-engraving on Zerkall wove paper, from the edition of 500 printed by Ian Mortimer from the ...
*Ravilious (Tirzah, 1908-1951). The Dog Show, & The Crocodile, two wood engravings on Zerkall wove
*Ravilious (Tirzah, 1908-1951). The Dog Show, & The Crocodile, two wood engravings on Zerkall wove paper, both from an edition of 500 printed by ...
*Ray-Jones (Raymond, 1886-1942). Self-portrait wearing a hat, 1915-21, etching on laid paper, with
*Ray-Jones (Raymond, 1886-1942). Self-portrait wearing a hat, 1915-21, etching on laid paper, with watermark F.J. Head & Co. partially visible to...
*Rops (Felicien, 1833-1898). La Poup‚e du Satyre, 1888, etching on japon, signed with initials in
*Rops (Felicien, 1833-1898). La Poup‚e du Satyre, 1888, etching on japon, signed with initials in red crayon, plate size 15.2 x 12.7 cm (6 x 5 in...
*Rushbury (Henry George, 1889-1968 ). City of Durham, 1934, etching and drypoint on wove paper, from
*Rushbury (Henry George, 1889-1968 ). City of Durham, 1934, etching and drypoint on wove paper, from the edition of 75, signed in pencil, plate s...
*Sime (Sidney Herbert, 1867-1941). The Gate of Heaven: A Christmas Nightmare, etching on japan,
*Sime (Sidney Herbert, 1867-1941). The Gate of Heaven: A Christmas Nightmare, etching on japan, the 8th state, printed by the artist at his press...
*Soper (George, 1870-1942). At The Boatyard, circa 1913-14, etching on thin japon paper, signed
*Soper (George, 1870-1942). At The Boatyard, circa 1913-14, etching on thin japon paper, signed and inscribed in pencil 'To Mr & Mrs A Knight, Xm...
*Taylor (Charles William 1878-1960). Beyond Chadwell St Mary (Essex), etching, signed and numbered
*Taylor (Charles William 1878-1960). Beyond Chadwell St Mary (Essex), etching, signed and numbered 5/53 in the margin, plate size 23 x 18cm (9 x ...
*Benenson (Leslie Charlotte, 1941- ). Charolais Bull, 1964, wood engraving on pale cream wove paper,
*Benenson (Leslie Charlotte, 1941- ). Charolais Bull, 1964, wood engraving on pale cream wove paper, an artist's proof, signed, dated, titled and...
*Amarasekara (Abraham Christopher Gregory Suriarachi, 1883-1959). Evening, 1928, etching on laid
*Amarasekara (Abraham Christopher Gregory Suriarachi, 1883-1959). Evening, 1928, etching on laid paper, printed in red-brown, signed, dated and t...
*@Tunnicliffe (Charles Frederick, 1901-1979). Cattle Market, Waters Green, Cheshire, circa 1935,
*@Tunnicliffe (Charles Frederick, 1901-1979). Cattle Market, Waters Green, Cheshire, circa 1935, etching on cream laid paper, from the published ...
*@Tunnicliffe (Charles Frederick, 1901-1979). The Kestrel, 1927, etching with drypoint on laid
*@Tunnicliffe (Charles Frederick, 1901-1979). The Kestrel, 1927, etching with drypoint on laid paper, from the published edition of 75 impression...
*Walcot (William, 1874-1943). The Thames from Waterloo Bridge, 1913, etching on cream wove paper,
*Walcot (William, 1874-1943). The Thames from Waterloo Bridge, 1913, etching on cream wove paper, with plate tone, from the published edition of ...
*Walcot (William, 1874-1943). Lower Manhattan (The Woolworth Building) New York, circa 1923, etching
*Walcot (William, 1874-1943). Lower Manhattan (The Woolworth Building) New York, circa 1923, etching on paper, signed and titled in pencil to mar...
*Ward (Lynd, 1905-1985). The Hermit (from Wild Pilgrimage), 1932, wood engraving on wove paper,
*Ward (Lynd, 1905-1985). The Hermit (from Wild Pilgrimage), 1932, wood engraving on wove paper, signed and dated in pencil lower right, image siz...
*Brett (Simon, 1943-). The Ugly Beast, wood engraving on Zerkall mould-made paper, printed at the
*Brett (Simon, 1943-). The Ugly Beast, wood engraving on Zerkall mould-made paper, printed at the Rocket Press, and published by Merivale Edition...
