DAY 1 : PAINTINGS, WATERCOLOURS & PRINTS --------- DAY 2 : ANTIQUES & 20TH CENTURY DECORATIVE ART & DESIGN

*De Morgan (Evelyn, 1855-1919). Figure study for The Christian Martyr, pencil on card, depicting a full-length female figure against a wooden cros...

*De Morgan (William, 1839-1917). Stained glass window designs, together four pen, ink, & watercolour designs on card, all dusty, comprising: a des...

*Richmond (William Blake, 1842-1921). Study of a hand holding a glove, a red chalk on pale blue-grey paper, with touches of white chalk, 21.5 x 1...

*John Hardman & Co. (1838-2008). The glass plate negatives archive of the firm of John Hardman & Co, Birmingham, circa 1860-1920, comprising over...

*AR Anderson (Stanley, 1884-1966 ). Quai Duperré, La Rochelle, 1928, drypoint etching on Milbourn British handmade pure rag paper, one of 85 pub...

*AR Anderson (Stanley, 1884-1966 ). A Devon barn, 1922, miniature etching on cream wove paper, the second state (of 3), before the published edi...

*Arms (John Taylor, 1887-1953). The Church of St. Francis and the Natizone, Cividale, 1931, etching on pale cream laid paper, from the published ...

*Austin (Robert Sargent, 1895-1973). The Cathedral, Palma, 1927, etching on cream laid paper, a signed proof printed in brown ink, signed and dat...

*Austin (Robert Sargent, 1895-1973). Cat and Mandolin, 1925, copper engraving on cream laid paper, the second published state (of 2), printed in ...

*Beaumont (Leonard, 1891-1986). Spanish Townscape, etching, signed and numbered 30/75, framed and glazed, together with other various etchings (...

*Benson (Frank Weston, 1862-1951). Three Geese, 1931, lithograph on wove paper, from the edition of 10, signed in pencil lower left, image size 2...

*Besnard (Albert, 1849-1934). Reverie, 1887, etching and aquatint on cream laid paper, the second state (of 2), printed in an edition of around 7...

*Beurdeley (Jacques, 1874-1954). Barques de peche au repos (Tamise), etching with drypoint on laid paper, from the published edition of 50, a go...

*AR Bone (Sir David Muirhead, 1876-1953). The Convent of San Payo, Santiago de Compostela, Spain 1929, drypoint etching on cream laid simili Jap...

*AR Bone (Sir David Muirhead, 1876-1953). The Shot Tower, 1904, drypoint etching on cream laid paper, the 5th and final published state, printed...

*AR Bone (Sir David Muirhead, 1876-1953). The East Breast, Greenock, 1900, etching with drypoint on wove paper, one of approximately 30 impressi...

*AR Bone (Sir David Muirhead, 1876-1953). Old Linlithgow, Scotland, 1901, etching on pale grey-brown paper, one of only two known impressions, i...

*Brammer (Leonard Griffiths, 1906-1994). Evening Landscape, Five Towns, 1932, etching and mezzotint on cream wove paper, a signed proof, a rich i...

*AR Brockhurst (Gerald Leslie, 1890-1978). Ranunculus, 1921, etching on cream wove paper, from the edition of 76 proofs, published September 192...

*AR Brockhurst (Gerald Leslie, 1890-1978). Phémie, 1923, etching on laid paper, one of 76 proofs published in 1924, signed in pencil, plate size...

*AR Brockhurst (Gerald Leslie, 1890-1978). Corinne, 1925, etching on cream laid paper, one of 106 proofs of the fifth state published December 1...

*AR Brockhurst (Gerald Leslie, 1890-1978). The Black Silk Dress, 1927, etching on wove paper, one of 111 proofs published August 1927, signed in...

*Brockway (Harry, 1957-). Essays, Or, Counsels, Civil and Moral, by Francis Bacon, Folio Society, 2002, series of 38 wood engravings, each signed...

*AR Buckland Wright (John, 1897-1954). Composition No. 5, 1935, wood engraving on japon paper, from the edition of 30 (but only 22 printed), sig...

*Buhot (Felix, 1847-1898). Les Petites Chaumieres, 1878, etching, drypoint, aquatint and roulette on laid paper, an excellent impression, signed ...

*Buhot (Felix, 1847-1898). La Ronde de Nuit, 1878, etching and drypoint on wove paper, signed and inscribed 'planche detruite' by the artist in p...

*Calvert (Edward, 1799-1883). The Brook, 1829, wood engraving on light grey-brown wove paper, as issued in A Memoir of Edward Calvert, Artist, b...

*Cameron (David Young, 1865-1945). The Fisher's Hut, etching with drypoint on laid paper, signed in pencil, plate size 12.5 x 26 cm (4.9 x 10.25 ...

*Cameron (David Young, 1865-1945). The Workshop, 1905, etching and drypoint on thin laid paper, a strong contrasted impression with plate tone, s...

*Cameron (David Young, 1865-1945). Souvenir d'Amersterdam, 1915-30, etching and drypoint on laid paper, published in an edition of 60, a very goo...