*Bewick (Thomas, 1753-1828). Three Dogs (The Bulldog, The Small Water Spaniel and A Terrier), 3 wood
*Bewick (Thomas, 1753-1828). Three Dogs (The Bulldog, The Small Water Spaniel and A Terrier), 3 wood engravings printed on one sheet of Barcham G...
*Clarke (Graham, 1941-). Are They? 1984, colour etching, showing the artist's home at Christmas,
*Clarke (Graham, 1941-). Are They? 1984, colour etching, showing the artist's home at Christmas, signed, titled and numbered 60/300, plate size 3...
*Clarke (Graham, 1941-). Steamers, 1986, colour etching, from the History of England series, signed,
*Clarke (Graham, 1941-). Steamers, 1986, colour etching, from the History of England series, signed, titled and numbered 99/200 with Portfolio Ed...
*Clarke (Graham, 1941-). Dingly Dell, 1973, colour etching, signed, titled and numbered 64/75, plate
*Clarke (Graham, 1941-). Dingly Dell, 1973, colour etching, signed, titled and numbered 64/75, plate size 33.5 x 53.5cm (13.25 x 21ins), framed a...
*Clarke (Graham, 1941-). Lady of Shallot, 1992, colour etching, signed, titled and numbered 167/350,
*Clarke (Graham, 1941-). Lady of Shallot, 1992, colour etching, signed, titled and numbered 167/350, plate size 35 x 44cm (13.75 x 17.25ins), fra...
*Clarke (Graham, 1941-). Etching and the Prints of Whales, 1997, colour etching, signed, titled
*Clarke (Graham, 1941-). Etching and the Prints of Whales, 1997, colour etching, signed, titled and numbered 27/300, plate size 24.5 x 21.5cm (9....
*Clarke (Graham, 1941-). Ightham Mote (Kent), 1984, colour etching, signed, titled and numbered
*Clarke (Graham, 1941-). Ightham Mote (Kent), 1984, colour etching, signed, titled and numbered 149/350, plate size 27 x 34cm (10.5 x 13.25ins), ...
*@Clarke (Graham, 1941-). Hobby Horse, watercolour and ink on paper, signed lower right, some
*@Clarke (Graham, 1941-). Hobby Horse, watercolour and ink on paper, signed lower right, some spotting and discolouration, 18 x 23cm (7 x 9ins) m...
*@Clarke (Graham, 1941-). Peapot, watercolour on paper, signed lower right, 18 x 21.5cm (7 x 8.
*@Clarke (Graham, 1941-). Peapot, watercolour on paper, signed lower right, 18 x 21.5cm (7 x 8.5ins), framed and glazed (1) ...[more]
*@Clarke (Graham, 1941-). Self portrait of the artist, pen and ink on paper, signed twice, 28 x 21cm
*@Clarke (Graham, 1941-). Self portrait of the artist, pen and ink on paper, signed twice, 28 x 21cm (11 x 8.25ins), framed and glazed (1) ...[...
*Clarke (Graham, 1941-). Lloyds Bookshop, Wimbledon, circa 1960s, colour linocut, signed, titled and
*Clarke (Graham, 1941-). Lloyds Bookshop, Wimbledon, circa 1960s, colour linocut, signed, titled and numbered 10/20, plate size 45 x 61cm (17.75 ...
*@Clarke (Graham, 1941-). Timber Lane, 1969, black ink and watercolour on board, with varnish,
*@Clarke (Graham, 1941-). Timber Lane, 1969, black ink and watercolour on board, with varnish, signed lower left, 60 x 78.5 cm (23.5 x 31 ins), f...
*@Aitchison (Craigie, 1926-2009). Daffodils and Candlestick, 1998, colour screenprint on wove paper,
*@Aitchison (Craigie, 1926-2009). Daffodils and Candlestick, 1998, colour screenprint on wove paper, from the edition of 75, signed in white ink ...
*Art Deco. Nuit … Venise, & Veneziana, by S. Chompre, circa 1930, two colour pochoir prints on
*Art Deco. Nuit … Venise, & Veneziana, by S. Chompre, circa 1930, two colour pochoir prints on wove paper, from the published edition of 500, eac...