*Cameron (David Young, 1865-1945). The Avenue, Gargunnock, 1905, etching with drypoint printed in very dark brown ink on simile Japan paper, the ...

*Cameron (David Young, 1865-1945). The Horse Guards, 1899, etching on white paper, printed with plate tone, the third state, signed in pencil, pl...

*Clausen (Sir George, 1852-1944). Little Meg, 1892, etching on pale blue-grey paper, margins trimmed, sheet size 12 x 8.4 cm (4.75 x 3.3 ins), mo...

*Copley (John, 1875-1950). An Old Genovese, 1927, etching on pale grey paper, the second state (only impression in this state), signed in pencil,...

*AR Anderson (Stanley, 1884-1966 ). Les Arcades, Dieppe, etching, signed, small worm track to lower righthand plate mark, and pin hole towards l...

*Anderson (Stanley, 1884-1966 ). La Lieutenance, Honfleur, 1926, drypoint etching on cream wove paper, from the published edition of 60 proofs, s...

*Craig (Edward Gordon, 1872-1966). A collection of 20 proof wood engravings on thin tissue for the illustrations to Robinson Crusoe, 1939-44, a g...

*Craig (Edward Gordon, 1872-1966). Nine woodcuts, on thin light brown wove paper (except one on thin pale cream wove paper), all unsigned proofs,...

*Dawson (Nelson Ethelred, 1859-1941). Campanile Tower, Venice, soft-ground etching on laid paper, signed in pencil, plate size 23.8 x 17.3 cm (9....

*Drake-Brookshaw (Percy, 1907-1993). Calvi, Corsica, artist proof lithograph on Japanese tissue depicting a figure descending a passage way to th...

*Drake-Brookshaw (Percy, 1907-1993). Art students drawing in class, lithograph on Japanese tissue, signed and indistinctly dated 1936 to lower mar...

No Lot

*AR Evans (Merlyn Oliver, 1910-1973). Eurydice, 1956, etching with drypoint on heavy wove paper, a strong, rich impression, signed, titled and n...

*Fitton (Hedley, 1859-1929). The Bell Tower, St. Etienne, Beauvais, 1910 & Tour de l'Horloge, Amboise, two etchings on laid paper, watermarked O....

*Forain (Jean-Louis, 1852-1931). Similitudes, 1880, etching and drypoint, a later impression on pale green wove paper, plate size 14.7 x 10 cm (5...

*Francais (Francois Louis, 1814-1897). Baigneuses, lithograph on paper after Alexandre Gabriel Decamps (1803-1860), printed by Imprimerie Bertaut...

*Fry (Roger, 1866-1934). St. Jacques, Dieppe, 1927, lithograph on paper, small puncture to upper left corner, sheet size 64 x 42 cm (25.25 x 16.5...

*Gibbings (Robert John, 1889-1958). Sitting Out, 1929, woodcut on laid paper, watermarked Hand Made, signed in pencil, image size 12.8 x 11.3 cm ...

*Gill (Eric, 1882-1940). Divine Lovers I, 1922, wood engraving, image size 90 x 75 mm (3.5 x 3 ins), framed and glazed, with Goldmark Gallery lab...

*Goff (Robert Charles, 1837-1922). Mosque Entrance, Boulag, near Cairo, etching on wove paper, signed in pencil, plate size 30 x 22.7 cm (11.75 x...

*Grant (Duncan James Corrour, 1885-1978). Trees in Summer, etching on handmade paper, watermarked New York, signed in ink lower right, some light...

*Griggs (Frederick Landseer, 1876-1938). The Quay, 1916, etching on antique laid paper, the third state (of 3), from the edition of 40 published ...

*Gross (Anthony, 1905-1984). The Mule Cart, 1924, etching with drypoint on laid paper, signed, dated and titled in pencil, 14.5 x 26 cm (5.75 x 1...

*Gurschner (Herbert, 1901-1975). A collection of 12 uncoloured woodcuts of Tyrolean landscapes with figures in the snow, church processions, an ex...

*Guthrie (James, 1859-1930). Sunrise after the storm, pen and black ink on card, artist's monogram lower left, 11.8 x 11.6 cm (4.7 x 4.6 ins), fr...

*Haden (Francis Seymour, 1818-1910 ). Horsley's Cottages, 1865, etching with drypoint, with plate tone, signed in pencil, plate size 17.5 x 25 cm...

*Haden (Francis Seymour, 1818-1910 ). Early Morning, Richmond Park, 1859, etching and drypoint on thin laid paper, the third state (of 3), as iss...

*Haden (Francis Seymour, 1818-1910 ). Penton Hook, 1864, etching on old laid paper, a rare touched proof, signed in pencil lower right, a fine im...

*Haden (Francis Seymour, 1818-1910 ). Kensington Gardens, No. II (Large Plate), 1860, etching with drypoint on chine colle, signed, as issued in ...

*Haden (Francis Seymour, 1818-1910 ). Egham Lock, 1859, etching on laid paper, with light plate tone, a signed proof aside from the Gazette des B...