*Bawden (Edward, 1903-1989). Campions and Columbines, colour linocut on handmade paper, printed from
*Bawden (Edward, 1903-1989). Campions and Columbines, colour linocut on handmade paper, printed from the original block by Sebastian Carter at Ra...
Brunsdon (John, 1933-2014). Chesil Beach at Portland, colour etching with aquatint, signed, titled
Brunsdon (John, 1933-2014). Chesil Beach at Portland, colour etching with aquatint, signed, titled and numbered 131/150, plate size 45.5 x 60 cm ...
*@Chagall (Marc, 1887-1985). So I came forth out of the sea and sat down on the edge of an island, (plate 5 from Four Tales from the Arabian Night...
@Emin (Tracey, 1963- ). The Stain, 2007, 16-page lithographed booklet, issued by the British Council
@Emin (Tracey, 1963- ). The Stain, 2007, 16-page lithographed booklet, issued by the British Council for the 2007 Venice Biennale, stitched as is...
*@Fedden (Mary, 1915-2012). Oppede Le Vieux, 2006, off-set colour lithograph, signed and numbered
*@Fedden (Mary, 1915-2012). Oppede Le Vieux, 2006, off-set colour lithograph, signed and numbered 74/150 in pencil, image size 27.5 x 36.5 cm (10...
*@Fedden (Mary, 1915-2012). Fourteen, 2008, off-set colour lithograph, signed and numbered 40/50
*@Fedden (Mary, 1915-2012). Fourteen, 2008, off-set colour lithograph, signed and numbered 40/50 in pencil, image size 18 x 24 cm (7.1 x 9.5 ins)...
*@Foujita (Tsuguharu, 1886-1968). Jeune fille … la rose, 1925, etching with drypoint on heavy
*@Foujita (Tsuguharu, 1886-1968). Jeune fille … la rose, 1925, etching with drypoint on heavy cream paper, a later impression, unsigned, plate si...
*@Frink (Elisabeth, 1930-1993). Ganymede (from the series Children of Gods), 1988, etching with
*@Frink (Elisabeth, 1930-1993). Ganymede (from the series Children of Gods), 1988, etching with aquatint, on wove paper, from the edition of 70, ...
*@Frost (Terry, 1915-2003). Untitled (Laced III), 1994, colour screenprint on two sheets of Arches, joined with leather lace, printed at Coriande...
*Gentleman (David, 1930-). King's College, Cambridge, colour lithograph, a proof aside from the
*Gentleman (David, 1930-). King's College, Cambridge, colour lithograph, a proof aside from the published edition of 200, signed in pencil lower ...
*Gentleman (David, 1930-). Iron Bridge, 1971-72, colour lithograph, printed by Curwen Studio, from
*Gentleman (David, 1930-). Iron Bridge, 1971-72, colour lithograph, printed by Curwen Studio, from the Ironbridge series, signed and numbered 156...
*Gentleman (David, 1930-). Miles Brewton House, Charleston (from The Charleston Suite), 1971-72
*Gentleman (David, 1930-). Miles Brewton House, Charleston (from The Charleston Suite), 1971-72 colour lithograph on thick wove paper, printed by...
*Gentleman (David, 1930-). Gaillard-Bennett House (from The Charleston Suite), 1971-72, colour
*Gentleman (David, 1930-). Gaillard-Bennett House (from The Charleston Suite), 1971-72, colour lithograph on thick wove paper, printed the Curwen...
*Gilbert & George, 20th-21st Century. Dirty Words Pictures, Serpentine Gallery, 6 June-1 September
*Gilbert & George, 20th-21st Century. Dirty Words Pictures, Serpentine Gallery, 6 June-1 September 2002, two colour reproduction posters, each si...
*@Hughes (Patrick, 1939-). The Bricks Were Used To Make A House, 1976, colour screenprint, signed
*@Hughes (Patrick, 1939-). The Bricks Were Used To Make A House, 1976, colour screenprint, signed titled and dated to verso, 71 x 51 cm (28 x 20 ...
*@Inshaw (David, 1943-). Honeystreet (from the series Wiltshire Landscapes), 1992, etching and
*@Inshaw (David, 1943-). Honeystreet (from the series Wiltshire Landscapes), 1992, etching and aquatint in 9 colours on Moulin Gue paper, an arti...